Taking their name from the '80s sitcom, Belvedere began in Calgary, Alberta, Canada in 1995 as the three-piece of Steve Rawles (guitar/vocals), Brock (bass), and Dan Hrynuik (drums).
As the years progressed along with their revolving lineup, Belvedere remained with their melodic pop-punk sound that looked up to the likes of Bad Religion and NOFX. Eventually recruiting second guitarist Scott Solo, replacement drummer Jay Hollywood, and a replacement bassist Jaison Synclair, the quartet released their debut album, "Because No One Stopped Us", in 1998 through Hourglass and 206 Records. After spending most of 1999 on the road, along with Bad Religion and Strung Out, for a stint -- 206 Records put out Belvedere's follow-up album, "Angels Live in My Town", in early 2000. In 2001, the Montreal imprint Union 2112 released "Twas Hell Said Former Child", Belvedere's proper second album that coincided their first ever European tour. A split release with Downway, "Hometown Advantage", was issued in 2003. When it came time to recovene for another studio album, Belvedere joined producer Blair Calibaba (Sum 41) in Calgary for the recording of "Fast Forward Eats the Tape". Shared dates with Death by Stereo, Tsunami Bomb and Misconduct followed in Spring 2004. The band broke up in late 2005, playing their last show to their hometown Calgary crowd in November.
On November 2011, the band's official Facebook page announced that the band was going to get together again for a couple of shows the next year, wich included two shows in Europe (playing their first show in Paris and appearing again at GroezRock after seven years), then five in Canada, three in Brazil and one again in Canada, in Vancouver, on June 16th. Being at first that their final show, it was later announced that they'll appear in another final event in Guelph, Canada, on September the 1st 2012, with fellow punkrockers The Fullblast, also reuniting for the ocasion, Grade and Moneen.
http://www.myspace.com/belvedere
Delicastressin
Belvedere Lyrics
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That indicated your disgust with directions of conversations
But you're stressing out, and it's your right to
Hold back your instincts
Reactions out of frustration
In an impossible situation
You don't have to be alone any-more
'Cause when you're hurting, I'm hurting
I can feel your sorrow echoing through my bones and it kills me
You're my engine, you're my motivation
I listed, tipped over
And I faltered, no rebuttal
I see these days, they're wearing on you now
It makes the weight of the truth seem so unrelenting
Reactions out of frustration
In an impossible situation
You don't have to be afraid any-more
Just hold on, just hold on
I really hope there's no self-imposed expectations
This role requires too much to everyone
'Cause when you're hurting, I'm hurting
I can feel your sorrow echoing through my bones and it kills me
And it kills me, and it kills me
'Cause when you're hurting, I'm hurting
I'm hurting
'Cause when you're hurting, I'm hurting
I'm hurting
Belvedere's song "Delicastressin" is a heartfelt anthem of support to someone who is struggling with the weight of their emotions. The opening lines set the tone of the song, with the singer noticing the other person's disdain for the current conversations and their stress. However, the singer acknowledges that it is okay to hold back one's instincts, and encourages the other person to hold on to hope.
The chorus of the song emphasizes the deep empathy the singer feels for the other person. They state that they feel the other person's sorrow in their bones, and they cannot bear to see the other person suffer. The singer sees the other person as their engine and motivation, but they also recognize that the pressure of their situation is wearing them down.
The second verse addresses the pressure that society puts on individuals to meet certain expectations, and how this can significantly affect one's mental health. The chorus is repeated, reinforcing the singer's connection to the other person and their desire to provide support.
Overall, "Delicastressin" is a poignant song that acknowledges the reality of emotional struggle while offering a message of solidarity and care. The singer's deep empathy and desire to alleviate the other person's pain create a powerful emotional impact.
Line by Line Meaning
You made a glance towards the ceiling
You looked up in a way that showed you were fed up with the direction of the conversation
That indicated your disgust with directions of conversations
Your glance showed that you were disgusted with how the conversations were going
But you're stressing out, and it's your right to
Despite your negative reaction, you have the right to feel stressed
Hold back your instincts
You don't have to act on your negative feelings
Reactions out of frustration
Your negative responses are due to being frustrated
In an impossible situation
You feel trapped in a difficult scenario
You don't have to be alone any-more
You don't have to struggle by yourself
Just hold on, just hold on
Keep going, don't give up
'Cause when you're hurting, I'm hurting
I feel your pain and it affects me deeply
I can feel your sorrow echoing through my bones and it kills me
Your sadness is really getting to me
You're my engine, you're my motivation
You inspire and drive me
I listed, tipped over
I struggled and stumbled
And I faltered, no rebuttal
I made mistakes and couldn't recover
I see these days, they're wearing on you now
You seem exhausted and overwhelmed by recent events
It makes the weight of the truth seem so unrelenting
The reality of the situation is becoming harder to handle
I really hope there's no self-imposed expectations
I hope you aren't putting too much pressure on yourself
This role requires too much to everyone
This situation is a lot to handle for anyone
And it kills me, and it kills me
Your pain is really hurting me too
'Cause when you're hurting, I'm hurting
Your pain affects me deeply
I'm hurting
I'm in pain because of how much you're struggling
Writer(s): scott davison marshall, casey james lewis, steven robert rawles, jason michael sinclair
Contributed by Jonathan J. Suggest a correction in the comments below.