Born in Redbush, a tiny hamlet in Johnson County, Kentucky, Billy's father worked as a coal miner in the Van Lear coal mine (the same one mentioned in Loretta Lynn's "Coal Miner's Daughter"). His mother kept the house, and cared for 14 children. Money was scarce, and food was often in short supply for the family. It was in those extreme, hard times that Billy's interest in music and writing began to surface, and he began to dream dreams that were far greater than the poverty that shackled his family to the Appalachian hills.
Billy was influenced by hillbilly artists such as Bill Monroe, the blue yodeler Jimmie Rodgers, the Carter Family, Merle Travis, and Moon Mullican, with songs and sounds that came into the house from an old battery operated radio. On Saturday nights, the broadcast from the Grand Ole Opry sparked images of strange and fanciful places in young Billy's mind. He recalls, "I vividly remember many times looking up over the tall slender pine whose tiny green needles seemed to pierce the blue-green sky, and dreaming of the day when I would play my very own guitar - like the singers that I heard on the radio - and it would take me to places far over the hills."
Sadly, the reality was that Billy's family could not afford to buy real musical instruments, so he and his older brother Charles found other ways to express their music. They could often be heard singing at the top of their voices, and accompanying themselves by pounding hard, driving rhythms on lard bucket lids. This rhythm would require both skin and blood, and would later prove to be a very prominent force in Billy's music.
The family moved many times in search of work after Billy's father developed lung trouble from working in the mines. After one move to Greenup County, Kentucky, his father was able to borrow a Harmony Monterey guitar from a kind neighbor, and he taught his sons to play the simple chords that he knew. Billy's dream was starting to take shape.
Billy's lonesome, rebellious voice was first heard on radio in 1952, at WCMI in Ashland, Kentucky. During that performance, it just came natural for the 12 year-old to pound out the same rhythm on the guitar that he had created on the lard bucket lid. The crowd loved it.
In early 1954, Billy heard Elvis Presley for the first time on the radio, and he heard in Elvis' music the same driving rhythm style. That was his cue. Billy organized his first band, and called them The Rock & Roll Boys. With Billy on the pounding acoustic rhythm guitar, his brother Charles, on the electric lead guitar, and Curtis May on the upright bass, it was a three-piece band, just like Elvis had. The die was cast.
Around this time, Billy had written a song that he believed in strongly. So did others, including a local entertainer named Luke Gordon. Gordon encouraged Billy to record the song, and so Billy and the band traveled to Cincinnati, Ohio and recorded "Rock, Pretty Mama" in the fall of 1955. Gordon later released the single on his own Quincy Records, in 1957. The band soon found themselves in demand, and began touring throughout the Midwest. At one point, hoping to take the next step up the ladder of success, Billy stopped at a pay phone in Springfield, Missouri, and made a call to Sun Records in Memphis, Tennessee. After introducing himself as "Billy Adams from Kentucky, a sixteen year-old boy with a record," he received an invitation to come to Memphis. But, fate intervened, and right after the call, his '49 Ford broke down. With no money to repair it, he sold it for fifty dollars, and he the band beat a hasty retreat back home on a bus. Little did he know that the trip to Memphis would not happen for many years to come.
Back in home territory, Billy and the band settled into regular gigs at the 440 Club in Portsmouth, Ohio. There, they met Glenn McKinney, the owner and engineer of the Mack Recording Company and Nau-Voo Records (Nau-Voo took its name from an Indian tribe who once settled in the area). After hearing Billy sing several times at the club, McKinney offered him a record deal.
On March 1, 1957, in a garage studio where the echo chamber was an outside fuel tank, and the studio itself was barely big enough to breathe in, Billy and the band recorded two of his original compositions, "You Heard Me Knocking" and "True Love Will Come Your Way." McKinney then called on his long time friend, Frank Porter, and he arranged a deal with Randy Wood to release the songs on Dot Records, in January 1958.
By the end of the decade, Billy and his band, now named The Rock-A-Teens, recorded six more songs for the Nau-Voo label, "You Gotta Have A Duck Tail," "Walking Star," "Return of the All American Boy," "That's My Baby," "Blue Eyed Ella," and "The Fun House." The singles received good reviews in Billboard, Cashbox and other publications, and the band toured relentlessly, but stardom would prove to be elusive for Billy Adams.
Frustrated by the lack of widespread success, and tired by the rigors of the road, the Rock-A-Teens performed their last show together in 1959. Billy now recalls this as the lowest point in his musical career: "When the last song was finished, the show was over, the curtain fell; the band was gone. My heart ached for the part of me that was left behind; my brother, my buddies and my sound."
Although he eventually went on to record dozens of secular and gospel songs in later years, the Nau-Voo sessions brought to a close Billy's early rockabilly career. Today, his records are rare, and sought after by collectors around the world. ("Rock, Pretty Mama" is valued between $1,500-$2,000 in The Official Price Guide to Records: 2002.)
In 1965, Billy Adams received his calling into the ministry, and he began evangelizing to audiences across the U.S. and abroad. He also expanded his musical skills, becoming a consummate piano player, combining preaching with music, to help him spread the message. It also was a watershed time of creativity for him as a writer of gospel and country music (his complete discography is 6 pages long).
By the late 1980's, Billy Adams' classic songs began to be resurface on MCA, Ace, Bear Family, and other record labels worldwide, spurring a renewed interest in his music. Unfortunately, another recording artist named Billy Adams (who ironically had recorded for Sun Records), had died in 1984, and many people confused him with that man.
Surprised by the revival of his music, and undaunted by the news of his "early demise," Billy was motivated to realize his long-held dream. In 1998, he entered the legendary Sun Studios in Memphis, and announced, "I am Billy Adams from Kentucky, and although it took me 41 years to get here, here I am!" The resulting session was released on CD as Legacy, in 2000. The album won rave reviews from many critics. It proved to be a powerful comeback vehicle for him. Shortly thereafter, he was inducted into the Rockabilly Hall of Fame as a "Legends" member.
With his career revitalized, Billy enjoyed performing again, touring with a group of musicians that made up the new Rock-A-Teers band. In October of 2002, he played for the first time in Europe, at "The 29th Hemsby Rock 'N' Roll Show," in England, one of the continent's pre-eminent roots-rock festivals. That appearance coincided with the issue of a 27 track career retrospective, entitled Billy Adams-Rockin' Thru The Years 1955-2002, released on Sanctuary (Castle) Records. The project spans Billy's rockin' career from the '50s thru today.
Noted music impresario Billy Block made Billy a regular on his famous "Western Beat Roots Revival" radio show in Nashville. That has helped to gain him support from some elite fellow musicians, including Robert Reynolds, Nick Cain (the Mavericks), and Bill Lloyd, among others. Billy's concert schedule continued to grow, with shows in Las Vegas, Green Bay, Indianapolis, and SXSW 2003, in Austin, among others. In July of 2004, Billy and his band were featured headliners at the Americana International Festival, in Newark, Nottinghamshire, England, along with stellar performers including Bill Wyman's Rhythm Kings (former Rolling Stones bass player), Albert Lee, Dave Edmunds and others.
As a testament to the staying power of a great song, Sanctuary/BMG Records included "Rock, Pretty Mama" on a compilation entitled Rockabilly Riot (released in September of 2003), along with tracks by Elvis, Roy Orbison, Jerry Lee Lewis, Carl Perkins and others. As a fitting jewel in his comeback crown, the song that first launched his career once again brings Billy Adams' unique brand of American roots music to a whole new generation of fans, and adds to his ever-expanding fanbase and touring schedule. Musicologist Colin Escott sums it up best in the liner notes of Rockabilly Riot: "He is now one of the great exponents of rockabilly from the golden era, in demand at clubs and festivals worldwide."
2007 marked Billy's 50th anniversary as a recording artist, beginning with the 1957 release of "Rock, Pretty Mama." It continued to be an exciting and busy time for him. He planned to unveil new recordings, and scores of interviews and features were planned, including a feature interview in the Public Radio International Rockabilly documentary series, 'Whole Lotta Shakin'. He also performed at two well-received shows at the 2007 Americana International Festival, in England.
Someone
Billy Adams Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Always got a mouthful of such sweet things to say
Chewy, chewy, chewy
Chewy's full of sugar and I love her that way
Ooh I love to kiss her
Love to hold her
Love to miss her
Love to love her like I do.
Oh little chewy
Don't know what you're doing to me
But you're doing to me what I want you to.
Everytime you love me it's a real sugar treat
Love me little chewy cause you do it so sweet
Ooh I love to kiss her
Love to hold her
Love to miss her
Love to scold her
Love to love her like I do.
Oh little chewy
Baby a living box of candy wrapped up so very fine
Do it to me chewy chew me out of my mind.
Ooh I love to kiss her
Love to hold her
Love to miss her
Love to scold her
Love to love her like I do.
Oh little chewy
Don't know what you're doing to me
But you're doing to me what I want you to.
The lyrics of Billy Adams's song "Chewy" depict a deep affection and infatuation for someone referred to as "Chewy." The repeated phrase "chewy, chewy, chewy" suggests that this person always has something sweet and pleasant to say, symbolizing their charming and lovable nature. The reference to "Chewy" being full of sugar implies that they bring joy and sweetness to the singer's life, and that the singer loves them just the way they are.
The lyrics further express the singer's strong attraction to Chewy, as they state their love for kissing, holding, missing, and even scolding Chewy. This suggests a complex and passionate relationship, where the singer experiences a range of intense emotions, from love and desire to frustration and affection. The repetition of these actions emphasizes the depth of the singer's affection for Chewy and their emotional investment in the relationship.
The chorus emphasizes the pleasurable impact that Chewy has on the singer's life. Every interaction with Chewy is described as a delightful treat, emphasizing the positive and enjoyable aspects of their connection. The lyrics suggest that Chewy's love is like a sugar treat, highlighting the sweetness and happiness that Chewy brings to the singer's life. The repeated phrase "Love me little chewy cause you do it so sweet" reinforces the idea that Chewy's love is cherished deeply and appreciated for its sweetness and tenderness.
The lyrics also contain metaphorical references to Chewy as a living box of candy, symbolizing their irresistible and captivating nature. The phrase "chew me out of my mind" implies that Chewy has the power to overwhelm the singer's thoughts and senses, further intensifying their infatuation. The repetition of the actions the singer loves (kissing, holding, missing, scolding) reinforces the idea that the singer is enamored with Chewy and enjoys every aspect of their relationship.
Overall, these lyrics portray a relationship filled with love, desire, and passion. Chewy is depicted as someone who brings sweetness, joy, and excitement to the singer's life. The lyrics showcase the intensity of the singer's affection and their willingness to embrace both the pleasurable and challenging aspects of their relationship with Chewy.
Line by Line Meaning
Chewy, chewy, chewy
Billy Adams is emphasizing the sweetness and delightful nature of a person named Chewy.
Always got a mouthful of such sweet things to say
Chewy consistently expresses affectionate and pleasant sentiments.
Chewy's full of sugar and I love her that way
Billy Adams adores Chewy's sugary and endearing personality.
Ooh I love to kiss her
Billy Adams thoroughly enjoys kissing Chewy.
Love to hold her
Billy Adams takes great pleasure in embracing Chewy.
Love to miss her
Billy Adams cherishes the feeling of longing for Chewy when she's absent.
Love to scold her
Billy Adams finds it satisfying to scold Chewy playfully.
Love to love her like I do.
Billy Adams has strong affection and adoration for Chewy, and he enjoys expressing it.
Oh little chewy
Billy Adams affectionately refers to Chewy as a endearing nickname.
Don't know what you're doing to me
Billy Adams acknowledges that Chewy has a mysterious effect on his emotions.
But you're doing to me what I want you to.
Billy Adams is grateful that Chewy's actions align with his desires and expectations.
Everytime you love me it's a real sugar treat
Chewy's expressions of love are always enjoyable and pleasantly surprising for Billy Adams.
Love me little chewy cause you do it so sweet
Billy Adams appreciates Chewy's sweet and tender way of expressing love for him.
Baby a living box of candy wrapped up so very fine
Billy Adams compares Chewy to a beautiful and enticing package filled with sweet delights.
Do it to me chewy chew me out of my mind.
Billy Adams is so entranced by Chewy's love and affection that he feels overwhelmed and captivated.
Lyrics © O/B/O APRA AMCOS
Written by: Terence Nelhams-Wright
Lyrics Licensed & Provided by LyricFind
@baylincoln7264
Once you get away with murder the 1st time you think you can get away with it the 2nd time. Why would he want evidence to be hidden I hope he don't beat this case rest in peace mama and baby.
@Adamillionaire123
Yeah, stop letting these devils out to commit more crimes.
@yahyahbrice9586
Death Penalty.
@cprice846
Harm his right to a fair trial??? He had JUST beat TWO BODIES 3 days after being acquitted and he turned around and killed his PREGNANT GIRLFRIEND and their unborn child! This is just crazy.
@sanchez73day36
This man is a simp get off on first charge then committed a second murder.upset over rejection. This man needs to never be out
@pkd.81
His life matters 😇
@mrslipknotfan1000
Nope
@macylouwho
It’s crazy that’s he asking for a protection/gag order so he has a “fair” trial but he never gave poor Alana or her unborn baby that same grace. I hope he rots. Rest in peace, beautiful angels.
@DeeluxyLife
Omgggg I remember the first case! I believed him too but now…….. 😶
@thynkGaming939
why did you believe him cuz he charming or handsome? He manipulated you and the jurys and you wasnt even there but how do you explain self defense shooting them in back of the head and only taking his side of the story well the other to cant talk and tell there side of it so well he must be telling us the truth I mean cmon this guy is a coward but beauty of life is theres one and ONLY ONE JUDGE & he dont miss anything...... Amen Lord Almighty One