In 1977, Bragg formed the punk rock/pub rock band Riff Raff, and toured London's pubs and clubs. The band released a series of singles, which did not receive wide exposure. He also worked in Guy Norris Records in Barking. Bragg became disillusioned with his music career, and in May 1981 joined the British Army as a recruit destined for the Queen's Royal Irish Hussars of the Royal Armoured Corps. After three months, he bought his way out of the army for £175 and returned home, having attended basic training but having never served in a regiment as a soldier.
Bragg began performing frequent concerts and busking around London, playing solo with an electric guitar. His roadie at the time was Andy Kershaw, who became a BBC DJ (Bragg and Kershaw later, in 1989, appeared in an episode of the BBC TV programme, Great Journeys, in which they travelled the Silver Road from Potosí, Bolivia, to the Pacific coast at Arica, Chile). Bragg performing at South by Southwest in 2008.
Bragg's demo tape initially got no response from the record industry, but by pretending to be a television repair man, he got into the office of Charisma Records' A&R man Peter Jenner. Jenner liked the tape, but the company was near bankruptcy and had no budget to sign new artists. Bragg got an offer to record more demos for a music publisher, so Jenner agreed to release them as a record. Life's a Riot with Spy Vs. Spy was released in July 1983 by Charisma's new imprint, Utility. Hearing DJ John Peel mention on-air that he was hungry, Bragg rushed to the BBC with a mushroom biryani, so Peel played a song from Life's a Riot with Spy Vs. Spy although at the wrong speed (since the 12" LP was, unconventionally, cut to play at 45rpm). Peel insisted he would have played the song even without the biryani and later played it at the correct speed.
Within months, Charisma had been taken over by Virgin Records and Jenner, who had been laid off, became Bragg's manager. Stiff Records' press officer Andy Macdonald – who was setting up his own record label, Go! Discs – received a copy of Life's a Riot with Spy Vs. Spy. He made Virgin an offer and the album was re-released on Go! Discs in November 1983.[citation needed] In 1984, he released Brewing Up with Billy Bragg, a mixture of political songs (e.g., "It Says Here") and songs of unrequited love (e.g., "The Saturday Boy"). The following year he released Between the Wars, an EP of political songs that included a cover version of Leon Rosselson's "The World Turned Upside Down" – the EP made the top 20 of the UK Singles Chart and earned Bragg an appearance on Top of the Pops. Bragg later collaborated with Rosselson on the song, "Ballad of the Spycatcher". In 1985, his song "A New England", with an additional verse, became a Top 10 hit in the UK for Kirsty MacColl. After MacColl's early death, Bragg always sang the extra verse in her honour. In 1984–1985 he toured North America.
In 1986, Bragg released Talking with the Taxman about Poetry, which became his first Top 10 album. Its title is taken from a poem by Vladimir Mayakovsky and a translated version of the poem was printed on the record's inner sleeve. Back to Basics is a 1987 collection of his first three releases: Life's A Riot With Spy Vs. Spy, Brewing Up with Billy Bragg, and the Between The Wars EP. Bragg released his fourth album, Workers Playtime, in September 1988. With this album, Bragg added a backing band and accompaniment.
In May 1990, Bragg released the political mini-LP, The Internationale. The songs were, in part, a return to his solo guitar style, but some songs featured more complicated arrangements and included a brass band. The album paid tribute to one of Bragg's influences with the song, "I Dreamed I Saw Phil Ochs Last Night", which is an adapted version of Earl Robinson's song, "I Dreamed I Saw Joe Hill Last Night", itself an adaptation of a poem by Alfred Hayes.
The album Don't Try This at Home was released in September 1991, and included the song, "Sexuality", which reached the UK Singles Chart. Bragg had been persuaded by Go! Discs' Andy and Juliet Macdonald to sign a four-album deal with a million pound advance, and a promise to promote the album with singles and videos.[citation needed] This gamble was not rewarded with extra sales, and the situation put the company in financial difficulty. In exchange for ending the contract early and repaying a large amount of the advance, Bragg regained all rights to his back catalogue.[citation needed] Bragg continued to promote the album with his backing band, The Red Stars, which included his Riff Raff colleague and long-time roadie, Wiggy.
Bragg released the album William Bloke in 1996 after taking time off to help raise his son. Around that time, Nora Guthrie (daughter of American folk artist Woody Guthrie) asked Bragg to set some of her father's unrecorded lyrics to music. The result was a collaboration with the band Wilco and Natalie Merchant (with whom Bragg had worked previously). They released the album Mermaid Avenue in 1998, and Mermaid Avenue Vol. II in 2000. A rift with Wilco over mixing and sequencing the album led to Bragg recruiting his own band, The Blokes, to promote the album. The Blokes included keyboardist Ian McLagan, who had been a member of Bragg's boyhood heroes The Faces. The documentary film Man in the Sand depicts the roles of Nora Guthrie, Bragg, and Wilco in the creation of the Mermaid Avenue albums.
In 2004, Bragg joined Florida ska-punk band Less Than Jake to perform a version of 'The Brightest Bulb Has Burned Out' for the Rock Against Bush compilation.
At the 2005 Beautiful Days Festival in Devon, Bragg teamed up with the Levellers to perform a short set of songs by or associated with The Clash in celebration of Joe Strummer's birthday. Bragg performed guitar and lead vocals on "Police and Thieves", and performed guitar and backing vocals on "English Civil War", and "Police on my Back".
In 2007, Bragg moved closer to his English folk music roots by joining the WOMAD-inspired collective The Imagined Village, who recorded an album of updated versions of traditional English songs and dances and toured through that autumn. Bragg released his album Mr. Love & Justice in March 2008. This was the second Bragg album to be named after a book by Colin MacInnes. In 2008, during the NME Awards ceremony, Bragg sang a duet with British solo act Kate Nash. They mixed up their two greatest hits, Nash playing "Foundations", and Bragg redoing his "A New England". Bragg also collaborated with the poet and playwright, Patrick Jones, who supported Bragg's Tour.
In 2008, Bragg played a small role in Stuart Bamforth's film "A13: Road Movie". Bragg is featured alongside union reps, vicars, burger van chefs and Members of Parliament in a film that explored "the overlooked, the hidden and the disregarded."
He was involved in the play Pressure Drop at the Wellcome Collection in London in April and May 2010. The production, written by Mick Gorden, and billed as "part play, part gig, part installation", featured new songs by Bragg. He performed during the play with his band, and acted as compere.
Bragg curated the Leftfield stage at Glastonbury Festival 2010.
He took part in the Bush Theatre's 2011 project Sixty Six where he has written a piece based upon a chapter of the King James Bible.
Bragg performed a set of the Guthrie songs that he had set to music for Mermaid Avenue during the Hay Literary Festival in June 2012. Mermaid Avenue Vol. III and Mermaid Avenue: The Complete Sessions were also released in early 2012.
On 18 March 2013, Bragg released his latest studio album, five years since Mr. Love & Justice, titled Tooth And Nail. It featured 11 original songs, including one written for the Bush Theatre, and a Woody Guthrie cover. Stylistically, it continues to explore genres of Americana (music) and Alternative country, both of which he has said he has been playing and writing regularly since Mermaid Avenue (1998).
In November 2017, he released all six tracks from the mini-album Bridges Not Walls as downloads and CD through the Billy Bragg website and other sellers, followed by the single Full English Brexit through Cooking Vinyl.
Internationale The
Billy Bragg Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
For the tyrants fear your might
Don't cling so hard to your possessions
For you have nothing if you have no rights
Let racist ignorance be ended
For respect makes the empires fall
Freedom is merely privilege extended
Unless enjoyed by one and all
[Chorus]
So come brothers and sisters
For the struggle carries on
The internationale
Unites the world in song
So comrades come rally
For this is the time and place
The international ideal
Unites the human race
Let no one build walls to divide us
Walls of hatred nor walls of stone
Come greet the dawn and stand beside us
We'll live together or we'll die alone
In our world poisoned by exploitation
Those who have taken now they must give
And end the vanity of nations
We've but one earth on which to live
And so begins the final drama
In the streets and in the fields
We stand unbowed before their armor
We defy their guns and shields
When we fight provoked by their aggression
Let us be inspired by like and love
For though they offer us concessions
Change will not come from above
The lyrics of Billy Bragg's song, Internationale, call for social justice and unity in the face of oppression. It acknowledges that those who are oppressed have the power to bring down their oppressors and encourages them to prioritize their rights over material possessions. The song also speaks out against racism, imperialism, and exploitation, advocating for an international brotherhood of all people.
The chorus of the song declares the power of unity and the ideal of the International, which seeks to unite the world in song and break down divisions created by hatred and nationalism. The song encourages people to stand together, recognizing that the struggle for justice is ongoing and that they must continue to fight for the ideals they believe in.
Overall, Internationale is a rallying cry for those who believe in social justice and human rights. It calls for solidarity among people all over the world and encourages them to never give up in the fight for equality and freedom.
Line by Line Meaning
Stand up all victims of oppression
All those who are oppressed, get up and rise against your oppressors
For the tyrants fear your might
The oppressors are afraid of the power that their victims have
Don't cling so hard to your possessions
Possessions are not important when compared to having rights
For you have nothing if you have no rights
Rights are the most valuable thing one can have, without them, one is essentially nothing
Let racist ignorance be ended
Put an end to all racism and ignorance
For respect makes the empires fall
Empires are built on disrespect, taking that away will bring them down
Freedom is merely privilege extended
Freedom is a privilege given by those in power, rather than a right that everyone should have
Unless enjoyed by one and all
Unless everyone has freedom, it is not truly freedom
So come brothers and sisters
Let us unite
For the struggle carries on
The fight for justice and equality continues
The internationale
The song is the symbol of unity
Unites the world in song
The song unites people across the world
So comrades come rally
Let us come together to support each other
For this is the time and place
Now is the time and here is the place to fight for our rights
The international ideal
The idea of international unity
Unites the human race
The idea of international unity brings all humans together
Let no one build walls to divide us
Do not let anyone create barriers that divide us
Walls of hatred nor walls of stone
These barriers can be made of hate or physical barriers, both are damaging
Come greet the dawn and stand beside us
Join us and stand together to face the day ahead
We'll live together or we'll die alone
The only way we can survive is by standing together
In our world poisoned by exploitation
Our world is plagued by exploitation
Those who have taken now they must give
Those who have exploited others must now give back
And end the vanity of nations
The selfishness of individual nations must come to an end
We've but one earth on which to live
We all only have one planet to call home
And so begins the final drama
The last battle has begun
In the streets and in the fields
The fight for our rights is happening everywhere
We stand unbowed before their armor
We will not back down, even when faced with oppression
We defy their guns and shields
We will not be intimidated by the weapons of our oppressors
When we fight provoked by their aggression
When we are provoked to fight back against our oppressors
Let us be inspired by like and love
We should be inspired by the love and support of others in our fight
For though they offer us concessions
Even if our oppressors offer us small victories
Change will not come from above
True change will only come from the strength and unity of the people
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Written by: STEPHEN WILLIAM BRAGG, PETRUS CHRISTIANUS DE GEYTER, EUGENE EDME POTTIER
Lyrics Licensed & Provided by LyricFind