In autumn of 2006, the band announced that Beseech would be put to rest for good: "We have grown apart from each other as persons and we have different views of how we want Beseech to work as a band."
In 2007, Beseech's Web site announced that their members had formed two new bands: The Mary Major, which contains 6 out of the 7 band members, and Those We Don't Speak Of, with the remaining band member.
A NEW BEGINNING (2014-)
This year 2013, is the ten years anniversary when the “old” era of Beseech was put to rest. Klas Bohlin, one of the founding members of Beseech decides to leave the band to focus on other musical challenges. Still good friends through the years, Klas Bohlin and Robert Vintervind the original composers in Beseech started to talk about playing music together in some way. After some successful jams their new material sounded more Beseech than ever, back to its roots with delivering the same characteristic melancholic feeling, but in a new mature way. Shortly after, Manne Engström (guitar) re-joined the band and Beseech entered the “classic Beseech studio”, StudioMega/Fascination Street during the fall of 2012 to figure out the new direction of the band.
DEVELOPING THE GOTHIC SOUND (1992-1995)
The history of Beseech begins in 1992, in the band´s hometown of Borås (near Gothenburg), Sweden. Klas Bohlin (guitar), Jörgen Sjöberg (vocals) and Morgan Gredåker (drums), three hungry teenagers with ambitions, founded a band called Beseech. In November 1992 their first demo “A lesser kind of evil” was recorded, which also became an introduction of the band to the Swedish underground scene. Soon thereafter some members left and Robert Vintervind (guitar) and Andreas Wiik (bass) joined the band. From that day Klas and Robert started to develop a special co-writing relation, which became a solid ground in the development of Beseech’s gothic sound. In 1994 Beseech’s second demo “Last Chapter” was released. At that time the band had become more ambitious and deeply involved in the underground scene, participating in various compilation CD´s, making lots of interviews and received many positive reviews in fanzines worldwide. Later on Anna Andersson (vocals & keyboard), with a voice like an angel joined the band. At this point of time, not so many bands had yet started to experiment with harmonies for both male and female vocals. In 1995 Beseech began to hang out at StudioMega with the producer Christian Silver, who became to be an important person close to the band for many years. Together they developed the Beseech sound into a quite unique semi-acoustic doom/progressive format, using classical instruments such as cello, violin, flute and piano. After a successful recording session, Beseech came up with their success demo “Tears”, which led to a publishing contract with Swedish Misty Music, but most important, lots and lots of attention in the underground scene worldwide. With several offers from record labels and bookings outside Sweden, the future for Beseech looked bright. Another band who also happened to be at StudioMega from time to time, was Fatal Embrace featuring Manne Engström (guitar), who came to play an important role in the future for Beseech.
FROM A BLEEDING HEART (1996-1999)
In 1996 Beseech signed their first record deal with We Bite/Corrosion Records, runned by the editor Frank Schenk at Chaos Mag. Soon after, Beseech entered StudioMega to record their debut album “…from a bleeding heart”. Unfortunately, the label suffered a major economic setback and was unable to release the album. Not until 1998, after Beseech was released from its contract with We Bite/Corrosion Records and secured a deal with Metalblade, did “from a bleeding heart” see the light of day. During these two years some necessary changes in the lineup were made and Mikael Back (keyboards) and Daniel Elofsson (bass) joined the band, but sadly Anna Andersson decided to leave the band to focus on her solo carrier.
BLACK EMOTIONS & THE TOUR (2000-2001)
In 1999, Beseech signed a worldwide record deal with Pavement Music and Klas, Jörgen and Robert began to write songs for their 2nd album “Black emotions”. This time the music took a different direction from the doom/progressive-oriented sound found on the first album. Beseech experimented with going deeper into the gothic style and the vocals got more clean, but with the same atmosphere and spirit of Beseech. Two new members joining the band during the writing process was Jonas Strömberg (drums) and Lotta Höglin (vocals). With Lotta in the band we found the perfect match for backing up Jörgen’s powerful voice. “Black Emotions” was released in mid-2000 and the response was tremendous – receiving outstanding reviews and much airtime. Beseech promoted the album by joining forces with Theatre of Tragedy and Lacuna Coil during their 2001 European tour. Shortly after the tour, Jörgen Sjöberg (vocals) got burned out, and was forced to leave the band and Beseech braced for a new era. Due to the unstable economic outlook of Pavement Music, Beseech parted ways with the label in 2001. By then, the latest addition to the Beseech lineup, Erik Molarin (vocals), was in place. His majestic voice complimented Lotta Höglin’s beautiful vocal lines perfectly.
MOVIE SOUNDTRACK (2002)
In 2002, a Canadian film company, Brimstone Productions, approached Beseech to feature three songs from the “Black Emotions” album (Manmade Dreams, Neon Ocean and Lunar Eclipse) on the soundtrack (with bands such as Entombed) to the B horror movie “Alien Agenda 5 – Alien Conspiracy”. The movie was released in 2002.
SOULS HIGHWAY AND NAPALM RECORDS (2002)
In 2001 Beseech presented their new material for the record labels, and new offers from labels started to come in. Beseech finally decided to sign a worldwide record deal with Napalm Records. Later on the writing process for “Souls Highway” began. Another important co-writer for this album was Mikael Back (keyboard). Souls Highway was released in 2002 and received euphoric raves by critics and fans worldwide. By the end of 2002 a music video for the track “Between the lines” was released via the Internet and downloaded by hundreds of thousands all over the world. In 2003, long time member and songwriter Klas Bohlin decided to leave the band, to continue with his late 60′s sounding and psychedelic experiment Depressive Art. Also for this band Klas decided to make the recordings at StudioMega, but this time working with a new young talented guy, Johan Örnborg (bass) behind the mixing controls, whom today is also a member of Beseech.
DRAMA (2004)
“Drama” reflects life, human thoughts and the darker side of mind. This fourth release in many ways was a natural follow-up to “Souls Highway” , but without Klas in the band, a new creative process developed and the new approach affected the music on “Drama” – the compositions became more experimental, groovier, presented a heavier sound, and both music and lyrics reflected more attitude than ever before. On “Drama” Manne Engström was part of the creative process for the first time and is listed as a co-producer on the album. With this album the band took the touring to another level and played many festivals and gigs around Europe.
SUNLESS DAYS (2005)
This album was another step towards an even more heavy and modern style of metal/rock music, but still with the great variations in the songs. Beseech did about a year and a half of touring on Sunless Days before they decided to put the band to rest because of internal band issues. Robert needed a break from the music, and the other members that hadn’t gotten so much creative attention in Beseech started writing music for their new band Mary Major.
MORE BESEECH THAN EVER
It just happened… After years of silence, the creators of the Beseech sound, Robert and Klas started writing material for their next music project. Somehow the results turned out to sound more Beseech than ever, like a continuation to the highly critically acclaimed album Souls Highway, but with a more vintage oriented twist. Due to the new sound it was also necessary with some lineup changes. The first guy to re-join the Beseech was Manne Engström (guitar) that besides creative guitar playing contributes with both engineering and producing. The new members are; Johan Örnborg (bass), producer/mixer at Fascination Street Studios. Angelina Sahlgren Söder (vocals) with experience from both theatre and musicals. Håkan Carlsson (drums), is rounding up the new lineup with a more intense drum playing. The most important change was to make space for the third generation of singers. With Klas and Angelina behind the microphones Beseech has developed a more country influenced way of singing with more space for harmony vocals.
Current line-up:
Klas Bohlin - Male Vocals
Angelina Sahlgren Söder - Female Vocals
Robert Vintervind - Guitars, Programming
Johan Örnborg - Bass
Mikael Back - Keyboards
Håkan Carlsson - Drums
Manne Engsttröm - Guitars (Cemetary 1213, Fatal Embrace, Sundown)
In Her Arms
Beseech Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Please help me die, please end my tears
Standing by the sea, watching her raging waves
Beautiful as she, no one could ever be
Praying for the rain, to wash me down to her
And to end my pain, forever in her arms again
In a distant land, where silence dry my tears
Rain is pouring down, the storm will be here soon
Meeting her alone, midnight is her gown
The wind never calms, as it caress my face
The cold feel so warm, as I dive into her arms
And I close my eyes, I wait for her
Please help me die, please end my tears
The lyrics to Beseech's song "In Her Arms" paint a picture of a person in pain and desperation, seeking solace in death and reunification with someone they love. The opening lines, "And I close my eyes, I wait for her / Please help me die, please end my tears" indicate the singer's desire to be reunited with a loved one who has passed away. They are unable to cope with their grief and seek the only solution they can think of – death.
The following lines, "Standing by the sea, watching her raging waves / Beautiful as she, no one could ever be" suggest that the loved one the singer is referring to is nature itself. The sea, in its vastness and wildness, embodies the beauty and power of nature. The singer prays for rain to wash them down to the sea, indicating their desire to be united with nature and to find peace in death.
As the song progresses, the singer describes being led by their loved one's hand to a distant land where silence and peace can be found. The second verse describes a stormy night where the wind never calms, but the singer finds warmth and comfort in the embrace of their loved one.
Overall, "In Her Arms" is a somber and haunting song that touches on themes of grief, loss, and the desire for release from pain.
Line by Line Meaning
And I close my eyes, I wait for her
The singer is eagerly waiting for the person he loves to come and take him away to a better place.
Please help me die, please end my tears
The singer is so heartbroken that he wishes for death to come and end his suffering.
Standing by the sea, watching her raging waves
The singer is standing by the sea, watching the waves that remind him of his lover's passion and energy.
Beautiful as she, no one could ever be
The singer describes his lover as someone so beautiful and unique that no one else could ever compare to her.
Praying for the rain, to wash me down to her
The singer is praying for the rain to come and take him down to his lover, as if it's a symbol of their reunion.
And to end my pain, forever in her arms again
The singer can only end his pain and find peace when he's reunited with his lover's warm embrace.
She takes my hand, she leads my way
The singer relies on his lover to show him the way in life, as he feels lost and hopeless without her.
In a distant land, where silence dry my tears
The singer imagines a distant land where he and his lover can be together in silence, away from the world that causes him pain.
Rain is pouring down, the storm will be here soon
The singer is anticipating the stormy weather to represent the turmoil he feels without his lover.
Meeting her alone, midnight is her gown
The singer describes his fantasy of meeting his lover alone, as if they're only the two people left in the world. He imagines her in a beautiful gown, maybe representing the night, which he associates with her because of its peaceful and calming nature.
The wind never calms, as it caress my face
The singer feels like he's being caressed by the wind, which he interprets as an affectionate touch from his lover, even though she's not physically there.
The cold feel so warm, as I dive into her arms
Although it's a cold environment, the singer feels warmth in his heart when he imagines being in his lover's arms once more.
Lyrics © OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
Jack Wareing Films
Coolest sea creature/mermaid/she beast metal songs ever. Beseech is amazing.
Lena Flannagan
@JohnRobSur13 unfortunetely most of people,and it's a few,just know gimme gimme!:(