Beck was born in Los Angeles, California, to David Campbell (a musician and son of a Presbyterian minister) and Bibbe Hansen (a former dancer for The Velvet Underground, founding member of the satirical band Black Fag, and visual artist). When his parents separated, Beck stayed with his mother and brother in Los Angeles, where he was influenced by that city's diverse musical offerings—everything from hip-hop to latin music—and his mother's art scene – all of which would later reappear in his recorded and published work.
Although Beck's work defies easy description, his eclecticism and genre experiments have sparked comparisons with Prince, though Beck was undoubtedly a less prolific artist, and drew on an absurdist, free-flowing lyrical style totally original when first exposed to mainstream audiences (indeed, some critics labeled him and his breakthrough single Loser as novelties - see below). Despite this individualism, Beck's music was very much a product of the 90s and the media age in general, with hip hop, indie/underground rock, electronic music and genre-benders like the Beastie Boys as notable touchstones; in addition, some critics could not resist likening his head-spinning lyrical aesthetic to a post-modern Bob Dylan sensibility.
After dropping out of high school in the mid-1980s, Beck educated himself and traveled widely. In Germany, he spent time with his grandfather, fluxus artist Al Hansen. His artistic relationship with his grandfather may have influenced both his album art and sense of musical collage. He began the musical activity in 1988. The late-80's found him in New York City as part of the punk-influenced anti-folk music movement.
Beck returned to Los Angeles at the turn of the decade, destitute but motivated. During this time, Beck sought out (or snuck onto) stages at venues all over Los Angeles, from punk clubs to coffee shops. Some of his earliest and most thought-provoking recordings were achieved by working with Tom Grimley at Poop Alley Studios, a part of WIN Records.
In this atmosphere of heady creativity the founders of Bong Load Custom Records discovered Beck. Their 1993 12" vinyl Loser, from an initial run of 530 copies, created a sensation on college and alternative radio that led to a furious bidding war between labels to sign Beck. Eventually, he chose Geffen Records, who offered him terms that included an allowance for the release of independent albums while under contract (he may have owed Bong Load another album or two).
In 1994, Geffen's official debut release of Mellow Gold made Beck a mainstream smash success; it also led to his iconic status as the "slacker" representative of the alternative rock scene, although the title of the song had been ironic.
At the same time, he released Stereopathetic Soulmanure on Flipside Records and One Foot in the Grave on independent K Records. Beck took his act on the road with the 1995 Lollapalooza tour. Still, some critics panned him as a one-hit wonder. Audiences' (especially at Lollapalooza) familiarity with Loser only, and their general disinterest in his other work only reinforced his image as a one-hit wonder. It's been said said that Beck released Stereopathetic Soulmanure and One Foot in the Grave to shake the Gen X-ers that associated themselves with him and made "Loser" their slacker anthem.
The one-hit wonder label was put to rest with the release of 1996's Odelay, a collaborative effort with The Dust Brothers, producers of Paul's Boutique. The lead single, "Where It's At", received heavy airplay and its video was in constant rotation on MTV. Within the year, Odelay had received perfect reviews in Rolling Stone and Spin magazines, having been listed on countless "Best of" lists (it topped the Pazz & Jop Critics Poll for 'Album of the Year'), receiving double-platinum status, and earning an impressive number of industry awards, including two Grammys.
Odelay was followed in 1998 by Mutations. Produced by Nigel Godrich of Radiohead fame, it was intended as a stopgap measure before the next album proper. Recorded over two weeks, during which Beck recorded one song a day, the sessions produced 14 songs. Mutations was a departure from the electronic density of Odelay, and was filled with folk and blues influences. Songs on the album consisted of older tracks, some even dating back as far as 1994.
In 1999, Geffen released the much-anticipated Midnite Vultures, an orgy of sexual and culinary innuendo supported by a world tour. For Beck, it was a return to the high-energy performances that had been his trademark as far back as Lollapalooza.
After Midnite Vultures came Sea Change in 2002, another airy and emotional album with producer Nigel Godrich, which became Beck's first U.S. Top 10 album, reaching # 8. Sea Change was conceptualized as an album with one unifying theme—the stages following the end of a relationship. The album also featured string arrangements by Beck's father and a sonically dense mix reminiscient of Mutations. The Sea Change tour featured The Flaming Lips as Beck's opening and backing band.
In September 2003, Beck returned to the studio to work on his sixth major-label album. Guero was produced by the Dust Brothers and Tony Hoffer and features a collaboration with Jack White of The White Stripes; it marked a return to Odelay-era sound. The album was released in March of 2005 and despite critical acclaim, the album received a more lackluster response from Beck's indie-oriented fanbase.
Beck married Marissa Ribisi in April 2004, shortly before the birth of their son, Cosimo Henri Hansen. 2004 also saw the release of "10 Years of Mellow Gold," a short documentary about Beck's first album.
Beck's next album, The Information was released on October 3, 2006. It is a largely electronic and ambient, filled with blips and beeps. It was produced by Nigel Godrich, who worked on "Sea Change" and a longtime Radiohead and Thom Yorke producer. The first single was Nausea, an acoustic rock hip hop song. The next single was Cellphone's Dead, and the third single was Think I'm In Love.
His next single, Timebomb, was released on iTunes on August 21, 2007, and the limited edition vinyl 12" was released on November 2, 2007, with an instrumental version of the song on the B-side. In December, 2007, it was announced that Timebomb had been nominated for a Grammy in the category of Best Solo Rock Vocal Performance.
Modern Guilt was the eighth studio album by Beck. It was released on July 8, 2008. The album fulfilled Beck's recording contract with Interscope Records. Outside of North America, the record was released by XL Recordings. Its three singles were Chemtrails, Gamma Ray, and Youthless.
Modern Guilt features two contributions by Cat Power and was produced by Beck and Danger Mouse.
The album entered both the Billboard 200 and the Canadian Albums Chart at number four, and gave Beck his first ever Top 10 placing on the UK Albums Chart, peaking at number nine. The album has also been Beck's best charting album in Australia, reaching 13. It sold 84,000 copies in its first week. Although successful, this does not match the first week sales of The Information, which were 99,000. In December 2008, Modern Guilt was nominated for Best Alternative Album at the 51st Grammy Awards.
Song Reader, a project Beck released in December 2012, is 20 songs presented only as sheet music, in the hopes that enterprising musicians will record their own versions. The idea of Song Reader came about nearly fifteen years prior, shortly after the release of Odelay. When sent a book of transcribed sheet music for that album, Beck decided to play through it and grew interested in the world before recorded sound. He aimed to keep the arrangements as open as possible, to re-create the simplicity of the standards, and became preoccupied with creating only pieces that could fit within the Great American Songbook. In 2013 Beck began playing special Song Reader concerts with a variety of guests and announced he was working on a record of Song Reader material with other musicians as well as possibly a compilation of fan versions.
In the summer of 2013, Beck was reported to be working on two new studio albums: one a more self-contained acoustic disc in the vein of One Foot in the Grave and another described as a "proper follow-up" to Modern Guilt. Beck expects to release both albums independently. He released two standalone singles over the course of the summer: the electro ballad Defriended and the chorus-heavy I Won't Be Long. A third single, Gimme, appeared on September 17.
In October 2013, it was announced that Beck signed to Capitol Records. Beck released his twelfth studio album entitled Morning Phase on 21 February 2014. For the recording of Morning Phase, Beck reunited with many of the same musicians with whom he had worked on the critically acclaimed 2002 album Sea Change. On January 20, 2014, the album's first single Blue Moon was released. Beck released the second single, Waking Light, on February 4, 2014.
4 years later, on October 13th, 2017, Beck released the second album that was supposed to come out alongside Morning Phase. This album was called Colors. Colors is very different from Beck's previous albums, in which he takes a stab at pop music. Beck's expertise, mixing genres, works in this album when he mixes Alternative Rock, hip hop, and a lot of Pop. The album's earliest single, "Dreams", was released in June 2015, and three more ("Wow", "Dear Life", "Up All Night") were released between June 2016 and September 2017. The title track was released as a single in April 2018. The album won the Best Alternative Music Album and Best Engineered Album (Non-Classic) at the 61st Annual Grammy Awards.
After a short wait, Beck released Hyperspace on November 22, 2019. There was little marketing for this album. The whole album is a collaboration with Pharrell Williams, as he produced almost every song on the album. The album's first single was "Saw Lightning" released on April 15, 2019, and had a folk-pop sound to it. It doesn't fit with the rest of the album's synth lo-fi sound. Other singles were "Hyperlife" and "Uneventful Days" on October 17, 2019, and "Dark Places" on November 7, 2019.
2) BECK can refer to a fictional rock band from the Japanese Anime series BECK: Mongolian Chop Squad. The fictional BECK's songs feature in the BECK Original Sound Track. BECK's style and members are highly influenced by various different artists. From vocals in the style of Zack De La Rocha from Rage Against the Machine, guitar influenced by Tom Morello of the same band, the band is highly influenced by rap-rock.
As the series develops, other influence appear, including guitar in the style of Led Zeppelin's Jimmy Page, and Red Hot Chili Peppers John Frusciante. During the series, the band covers a famous The Beatles song, 'I've got a Feeling'. The name BECK could have possibly been influenced by the first artist Beck, mentioned above. Harold Sakushi, the original author of the series, has confirmed that BECK is generally based around the Red Hot Chili Peppers, being his favourite band.
Midnite Vultures
Beck Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Chemical solvents
Making midnite movies
Contaminated actors
Living on a farm
Harnessed to a life of protein and equipment
Soft nights
Everyday a reaction to the affection
Manholes and light towers walking down imitation streets
Little girls with plastic cameras
And shops full of cold cuts and candy
Feeding the trains and bisecting the night
Hand grenades in the trash
Medics running from the sun
She borrowed cartilage wire
Tracing my face
With broken hands
The lyrics of Beck's song Midnite Vultures present a surreal, enigmatic landscape, where the mundanity of everyday life meets the grotesque and bizarre. The opening lines paint an image of the shallow pursuit of eternal youth, through Botox injections and chemical solvents. The second line seems to suggest the act of creating art or entertainment in the middle of the night, perhaps with the help of drugs or other stimulants. The third line reveals the contaminated nature of those involved in this process, perhaps hinting at their moral decay or their desperation.
Moving to the second verse, we see a shift to the contrasting image of a farm, where people are harnessed to a life of protein and equipment. The language is evocative of animal husbandry, suggesting a lack of autonomy or freedom. The word "gristling" suggests the grinding or breaking down of organic matter, bringing an unsettling tone to the scene. However, the following line pivots towards a softer tone, as we experience "soft nights" that are "everyday a reaction to the affection". It is unclear who or what is responsible for this affection or whether it is genuine or feigned.
The final verse is a collage of surreal images that defy easy interpretation. Manholes and light towers that walk down imitation streets, little girls with plastic cameras, and shops full of cold cuts and candy suggest an uncanny, borderline dystopian reality. The lines "Feeding the trains and bisecting the night/hand grenades in the trash/medics running from the sun" add to this unsettling vision, creating a sense of danger and chaos. The closing line, "She borrowed cartilage wire/Tracing my face/With broken hands" presents a haunting image that is both intimate and eerie.
Line by Line Meaning
Botox injections
Cosmetic procedures to reduce the appearance of aging
Chemical solvents
Harsh substances used for manufacturing or cleaning
Making midnite movies
Creating films that appeal to unconventional audiences
Contaminated actors
Actors who are corrupted or influenced by negative elements
Living on a farm
Residing in a rural area surrounded by agriculture and livestock
Harnessed to a life of protein and equipment
Being tied to a lifestyle that involves physical strength and machinery
Gristling in grain
Feeling restless or agitated in a monotonous environment
Soft nights
Gentle evenings filled with delicate emotions
Everyday a reaction to the affection
Each day responding to the love or hate received from others
Manholes and light towers walking down imitation streets
Structures traversing through simulated urban environments
Little girls with plastic cameras
Young females using cheap, imitation devices to capture memories
And shops full of cold cuts and candy
Stores stocked with pre-packaged food and sweets
Feeding the trains and bisecting the night
Fueling locomotives and dividing the darkness into separate parts
Hand grenades in the trash
Explosive weapons discarded in garbage receptacles
Medics running from the sun
Medical professionals seeking shelter from intense heat or light
She borrowed cartilage wire
She obtained a flexible, string-like substance made of biological tissue
Tracing my face
Following the contours of my features
With broken hands
Despite physical impairments or limitations
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
heyheyodelay
Seeing a Liner Notes on this album instead of Odelay or even Sea Change is a surprising pick, but an enjoyable one as this album still doesn't often get the respect it deserves. Hollywood Freaks is an all time great Beck song.
J Hype
FACTSSSSSSSSSSS #HollywoodFreaks
Jack Plays Folk
Very underrated album. Glad it’s getting recognition
Spencer Coffman
This album is fucking great, Pressure Zone is one of Beck’s most underrated tracks.
Grant Greider
Surprising pick, but this is one underrated album from an underrated artist.
Araxie
Yessss, this is my favourite Beck record and I never hear it spoken about or getting half the credit it deserves! Great pick!
Fer Rioseco
I always asked for Odelay, but Midnight Vultures is one of my favorite albums by Beck, and it's barely recognised or talked about! Great, though unexpected, pick!
HotStrange
Fernanda Rioseco It’s probably my favorite album of his, tbh.
Todd
Thank god this album is getting the recognition it deserves! Its atmosphere creates its own little world and I have so many great memories riding around with my friends bumping this one.
Nurpus
"I'm mixing fitness with leather
Homework with Heather
Freaks flock together, and make all the lesbians scream"
Not much favorite Beck album, but a couple tracks are amazing for sure