Alter Ego
Black-Ty Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Ooh, ooh-hoo yeah, ahem
Ay play that back one more time (okay here we go)
[knock on door] Ay who dat?
It's Black-Ty!
What's goin' on man?
I gotta holla at you about somethin'
Give me one second
Nah, you been ignorin' me for years
I wanna talk to you right now about my rap career
But I'ma take you way back to when you first start rappin'
'Member you was in the rap group Triple Went Pack

Man I don't wanna talk now I'm in the vocal booth
Tryin' to get this song done like I'm supposed to do
I need you to get up outta here
I don't wanna talk to you about no rap career

See, that's the problem, we don't share the same vision
I've been tryin' to think of what to say to make yo' ass listen
But nah, every time I bring up the subject
You comin' back at me talkin' R & B shit

Cause I know hip-hop, is a dangerous game
I love hip-hop, but I don't want that thing
All my concerts, got girls in the audience
I don't want nobody tryin' to take my life and shit

Yeah right, you know you wanna get back on the mic
Cause every time you on stage singin' you cuffin' the mic
Tellin' your fans to put they hands in the motherfuckin' air
And wave 'em side to side like they just don't care

But the rap game to me seems shady
All them dis records will probably drive me crazy
All the ladies give me love when I go to club
I don't wanna have to keep my eyes out for no thugs

Aight, I admit it, the rap game's a little shady
But they ain't gon' ever dance in the club to songs like "Sweet Lady"
I see you pop bottles with top models and then you go to the floor
You dance to e'rybody's shit but yours

Mm, nigga you startin' to piss me off
Won't you climb back in your box, Black-Ty get lost
I can't believe you send that 'bout my song "Sweet Lady"
Please leave me alone, you about to drive me crazy

Man you trippin, it's way cheaper to make a rap album
Ten to fifteen thou', you payin' 100 thou' per track
And you don't wanna rap nigga?
Put out two or three albums and go platinum nigga? Damn

Mmm, man I'm not listenin' to you
I love R & B, this is what I do
R & B's the reason that I'm drivin' that Bentley
House on the hill, bank account got plenty
So nigga don't talk to me, about R & B
When every rap nigga out tryin' to sing

Yeah that's true, but I ain't gon' ever do that shit
I'ma call a R & B nigga to sing that shit
Matter of fact think about it, me and you can be on the same record
Me on the verses, and you can sing the hooks and shit
Man, I guarantee we'll win a Grammy with that
That's on me, we'll shake up the industry with that

Probably so, but no, I don't wanna do a song with'chu
Cause I probably never ever get along with'chu
Who do you think you are, talkin' to me
Nigga get up outta here 'fore I call my security

Call 'em, I don't give a fuck, we from Watts, remember?
I walk right past the sign that said 'Do Not Enter'
Matter of fact you a singer, why you need security?
Ain't nobody even after you, you Hollywood dude

Nigga hold up, I got a phone call comin' through

This is Tyrese Gibson the movie star, I make more money than both of you
While you talkin' rap and R & B dude
Everybody that, raps or sing is makin' movies

Why is that?

'Cause ain't no money in the music industry, one!
Uh, damn, did he hang up the phone?

Yeah the nigga's Hollywood, he's gone
Like I was sayin', I just wanna get at you about some business homie

Oh man I don't wanna talk to you about this shit no more
Please get out of my vocal booth and walk out the door
Who do you think you are talkin' to me?
I'm a singer and all my fans love me

I ain't tryin' to stop you from singin' R & B
I been in a little box for 12 years, I just wanna breathe
Let me out please, I guarantee
That everybody in this industry gon' wanna do a song with me

Aw damn, let me think about it
Aw damn, I'm done thinkin' about it
Hell no, hell no
I don't know if I'm ready to let you out (let you out)
These niggas might not understand what you about (you about)
You might be cursin and callin women out they names
It might be disrespectful to my whole fanbase

Nah man, I got a whole lot of respect for these hoes
I'm just fuckin' with you nigga, for real it's a joke [chuckles]

Nah man, I don't really think this shit is real funny
Because of my fans I made a whole lot of money
I was able to travel around the world and shit!
Five-star hotels with black cards and shit!
I know I never won a Grammy, so what?
Everywhere I go my fans show me so much love

Fuck it, pssh
Guess I ain't gon' ever be able to get through to you
I don't give up that easy though




I'ma get at you tomorrow
Go ahead and finish your lil' R & B song punk

Overall Meaning

The Alter Ego lyrics by Black-Ty reflect the conflict between two sides of himself, the rapper and the R&B singer. The conversation takes place in a vocal booth, with the rapper being approached by the R&B singer regarding their rap career. The rapper is busy working on a song and does not want to talk about the past. The R&B singer believes that he knows what the rapper wants and tries to convince him otherwise. Throughout the conversation, the R&B singer continuously tries to convince the rapper to come back to the rap game, stating that he could make more money with rap and that he and the rapper could win a Grammy together.


On the other hand, the rapper enjoys R&B and is content with his current success. The two have contrasting views on the music industry, with the rapper seeing rap as a dangerous game while the R&B singer believes that there is no money to be made in R&B. Ultimately, the rapper refuses to collaborate with the R&B singer, indicating that they will never be able to work together.


The Alter Ego lyrics encapsulate the shifts within the music industry and the struggle to maintain authenticity while navigating the ever-changing landscape.


Line by Line Meaning

Ooh, ooh-hoo yeah, ahem
Black-Ty starts the conversation with excitement and clears his throat


Ay play that back one more time (okay here we go)
Black-Ty asks to replay the conversation before getting into a serious discussion


[knock on door] Ay who dat?
There's a knock on the door, Black-Ty acknowledges someone's presence


It's Black-Ty!
Black-Ty announces his identity


What's goin' on man?
Black-Ty asks about the other person's well-being


I gotta holla at you about somethin'
Black-Ty wants to talk about an important matter


Give me one second
Black-Ty asks for a moment to prepare himself


Nah, you been ignorin' me for years
Black-Ty accuses the other person of ignoring him for a long time


I wanna talk to you right now about my rap career
Black-Ty wants to discuss his aspirations in the rap industry at that moment


But I'ma take you way back to when you first start rappin'
Black-Ty reminisces about the other person's beginnings in the rap industry


'Member you was in the rap group Triple Went Pack
Black-Ty reminds the other person about their involvement in the rap group Triple Went Pack


Man I don't wanna talk now I'm in the vocal booth
The other person expresses disinterest in discussing Black-Ty's rap career while working in the vocal booth


Tryin' to get this song done like I'm supposed to do
The other person is focused on completing their own song successfully


I need you to get up outta here
The other person requests Black-Ty to leave the vocal booth


I don't wanna talk to you about no rap career
The other person explicitly states their lack of interest in discussing Black-Ty's rap career


See, that's the problem, we don't share the same vision
Black-Ty identifies a lack of alignment in their aspirations and goals


I've been tryin' to think of what to say to make yo' ass listen
Black-Ty has been contemplating ways to make the other person pay attention to him


But nah, every time I bring up the subject
Black-Ty points out that the other person dismisses the topic every time he mentions it


You comin' back at me talkin' R & B shit
The other person consistently responds with discussions about R & B, not taking the rap career seriously


Cause I know hip-hop, is a dangerous game
Black-Ty acknowledges the risks associated with pursuing a career in hip-hop


I love hip-hop, but I don't want that thing
Black-Ty expresses his passion for hip-hop but states that he doesn't want the negative aspects that come with it


All my concerts, got girls in the audience
Black-Ty mentions the presence of female fans at his concerts


I don't want nobody tryin' to take my life and shit
Black-Ty worries about his safety and doesn't want to attract dangerous individuals


Yeah right, you know you wanna get back on the mic
The other person is accused of secretly desiring to return to rapping


Cause every time you on stage singin' you cuffin' the mic
Black-Ty points out that the other person holds the microphone passionately when performing on stage


Tellin' your fans to put they hands in the motherfuckin' air
The other person encourages the audience to raise their hands during performances


And wave 'em side to side like they just don't care
The other person instructs the audience to sway their hands from side to side


But the rap game to me seems shady
Black-Ty expresses his perception of the rap industry as untrustworthy


All them dis records will probably drive me crazy
Black-Ty believes that diss tracks in rap music could negatively affect his mental well-being


All the ladies give me love when I go to club
Black-Ty enjoys attention and admiration from women when he goes to clubs


I don't wanna have to keep my eyes out for no thugs
Black-Ty doesn't want to be constantly cautious of potential dangerous individuals


Aight, I admit it, the rap game's a little shady
The other person finally acknowledges the negative aspects of the rap industry


But they ain't gon' ever dance in the club to songs like 'Sweet Lady'
The other person argues that his R & B songs are more suitable for club dancing compared to rap music


I see you pop bottles with top models and then you go to the floor
Black-Ty observes the other person's extravagant lifestyle, partying with models and enjoying himself


You dance to e'rybody's shit but yours
Black-Ty points out that the other person dances to songs by various artists except for his own


Mm, nigga you startin' to piss me off
Black-Ty expresses frustration and annoyance with the other person's behavior


Won't you climb back in your box, Black-Ty get lost
The other person tells Black-Ty to go away and return to his place of origin


I can't believe you send that 'bout my song 'Sweet Lady'
The other person is upset that Black-Ty expressed negativity towards the song 'Sweet Lady'


Please leave me alone, you about to drive me crazy
The other person pleads for Black-Ty to stop bothering him as it's affecting his mental state


Man you trippin, it's way cheaper to make a rap album
Black-Ty argues that producing a rap album is more cost-effective than an R & B album


Ten to fifteen thou', you payin' 100 thou' per track
Black-Ty highlights the difference in expense, with rap albums being significantly cheaper compared to paying high prices per track in R & B albums


And you don't wanna rap nigga?
Black-Ty questions the other person's reluctance to pursue a rap career


Put out two or three albums and go platinum nigga? Damn
Black-Ty suggests that the other person could release multiple rap albums and achieve great success


Mmm, man I'm not listenin' to you
The other person refuses to listen to Black-Ty's arguments


I love R & B, this is what I do
The other person firmly states their passion for R & B music


R & B's the reason that I'm drivin' that Bentley
The other person attributes their success, specifically owning a Bentley, to their involvement in R & B music


House on the hill, bank account got plenty
The other person boasts about their luxurious lifestyle, living in a house on a hill with a substantial bank balance


So nigga don't talk to me, about R & B
The other person asserts that Black-Ty shouldn't discuss R & B with them


When every rap nigga out tryin' to sing
The other person points out that many rappers are attempting to incorporate singing into their music


Yeah that's true, but I ain't gon' ever do that shit
Black-Ty concedes the point but insists that he will never pursue singing in his rap music


I'ma call a R & B nigga to sing that shit
Black-Ty suggests collaborating with an R & B artist to handle the singing aspect in his rap songs


Matter of fact think about it, me and you can be on the same record
Black-Ty proposes the idea of a collaboration between them on a song


Me on the verses, and you can sing the hooks and shit
Black-Ty suggests that he handles the rap verses while the other person sings the catchy hooks in the song


Man, I guarantee we'll win a Grammy with that
Black-Ty is confident that their collaboration would be successful, even winning a Grammy award


That's on me, we'll shake up the industry with that
Black-Ty believes their collaboration would bring significant change to the music industry


Probably so, but no, I don't wanna do a song with'chu
The other person rejects the idea of collaborating with Black-Ty


Cause I probably never ever get along with'chu
The other person doesn't believe they would have a good working relationship with Black-Ty


Who do you think you are, talkin' to me
The other person questions Black-Ty's audacity to speak to them with such confidence


Nigga get up outta here 'fore I call my security
The other person threatens to call their security to remove Black-Ty from the premises


Call 'em, I don't give a fuck, we from Watts, remember?
Black-Ty challenges the other person to call their security, reminding them of their shared origin in Watts


I walk right past the sign that said 'Do Not Enter'
Black-Ty boasts about his fearlessness, disregarding signs and obstacles


Matter of fact you a singer, why you need security?
Black-Ty questions why the other person, being a singer, requires security


Ain't nobody even after you, you Hollywood dude
Black-Ty dismisses the other person's need for security, claiming that nobody is even targeting them


Nigga hold up, I got a phone call comin' through
The other person interrupts the argument as they receive a phone call


This is Tyrese Gibson the movie star, I make more money than both of you
Tyrese Gibson, a famous actor, joins the conversation and asserts his financial success over both Black-Ty and the other person


While you talkin' rap and R & B dude
Tyrese suggests that both rap and R & B artists are less financially successful compared to movie stars


Everybody that, raps or sing is makin' movies
Tyrese claims that everyone who raps or sings eventually ventures into acting in movies


'Cause ain't no money in the music industry, one!
Tyrese implies that the music industry is not as lucrative as the movie industry


Uh, damn, did he hang up the phone?
Black-Ty wonders if Tyrese hung up the phone abruptly


Yeah the nigga's Hollywood, he's gone
Black-Ty acknowledges that Tyrese, being a Hollywood personality, has ended the conversation


Like I was sayin', I just wanna get at you about some business homie
Black-Ty reiterates his intention to discuss a business matter with the other person


Oh man I don't wanna talk to you about this shit no more
The other person expresses their disinterest in further discussing the matter with Black-Ty


Please get out of my vocal booth and walk out the door
The other person asks Black-Ty to leave their vocal booth and exit the room


Who do you think you are talkin' to me?
The other person questions the audacity of Black-Ty to engage in conversation with them


I'm a singer and all my fans love me
The other person identifies themselves as a singer with a dedicated fanbase


I ain't tryin' to stop you from singin' R & B
Black-Ty clarifies that he has no intention of preventing the other person from pursuing their R & B career


I been in a little box for 12 years, I just wanna breathe
Black-Ty expresses a desire for freedom and creativity after feeling confined for a long period


Let me out please, I guarantee
Black-Ty requests an opportunity to express himself freely and promises positive outcomes


That everybody in this industry gon' wanna do a song with me
Black-Ty believes that once given a chance, everyone in the music industry would be eager to collaborate with him


Aw damn, let me think about it
The other person needs time to contemplate Black-Ty's request


Aw damn, I'm done thinkin' about it
The other person decides not to give any more thought to Black-Ty's proposal


Hell no, hell no
The other person forcefully rejects the idea


I don't know if I'm ready to let you out (let you out)
The other person is unsure if they are ready to allow Black-Ty the creative freedom he desires


These niggas might not understand what you about (you about)
The other person is concerned that others may not comprehend Black-Ty's artistic direction and intentions


You might be cursin' and callin' women out they names
The other person worries that Black-Ty's lyrics may contain profanity and derogatory language towards women


It might be disrespectful to my whole fanbase
The other person fears that collaborating with Black-Ty may offend their entire fanbase


Nah man, I got a whole lot of respect for these hoes
Black-Ty reassures the other person that he respects women despite his lyrics


I'm just fuckin' with you nigga, for real it's a joke [chuckles]
Black-Ty reveals that his previous statement was just a lighthearted tease, meant as a joke


Nah man, I don't really think this shit is real funny
The other person asserts that they didn't find Black-Ty's joke amusing


Because of my fans I made a whole lot of money
The other person credits their fans for their financial success


I was able to travel around the world and shit!
The other person highlights the benefits of their career, including the opportunity to travel globally


Five-star hotels with black cards and shit!
The other person enjoys luxurious accommodations, staying in high-end hotels and using premium credit cards


I know I never won a Grammy, so what?
The other person brushes off the fact that they never received a Grammy award


Everywhere I go my fans show me so much love
The other person appreciates the immense support and affection they receive from their fans everywhere they go


Fuck it, pssh
Black-Ty expresses frustration and a dismissive attitude


Guess I ain't gon' ever be able to get through to you
Black-Ty loses hope in being able to communicate effectively with the other person


I don't give up that easy though
Despite feeling discouraged, Black-Ty refuses to easily give up


I'ma get at you tomorrow
Black-Ty plans to continue the conversation and try again with the other person on the following day


Go ahead and finish your lil' R & B song punk
Black-Ty mocks the other person's R & B song, referring to it as insignificant




Lyrics © Universal Music Publishing Group
Written by: DAVID BOWERS, STEVE FAULKNER, DOUG MOORE

Lyrics Licensed & Provided by LyricFind
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