In autumn of 2006, the band announced that Beseech would be put to rest for good: "We have grown apart from each other as persons and we have different views of how we want Beseech to work as a band."
In 2007, Beseech's Web site announced that their members had formed two new bands: The Mary Major, which contains 6 out of the 7 band members, and Those We Don't Speak Of, with the remaining band member.
A NEW BEGINNING (2014-)
This year 2013, is the ten years anniversary when the “old” era of Beseech was put to rest. Klas Bohlin, one of the founding members of Beseech decides to leave the band to focus on other musical challenges. Still good friends through the years, Klas Bohlin and Robert Vintervind the original composers in Beseech started to talk about playing music together in some way. After some successful jams their new material sounded more Beseech than ever, back to its roots with delivering the same characteristic melancholic feeling, but in a new mature way. Shortly after, Manne Engström (guitar) re-joined the band and Beseech entered the “classic Beseech studio”, StudioMega/Fascination Street during the fall of 2012 to figure out the new direction of the band.
DEVELOPING THE GOTHIC SOUND (1992-1995)
The history of Beseech begins in 1992, in the band´s hometown of Borås (near Gothenburg), Sweden. Klas Bohlin (guitar), Jörgen Sjöberg (vocals) and Morgan Gredåker (drums), three hungry teenagers with ambitions, founded a band called Beseech. In November 1992 their first demo “A lesser kind of evil” was recorded, which also became an introduction of the band to the Swedish underground scene. Soon thereafter some members left and Robert Vintervind (guitar) and Andreas Wiik (bass) joined the band. From that day Klas and Robert started to develop a special co-writing relation, which became a solid ground in the development of Beseech’s gothic sound. In 1994 Beseech’s second demo “Last Chapter” was released. At that time the band had become more ambitious and deeply involved in the underground scene, participating in various compilation CD´s, making lots of interviews and received many positive reviews in fanzines worldwide. Later on Anna Andersson (vocals & keyboard), with a voice like an angel joined the band. At this point of time, not so many bands had yet started to experiment with harmonies for both male and female vocals. In 1995 Beseech began to hang out at StudioMega with the producer Christian Silver, who became to be an important person close to the band for many years. Together they developed the Beseech sound into a quite unique semi-acoustic doom/progressive format, using classical instruments such as cello, violin, flute and piano. After a successful recording session, Beseech came up with their success demo “Tears”, which led to a publishing contract with Swedish Misty Music, but most important, lots and lots of attention in the underground scene worldwide. With several offers from record labels and bookings outside Sweden, the future for Beseech looked bright. Another band who also happened to be at StudioMega from time to time, was Fatal Embrace featuring Manne Engström (guitar), who came to play an important role in the future for Beseech.
FROM A BLEEDING HEART (1996-1999)
In 1996 Beseech signed their first record deal with We Bite/Corrosion Records, runned by the editor Frank Schenk at Chaos Mag. Soon after, Beseech entered StudioMega to record their debut album “…from a bleeding heart”. Unfortunately, the label suffered a major economic setback and was unable to release the album. Not until 1998, after Beseech was released from its contract with We Bite/Corrosion Records and secured a deal with Metalblade, did “from a bleeding heart” see the light of day. During these two years some necessary changes in the lineup were made and Mikael Back (keyboards) and Daniel Elofsson (bass) joined the band, but sadly Anna Andersson decided to leave the band to focus on her solo carrier.
BLACK EMOTIONS & THE TOUR (2000-2001)
In 1999, Beseech signed a worldwide record deal with Pavement Music and Klas, Jörgen and Robert began to write songs for their 2nd album “Black emotions”. This time the music took a different direction from the doom/progressive-oriented sound found on the first album. Beseech experimented with going deeper into the gothic style and the vocals got more clean, but with the same atmosphere and spirit of Beseech. Two new members joining the band during the writing process was Jonas Strömberg (drums) and Lotta Höglin (vocals). With Lotta in the band we found the perfect match for backing up Jörgen’s powerful voice. “Black Emotions” was released in mid-2000 and the response was tremendous – receiving outstanding reviews and much airtime. Beseech promoted the album by joining forces with Theatre of Tragedy and Lacuna Coil during their 2001 European tour. Shortly after the tour, Jörgen Sjöberg (vocals) got burned out, and was forced to leave the band and Beseech braced for a new era. Due to the unstable economic outlook of Pavement Music, Beseech parted ways with the label in 2001. By then, the latest addition to the Beseech lineup, Erik Molarin (vocals), was in place. His majestic voice complimented Lotta Höglin’s beautiful vocal lines perfectly.
MOVIE SOUNDTRACK (2002)
In 2002, a Canadian film company, Brimstone Productions, approached Beseech to feature three songs from the “Black Emotions” album (Manmade Dreams, Neon Ocean and Lunar Eclipse) on the soundtrack (with bands such as Entombed) to the B horror movie “Alien Agenda 5 – Alien Conspiracy”. The movie was released in 2002.
SOULS HIGHWAY AND NAPALM RECORDS (2002)
In 2001 Beseech presented their new material for the record labels, and new offers from labels started to come in. Beseech finally decided to sign a worldwide record deal with Napalm Records. Later on the writing process for “Souls Highway” began. Another important co-writer for this album was Mikael Back (keyboard). Souls Highway was released in 2002 and received euphoric raves by critics and fans worldwide. By the end of 2002 a music video for the track “Between the lines” was released via the Internet and downloaded by hundreds of thousands all over the world. In 2003, long time member and songwriter Klas Bohlin decided to leave the band, to continue with his late 60′s sounding and psychedelic experiment Depressive Art. Also for this band Klas decided to make the recordings at StudioMega, but this time working with a new young talented guy, Johan Örnborg (bass) behind the mixing controls, whom today is also a member of Beseech.
DRAMA (2004)
“Drama” reflects life, human thoughts and the darker side of mind. This fourth release in many ways was a natural follow-up to “Souls Highway” , but without Klas in the band, a new creative process developed and the new approach affected the music on “Drama” – the compositions became more experimental, groovier, presented a heavier sound, and both music and lyrics reflected more attitude than ever before. On “Drama” Manne Engström was part of the creative process for the first time and is listed as a co-producer on the album. With this album the band took the touring to another level and played many festivals and gigs around Europe.
SUNLESS DAYS (2005)
This album was another step towards an even more heavy and modern style of metal/rock music, but still with the great variations in the songs. Beseech did about a year and a half of touring on Sunless Days before they decided to put the band to rest because of internal band issues. Robert needed a break from the music, and the other members that hadn’t gotten so much creative attention in Beseech started writing music for their new band Mary Major.
MORE BESEECH THAN EVER
It just happened… After years of silence, the creators of the Beseech sound, Robert and Klas started writing material for their next music project. Somehow the results turned out to sound more Beseech than ever, like a continuation to the highly critically acclaimed album Souls Highway, but with a more vintage oriented twist. Due to the new sound it was also necessary with some lineup changes. The first guy to re-join the Beseech was Manne Engström (guitar) that besides creative guitar playing contributes with both engineering and producing. The new members are; Johan Örnborg (bass), producer/mixer at Fascination Street Studios. Angelina Sahlgren Söder (vocals) with experience from both theatre and musicals. Håkan Carlsson (drums), is rounding up the new lineup with a more intense drum playing. The most important change was to make space for the third generation of singers. With Klas and Angelina behind the microphones Beseech has developed a more country influenced way of singing with more space for harmony vocals.
Current line-up:
Klas Bohlin - Male Vocals
Angelina Sahlgren Söder - Female Vocals
Robert Vintervind - Guitars, Programming
Johan Örnborg - Bass
Mikael Back - Keyboards
Håkan Carlsson - Drums
Manne Engsttröm - Guitars (Cemetary 1213, Fatal Embrace, Sundown)
Winterflame
Beseech Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Through this haunted night
A wind blows cold into my face
As the shadows catches me
Don't you hear the whispers
Calling out your name?
Don't you feel the presence
Don't you see the evil?
It makes you want to scream
Don't you ever look at me
I am your dream
Mmm, can you see, where I am now?
Is this reality or fiction in my head?
The cross has fallen, and turned to dust
I guess I'm losing it, or maybe I'm dead
Don't you hear the whispers
Calling out your name?
Don't you feel the presence
Of the wolves and what they bring?
Don't you see the evil?
It makes you want to scream
Don't you ever look at me
I am your dream
And so I walk on, to figure out
What force has gotten me, inside their care
I am possessed, there's no way back
I have to face it, forever black
Oooh catch me, as I fall
Reach out for me, hear my call
Chase away the demons, underneath my skin
Can you take away, my evil sins?
The touch of evil has made me strong
I learned that good ones are always wrong
The force of darkness has got my soul
I am eternal now, I will never grow old
And so the candle burns and leads the way
To eternal darkness and far away
The song "Winterflame" by Beseech creates a haunting atmosphere with its lyrics that describe a journey through a dark, eerie night. The opening lines, "A candlelight leads my way, through this haunted night," set the tone of the song, indicating that the singer is walking through a dark and unsettling place, following the light of a flickering candle. As the singer walks, they are confronted by the cold wind and the shadows that seem to follow them.
Throughout the song, the singer seems to be struggling to stay in touch with reality, questioning if what they are experiencing is "reality or fiction in [their] head." They hear whispers calling their name and feel the presence of evil, represented by the wolves that appear in the song. They are also afraid of their own state of mind, telling the listener not to look at them because they are "your dream," which can be interpreted as the singer being the embodiment of the listener's nightmares.
The final stanza of the song leaves the listener wondering about the fate of the singer. The touch of evil has made him strong, and he is now eternal and will never grow old. The candle, which has been leading him through the dark, is now burning and leading him towards eternal darkness, a mysterious event that leaves the listener to speculate about what may happen to the singer in the end.
Line by Line Meaning
A candlelight leads my way
In this spooky night, a small flame is my only guide
Through this haunted night
This night is filled with horror and mystery
A wind blows cold into my face
A chilly air gusts towards me, making me shiver
As the shadows catches me
The darkness envelops me and makes me feel trapped
Don't you hear the whispers
Can't you perceive the faint sound messages?
Calling out your name?
The whispers are addressing me personally
Don't you feel the presence
Can't you sense that something is nearby?
Of the wolves and what they bring?
It's like the wolves are bringing a negative aura with them
Don't you see the evil?
Can't you identify the harm and wrongs here?
It makes you want to scream
It's so terrifying that it makes you want to yell in terror
Don't you ever look at me
Just don't bring your eyes on me
I am your dream
I am the nightmare that you have every night
Mmm, can you see, where I am now?
Can you imagine my scary condition?
Is this reality or fiction in my head?
Am I dealing with reality or is it all in my imagination?
The cross has fallen, and turned to dust
The symbol of hope has failed and now seems pointless
I guess I'm losing it, or maybe I'm dead
Perhaps I'm going crazy, or I'm already dead
And so I walk on, to figure out
Moving on, in hopes of discovering the source of my insecurity
What force has gotten me, inside their care
Who or what has held me captured?
I am possessed, there's no way back
Something has taken over me completely and there is no escape
I have to face it, forever black
I have no choice but to confront my darkness, which seems unending
Oooh catch me, as I fall
Please prevent me from affecting a misfortune, as I'm falling
Reach out for me, hear my call
Be there for me and respond to my plea
Chase away the demons, underneath my skin
Help me defeat the hidden malevolence inside me
Can you take away, my evil sins?
Can you help me remove my chains of wickedness?
The touch of evil has made me strong
My experience of evil has surprisingly empowered me
I learned that good ones are always wrong
The perception of good is always wrong in the end
The force of darkness has got my soul
I'm a product of the darkness and it has got my soul forever
I am eternal now, I will never grow old
I'll never age, as my soul is now amalgamated with the darkness
And so the candle burns and leads the way
The candle continues to lead me to the unending darkness
To eternal darkness and far away
In the end, it's only me and the eternal darkness
Lyrics © CONCORD MUSIC PUBLISHING LLC
Written by: JORGEN GREDAKER, ROBERT MAGNUS VINTERVIND
Lyrics Licensed & Provided by LyricFind