Downtown
Bazil Lyrics

DOWNTOWN
Repeating the word "downtown" to indicate a shift in setting or situation, usually to an urban area.

DOWNTOWN
Repeating the word "downtown" to indicate a shift in setting or situation, usually to an urban area.

HEY YO NAAMAN WHAT YOU TELL THE PEOPLE DEM ? WE RUN THE THINGS MAN AH RUN THEM AROUND
Asking Naaman to confirm that they are in charge and control the situation completely.

A TRUE, ALRIGHT, BOOM
Expressing affirmative agreement in a casual and relaxed manner.

COME INNA PLACE AND YOU KNOW YES WE READY NOW ALLA THE GIRLS LOVE MI SOUND PON THE STEREO SOUNDBWOY FALL LIKE A SET OF DOMINO
Asserting readiness and confidence in being able to please the crowd musically, causing even the toughest men to fall and enjoy.

THIS A NAAMAN AND BAZIL PON THE STEREO
Acknowledging that Naaman and Bazil are the ones providing the music on the sound system.

NEVER KNOW WE COULD STRONG AND A STEADY SO CUZ YES WE DID A FALL DOWN BUT WE BACK ENUH SO UNO GET AND DANCE AND WE READY NOW BREDDA NAAMAN COME FI SING HEY
Reflecting on the fact that they were able to overcome adversity and be more resilient than they thought, asking Naaman to commence singing so that the crowd can dance to their music.

DOWNTOWN WE DEH YAH DOWNTOWN
Emphasizing that they are present and active in the urban area.

RUN THE THINGS MAN A RUN DEM AROUND DOWNTOWN WE DEH YAH DOWNTOWN
Asserting that they have a lot of power and control over the area, and are making things happen in the urban environment.

AH THE NUMBER ONE SOUND
Proclaiming themselves to be the best sound system in the area.

MISTER NAAMAN TELL DEM WOY
Addressing Naaman as the one who should speak and convey a message to the crowd.

EVERYWHERE AROUND THE PEOPLE LIKE TO BE A PART OF ONE FUSS
Noting that people in the area prefer to unite and participate in a common activity or event rather than be at odds.

WHO A DI MASTER WANNA KNOW WHO A DI BOSS
Posing a rhetorical question to the crowd about who is the best and most successful in their field.

TELL DEM THE TRUTH WE GOT NO TIME FI DISCUSS
Admitting that there is no need to argue or debate the facts about who is the best.

CITY RUMORS DEM DEAD, STRICTLY MUSIC I TRUSS
Confirming that there is no need to believe or spread rumors when there is music to focus on and enjoy.

SOUND MEN AH MAD AGAIN, SEE DEM CLAP A GLOCK AGAIN WHEN WE TAKE OVER THE DANCEHALL
Indicating that other competing sound systems become envious and aggressive when they assume control of the dance floor.

WE MASH UP A LOT OF DEM, LYRICALLY KILL THE GAME LEAVE THE WHOLE A DEM CRAWLING
Expressing how successful and dominant they are as a sound system, leaving other competing DJs feeling defeated.

FIT YOU MUSS FIT INNA THE CONCRETE CITY
Encouraging listeners to assimilate into urban living and ways of life properly.

DUNG INNA THE JUNGLE SOME BWOY NAH HAVE NO PITY
Acknowledging that in rural areas, some individuals might lack compassion and show little mercy toward others.

BADMIND CALLING BUT TELL EM SEH YUH BUSY
Reference to individuals with ill will towards the singer, indicating that the singer is preoccupied and won't engage in their negativity towards them.

NAAMAN COME HERE COME FE TELL DEM THE STORY
Encouraging Naaman to provide an explanation or a message to the audience.

INNA MI PALM THE HIGH GRADE HAFFI GET LOCKED YEAH MAN ME DID A CALL YOU, BRING IT NUH DOWN THE BLOCK
Discussing the importance of keeping marijuana in a safe and discreet location to avoid detection while using it, while calling Naaman to obtain some of it.

GREEN GREEN GRASS MAN MI CYAH GET ENOUGH
Explaining how satisfied and happy the singer is with their life.

SEE WE BUBBLE UP THE TING ME DEH A SIDDUNG AND LAUGH
Describing their success as uplifting and humorous while indicating their enjoyment.

GOOD LIFE WITH A GOOD VIBES
Emphasizing the singer's favorable situation and optimistic outlook.

SOUL AND BODY GOTTA KEEP RHYMING
Noting the importance of maintaining balance between physical and spiritual well-being.

THE MORE WE HUSTLE THE MORE THE DREAM GOT REAL SEH THE MORE WE CHANT LOVE IS THE MORE THEY CAN FEEL IT
Suggesting that through hard work, the ideas they aspire to will become a reality, and that the more they express love and positivity, the more likely others are to absorb it.

THE WHOLE TOWN GIMME FULL ATTENTION
Reiterating that they have the focused attention of everyone in the urban area.

MEK WE BUN IT UP AGAIN WID JUST A MIC INNA WE HAND WE RUN THE THINGS, SEH WE RUN THEM AROUND
Proposing that they hype up the audience once again with only the power of their music, proudly asserting their authority and ability to control the environment.

SPREADING LOVE TO THE PEOPLE AROUND DOWNTOWN WE DEH AH DOWNTOWN AH MORE LOVE THROUGHOUT THE NATION
Expressing that they are using their music to spread love to the people in the city, and their influence has a positive impact, making the expression of love contagious throughout the country.

DOWNTOWN WE DEH YA DOWNTOWN THATS THE WAY WE COME A ROAD DOWNTOWN WE DEH YA DOWNTOWN AH THE NUMBER ONE SOUND
Affirming that they manifested their presence with the intention of being triumphant and that they are indeed the top sound system in town.

AD LIB
Suggesting improvisation or personalization of lyrics beyond what is already written.

HEY YO WHA AH GWAN ?
Informally inquiring about the situation or occurrence, usually requiring a response or action.

ALRIGHT YEAH
Expressing affirmative agreement in a casual and relaxed manner.

NAAMAN ALONGSIDE BAZIL, YES SIR A WHAH YUH SAY ?
Introducing themselves as Naaman and Bazil, and asking what the audience thinks of them or the performance.