Elizabeth Santos Leal de Carvalho (May 5, 1946, Rio de Janeiro, Brazil — Ap… Read Full Bio ↴Elizabeth Santos Leal de Carvalho (May 5, 1946, Rio de Janeiro, Brazil — April 30, 2019, Rio de Janeiro, Brazil), best known as Beth Carvalho, was a Brazilian singer, musician and songwriter, being regarded as one of the biggest interpreters of samba and pagode music, receiving the title of "Madrinha do Samba" (Godmother of Samba).
Carvalho was raised in a middle-class family in Rio de Janeiro's South Zone. Her father, João Francisco Leal de Carvalho, was a lawyer. She grew up influenced by different types of music. Her father used to take her to samba school rehearsals, and her mother was a lover of classical music who encouraged her to become a ballerina. She started playing the guitar as a teenager, and got involved with the emerging Bossa Nova movement, winning a nationwide song contest on TV at the age of 19. Her first record was 1968's "Andança", carrying the song of the same name to victory in a larger festival, which brought her to prominence. Although she started her career with Bossa Nova, that was an ephemeral phase which lasted less than one year. Beth started dedicating herself entirely to samba just as her fame began, working with legendary composers such as Nelson Sargento.
Carvalho is a very important artist in the history of samba, as she has celebrated and brought the spotlight to the work of legendary composers such as Cartola, Nelson Cavaquinho & Guilherme de Brito when they weren't receiving the attention they deserved. Almost all of her records have songs by these composers, among other legendary sambistas such as Nelson Sargento and the Old Guard of Portela. Her samba school is Mangueira, but that didn't stop her from recording dozens of songs from composers of Portela, the other great traditional samba school in Rio.
Later, in the late 1970s and early 80's, Beth helped bring to the public the work of other rising pagode artists from Cacique de Ramos, such as Almir Guineto, Jorge Aragão and the Fundo de Quintal group. Then, in 1983, she introduced Zeca Pagodinho who would become the major samba name of the 90's. Carvalho always tried to bring underrated composers the recognition they deserve, and she is regarded as madrinha do samba (the godmother of samba). She was a driving force in the modernization of samba in the 80s, and at the same time rejected commercial pop trends in samba arrangements, preserving tradition.
In the 1990s, Beth's popularity wasn't the strongest, but she was always popular. She recorded an album dedicated to the samba from São Paulo, rejecting the famous axiom that São Paulo is the grave of samba. In 1998 she recorded an album dedicated entirely to the pagode classics, Pérolas do Pagode (Pagode Pearls).
In the new millennium, Beth working more than ever, released CDs and DVDs. With a career that spans 40 years, she is a historical figure in Brazilian culture, and recognized as the female sambista with the most substantial opus in Brazil, without diminishing other, younger stars such as Clara Nunes and Daniela Mercury.
Trivia
Beth is a known supporter of both the Botafogo and Clube Atlético Mineiro football teams
Beth is one of the main personalities of the samba school Mangueira
Beth had a variety of hits in the 1970s, with her 1979 song Coisinha Do Pai being one of her biggest hits. The song was inserted into the Mars Pathfinder.
Her social music often concerns the poor and the Indigenous peoples in Brazil.
Carvalho was raised in a middle-class family in Rio de Janeiro's South Zone. Her father, João Francisco Leal de Carvalho, was a lawyer. She grew up influenced by different types of music. Her father used to take her to samba school rehearsals, and her mother was a lover of classical music who encouraged her to become a ballerina. She started playing the guitar as a teenager, and got involved with the emerging Bossa Nova movement, winning a nationwide song contest on TV at the age of 19. Her first record was 1968's "Andança", carrying the song of the same name to victory in a larger festival, which brought her to prominence. Although she started her career with Bossa Nova, that was an ephemeral phase which lasted less than one year. Beth started dedicating herself entirely to samba just as her fame began, working with legendary composers such as Nelson Sargento.
Carvalho is a very important artist in the history of samba, as she has celebrated and brought the spotlight to the work of legendary composers such as Cartola, Nelson Cavaquinho & Guilherme de Brito when they weren't receiving the attention they deserved. Almost all of her records have songs by these composers, among other legendary sambistas such as Nelson Sargento and the Old Guard of Portela. Her samba school is Mangueira, but that didn't stop her from recording dozens of songs from composers of Portela, the other great traditional samba school in Rio.
Later, in the late 1970s and early 80's, Beth helped bring to the public the work of other rising pagode artists from Cacique de Ramos, such as Almir Guineto, Jorge Aragão and the Fundo de Quintal group. Then, in 1983, she introduced Zeca Pagodinho who would become the major samba name of the 90's. Carvalho always tried to bring underrated composers the recognition they deserve, and she is regarded as madrinha do samba (the godmother of samba). She was a driving force in the modernization of samba in the 80s, and at the same time rejected commercial pop trends in samba arrangements, preserving tradition.
In the 1990s, Beth's popularity wasn't the strongest, but she was always popular. She recorded an album dedicated to the samba from São Paulo, rejecting the famous axiom that São Paulo is the grave of samba. In 1998 she recorded an album dedicated entirely to the pagode classics, Pérolas do Pagode (Pagode Pearls).
In the new millennium, Beth working more than ever, released CDs and DVDs. With a career that spans 40 years, she is a historical figure in Brazilian culture, and recognized as the female sambista with the most substantial opus in Brazil, without diminishing other, younger stars such as Clara Nunes and Daniela Mercury.
Trivia
Beth is a known supporter of both the Botafogo and Clube Atlético Mineiro football teams
Beth is one of the main personalities of the samba school Mangueira
Beth had a variety of hits in the 1970s, with her 1979 song Coisinha Do Pai being one of her biggest hits. The song was inserted into the Mars Pathfinder.
Her social music often concerns the poor and the Indigenous peoples in Brazil.
Não Sou Mais Disso
Beth Carvalho Lyrics
Eu não sei se ela fez feitiço
Macumba ou coisa assim
Eu só sei que estou bem com ela
E a vida é melhor pra mim
Eu deixei de ser pé-de-cana
Eu deixei de ser vagabundo
Aumentei minha fé em Cristo
Sou benquisto por todo mundo
Eu deixei de ser pé-de-cana
Eu deixei de ser vagabundo
Aumentei minha fé em Cristo
Sou benquisto por todo mundo
Na hora de trabalhar
Levanto sem reclamar
E antes do galo cantar
Já vou
À noite volto pro lar
Pra tomar banho e jantar
Só tomo uma no bar
Bastou
Provei pra você que eu não sou mas disso
Não perco mais o meu compromisso
Não perco mais uma noite à toa
Não traio e nem troco a minha patroa
Provei pra você que eu não sou mas disso
Não perco mais o meu compromisso
Não perco mais uma noite à toa
Não traio e nem troco a minha patroa
Eu não sei se ela fez feitiço
Macumba ou coisa assim
Eu só sei que estou bem com ela
E a vida é melhor pra mim
Eu deixei de ser pé-de-cana
Eu deixei de ser vagabundo
Aumentei minha fé em Cristo
Sou benquisto por todo mundo
Eu deixei de ser pé-de-cana
Eu deixei de ser vagabundo
Aumentei minha fé em Cristo
Sou benquisto por todo mundo
Na hora de trabalhar
Levanto sem reclamar
E antes do galo cantar
Já vou
À noite volto pro lar
Pra tomar banho e jantar
Só tomo uma no bar
Bastou
Provei pra você que não sou mas disso
Não perco mais o meu compromisso
Não perco mais uma noite à toa
Não traio e nem troco a minha patroa, é
Provei pra você que não sou mas disso
Não perco mais o meu compromisso
Não perco mais uma noite à toa
Não traio e nem troco a minha patroa
Macumba ou coisa assim
Eu só sei que estou bem com ela
E a vida é melhor pra mim
Eu deixei de ser pé-de-cana
Eu deixei de ser vagabundo
Aumentei minha fé em Cristo
Sou benquisto por todo mundo
Eu deixei de ser vagabundo
Aumentei minha fé em Cristo
Sou benquisto por todo mundo
Na hora de trabalhar
Levanto sem reclamar
E antes do galo cantar
Já vou
À noite volto pro lar
Pra tomar banho e jantar
Só tomo uma no bar
Bastou
Provei pra você que eu não sou mas disso
Não perco mais o meu compromisso
Não perco mais uma noite à toa
Não traio e nem troco a minha patroa
Provei pra você que eu não sou mas disso
Não perco mais o meu compromisso
Não perco mais uma noite à toa
Não traio e nem troco a minha patroa
Eu não sei se ela fez feitiço
Macumba ou coisa assim
Eu só sei que estou bem com ela
E a vida é melhor pra mim
Eu deixei de ser pé-de-cana
Eu deixei de ser vagabundo
Aumentei minha fé em Cristo
Sou benquisto por todo mundo
Eu deixei de ser pé-de-cana
Eu deixei de ser vagabundo
Aumentei minha fé em Cristo
Sou benquisto por todo mundo
Na hora de trabalhar
Levanto sem reclamar
E antes do galo cantar
Já vou
À noite volto pro lar
Pra tomar banho e jantar
Só tomo uma no bar
Bastou
Provei pra você que não sou mas disso
Não perco mais o meu compromisso
Não perco mais uma noite à toa
Não traio e nem troco a minha patroa, é
Provei pra você que não sou mas disso
Não perco mais o meu compromisso
Não perco mais uma noite à toa
Não traio e nem troco a minha patroa
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: Jesse Gomes Da Silva Filho, Jorge Aragao Da Cruz
Lyrics Licensed & Provided by LyricFind
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