There are three similar bands with the same name.
1. Blues Company - Hun… Read Full Bio ↴There are three similar bands with the same name.
1. Blues Company - Hungary's No.1 Motorcycle-Blues Band
2. Blues Company - Germany´s No.1 Blues Band
3. Istambul Blues Company (İstanbul Blues Kumpanyası) - Blues band from turkey
1.) A Blues company 1994-ben alakult magyar rockegyüttes, amely jellegzetes, blues alapú zenéjéről, és humoros, gyakran vulgáris hangvételű szövegeiről vált híressé. Gyakran lépnek fel motorostalálkozókon, fesztiválokon.
Tagok (2004-es felállás):
* Szabó „Blöró” István: ének, vokál, dob, billentyűsök
* Szabó Edit: ének, vokál
* Mészáros Gergely: szólógitár
* Szilágyi Dénes: basszusgitár
* Odor Gábor: szájharmonika
Albumok:
* Kispirics (2001)
* Magyarország-Motorország (2002)
* 2003 (2003)
* Barmok bolygója (2005)
* Hajrá magyarok (2007)
2.) This band is hot. Very, very hot. And those aren't just empty words. After all, the Blues Company from Osnabrück, Germany is neither a hodgepodge of rank beginners nor – to borrow business lingo – a group of new business starters. Rather, they are a team of artists who have made their mark, musicians with experience and know-how aplenty. The musicians at work here have long since ensured that the name of their “company” is a recognised “seal of approval”. In a nutshell, “Blues Company” stands for German's longest-running and most successful blues band. And with each new recording, with each concert, these pros underscore that their passionate love affair with the blues is burning brightly as ever.
Has their playing become routine? Not a chance. Quite the contrary, as can be seen in the fruitful interplay between the performers and their enraptured public. This in turn energises the band, whose fans feast on a free-spirited performance of the music Blues Company lives and breathes.
Since the '60s, the blues have inspired practically every generation of enthusiastic young, white musicians. Blues Company itself hasn't been around quite that long. The band started up its blues crusade on 20th May 1976. That was the day they first climbed on stage to fire up the audience into a twelve-bar frenzy. After countless other live missions, they proudly celebrated their first 30 years in the spring of 2006.
Initially, Blues Company concerts were not just a mix of fun and hard work. They were pioneering events. Because until Blues Company came to be, blues in Germany – performed by professional bands – quite simply didn't exist. What did exist were tours by American blues greats, who often enjoyed higher esteem in Europe than in their homeland. The Blues Company musicians backed up many of these bluesmen at their concerts in Germany. Thus they not only got to know the old masters, they garnered the admiration of countless blues freaks. Since then, many a basement musician who's strapped on a guitar or settled down on a drum stool to indulge in the twelve-bar sound can thank the Blues Company for leading the way (far off over the German border, a young, very talented Blues guitarist from Hungary admitted that he was significantly influenced by this band, after hearing one of their concerts).
The Company itself has demonstrated tremendous staying power - and Todor “Toscho” Todorovic, the band's co-founder as well as singer, guitarist, composer and sound freak makes sure of this. The bluesman was born in 1951 in Lingen, in the Emsland region of northern Germany. His parents, who were born in Yugoslavia and who had fled to West Germany after the Second World War, gave their son a variety of opportunities to expand his musical horizons. And what Toscho learned from them and from grand old men of the blues including B.B. King and Muddy Waters would one day become the lifeblood of “his” Blues Company.
Toscho not only plays the blues, he lives and breathes them. Blues without compassion would be unthinkable. Thus for years the band's leader has organised benefit events both large and small in his adopted country. For his commitment to social concerns, the city of Osnabrück awarded him the Public Service Medal in 1993.
Because the blues are performed live, Toscho has worked unceasingly on his image as an entertainer. It is pure delight to watch his facial reactions to a catchy refrain, to see how he electrifies the crowd with a breakneck guitar solo or entrances his listeners with a lush melodic figure, how he wakes emotions with his distinctive, dark voice. And with experienced band members at his side. The current line-up – in effect the core band – includes second guitarist Mike Titre (member of the band since 1980), Arnold Ogrodnik on bass and organ and Florian Schaube on drums.
The band has chalked up an impressive number of performances throughout Europe over the past 25-plus years: 3,000 to date. And even in the US clubs, the band is now viewed as an insider's tip, with the band's market value on the rise.
And not only that: the fact that Germany's most tireless, ever-present and longest-lived blues band is also its most commercially successful is due to the superb quality of its studio recordings. Quite a few of its 20-odd albums are amongst the best-selling German blues recordings ever, including “Damn! Let's Jam” (1991), “Vintage” (1995), the Best Of “Blues, Ballads and Assorted Love Songs” (1997), “Invitation To The Blues” (2000) as well as “From Daybreak To Heartbreak” (2003), in collaboration with Scott Billington, the renowned US producer.
With the CDs they purchase, their fans also honour Blues Company's non-purist approach to their music. The band thrives on change. “Blues is always changing – that's what keeps it alive” is their creed. And in this way they have cultivated an innovative, open-minded, free association with the Blues genre: Whether rock, soul or the New Orleans grove, it goes without saying that these are all part of their musical repertoire, and they love experimenting with fresh sounds. In 1999, Toscho brought in the “Fabulous BC Horns” – Uwe Nolopp on trumpet and tenor sax player and arranger Robert Kretzschmar. And with the “Triple X Horns” (= BC Horns plus four other wind players), a jazzy big band sound enters the picture. At the time of their 30th anniversary they performed together with the NDR Big Band (North German Broadcasting), who, as is well known, have always been open-minded towards new things.
Their 2005 combo coup was also a real surprise. For “The Quiet Side Of Blues Company”, Todorovic and Titre gave their beloved Fender guitars a breather, and so, leaving their electric guitars behind them, the quartet went acoustic. In lovingly “unplugged” arrangements, audiences were presented with oldies from Robert Johnson to Muddy Waters, paired with the odd Blues Company hit.
After this unabashedly relaxed return to the roots, the origins of the blues, in their new album “Hot and Ready to Serve”, Toscho & Co. once again show off the talents for which they are best known and loved: they serve up powerful, modern, guitar-based blues. Just as the cover unmistakably suggests, the music is a "gumbo", a dish directly from New Orleans, very nourishing and sharply flavoured, with every possible ingredient that grows and flourishes in the enormous garden of blues. Driving rhythm and blues from the fifties (“Till The Lights Go Out”) and boogaloo (“My Guitar And Me”) stand side by side with funny music (“Soon Or Later”), profound ballads (“Dark Day”), a scat number by the Boss (“Shake It Don't Break It”) and Toscho's tribute to the great Freddie King with “Hideaway/Peter Gun Theme”.
Such complex, versatile music, such superior lyrics. Once again, Toscho does not limit himself to laments for a lost love or to describing the wonderful feeling that a blues musician gets when up there on the stage in their element. He does do this. But he does more, he sings about street urchins (“Kids”) and homeless people (“Soon Or Later”) in the First World country, Germany, or he reflects on the fall of the Berlin Wall and the upheavals in Eastern Europe which followed this (“The People”). In “Plastic People” (with Mike Titres in his first singing appearance in a Blues Company record) the song again talks of the plastic world of today, in which people are becoming ever more artistic.
Only “Hollywood” remains. In this song Toscho talks of a point at which he feels himself to be at “the pinnacle of his musical career”. In the autumn of 2006, the many time award-winning American film producer and script writer, Ian Gurvitz knocked at the door of the Blues Company and their record company. He wanted to use the song “Blue And Lonesome” from the album “Keepin' The Blues Alive” as the theme song for his film “L.A. Blues”.
It was the first time that Hollywood has ever imported a blues song from Germany. Lately this makes particular sense as the Blues Company is an international player with an internationally successful product.
3.) IBC was found in October 1993, as the ever and the last "string band" oriented band of Turkey; by Sarp Keskiner (vocal, guitar, harmonica, mandolin, washtub bass, banjo, foamboard, shaker) and Salih Nazım Peker (vocal, mandolin, banjo, baglama), both being the band's founding and mentor members. Circa 1997 and just after release of the debut album "Kokler (The Roots) (Ada Muzik); IBC enjoyed the vast repertoire of traditional blues of late 30's to late 50's; by covering many blues standarts but always being keen to blend acoustic rural blues with a slight touch of Turkish baglama music's essential ingredients. Also in 1997, IBC turned out the be the main base for some vitalising folk - blues projects like Tuzlu Nehir (Salty River), Mama & Friends and Mardi Gras; which each of them did perform tracks from masters like Blind Willie Johnson, Blind Blake, Fred McDowell, Mahalia Jackson, Leadbelly, etc...
During the "revival movement of Istanbul Underground" circa 1998 - 1999, the band was a unique and a leading voice in Turkish underground music community by addition of Orcun Basturk (vocals, drums, objects, gongs, bells) from Replikas, besides other bands like Baba Zula, Nekropsi and Replikas; but modelling Alexis Korner's Blues Inc. to host various musicians without any hesitation to launch a "completely free line up" motto; as whomever did practice any kind of blues, gospel, cajun, acustic, electronica, collective improvisation and Anatolian psychedelic rock were very welcome to the line up within Turkish boundries; until their "farewell tour" in May 2000, just after releasing their second album "Sair Zamanlar (Other Times)" in 1999 by Doublemoon Records.
During 1997 - 2000; IBC line ups recruited innumerous musicians, who'd later rule Turkish jazz, latin, punk, blues, post rock or pop rock arenas, nationally or internationally; circa 2000 and 2010.
Some examples are featured on their latest and updated Myspace pages: (circa 1997 - 1998) (circa 1998 - 2000)
Keskiner joined the ever first and the last electric Chicago style blues band in Turkey in 1996; Moe Joe, which was founded by Vefa Karatay (bass) and Feramerz Ayadi (guitar) in 1994; also bringing the names like İlhan Babaoglu (tenor and alto saxophone) and Tugrul Aray (harmonica, flute, tenor saxophone) from IBC's latest line up to Moe Joe's. After countless gigs and tours and festivals; since 1996, Moe Joe still runs the show as a quartet, but without Babaoglu and Aray. In 1999, Keskiner founded Kirika with Salih Peker and Orcun Basturk of IBC: and he was the founder member - producer - composer of Saska (2000 - 2004):
With IBC's debut album in 1997, Kökler, Keskiner has started his carrier as musical director and productor. He has thus far been a compositor, lyrics author, arranger and producer in following albums:
"Sweet Mother Nature's Child" (Chris Chavez, 1999), "Sair Zamanlar" (IBC, 1999) "Chicago Istanbul Mainline" (Moe Joe, 2000) "Sokkur Saska" (Saska, 2004): "Yuri Skies" (Sarp Keskiner, Erdem Helvacioglu, Umut Caglar, Ozun Usta, 2009: "The Great Republic of Southernsides" ([[The Great Republic of Southernsides, 2010) www.sweetpapalowdown.com: Live recordings 2002 - 2010
Vefa Karatay is a current member of Moe Joe: and www.sweetpapalowdown.com
Tugrul Aray is an optional member of www.sweetpapalowdown.com; besides composing music for advertorials.
Orcun Basturk is the current and the founder member of Replikas & Kirika; while being the founder member of ill fated Saska:
Ozun Usta (congas, cabasa, bells) did record live with Moe Joe and IBC circa 2000 and 2002, as being the founder member of Tamburada (2004 - 2006): [9]. Recently; he is hailed as an artist of and he plays with Korhan Futaci & Kara Orkestra:
Discography
Kökler (1997, Ada Müzik)
Sair Zamanlar (1999, Doublemoon, Keskiner)
Line-up
KOKLER (THE ROOTS, 1997)
Sarp Keskiner - Vocal, various guitars, harmonica, mandolin, banjo, electric guitar, washboard, spoons, keys, cans, clay bird flutes, shakers, tambourine, sticks
Salih Nazım Peker - Vocal, mandolin, banjo, acoustic saz, darbouka, acoustic guitar
Erke Erokay - Electric and acoustic guitars
Serkan Ayman - Drums and bells
Burak Guven & Oya Erkaya (Ayman) - Bass
Suna Suner - Vocals
İlhan Babaoglu - Alto saxophone, bass vocals
Erdem Tonguc - Farfisa organ, piano
Murat Ertel - Fx guitars (Blues Un Fidayda)
Feramerz Ayadi - Guitar solos (Sleepdeep Blues)
Ibrahim Yasar - Acoustic rhythm guitar (Pick A Bale Of Cotton)
SAIR ZAMANLAR (OTHER TIMES, 1999)
Sarp Keskiner - Vocal, guitar, electric guitars, tambourine, kaval, harmonica
Salih Nazım Peker - Electric saz, acoustic saz, bouzouki, vocal
Vefa Karatay - Bass
Orçun Baştürk - Drums and bells, piano, conga, timbals
Tuğrul Aray - Harmonica, tenor saxophone, saxoflute, pipes, kaval
Ertan Tekin - Zurna, mey and cura mey (Biskotin, Izmir'e Donus, Kirik Hayatlar)
1. Blues Company - Hun… Read Full Bio ↴There are three similar bands with the same name.
1. Blues Company - Hungary's No.1 Motorcycle-Blues Band
2. Blues Company - Germany´s No.1 Blues Band
3. Istambul Blues Company (İstanbul Blues Kumpanyası) - Blues band from turkey
1.) A Blues company 1994-ben alakult magyar rockegyüttes, amely jellegzetes, blues alapú zenéjéről, és humoros, gyakran vulgáris hangvételű szövegeiről vált híressé. Gyakran lépnek fel motorostalálkozókon, fesztiválokon.
Tagok (2004-es felállás):
* Szabó „Blöró” István: ének, vokál, dob, billentyűsök
* Szabó Edit: ének, vokál
* Mészáros Gergely: szólógitár
* Szilágyi Dénes: basszusgitár
* Odor Gábor: szájharmonika
Albumok:
* Kispirics (2001)
* Magyarország-Motorország (2002)
* 2003 (2003)
* Barmok bolygója (2005)
* Hajrá magyarok (2007)
2.) This band is hot. Very, very hot. And those aren't just empty words. After all, the Blues Company from Osnabrück, Germany is neither a hodgepodge of rank beginners nor – to borrow business lingo – a group of new business starters. Rather, they are a team of artists who have made their mark, musicians with experience and know-how aplenty. The musicians at work here have long since ensured that the name of their “company” is a recognised “seal of approval”. In a nutshell, “Blues Company” stands for German's longest-running and most successful blues band. And with each new recording, with each concert, these pros underscore that their passionate love affair with the blues is burning brightly as ever.
Has their playing become routine? Not a chance. Quite the contrary, as can be seen in the fruitful interplay between the performers and their enraptured public. This in turn energises the band, whose fans feast on a free-spirited performance of the music Blues Company lives and breathes.
Since the '60s, the blues have inspired practically every generation of enthusiastic young, white musicians. Blues Company itself hasn't been around quite that long. The band started up its blues crusade on 20th May 1976. That was the day they first climbed on stage to fire up the audience into a twelve-bar frenzy. After countless other live missions, they proudly celebrated their first 30 years in the spring of 2006.
Initially, Blues Company concerts were not just a mix of fun and hard work. They were pioneering events. Because until Blues Company came to be, blues in Germany – performed by professional bands – quite simply didn't exist. What did exist were tours by American blues greats, who often enjoyed higher esteem in Europe than in their homeland. The Blues Company musicians backed up many of these bluesmen at their concerts in Germany. Thus they not only got to know the old masters, they garnered the admiration of countless blues freaks. Since then, many a basement musician who's strapped on a guitar or settled down on a drum stool to indulge in the twelve-bar sound can thank the Blues Company for leading the way (far off over the German border, a young, very talented Blues guitarist from Hungary admitted that he was significantly influenced by this band, after hearing one of their concerts).
The Company itself has demonstrated tremendous staying power - and Todor “Toscho” Todorovic, the band's co-founder as well as singer, guitarist, composer and sound freak makes sure of this. The bluesman was born in 1951 in Lingen, in the Emsland region of northern Germany. His parents, who were born in Yugoslavia and who had fled to West Germany after the Second World War, gave their son a variety of opportunities to expand his musical horizons. And what Toscho learned from them and from grand old men of the blues including B.B. King and Muddy Waters would one day become the lifeblood of “his” Blues Company.
Toscho not only plays the blues, he lives and breathes them. Blues without compassion would be unthinkable. Thus for years the band's leader has organised benefit events both large and small in his adopted country. For his commitment to social concerns, the city of Osnabrück awarded him the Public Service Medal in 1993.
Because the blues are performed live, Toscho has worked unceasingly on his image as an entertainer. It is pure delight to watch his facial reactions to a catchy refrain, to see how he electrifies the crowd with a breakneck guitar solo or entrances his listeners with a lush melodic figure, how he wakes emotions with his distinctive, dark voice. And with experienced band members at his side. The current line-up – in effect the core band – includes second guitarist Mike Titre (member of the band since 1980), Arnold Ogrodnik on bass and organ and Florian Schaube on drums.
The band has chalked up an impressive number of performances throughout Europe over the past 25-plus years: 3,000 to date. And even in the US clubs, the band is now viewed as an insider's tip, with the band's market value on the rise.
And not only that: the fact that Germany's most tireless, ever-present and longest-lived blues band is also its most commercially successful is due to the superb quality of its studio recordings. Quite a few of its 20-odd albums are amongst the best-selling German blues recordings ever, including “Damn! Let's Jam” (1991), “Vintage” (1995), the Best Of “Blues, Ballads and Assorted Love Songs” (1997), “Invitation To The Blues” (2000) as well as “From Daybreak To Heartbreak” (2003), in collaboration with Scott Billington, the renowned US producer.
With the CDs they purchase, their fans also honour Blues Company's non-purist approach to their music. The band thrives on change. “Blues is always changing – that's what keeps it alive” is their creed. And in this way they have cultivated an innovative, open-minded, free association with the Blues genre: Whether rock, soul or the New Orleans grove, it goes without saying that these are all part of their musical repertoire, and they love experimenting with fresh sounds. In 1999, Toscho brought in the “Fabulous BC Horns” – Uwe Nolopp on trumpet and tenor sax player and arranger Robert Kretzschmar. And with the “Triple X Horns” (= BC Horns plus four other wind players), a jazzy big band sound enters the picture. At the time of their 30th anniversary they performed together with the NDR Big Band (North German Broadcasting), who, as is well known, have always been open-minded towards new things.
Their 2005 combo coup was also a real surprise. For “The Quiet Side Of Blues Company”, Todorovic and Titre gave their beloved Fender guitars a breather, and so, leaving their electric guitars behind them, the quartet went acoustic. In lovingly “unplugged” arrangements, audiences were presented with oldies from Robert Johnson to Muddy Waters, paired with the odd Blues Company hit.
After this unabashedly relaxed return to the roots, the origins of the blues, in their new album “Hot and Ready to Serve”, Toscho & Co. once again show off the talents for which they are best known and loved: they serve up powerful, modern, guitar-based blues. Just as the cover unmistakably suggests, the music is a "gumbo", a dish directly from New Orleans, very nourishing and sharply flavoured, with every possible ingredient that grows and flourishes in the enormous garden of blues. Driving rhythm and blues from the fifties (“Till The Lights Go Out”) and boogaloo (“My Guitar And Me”) stand side by side with funny music (“Soon Or Later”), profound ballads (“Dark Day”), a scat number by the Boss (“Shake It Don't Break It”) and Toscho's tribute to the great Freddie King with “Hideaway/Peter Gun Theme”.
Such complex, versatile music, such superior lyrics. Once again, Toscho does not limit himself to laments for a lost love or to describing the wonderful feeling that a blues musician gets when up there on the stage in their element. He does do this. But he does more, he sings about street urchins (“Kids”) and homeless people (“Soon Or Later”) in the First World country, Germany, or he reflects on the fall of the Berlin Wall and the upheavals in Eastern Europe which followed this (“The People”). In “Plastic People” (with Mike Titres in his first singing appearance in a Blues Company record) the song again talks of the plastic world of today, in which people are becoming ever more artistic.
Only “Hollywood” remains. In this song Toscho talks of a point at which he feels himself to be at “the pinnacle of his musical career”. In the autumn of 2006, the many time award-winning American film producer and script writer, Ian Gurvitz knocked at the door of the Blues Company and their record company. He wanted to use the song “Blue And Lonesome” from the album “Keepin' The Blues Alive” as the theme song for his film “L.A. Blues”.
It was the first time that Hollywood has ever imported a blues song from Germany. Lately this makes particular sense as the Blues Company is an international player with an internationally successful product.
3.) IBC was found in October 1993, as the ever and the last "string band" oriented band of Turkey; by Sarp Keskiner (vocal, guitar, harmonica, mandolin, washtub bass, banjo, foamboard, shaker) and Salih Nazım Peker (vocal, mandolin, banjo, baglama), both being the band's founding and mentor members. Circa 1997 and just after release of the debut album "Kokler (The Roots) (Ada Muzik); IBC enjoyed the vast repertoire of traditional blues of late 30's to late 50's; by covering many blues standarts but always being keen to blend acoustic rural blues with a slight touch of Turkish baglama music's essential ingredients. Also in 1997, IBC turned out the be the main base for some vitalising folk - blues projects like Tuzlu Nehir (Salty River), Mama & Friends and Mardi Gras; which each of them did perform tracks from masters like Blind Willie Johnson, Blind Blake, Fred McDowell, Mahalia Jackson, Leadbelly, etc...
During the "revival movement of Istanbul Underground" circa 1998 - 1999, the band was a unique and a leading voice in Turkish underground music community by addition of Orcun Basturk (vocals, drums, objects, gongs, bells) from Replikas, besides other bands like Baba Zula, Nekropsi and Replikas; but modelling Alexis Korner's Blues Inc. to host various musicians without any hesitation to launch a "completely free line up" motto; as whomever did practice any kind of blues, gospel, cajun, acustic, electronica, collective improvisation and Anatolian psychedelic rock were very welcome to the line up within Turkish boundries; until their "farewell tour" in May 2000, just after releasing their second album "Sair Zamanlar (Other Times)" in 1999 by Doublemoon Records.
During 1997 - 2000; IBC line ups recruited innumerous musicians, who'd later rule Turkish jazz, latin, punk, blues, post rock or pop rock arenas, nationally or internationally; circa 2000 and 2010.
Some examples are featured on their latest and updated Myspace pages: (circa 1997 - 1998) (circa 1998 - 2000)
Keskiner joined the ever first and the last electric Chicago style blues band in Turkey in 1996; Moe Joe, which was founded by Vefa Karatay (bass) and Feramerz Ayadi (guitar) in 1994; also bringing the names like İlhan Babaoglu (tenor and alto saxophone) and Tugrul Aray (harmonica, flute, tenor saxophone) from IBC's latest line up to Moe Joe's. After countless gigs and tours and festivals; since 1996, Moe Joe still runs the show as a quartet, but without Babaoglu and Aray. In 1999, Keskiner founded Kirika with Salih Peker and Orcun Basturk of IBC: and he was the founder member - producer - composer of Saska (2000 - 2004):
With IBC's debut album in 1997, Kökler, Keskiner has started his carrier as musical director and productor. He has thus far been a compositor, lyrics author, arranger and producer in following albums:
"Sweet Mother Nature's Child" (Chris Chavez, 1999), "Sair Zamanlar" (IBC, 1999) "Chicago Istanbul Mainline" (Moe Joe, 2000) "Sokkur Saska" (Saska, 2004): "Yuri Skies" (Sarp Keskiner, Erdem Helvacioglu, Umut Caglar, Ozun Usta, 2009: "The Great Republic of Southernsides" ([[The Great Republic of Southernsides, 2010) www.sweetpapalowdown.com: Live recordings 2002 - 2010
Vefa Karatay is a current member of Moe Joe: and www.sweetpapalowdown.com
Tugrul Aray is an optional member of www.sweetpapalowdown.com; besides composing music for advertorials.
Orcun Basturk is the current and the founder member of Replikas & Kirika; while being the founder member of ill fated Saska:
Ozun Usta (congas, cabasa, bells) did record live with Moe Joe and IBC circa 2000 and 2002, as being the founder member of Tamburada (2004 - 2006): [9]. Recently; he is hailed as an artist of and he plays with Korhan Futaci & Kara Orkestra:
Discography
Kökler (1997, Ada Müzik)
Sair Zamanlar (1999, Doublemoon, Keskiner)
Line-up
KOKLER (THE ROOTS, 1997)
Sarp Keskiner - Vocal, various guitars, harmonica, mandolin, banjo, electric guitar, washboard, spoons, keys, cans, clay bird flutes, shakers, tambourine, sticks
Salih Nazım Peker - Vocal, mandolin, banjo, acoustic saz, darbouka, acoustic guitar
Erke Erokay - Electric and acoustic guitars
Serkan Ayman - Drums and bells
Burak Guven & Oya Erkaya (Ayman) - Bass
Suna Suner - Vocals
İlhan Babaoglu - Alto saxophone, bass vocals
Erdem Tonguc - Farfisa organ, piano
Murat Ertel - Fx guitars (Blues Un Fidayda)
Feramerz Ayadi - Guitar solos (Sleepdeep Blues)
Ibrahim Yasar - Acoustic rhythm guitar (Pick A Bale Of Cotton)
SAIR ZAMANLAR (OTHER TIMES, 1999)
Sarp Keskiner - Vocal, guitar, electric guitars, tambourine, kaval, harmonica
Salih Nazım Peker - Electric saz, acoustic saz, bouzouki, vocal
Vefa Karatay - Bass
Orçun Baştürk - Drums and bells, piano, conga, timbals
Tuğrul Aray - Harmonica, tenor saxophone, saxoflute, pipes, kaval
Ertan Tekin - Zurna, mey and cura mey (Biskotin, Izmir'e Donus, Kirik Hayatlar)
She's Gone
Blues Company Lyrics
We have lyrics for 'She's Gone' by these artists:
Co Sonya Kitchell & Neal Evans Said you "Needed a holiday" "Couldn't breathe in the city th…
A. Hamilton The sun don't seem to shine on me no more I…
Andy Kapps She was my baby, she was my baby, back at…
Anthony Hamilton The sun don't seem to shine on me no more I…
Arjan Brass Стой! Пока ещё не выключен свет Я хочу услышать ответ Скажи,…
Bang Camaro She's out of her mind (oh, oh, whoa) She's got a…
Ben Norris I heard the door slam And then her car fired…
Billy T. Soul My woman is gone (woman is gone), My woman is gone…
black sabath I've been gone a long, long time, waiting for you I…
Black Sabbath (Оззи Осборн) I've been gone a long long time, waiting for you…
Black Sabbath - Technical Ectasy I've been a long, long time, waiting for you I…
Black Sabbath [OZZY] I've been gone a long long time, waiting for you…
Blanks 77 Hey you, walking across the floor now Hey you, runnin' out…
Bleeding Through We are nothing. A lost cause for a lost cause. The hourglass…
Bloodgood Too late to say what I feel She's gone and the…
Bob Marley My woman is gone (woman is gone) My woman is gone…
Bob Marley攀 My woman is gone (woman is gone) My woman is gone…
Bob_Marley_-_1978_-_Kaya My woman is gone (woman is gone) My woman is gone…
Boppin' B Well, a girly chicken fell in love with a chicken…
Brian Jonestown Massacre I've got this feeling when you're smiling It's not the same…
Bright Righteous I'll find a way to write my wrongs If I have…
Bruel Patrick Un concert des Stones, 17 Ans à peine, Une salle à Brighton,…
Brutha Say oh Say oh Say oh, Feel like I lost my heart…
C.O.P 친구여 She's gone 그리워 그녀의 아름다웠던 미소 천국에 갔는지 연락이 없네 기뻐 그토록…
Can Canseven I've been in so many places Came along this fading faces But…
Carbon Leaf Round and round We do this song-and-dance Sail the rocky gr…
Chanmina 何度も道を間違えたはず その度に失った人も数々 まだ12だった タバコをくわえた ふかす煙 どうにでもなれと思った で…
Chuck Wicks She's a rapid fire coming down a one way target…
Coney Hatch I look back, and can't help thinking, it wasn't so…
Danger Danger She's gone - Danger Danger Im alone, im alone As I…
Daryl & John Oates Hall Everybody's high on consolation Everybody's trying to tell…
Daryl Hall Everybody's high on consolation Everybody's trying to tell m…
Daryl Hall And John Oates Everybody's high on consolation Everybody's trying to tell…
Daryl Hall & John Oates Everybody's high on consolation Everybody's trying to tell m…
Daryl Hall and John Oates Everybody's high on consolation Everybody's trying to tell …
Daryl Hall & John Oates Everybody's high on consolation Everybody's trying to tell m…
Daryl Hall/John Oats Everybody's high on consolation Everybody's trying to tell…
Daryl Hall; John Oats Everybody's high on consolation Everybody's trying to tell m…
Devin the Dude What's wrong man Come on man hold it together man come…
Divlje Jagode I'm gonna take you by surprise And make you realise I'm gonn…
dj-chart Live light on the traveler feet Fills a lonely soul Light…
Doyle Bramhall Well, I know you don't love me Hey, I know the…
E-3 I’m just waiting for tomorrow to come I can’t wait until…
Eddie Boyd & Fleetwood Mac Well, you know my baby's gone And people, I've got nothing…
Ellis Hall III My love has flown away she's gone Her lips, her…
Eric Clapton by Eric Clapton and Simon Climie In the middle of the…
Eric Clapton愀 In the middle of the night in the middle…
Ferre Grignard My baby's gone and died on me. She's gone but I'm…
Fletcher Christian She’s Gone I can walk around my house buck naked I don’t…
Foghat Rod Price / Dave Peverett - Knee Trembler Music -…
G-Dragon Oh she’s gone yeah Oh she’s gone yeah Oh she’s gone yeah …
G-Dragon & Leona Lewis Oh she's gone yeah(she) Oh she's gone yeah oh... 잘가라 잘가…
G-Dragon (G-드래곤) Oh she's gone yeah Oh she's gone yeah Oh she's gone yeah…
G-Dragon (권지용) Young G Yeah Okey A love story I really don't know where she…
G-Dragon Feat. 산다라 Oh she’s gone yeah Oh she’s gone yeah Oh she’s gone yeah …
G-Dragon [권지용] Young G Yeah Okey A love story I really don't know where she…
GA-20 Quiere un vato Mr Quiere que la saque Vamonos de fiesta Vamo…
George Thorogood Look out, Jeff, let's do this Well, I know you don't…
G‐Dragon Feat. Kush Oh she's gone yeah Oh she's gone yeah Oh she's gone yeah…
H.P. Lange & Troels Jensen [Pleasure P - Talking] Ah whats up lil bro I see you…
Hall And Oates Everybody's high on consolation Everybody's trying to tell …
Hall & John Everybody's high on consolation Everybody's trying to tell m…
Honest Bob and the Factory-to-Dealer Incentives I wanna be John Murphy Gonna trace her to the source That…
Hot Boogie Chillun She's Gone see that girl beautiful hair wanna fall down dea…
Hound Dog Taylor Well, I know you don't love me Hey, I know the…
Hound Dog Taylor And The HouseRockers Well I know you don't love me Hey I know the…
Hound Dog Taylor; The Houserockers Well, I know you don't love me Hey, I know the…
Jack McManus And we're moving far too fast now Our feet don't touch…
Jack Soul Everybody's high on consolation Everybody's trying to tell …
Jamai "Never thought the end would be like this the endless love…
Jay Ollero has anybody seen my heart i think that girl with the…
Jim (jamai) I never thought the end would be like this the en…
Jimmy Lewis *Knocking* Woman: Who is it? Jimmy Lewis: It's Jimmy ma'am W…
jindie. Time will tell if she's still feels right about him He's…
JJ and The Acoustic Machine Girl you know i miss you so I didn't know you…
John Lee Hooker Last night you're the only girl I had Whoa, last night…
John Oates Everybody's high on consolation Everybody's trying to tell m…
John Oats Everybody's high on consolation Everybody's trying to tell…
Jung Ilhoon For now, she's gone 나 떠나고 싶었다면 돌아보지 마라 한땐 사랑이라 믿었겠지만 후회도…
Kevin T. Collins (Tell me is it bullshit) Hello? Yeah, stay from out the head…
KITCHEN - Bob Marley & The Wailers My woman is gone (woman is gone) My woman is gone…
L.A. Trash Now this next joint goes out to all the good…
L.A.B. Lyrics by :永彬Ryan.B/FlyyXL Composed by :永彬Ryan.B Arranged by…
L.C.F. Sitting here talking to God Asking why He did me so…
Langhorne Slim Whether I'm right or I am wrong I'm gonna be gone…
Lee & Jimmy Last night you're the only girl I had Whoa, last night…
Lefty Frizzell She said if ever deceived her She'd be gone before I…
Lou Rawls My baby's gone and died on me. She's gone but I'm…
M. Fusion Take a chance on me There is nothing left here for…
M.C. Sar & Real McCoy Sitting here talking to God Asking why He did me so…
M.Fusion Take a chance on me There is nothing left here for…
M.O.E. Betta 친구여 She's gone 그리워 그녀의 아름다웠던 미소 천국에 갔는지 연락이 없네 기뻐 그토록…
Mark Lanegan She's gone My love is gone Flowers shouldn't bloom in sprin…
Marty Brown Tonight I feel so lonely I'm scared and all alone The…
Matthew Marsden [DC (spoken)] In order to keep me, this is what you…
Matthew Marsden Feat Destiny's Child Now that she's gone You wanna come back Is that a fact You…
Matthew Marsden feat. Destiny's Child Now that she's gone, you wanna come back Is that a…
MC Shan (She's gone) You know, even though we're far apart so man…
Michael Hill's Blues Mob Well I know you don't love me Hey I know the…
Michelle Billingsley Momma warned you she’s a wild animal Always talking about do…
Mike & The Chordliners She on she on she on what we on she…
Morgan James Ooo Ooo Everybody's high on consolation Everybody's trying t…
Mungo Jerry The rain fell on my window, the wind was at…
Nelson She is gone But she was here and her memory is still…
NOFX A blackened wick is what remains The flame was blown out…
Oates Everybody's high on consolation Everybody's trying to tell m…
One Drop You'd always said one day you'd be leaving Never thought one…
P.W. Long [Pleasure P - Talking] Ah whats up lil bro I see you…
Patrick Bruel Un concert des Stones, 17 Ans à peine, Une salle à Brighton,…
Pearls Before Swine Rapp She's gone She's rolled up the windows Put all t…
Perry Novak I’ve been here, standing here, waiting here so long It appea…
Peter Orange She's gone and now She wont come back I will…
Phantom Planet Feel the flow baby.. Ohh yeah. Gone. Get gone. You…
Pleasure P Ah Whats Up Lil Bro I See U Got U Lil…
Power Of Dreams There's something he should tell you A virus to be had The…
Project R.I.P Yah yah yah I don't care that she's long gone (Ugh) I'm…
Ratcat Kitty, Kitty I love you, and you know To you I…
Ray Charles Rudolph, the red-nosed reindeer Had a very shiny nose. And…
Remy Ma What? You mean I'm ya second favorite famale rapper... You c…
Ricochet Look at her go, walkin' away Smile on her face, it's…
Robert Cray Mmm, standing in the doorway She was crying, big as life She…
ronn Hello. No one is available to take your call Please leave…
Ryan.B Lyrics by :永彬Ryan.B/FlyyXL Composed by :永彬Ryan.B Arranged by…
S.A.D Yeah You see one thing about it You could still be down…
Shane Richie Our love's grown older seems like its colder Than the rock…
Siamese cats 作曲作詞 夏目知幸 おかげ様で元気にやれているから大丈夫心配なら自分にしなよ そうやって言えるよう…
Sidestar I'm out on the corner Just waiting for the show She's callin…
Sik-K 연락했어 아마 twice times And I knocked, knocked 열리지가 않아 불안해져서 답답한…
Sister Hazel Last night Last goodbye Last time Last cry It used to be so…
Soft Machine Baby's fine, baby's mine You understand that she's gone …
Steelheart She's gone Out of my life I was wrong I'm to blame I was…
stellastarr* How much can you take, you lone soldier She wont miss…
STUE - tindersticks She's gone And it's quiet now Took her mother with her Left…
Suggs When she left, I said take everything, everything that's you…
Super Junior 내게서 언제부터 지친 걸까 난 네게 무엇을 힘들게 한 걸까 더 이상…
Taggiz (Verse 1) You say I did you wrong, tell me what…
Takahashi Katsunori 昨夜は 何処で飲んでたか なんにも 覚えちゃいないぜ コインと 散らばるレシート She's gone She's go…
Tavares Everybody's high on consolation Everybody's trying to tell …
Tavares - Heckel Tavares Everybody's high on consolation Everybody's trying to tell m…
Taylor Hound Dog Well, I know you don't love me Hey, I know the…
The Bird and the Bee Everybody's high on consolation Everybody's trying to tell …
The Brian Jonestown Massacre I've got this feeling when you're smiling It's not the same…
The Hidden Cameras Sitting alone, I feel dead But I feel the life-blood in…
The Pigeon Detectives He's getting much closer to forty every day And he can't…
The Purrs I hear you're worried Because it doesn't ring true You've go…
The Ragged Jubilee Have you ever seen the plains in the sinking sun? Have…
The Robert Cray Band Mmm, standing in the doorway She was crying, big as life She…
This Cold Night I saw her face In the mirror I saw her face And it…
Ti Bolyn Well I woke up on the couch with my two…
Tindersticks She's gone And it's quiet now Took her mother with her Left…
Tindersticks (LocoStavos) She's gone And it's quiet now Took her mother with her …
Tony & Joe Everybody's high on consolation Everybody's trying to tell m…
Tsabropoulos/Andersen/Marshall I had a lady...I thought was so fine I knew she…
Various Artist She's Gone (她走了) (Live) - 赵晗 Written by:Steelheart She's gon…
VWILLZ Now you're gone and you took the love we had I…
Willie She said if I ever deceived her She'd be gone before…
X She's gone She's gone She's gone she's gone She's gone She's…
X (Aus) A blackened wick is what remains The flame was blown out…
Y & T In the morning - don't talk about love In the evening…
Y&T In the morning - don't talk about love In the evening…
ちゃんみな 何度も道を間違えたはず その度に失った人も数々 まだ12だった タバコをくわえた ふかす煙 どうにでもなれと思った で…
林志炫 She's gone 我早知道 她将要 从我的生命中走掉 不再停留多一秒 回忆 一样美好 午夜梦醒 才感觉到被掏空的凄凉…
石头 She's gone 我的宇宙 从此后 这世界 再没有白昼 只能在夜里梦游 我的爱 走到尽头 把我的心都伤透 把一切都带…
许华强 everywhere i go everywhere i turn i can see your face…
超新星 She's gone She's gone 僕はきっと君には 似合わないね? 気付かないフリは もうやめようか? いっそ…
高橋克典 昨夜は 何処で飲んでたか なんにも 覚えちゃいないぜ コインと 散らばるレシート She′s gone She's go…
김신 Shes Gone 그녀는 이미 떠나 버렸고 하염없이 헤메이던 그 시간 속에…
디셈버 Gi-reul keo-reul-ttaen i norael deu-reumyeon one love Naesae…
이혁 She's gone out of my life I was wrong I'm to…
정일훈 For now, she's gone 나 떠나고 싶었다면 돌아보지 마라 한땐 사랑이라 믿었겠지만 후회도…
지드래곤 G-Dragon Oh she's gone yeah Oh she's gone yeah Oh she's gone yeah…
Black Sabbath I've been a long, long time, waiting for you I…
We have lyrics for these tracks by Blues Company:
Artista Ez a dal szóljon az artistáknak, akik hajtják…
Artista lettél A következő dal szóljon az artistáknak Akik hajtják a…
Ballada A Didiről János bácsi a csatában, János bácsi a csatában. …
Big Legged Woman I love the tip - I love the top You are…
Blues is my Middlename Blues is my middle name I 'll introduce you You'll never be…
Budapest London Párizs Részeg vagyok, rajtam ül az átok, Minden nap egy…
Büdös A Szerelem Mióta elmentél, nem recseg éjjel az ágyam, Pedig bírlak…
Cold Rain Cold Rain Rollin down my eyes Ice cold raincoolin' down th…
Crippled Mind Give me eyes to see- Horizons so wide Lead my footsteps trou…
Csak a kezedet nyújtsd... Valamit szeretnék adni nektek, magyarok! A bajban nyújtsd …
Csúnya vagyok Én úgy élek,mint egy barom, mert állati izmos a karom…
Drivin' Through Texas Drivin' through Texas Down from New Orleans I'm spending all…
Fekete Angyal Magasba nyúlnak a házfalak, Tele vagyok mint egy…
Gázária Ülök a klotyón és vadul nyomom a gázt, Énekel…
Ha Nem Isztok Csak Esztek Megérkezet közénk Ödön. A feje olyan, mint a tököm.…
Kapaszkodj babám Motorosok, ez volt a Blues Company, K*rva picsába!!! (egy,…
Kergekór Magyarországon szép az életünk, Mert nem les ránk itt…
Kispirics 'Csak egy jó hely van New York City, de Kispirics…
Klárika a guminõ Az én pofám kicsit ragyás, mindig jólesik a baszás …
Kocsma Rock Azt mondod hogy elegáns, De bókodnak a fele gáz,…
Lipótmező A fogyasztói társadalomban, oly nehéz az élet, Nincs időd…
Magyar égen magyar Isten Motoron ülve az utakat járomd Lebeg a szélben…
Magyarország Nagyon kedvesek vagytok hozzánk ma este, gyerekek, egy dalt …
Megfogom A Fenekedet Árok partján kuruttyol a béka, Ott kapta be tökömet…
Országuti sztár Erős volt a lőre nagyon, Elcsúsztam, mint légy a…
Piros fehér zöld Boroshordó tetejére felmászom Lopótököm a likjába bemártom…
Pohárköszöntő A születésnapod jó alkalom Hogy berúgjunk, mint a vadbarom…
Red Blood I had a nightmare - deep in my sleep The sound…
Ria ria Pannónia Ria, ria, Pannónia Ria, ria, Pannónia Magyar motor…
SILENT NIGHT Silent night in a foreign city All alone in the street…
Sördal A söröcskét Én úgy szeretem, Mint kecske a káposztát,…
Szenvedély Üres a zsebem, mégis nagyon nehéz vagyok, Vár egy…
The Blues Been Good to Me Douyara naki sugita mitai" to kimi wa warau Dou ni mo…
UFO lettem Én földlakónak születtem De a szesztől UFO lett belőlem…
Útember Mint nehéz kőszikla a hegyről mint villámlás a mennyből…
Válassz Egy Csillagot Szóljon ez a dal elhunyt barátaink emlékére …
Vár a gyár Harmatos a kukorica levele, az én tököm csapolt…
Visszajárnak a tegnapok Szürke asztaloknál ültem sokat egymagam, Cigarettafüstben …
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DJ big leg
fine band great 45 both sides are quality great post..