In 2006 Knight starred in BBC1 music TV show, Just The Two Of Us, and is the host of the Radio 2 show Beverley's Gospel Nights, which explores the origins and impact of gospel music. Now in its second season, the show has featured interviews with stars such as Destiny's Child and Shirley Caesar.
Knight is an ambassador for many charities such Christian Aid and has travelled to areas affected by disease and poverty to help raise awareness. She is an active campaigner for anti-Aids organisations such as the Stop AIDS Campaign and The Terrence Higgins Trust and is also a vocal campaigner against homophobic lyrics in urban music. She became an MBE in 2006, the only musician to be granted such an honour in the Queen's eightieth birthday honours list.
In February 2006 Knight consolidated her move into the mainstream audience by appearing on BBC1 music show, Just The Two of Us. The show, featuring celebrities who duet with established singers, ran for two weeks and proved to be a relative disappointment in terms of audience figures – averaging between fifteen and twenty-five percent audience shares.[17] Nevertheless it provided a platform for Knight to reach out to a bigger audience and demonstrate her talent by performing a different array of songs than she would otherwise be known for. Reaching out to new audiences was also a driving force behind Knight’s decision to join Take That on their reunion arena tour. Take That - The Ultimate Tour 06, which ran from April to July 2006, sold 270,000 tickets in less than four hours on sale at the box office and featured Knight as a support act.
In March 2006 Beverley released her fifth album, a compilation set featuring the majority of her top forty UK singles entitled Voice - The Best Of Beverley Knight. The album, which was certified Gold less than a month after its release,[19] became her second highest charting of her career when it entered the UK albums chart at number ten and rose to number nine a month later. It was preceded by the single "Piece of my Heart" – a cover of the Erma Franklin classic made famous by Janis Joplin and entered the singles chart at number sixteen, spending eleven weeks inside the UK top 75 singles chart and becoming her longest-running chart single to date.
In October 2006, Knight recorded her fifth studio album, Music City Soul, in Nashville. Completed in less than five days, the album was released on 7 May 2007 and features collaborations with musicians such as Ronnie Wood and Scotty Moore. It has spawned three singles thus far, "No Man's Land", released on 16 April 2007, "After You", released on 2 July 2007 and "The Queen of Starting Over", released on 15 October 2007.
Beverley will be releasing her next album in spring 2009.
Sites: YouTube
Wake Up Call
Beverley Knight Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Good morning
How are you?
How am I, I'm doing
(Fine)
So fine
(So fine)
So fine
Good morning
How are you?
How am I doing?
(fine)
(so fine)
The lyrics to Beverley Knight's song Wake Up Call may seem simple on the surface, but upon further analysis, they reveal a deeper message. The repetition of "Hello, Good morning, How are you?" can be interpreted as a greeting to someone who is waking up or realizing something important. The response of "How am I doing? Fine. So fine." can represent a sense of denial or avoidance of an underlying issue. The repetition of "so fine" suggests that the singer may be trying to convince themselves or others that everything is okay when it really isn't.
The title of the song, Wake Up Call, adds to this interpretation as it suggests that there is a need for someone to awaken to reality or confront their problems. The lyrics may also be seen as a commentary on society's tendency to put on a facade of happiness and perfection instead of facing difficult emotions or situations.
Overall, the lyrics to Wake Up Call invite the listener to reflect on the need for honesty and self-awareness in our daily lives.
Line by Line Meaning
Hello
Greetings
Good morning
Wishing a pleasant morning
How are you?
Inquiring about one's well-being
How am I, I'm doing
Responding to the question about one's well-being
(Fine)
Expressing that everything is okay
So fine
Feeling good about oneself
(So fine)
Reiterating that one is feeling great
Hello
Greetings
Good morning
Wishing a pleasant morning
How are you?
Inquiring about one's well-being
How am I doing?
Asking for validation about one's own well-being
(fine)
Confirming that everything is okay
(so fine)
Reaffirming that one is feeling great
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@kjoshi67
"Everything's Gonna Be Alright" by Mark Knight & Beverley Knight, featuring the London Community Gospel Choir, is nothing short of a celestial harmony that fuses the energy of house music with the soul-touching vibes of gospel. Here's a reflection on this masterpiece:
In the vast tapestry of music genres, seldom do tracks emerge that so effortlessly meld the infectious beats of house with the divine resonance of gospel. This track stands as a testament to that rare magic. Mark Knight's impeccable production prowess lays down an electrifying foundation of pulsating rhythms. On this canvas, Beverley Knight's voice acts as a paintbrush, with each note she hits conjuring images of hope, redemption, and a spirit that refuses to be broken.
But what truly elevates this track to the realms of the ethereal is the London Community Gospel Choir. Their voices bring in a collective strength, unity, and depth, making every chorus feel like a spiritual awakening. It's as if every beat, every note, every word is a reminder that even in our darkest moments, there's a higher power watching over us, promising brighter days.
The beauty of this track lies in its universality. Whether you're a believer or not, the message is clear and comforting: amidst the chaos, uncertainties, and challenges, everything's gonna be alright. The combined talents of Mark and Beverley Knight, complemented by the choir, make this more than just a song – it's a sonic embrace, a reassurance, a beacon of hope.
In a world where despair can sometimes feel overwhelming, tracks like this become essential. They remind us of the healing power of music, the unity it can foster, and the faith – in whichever form we choose to perceive it – that things will get better. In every beat, in every chorus, it tells us to dance away our worries because, with faith and music by our side, everything truly will be alright. 🌟🎶🙏
@rocknrollfortyseven
Oh Beverley, Beverley, Beverley... what a f***kin tune!! Dancin round the garage at 61! Quality.. what a voice xx owen East Sussex
@beatmaker9953
It s just ammmmmmmaaaaaazin tune!!!!!
@raydaniels4542
Lol
@kjoshi67
"Everything's Gonna Be Alright" by Mark Knight & Beverley Knight, featuring the London Community Gospel Choir, is nothing short of a celestial harmony that fuses the energy of house music with the soul-touching vibes of gospel. Here's a reflection on this masterpiece:
In the vast tapestry of music genres, seldom do tracks emerge that so effortlessly meld the infectious beats of house with the divine resonance of gospel. This track stands as a testament to that rare magic. Mark Knight's impeccable production prowess lays down an electrifying foundation of pulsating rhythms. On this canvas, Beverley Knight's voice acts as a paintbrush, with each note she hits conjuring images of hope, redemption, and a spirit that refuses to be broken.
But what truly elevates this track to the realms of the ethereal is the London Community Gospel Choir. Their voices bring in a collective strength, unity, and depth, making every chorus feel like a spiritual awakening. It's as if every beat, every note, every word is a reminder that even in our darkest moments, there's a higher power watching over us, promising brighter days.
The beauty of this track lies in its universality. Whether you're a believer or not, the message is clear and comforting: amidst the chaos, uncertainties, and challenges, everything's gonna be alright. The combined talents of Mark and Beverley Knight, complemented by the choir, make this more than just a song – it's a sonic embrace, a reassurance, a beacon of hope.
In a world where despair can sometimes feel overwhelming, tracks like this become essential. They remind us of the healing power of music, the unity it can foster, and the faith – in whichever form we choose to perceive it – that things will get better. In every beat, in every chorus, it tells us to dance away our worries because, with faith and music by our side, everything truly will be alright. 🌟🎶🙏
@maritzburger
Well said, I am a Hindu and this track, along with similar genre bending gospel tracks move me to tears. Similar emotions are awakened with Kirk Franklins Stomp. I’ve always thought if every church played this type of gospel, it would have the impact that no sermon can ever achieve.
@CalpeIsMyHome
Beverley Knight is easily one of the UK's best female singers - if not the best. She's been a fav of mine for years and she just keeps getting better! And what a great song here too.
@jacquelinespencer2823
Amazing love it
@nicksmith1246
If this isn’t a massive hit, there is no justice. What an exceptional tune
@MrWigwag62
Totally agree my friend👍🤞
@andreasignorelli3041
waghornooo9o