Carvalho was raised in a middle-class family in Rio de Janeiro's South Zone. Her father, João Francisco Leal de Carvalho, was a lawyer. She grew up influenced by different types of music. Her father used to take her to samba school rehearsals, and her mother was a lover of classical music who encouraged her to become a ballerina. She started playing the guitar as a teenager, and got involved with the emerging Bossa Nova movement, winning a nationwide song contest on TV at the age of 19. Her first record was 1968's "Andança", carrying the song of the same name to victory in a larger festival, which brought her to prominence. Although she started her career with Bossa Nova, that was an ephemeral phase which lasted less than one year. Beth started dedicating herself entirely to samba just as her fame began, working with legendary composers such as Nelson Sargento.
Carvalho is a very important artist in the history of samba, as she has celebrated and brought the spotlight to the work of legendary composers such as Cartola, Nelson Cavaquinho & Guilherme de Brito when they weren't receiving the attention they deserved. Almost all of her records have songs by these composers, among other legendary sambistas such as Nelson Sargento and the Old Guard of Portela. Her samba school is Mangueira, but that didn't stop her from recording dozens of songs from composers of Portela, the other great traditional samba school in Rio.
Later, in the late 1970s and early 80's, Beth helped bring to the public the work of other rising pagode artists from Cacique de Ramos, such as Almir Guineto, Jorge Aragão and the Fundo de Quintal group. Then, in 1983, she introduced Zeca Pagodinho who would become the major samba name of the 90's. Carvalho always tried to bring underrated composers the recognition they deserve, and she is regarded as madrinha do samba (the godmother of samba). She was a driving force in the modernization of samba in the 80s, and at the same time rejected commercial pop trends in samba arrangements, preserving tradition.
In the 1990s, Beth's popularity wasn't the strongest, but she was always popular. She recorded an album dedicated to the samba from São Paulo, rejecting the famous axiom that São Paulo is the grave of samba. In 1998 she recorded an album dedicated entirely to the pagode classics, Pérolas do Pagode (Pagode Pearls).
In the new millennium, Beth working more than ever, released CDs and DVDs. With a career that spans 40 years, she is a historical figure in Brazilian culture, and recognized as the female sambista with the most substantial opus in Brazil, without diminishing other, younger stars such as Clara Nunes and Daniela Mercury.
Trivia
Beth is a known supporter of both the Botafogo and Clube Atlético Mineiro football teams
Beth is one of the main personalities of the samba school Mangueira
Beth had a variety of hits in the 1970s, with her 1979 song Coisinha Do Pai being one of her biggest hits. The song was inserted into the Mars Pathfinder.
Her social music often concerns the poor and the Indigenous peoples in Brazil.
Coisinha do pai
Beth Carvalho Lyrics
Jump to: Overall Meaning ↴
O Coisinha T
he lyrics of Beth Carvalho's song "Coisinha do Pai" are a beautiful tribute to the simple things in life that bring happiness, tranquility, and comfort. "Coisinha" means "little thing" and "Pai" means "Father" in Portuguese. The song reflects on the nostalgia and fondness of the singer's childhood memories and how her father's love and guidance provided a sense of security and peace.
The lyrics describe different aspects of her home and family life, like the smell of coffee and the sound of the radio, the ritual of Saturday family meals, and the presence of her father. The song emphasizes the importance of those little things that create a cozy, warm, and joyful atmosphere in one's home. The lyrics also suggest that these simple pleasures are within everyone's reach and can provide a sense of belonging and happiness.
Overall, Beth Carvalho's "Coisinha do Pai" is a touching and sentimental tribute to the joys of the mundane and the preciousness of familial love and traditions.
Writer(s): Almir Serra, Luiz Souza, Jorge Cruz Copyright: Warner/Chappell Edicoes Musicais Ltda
Contributed by Vivian H. Suggest a correction in the comments below.
La costeña y el carioca
Sou colombiana casada com brasileiro carioca, amo essa música! Canto, danço e até meu marido opina que eu sou mais carioca do que ele kkkk .... SALVE O SAMBA!!!... te amo Brasil!!
Gonça
🇨🇴🤝🇧🇷❤❤❤
Kaio Silva
Mano nesses momentos da orgulho de ser brasileiro e poder conhecer e ter acesso a essa nossa cultura tão rica. Temos os melhores cantores sem dúvidas.
SAMUKA🇳🇬
Infelizmente a geração atual vai estragar tudo!
Pili La
Desde pequeña escuchando a Beth Carvalho ,su música representa la samba brasilera una de las cantoras y madrinas más importante de Brasil
Soy Argentina pero Beth me transporta
La costeña y el carioca
En nuestro idioma y la honra a este digno y hermoso género. !! 😍
Gustavo Libares
Pili.... es una topadora!!!!!!!! Tremenda!!!!
Beth-313
Ola Pili, realmente Beth Carvalho sempre encantou nosotros aca en Brasil tambien. Me encanta Fito Paes desde 1992, quando estive pela primeira vez en Buenos Aires maravilhosa
Sabrina Marrega Campanha
Oo
Ronald Torres
Bonita musica brasilera, soy peruano cuando tenia 20 agnos
me fui a conocer Brasile me quede trabajando 6 meses.
Que bonitos recuerdos musicales, tambien me gusta
las canciones de Rita Lee.
Ahora tengo 64 agnos.
Gracias por subir estas hermozas canciones.