Its On
Beanie Sigel jay z Lyrics

Roc-a-fella
This is a reference to the Roc-a-fella Records label, indicating that this song represents the crew and their style.

Y'all know what this is
Acknowledging that the listeners are familiar with the Roc-a-fella crew and their music.

We givin' y'all five seconds to put your drink down
Asking the audience to get ready for action by setting aside their distractions.

And report to the dance floor immediately
Urging the listeners to come to the dance floor without delay.

All the bustas we givin y'all five seconds to get close to a exit
Warning the weak or cowardly individuals to find a way out before things get intense.

It's about to get real ugly in here
Forewarning that the atmosphere is going to become chaotic and aggressive.

Five seconds is up, let's go!
Time is up, indicating that it's time to take action and begin the energetic and intense experience.

Throw the hands up (uh, uh, uh)
Encouraging the audience to raise their hands in celebration and excitement.

Throw the hands up (niggas)
Specifically addressing the male audience to join in raising their hands.

Throw the hands up (bitches)
Specifically addressing the female audience to join in raising their hands.

Throw the hands up (bustas)
Calling out the weak individuals to also raise their hands, emphasizing unity and participation.

Throw the hands up (hustlers)
Calling out the hustlers and hard workers to raise their hands, celebrating their grind and success.

Throw the hands up (hoes)
Addressing the promiscuous women to join in raising their hands, creating a lively and inclusive atmosphere.

Throw the hands up (boasters)
Calling out the individuals who boast about their achievements to raise their hands, allowing them to show off.

Throw the hands up (Mac)
Referencing Mac, a member of the crew, and calling him and his supporters to raise their hands in unity.

You know how Mac come through on the club tip
Acknowledging that Mac has a reputation for his style and performance in the club scene.

Everybody real deep on that thug shit
Stating that everyone in the crew and their supporters are fully committed to the tough, gangster lifestyle.

Cop Cris' spray the club on that thug shit
Referring to the crew buying bottles of Cristal champagne, symbolizing their wealth and extravagance in a gangster way.

Cop frisks suits snub in the club quick
Mentioning that the crew members are armed and ready for potential danger in the club environment.

Told y'all real high, when I come you can try
Asserting that the crew members are confident and on top, challenging anyone to test their abilities.

If you want, you can die, if you want to
A warning to those who might oppose them, suggesting that they will face fatal consequences if they choose to go against the crew.

We hittin' whores on the floor, whole crew be wild
Indicating that the crew members are engaging in sexual activities on the dance floor, displaying their wild behavior.

Bitch, back that ass up like Juvenile (huh)
Requesting a woman to move her buttocks in a provocative manner, referencing the popular song 'Back That Azz Up' by Juvenile.

When my peeps come to spend, a dime apiece
Implying that the crew members and their supporters are willing to spend a significant amount of money on drinks or services.

You know Mac come through with a line of freaks
Mentioning that Mac, the crew member, always arrives with a group of attractive and promiscuous people.

Every bitch on the hit be a 9 at least
Asserting that all the women accompanying the crew are considered highly attractive, with a rating of at least 9 out of 10.

We gettin' head on the floor, while you grindin' freaks
Implies that while others are dancing, the crew members are receiving oral sex on the dance floor, demonstrating their dominance and indulgence.

Whole squad get it down like this
Indicating that the entire crew knows how to have a good time and party in this particular manner.

Whole squad buyin' rounds of Cris'
Highlighting that the entire crew is purchasing multiple rounds of Cristal champagne, again emphasizing wealth and opulence.

Whole squad got they crowns on wrist
Referring to the crew members wearing expensive watches or bracelets, which symbolize their status and success.

Whole squad got a pound of twist
Implying that the crew possesses a large quantity of marijuana, suggesting their indulgence in recreational drugs.

Whole squad got a pound to spit, in case a clown wanna flip
Indicating that the crew members are prepared to engage in violence, mentioning having a gun or firearm, should someone attempt to challenge them.

Mac never slip in the club
Boasting that Mac, a crew member, is always alert and ready for any situation, implying that he never makes mistakes or gets caught off-guard.

Told y'all niggas four-fifth in the club
Warns others about the presence of a .45 caliber handgun, suggesting that they should be cautious and not provoke any conflict.

If a nigga wanna draw then the blood it can drip in the club
Warning that if someone decides to initiate a violent act, it will result in bloodshed within the club.

You know how niggas get in the club
Referring to the typical behavior of individuals, particularly men, in the club environment, suggesting that they can become aggressive or confrontational.

Shit you know how I be, all high in V-I-P
Asserting that the singer, presumably Beanie Sigel, enjoys a privileged and exclusive status in the VIP section, often intoxicated or under the influence of drugs.

Rolling up to B-I-G
Arriving in a car or vehicle associated with the late rapper The Notorious B.I.G., often seen as a sign of respect and admiration within the hip-hop community.

Niggas be all liquored up, talkin' shit
Describing the intoxicated state of some individuals, most likely men, who often engage in confrontational or boastful behavior.

'Til they man gotta come and pick 'em up
Implies that their friends or companions have to intervene or rescue them from the consequences of their actions.

Got bitches in the back bouncin' to 'Jigga What'
Referring to women in the club dancing energetically to the song 'Jigga What' by Jay-Z, indicating the infectious and exciting nature of the music.

You got your hands up and I ain't even stick y'all up
Noticing that the audience has their hands raised in excitement and celebration, emphasizing the power and influence of the music without resorting to robbery or violence.

12 AM on the way to the club (uh)
Mentioning the time of midnight, indicating that they are in the process of heading to the club.

1 AM DJ made it erupt (uh-huh)
Acknowledging that at 1 am, the DJ at the club caused an explosive reaction from the crowd, resulting in excitement and high energy.

2 AM now I'm gettin' with her (what up?)
At 2 am, expressing that the artist is now engaging in intimate or sexual activities with a woman, indicating his success in attracting someone of interest.

3 AM now I'm splittin' with her (splittin' with who?)
At 3 am, revealing that the artist has decided to separate or leave the company of the woman previously mentioned, leaving the listeners curious about who this person may be.

4 AM at the Waffle House (Waffle House)
At 4 am, the singer is indicating that he and his companions have made their way to a popular diner chain, the Waffle House, which typically remains open late into the night.

5 AM now we at my house (uh)
At 5 am, revealing that the artist and the woman mentioned earlier have arrived at the artist's residence, implying that they will continue their activities or spend time together in private.

6 AM I be diggin' her out (who?)
At 6 am, suggesting that the singer is engaging in sexual intercourse with the woman mentioned previously, leaving the listeners curious about her identity.

6:15 I be kickin' her out (what?)
At 6:15 am, indicating that the singer intends to ask the woman to leave his residence after their sexual encounter is over, suggesting a casual or non-committal relationship.

7 AM I'ma call my friends (uh-huh)
At 7 am, expressing that the singer plans to contact their friends or companions to inform them of their experiences or possibly make plans for future activities.

12 AM we gon' do it again
Looking forward to repeating the same cycle later in the evening, highlighting a lifestyle centered around partying and indulgence.

We gon', we gon', we gon' do it again, let's go
Expressing enthusiasm and eagerness to continue the party and repeat the same activities, encouraging the audience to join in on the fun and excitement.

Yo, how the fuck you gon' talk about MC's on our heel?
Addressing someone who is attempting to criticize or challenge the crew's status and abilities as skilled rappers.

When we just cop them things homie the chromey wheels
Asserting that the crew has recently acquired expensive items, specifically referring to cars with chrome wheels, symbolizing their success and ability to overcome any criticism.

Both arms are chunky the sleeves on chill
Describing the artist's arms as muscular and adorned with expensive jewelry or watches, indicating their physical strength and wealth.

Any given times a hundred G's in your grill
Implying that the artist often has a significant amount of money, a hundred thousand dollars or more, displayed proudly to intimidate or impress others.

Don't talk to me 'bout MC's got skills
Dismissing anyone who attempts to discuss other rappers' talents or abilities, suggesting that they pale in comparison to the crew's skills.

"He's alright, but he's not real"
Quoting someone's opinion about another rapper, acknowledging that they may be skilled but lack authenticity compared to the crew members.

Jay-Z's that deal, with seeds in a field
Declaring that Jay-Z, a member of the crew, is the real deal, emphasizing his authenticity and success in the rap game.

Never fear for war, hug, squeeze that steel
Asserting that the crew members are not afraid of confrontations or violence, prepared to use firearms or weapons if necessary to protect themselves.

Fuck, you got a flow, that's cool with me
Acknowledging someone else's rap style or flow, implying that the crew members are indifferent or unimpressed by it.

You got a little dough, that cool with me
Recognizing someone's financial success or wealth, indicating that the crew members don't feel threatened or impressed by it.

You got a little cars, little jewelries
Noting that someone owns a few cars and a limited collection of jewelry, suggesting that these material possessions do not hold importance or impress the crew members.

But none of y'all motherfuckers could fool with me
Asserting that despite others' possessions or skills, nobody can compare or match the crew members' abilities and success.

You know the wrist frostbit minus two degrees
Describing the singer's wrist as being covered in expensive jewelry, so cold that it feels numb, exaggerating their opulence and luxury.

'Bout as blue as the sea the way I maneuver the V
Comparing the color of the singer's jewelry, presumably diamonds or precious stones, to the blue of the sea, highlighting the elegance and sophistication of the singer's style and movements in their vehicle.

Hat cocked can't see his eyes, who could it be?
Describing the artist's hat being positioned in a way that obscures their eyes, creating an air of mystery and intrigue about their identity.

With that new blue Yankee on, who but me?
Referring to the artist wearing a new blue Yankees baseball cap (commonly associated with Jay-Z), prompting the question of who else but the artist would have that distinctive style and persona.

Niggas shipped two million, then I blew the three
Boasting about the sales success of the crew, suggesting they sold two million records, and the artist personally exceeded that by selling three million records, emphasizing their commercial dominance and impact in the music industry.

Then I skated the four, 'fore I went on tour
Explaining that after selling three million records, the singer immediately embarked on a tour before they had a chance to fully appreciate their achievements.

I came back and it's plain, y'all niggas ain't rappin' the same
Returning from the tour, realizing that the rap game has changed, and the other rappers do not have the same level of skill or authenticity.

Fuck the flow, y'all jackin' our slang
Dismissing the importance of other rappers' flows or styles, accusing them of copying or imitating the crew's distinctive language and expressions.

I seen the same shit happen to Kane
Referring to Big Daddy Kane, a respected rapper from the past, who also experienced others imitating his style and eventually fading from the spotlight, suggesting that the same fate awaits the imitators of the crew.

Three cuts in your eyebrows tryin' to wild out
Mocking individuals who attempt to look tough or intimidating by having three distinct cuts or patterns shaved into their eyebrows, suggesting that their attempts at aggression are comical.

The game is ours, we'll never foul out
Asserting that the crew members have complete control and dominance over the rap game, subscribing to the belief that they will always remain successful and never fail.

Y'all just better hope we gracefully bow out
Suggesting that others should wish for the crew's graceful exit from the music scene, as their departure will allow others a chance to succeed, subtly acknowledging their status as industry titans.

12 AM on the way to the club (uh huh)
Repeating the earlier line about heading to the club at midnight, indicating that the cycle of partying and indulgence is about to start again.

1 AM bout to shake the butt (uh)
Anticipating the excitement and energy that comes when the singer starts dancing or shaking their buttocks at 1 am.

2 AM now I'm checkin' the mix (ah yeah)
At 2 am, describing the artist monitoring the sound or music being played at the club, ensuring that the atmosphere and vibe are to their liking.

3 AM now he buyin' me drinks (what you drinkin' on?)
At 3 am, implying that someone in the club is offering to buy the artist drinks, expressing curiosity about their preferred beverage.

4 AM exit the club (let's go)
At 4 am, indicating that it's time to leave the club and move on to the next activity or location.

5 AM think he gettin' some butt (that's right)
At 5 am, suggesting that someone at the club believes they will be engaging in sexual activity or intimate contact, expressing confidence in their chances.

6 AM nigga still ain't bust (what?)
At 6 am, expressing surprise or confusion that someone has not yet achieved sexual gratification, implying that the artist believes this person may have failed in their attempt.

6:15 nigga will get up (uh)
At 6:15 am, indicating that someone will finally rise or get up from the bed or situation they were in, possibly signaling the end of their sexual encounter.

7 AM gotta tell my friends (uh-huh)
At 7 am, expressing the need to inform friends or companions of the experiences or events that occurred during the night, possibly including details or updates.

12 AM I'ma do it again
Reiterating the desire to repeat the same cycle later in the evening, indicating a continuous lifestyle focused on partying and indulgence.

Uh-huh, uh, uh, let's go
Encouraging the audience to embrace the energetic and enthusiastic atmosphere, motivating them to join in on the party and excitement.

12 AM on the way to the club
Once again mentioning the time of midnight, suggesting that they are preparing to head to the club.

1 AM DJ made it a rub
Reiterating that at 1 am, the DJ at the club created a lively and active environment, enhancing the excitement and enjoyment of the attendees.

2 AM now I'm gettin' with her
Emphasizing the idea that at 2 am, the singer is successfully engaging in intimate or sexual activities with a woman, highlighting their prowess and charm.

3 AM now I'm splittin' with her
Repeating the earlier line, indicating that at 3 am, the artist is preparing to separate or leave the company of the woman, once again leaving the audience curious about her identity.

4 AM at the waffle house
Reiterating that at 4 am, the artist and their companions have decided to go to the Waffle House, indicating their preference for late-night dining or socializing.

5 AM now we at my house (uh)
Reinforcing the idea that at 5 am, the artist and the woman mentioned earlier have arrived at the artist's residence, reinforcing the notion of a continuation of intimate or personal interactions.

6 AM I be diggin' her out
Restating that at 6 am, the singer is actively engaging in sexual intercourse with the woman mentioned previously, reiterating their success and enjoyment.

6:15 I be kickin' her out
Once more mentioning that at 6:15 am, the artist intends to ask the woman to leave their residence after their intimate encounter, underlining a casual or non-committal relationship.

7 AM I'ma call my friends
Reaffirming the intention to contact friends or companions at 7 am, possibly to share the events or experiences of the night and make plans for the future.

12 AM we gon' do it again
Repeating the desire to repeat the same cycle later in the evening, indicating a continuous lifestyle focused on partying and indulgence.

We gon', we gon', we gon' do it again
Emphasizing the enthusiasm and eagerness to continue the party and repeat the same activities, encouraging the audience to join in on the fun and excitement.

Let's go
An energetic and enthusiastic phrase, urging everyone to participate and embrace the lively atmosphere.