The number twelve - whether… Read Full Bio ↴The Beat Assailant - Hard Twelve History
The number twelve - whether its a money making lucky roll of the dice, the number of songs on his first album or simply the month he was born - is a number which has carried significance throughout the life path of Hip Hop artist BA "The Beat Assailant".
This is the story of an artist whose interesting life path has taken him from Miami to Atlanta to Paris. From a performing arts school to the gritty stages of the Atlanta underground Hip Hop scene to the eclectic Paris music community. From all of these experiences, influences and journeys, BA has created an eclectic 12 track album entitled Hard Twelve.
Like every true artist B.A. has lived his life with a need and vision to create enduring works. The 26 year old rapper was born in Miami in 1977 and moved quickly thereafter to Atlanta where he grew up and still resides today. At an early age BA was driven by the need to express himself through the creation of music and began his unique musical experience as a teenager at North Atlanta’s High School for the performing arts. His first step into hip hop’s Notoriety came when he was discovered at Rowdy Records' Open Mic Battles held in Atlanta. This led to his first recordings at Dallas Austin's famed DARP studios while working with producers like Sol Messiah of Zulu Nation and Tim & Ted of La Face records.
BA worked fast and furious as he continued to perfect his craft by hustling his way to the stage. While attending the University of Georgia, he plunged into the flourishing underground hip hop live scene, constantly performing on stage even opening up for legendary artists such as Outkast and Gza.
Then one day B.A. decided to visit a family friend in Paris: "When I first went to Paris I was taken aback, by how strong the vibe was, and even more so by the influence of music here." explains B.A. "Once I came and began to experience the culture, the nightlife, and some of the real artists there, I immedeately realised I had the potential to do great things there." It was then that B.A. decided to go back, live and create in Paris.
In 2001 he came back to Paris where he quickly began to understand and fit into the Paris music scene. He found himself in a world full of artists that have influenced his work today including artists such as MC Solaar and Blackjack. Then BA met Zash, a local artist known for his productions and compositions through labels like Jazznova Compost Records and Dreyfus Jazz Records. The two immediately started working together informally until B.A. decided to make it official, sign to Twin Fizz Records and begin
working on his debut album Hard Twelve.
Hard Twelve was recorded between February 2002 and december 2003 at Twin Fizz Records
Studios, based in Paris. The whole musical concept was conceived and directed by B.A and producer Zash. The album magically weaves a blend of pure Hip Hop roots with jazz, electro, afro and Brazilian musical textures. It is an eclectic mix of many musical influences and real life experiences.
B.A. and Zash have created a collection of 12 tracks that take the listener on a journey from the glory days of Hip Hop mic battles in "The Most Real" to the emotional tale of broken lovers in "The Break Up Song" to the ultimate relaxation treat with "Chronic Break". On "Secret Weapon", B.A. addresses societal problems such as violence and government intervention while offering a positive spritual way to deal with the complexities of human nature.
On the album B.A. chose to work with a wide selection of guests from all over the world. Special guests such as Tash (Alkaholics), J-Zone, Phil da Agony, Vanessa Jacquemin (Brooklyn Funk Essentials), and Danger Mouse (Warp / Lex Records) prove to be essential ingredients in making The Hard Twelve so musically original. When asked the driving force behind B.A.'s artistry as a musician he explains: "The prevailing message is to devote yourself to creating something that’s bigger than you. We as people are all mortal, but music, art, love, vibes, etc. live on forever. In the same way we still
revere great artists and musicians of the past, we all can create something that endures. This is the secret weapon that everyone possesses, if everyone works hard to make something constructive, rather than destructive, we all survive. This is the common thread woven throughout the album, that can’t die"
Official website: www.beatassailant.com
French fans forum: www.hardtwelve.fr
I Like Cash
Beat Assailant Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Fly clothes comin off tha rack North Face throw it on my back
Son I bounce from that store with sacks
Wanna ask can I spare a dime?
son I need cash for my grass and my studio time
see tha streets don’t pass ya checks
ya gotta get bankroll a dough if u want respect
tell ya man he can save his ink
recognize its tha green that rule
I’m tryin’ to get a Benz on the road and my girl in jewels
You should know it’s about tha dough
And so I’m gettin’ half up front fore I rock ya show
Solo but I hang with friends- like Ulysses S. Grant and Benjamin
Chorus-
Ask me how I take my pay I like cash
Worldwide we don’t take no shorts we take cash
Ask me how I take my pay I take cash
Y’all know how them streets get down we like cash
repeat chorus
Cash put it in my ride fly girls wanna hop inside
pullin’ up in tha parking deck home girls wanna break they neck
big wheels bringin’ big respect
tell my girl that I missed her kiss-
Aint tell her bout tha big bank account that I got in tha Swiss
See tha business is only tha math
If you don’ see it all aint no way u can split it in half
I need cash- cash cuz them checks ‘ell bounce
Need green when I cop an ounce
No doubts when I count my bills
Two times cuz tha cash is real got loot we can make a deal
Otherwise then u waste ya time
Fools should pack up they games cuz I’m paid to rhime
Some of yall wanna work for points-
I’m tryin’ to work a sold out arena while I burn my joint
Repeat Chorus x2
In Beat Assailant's song "I Like Cash", the artist is emphasizing the importance of having cash in hand rather than relying on credit cards or checks. He asserts that having cash is crucial for survival, especially in situations where one needs to eat or pay for their studio time. Getting paid in cash is also a symbol of respect and success for him. Beat Assailant also talks about the material possessions that come with having cash, such as fly clothes, a North Face backpack, a Benz, and jewelry. He believes that cash is the key to happiness and comfort in life.
Through clever wordplay and rhyming, Beat Assailant conveys the message that it's not about the fame or the popularity, but about the cash. He scoffs at those who ask for checks and is determined to only take cash as his payment. He also mentions his connections with historical figures like Ulysses S. Grant and Benjamin Franklin, implying that they too recognize the importance of cash. Ultimately, the chorus repeats that he likes and takes cash because the streets run on cash and not on checks or cards.
Line by Line Meaning
Ya need cash- cash when it’s time to eat got loot Im’a bless my feet
Having cash is crucial when one needs to eat. I have money and I am grateful for it.
Fly clothes comin off tha rack North Face throw it on my back
I buy fashionable clothes directly from the stores. I even have a North Face bag to carry my stuff.
Son I bounce from that store with sacks
I leave the store with multiple bags because I can afford to buy a lot of stuff.
Wanna ask can I spare a dime?
Do you have any money to give me?
son I need cash for my grass and my studio time
I require money for my weed and for the time I spend in the recording studio.
see tha streets don’t pass ya checks
It's difficult to survive on checks alone on the streets.
ya gotta get bankroll a dough if u want respect
One must have a lot of money to receive respect from others.
tell ya man he can save his ink
Let your man know that drafting a receipt is unnecessary.
I want it all in cash jackass what tha fuck u think
I prefer to receive all of my payments in cash. What do you think, idiot?
recognize its tha green that rule
Money is the ultimate authority.
I’m tryin’ to get a Benz on the road and my girl in jewels
I want to buy a Benz car and expensive jewelry for my girlfriend.
You should know it’s about tha dough
You should understand that everything revolves around money.
And so I’m gettin’ half up front fore I rock ya show
I take half of the payment in advance before performing at your show.
Solo but I hang with friends- like Ulysses S. Grant and Benjamin
I may be a solo artist, but I still hang out with friends like Ulysses S. Grant and Benjamin Franklin (who are on U.S. dollar bills).
Cash put it in my ride fly girls wanna hop inside
I keep cash in my car, and it seems to attract fly girls who want to ride with me.
pullin’ up in tha parking deck home girls wanna break they neck
As I pull up into the parking garage, girls want to turn their heads to look at me and see my style.
big wheels bringin’ big respect
Having big wheels on my car earns me a lot of respect.
tell my girl that I missed her kiss-
I tell my girlfriend I missed her kiss, but I don't tell her about my large bank account in Switzerland.
Aint tell her bout tha big bank account that I got in tha Swiss
I didn't inform her about my significant amount of money in a Swiss bank account.
See tha business is only tha math
Business is all about mathematics and making money.
If you don' see it all ain't no way u can split it in half
If you can't see the money, you won't be able to divide it equally.
I need cash- cash cuz them checks ‘ell bounce
I need cash because the checks I receive might not clear or work for me.
Need green when I cop an ounce
I require money when I buy weed.
No doubts when I count my bills
I have no doubts when I count my money.
Two times cuz tha cash is real got loot we can make a deal
I count my money twice because it's real. We can make a deal if you have enough money.
Otherwise then u waste ya time
If you don't have enough money, it's a waste of time to negotiate.
Fools should pack up they games cuz I’m paid to rhyme
Amateur rappers should quit because I am paid for my skills in rhyming.
Some of yall wanna work for points-
Some rappers work for points rather than cash.
I’m tryin’ to work a sold out arena while I burn my joint
I am trying to perform in a sold-out arena while smoking weed.
Ask me how I take my pay I like cash
I prefer to receive payment in cash.
Worldwide we don’t take no shorts we take cash
Around the world, we don't accept anything other than cash as payment.
Y’all know how them streets get down we like cash
You should know that people on the streets only deal in cash.
Lyrics © CHRYSALIS EDITION FRANCE, BMG Rights Management
Written by: Adam TURNER, Nicolas GUEGUEN, Maxime LEBIDOIS
Lyrics Licensed & Provided by LyricFind
Flat 01
Toujours aussi bon!
sergelaverge
Just Crazy !
DreamCity001
we like cash!
Funkymaster70
I like cash !!!!!!!!!!!!!!!!!
Алиов
check out Chronic Break by Beat Assailant that shit is dope.
Juicy
pour la petite histoire Cecile de france est la femme du manager de beat assaillant.... le balèse en chapeau que rejoins cécile... voilà c'était la minute people mdr... I like Cash !!!!!!!!!!!!!
coeurtendre
damn where I can find in better quality
CelleIN ParisOt
cash it's so easy YY!!
Bonsoir
I like suck, i like suck, ahhh merde 😂
Hapiste
i like train