Biffy, as they are often referred to, utilise a quiet/loud dynamic, constructing songs that can range from a whisper-quiet pick on the guitar, to huge walls of noise with massive distortion and crashing drums. Their sound has simplified somewhat in recent times yet still occasionally contains complex time signatures and heavy riffs. While Simon Neil sings lead, all three members provide vocals. "'Mon the Biffy!" is a well known chant amongst Biffy fans; it is usually shouted in between songs at gigs, or before the band come on stage. Some fans have reacted poorly to the band's recent output.
The first incarnation of what would eventually become Biffy Clyro was formed in 1995 by fifteen-year-old Irvine-born, Ayr-raised guitarist Simon Neil, who recruited Kilmarnock-born Ben Johnston and someone known only as Barry on drums and bass respectively, calling themselves Screwfish. Barry was soon replaced by James Johnston, Ben's twin brother, and the three spent the next two years rehearsing, writing and covering songs. In 1997, they played their first gig as the support for a band called Pink Kross at a local youth centre. The trio then moved to Glasgow, where Neil went to the University of Glasgow and the Johnston twins went to Stow College, studying Electronics with Music and Audio Engineering respectively.They then progressed onto the bigger stage
After playing gigs around Glasgow and receiving positive and enthusiastic reactions from the audiences, the band were spotted by Dee Bahl, who soon became their manager. Bahl offered them a chance to release an independent single on Aereogramme's Babi Yaga record label. "Iname" was released on 28 June 1999, and led to the band being chosen by Stow College's Electric Honey record label to release a record. thekidswhopoptodaywillrocktomorrow... was released on 13 June 2000, and after hearing it, BBC Radio Scotland DJ Vic Galloway gave the band airplay. A few days prior to the release of thekidswho..., the band were spotted at the Unsigned Bands stage at T in the Park 2000 by a Beggars Banquet representative. Soon after, the band was signed to the independent Beggar's Banquet, and on 30 October 2000, they re-recorded and released the single, "27", which became Kerrang!'s Single Of The Week.
On 1 October 2001, one of the songs from thekidswho... was re-recorded and released as a single, "Justboy". This was repeated on 4 February 2002, when the song "57" was released. On 11 March, the band's debut album, Blackened Sky, was released to generally positive reviews. It was around this time that the band began touring extensively, including being the support for Weezer on 20 March at the Barrowlands in Glasgow. On 15 July, the fourth single from the album, "Joy.Discovery.Invention" was released as a double A-side with a newly recorded song, entitled "Toys, Toys, Toys, Choke, Toys, Toys, Toys", which later appeared on The Vertigo of Bliss.
In 2003, the band retreated to the Linford Manor recording studio in Great Linford, Milton Keynes, England to record the follow-up to Blackened Sky. On 24 March, a new single was released entitled, "The Ideal Height", followed by another new single entitled "Questions and Answers" on 28 May. The band's second album, The Vertigo of Bliss was released on 16 June, to positive reviews, which focused on the more experimental style of the album in comparison to Blackened Sky, as well as the introduction of string sections.
In 2004, after touring relentlessly for The Vertigo of Bliss, the band retreated to Monnow Valley Studios in Monmouth, Wales to record a follow-up. As with the previous album, two singles were released before the actual album; "Glitter and Trauma" and "My Recovery Injection" on 9 August and 20 September, respectively. A digital download was also released; "There's No Such Thing As A Jaggy Snake", on 31 May. On 4 October, the band's third album, Infinity Land was released, and on 14 February 2005, the last single from the album, "Only One Word Comes To Mind" was released. On 16 February, the band performed a cover of Franz Ferdinand's "Take Me Out" live from Maida Vale on Zane Lowe's BBC Radio 1 show. Simon Neil's side project, Marmaduke Duke, also released an album in 2005, The Magnificent Duke, and toured the UK, along with the Johnston twins accompanying on bass and drums, for it.
In 2006, Biffy Clyro left Beggars Banquet and signed a deal with 14th Floor, an offshoot of Warner Bros. In June, the band contributed a cover of Weezer's "Buddy Holly" to Kerrang!'s High Voltage!: A Brief History of Rock, which came free with Issue #1110 of the magazine. In September, the band moved temporarily to Canada to record their fourth album at The Warehouse Studio in Vancouver, and The Farm Studio in Gibsons, which they finished doing in November. The song "Semi-Mental" was released as a digital download on 25 December. In 2007, the song "Saturday Superhouse" was released on 14 May, where it reached #13 on the UK Singles Chart; the band's highest single chart position to date. On 14 May, the song "Living is a Problem Because Everything Dies" was released, reaching #19 on the UK Singles Charts. On 21 May, Biffy were confirmed for T in the Park 2007, as well as being announced as one of the support bands for the 17 June gig at the new Wembley Stadium for Muse. On 1 June, Biffy were confirmed for Glastonbury 2007. On 4 June, Puzzle was released to critical acclaim, and eventually helped the band to reach their highest UK Albums Chart position ever, reaching #2 in the first week of release. On 6 June it was announced that Biffy were to support The Who at Marlay Park in Ireland. On 12 June, it was announced that "Folding Stars" was released as a single on July 16. On the 23rd of August 2007, Biffy Clyro were announced as the support act for the Red Hot Chilli Peppers at Hampden Stadium in Glasgow, for the Stadium Arcadium tour.
Little Hospitals
Biffy Clyro Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Suckle lemons and trade, trade, trade
Play along in your silver dress
We'll save souls and we'll break bread
All cows shit and angels too
Look around it's the bestest view
Did you think before you spoke aloud?
You seek my cover
Where you go I'll follow on
You never can get enough
We just need to survive
If we're ever gonna dream again
I feel sad as we penetrate
Unbuckle buttons and slave, slave, slave
We attack like civil unrest
No home equals no dread
All cows shit and angels too
Look around it's the bestest view
Did you think before you spoke aloud?
Your fucking tongue it will do you proud
You seek my cover
Where you go I'll follow on
You never can get enough
We just need to survive
If we're ever gonna dream again
Ever gonna dream again
We are individuals in our little rituals
Hospitals, memorials, smaller than disease
Rituals and burials are distant used memories
When you leave
When you leave I doubt I'll remember you
When you leave
When you leave I doubt I'll remember you
When you leave
When you leave I doubt I'll remember you
When you leave
When you leave I doubt I'll remember you
The song "Little Hospitals" by Biffy Clyro is a complex and introspective piece that touches on themes of relationships, mortality, and survival. The lyrics seem to describe a tumultuous relationship that's built on a fragile foundation of passion, and how the two people in that relationship are struggling to overcome the obstacles that stand in the way of their dreams. The first verse contains imagery and metaphor that's open to interpretation, but it seems to suggest that the two people in the relationship are turning their struggles into something sweet and palatable - like lemonade - even though they know it might not be sustainable.
The chorus of the song suggests that the two people are seeking comfort and safety in each other's arms, even as they struggle to survive in a world that's full of challenges and setbacks. The line "we just need to survive if we're ever gonna dream again" seems to encapsulate the central thesis of the song - that in order to keep dreaming and hoping for a better future, we need to find a way to live through the present difficulties.
The second verse returns to the theme of mortality, with the line "we attack like civil unrest, no home equals no dread" suggesting that the characters are rebelling against the idea that they might be powerless in the face of the inevitable end. The repeated line "all cows shit and angels too" is a profane reminder that even the most holy and pure things in life are subject to the same messy and chaotic forces that shape our existence.
Overall, "Little Hospitals" is a deeply introspective song that grapples with the big questions of life and death, love and loss, and the fleeting nature of our experiences. It's a complex and multi-layered work that rewards close attention and thoughtful interpretation.
Line by Line Meaning
I'll turn your baby into lemonade
I have the power to take something sweet, innocent, and precious, like your baby, and turn it into something sour, cheap, and worthless, like lemonade, without giving it a second thought.
Suckle lemons and trade, trade, trade
You will feel the sourness and bitterness of life, like sucking on lemons, and you'll try to cope by making superficial transactions and deals with others.
Play along in your silver dress
You will conform to society's expectations and perform your role, like an actress in a silver dress, without questioning the absurdity and artificiality of it all.
We'll save souls and we'll break bread
We'll pretend to be compassionate and generous, like saving souls and breaking bread, but in reality, we'll be manipulating and exploiting others for our own gain.
All cows shit and angels too
Everyone, regardless of their status or reputation, is flawed, imperfect, and vulnerable, just like cows that poop, and angels that can fall from grace.
Look around it's the bestest view
Instead of denying or avoiding the unpleasant and ugly aspects of reality, like the view of manure or decay, embrace them as part of the bigger picture and the beauty of imperfection.
Did you think before you spoke aloud?
Don't just mindlessly and impulsively say whatever comes to your mind, but rather reflect and analyze whether your words have meaning, depth, and impact.
Your fucking tongue it will do you proud
Your language and communication skills, whether crude or eloquent, are a reflection of your identity and character, and can provoke admiration or contempt from others.
You seek my cover
You seek my protection, guidance, or approval, as I have a power over you that makes you feel vulnerable or inferior.
Where you go I'll follow on
I'll be your shadow, your mirror, your echo, just to feel connected, heard, and seen, even if it means losing my own identity and autonomy.
You never can get enough
You are always hungry, thirsty, or restless, and no matter how much you consume, achieve, or explore, you'll never feel truly satisfied or complete.
We just need to survive
We are not living, but merely surviving, trying to avoid pain, danger, or death, and neglecting the joy, beauty, or meaning of life.
If we're ever gonna dream again
If we're ever gonna reconnect with our imagination, creativity, and hope, and dream big, bold, and beautiful dreams, that transcend the limits of our mundane reality.
We are individuals in our little rituals
We have our own unique, personal, and private habits, traditions, and routines, that define us and make us feel safe, comfortable, and familiar.
Hospitals, memorials, smaller than disease
Even the biggest and most symbolic institutions, like hospitals and memorials, are powerless and insignificant, compared to the magnitude and devastation of diseases that afflict us physically and mentally.
Rituals and burials are distant used memories
The customs and practices of the past, like rituals and burials, have lost their relevance, meaning, and emotional significance, as we have become disconnected from our history and heritage.
When you leave I doubt I'll remember you
Even though you may have been important or significant to me at some point, once you're gone, you'll become just a distant, fading memory, that may or may not affect me anymore.
Lyrics © Warner/Chappell Music, Inc., Kobalt Music Publishing Ltd.
Written by: NEIL, SIMON ALEXANDER
Lyrics Licensed & Provided by LyricFind
Scarlett Murphy
22 comments? This band is CRIMINALLY underrated
Marnie Lord
this album is pure bliss
TheMusicfan189
Easily my favourite song by them.
Andy Beck Music
Opposites has some excellent tracks and riffs on it. Listened to it a fair bit when I lived in Berlin.
Ryan Williams Music
I recorded and mixed this album and still love listening to it! Top Notch Guys!
Adrien_mgr
Best fucking song of the album <3
Andy Beck Music
It is a belter!
TaranLoses
definitely one of the best
Marnie Lord
i like the fog the most
T. Rey
@Adrien7600LH That would be a girl and his cat