Early years
Gentry spent her childhood living with her father in Greenwood, Mississippi, where she attended elementary school and began teaching herself to play the guitar, the bass guitar, and the banjo. In her early teens, she moved to Palm Springs, California, to live with her mother, Ruby Bullington Streeter, graduating from Palm Springs High School in 1962. It was during this time that the teenage Roberta settled on the stage name "Bobbie Gentry," and began performing at local country clubs, encouraged by no less a Palm Springs celebrity than Bob Hope.
After a short career as a Las Vegas showgirl, Gentry moved to Los Angeles, attended UCLA (where she was a philosophy major) and worked clerical jobs while occasionally performing in local nightclubs. She later transferred to the Los Angeles Conservatory of Music to hone her composition and performing skills.
Rise to fame
In 1967, Gentry recorded a demo and submitted it to Capitol Records executive Kelly Gordon, who quickly signed her to a recording contract and produced her first album. A 45 rpm "single" of two of her songs—"Mississippi Delta" and "Ode to Billie Joe"—was the first issue from this first effort, and even though "Mississippi Delta" was chosen for the "A" side, radio stations were quickly enamored with the quirky tale of Billie Joe McAllister and the mystery of his fate, as hauntingly performed and recorded on the "B" side. Bobbie Gentry had a monster hit on her hands, and Capitol Records had its newest superstar. Gentry went on to win three Grammy Awards that year, including "Best Vocal Performance by a Female", and "Best New Artist."
Gentry's follow-up albums, The Delta Sweete and Local Gentry, both produced by Gordon, were issued in 1968. Though critically acclaimed, neither album garnered the kinds of sales figures that were realized with Gentry's debut effort. The year 1968 also saw the release of an album of duets that paired Gentry with fellow Capitol alumnus Glen Campbell. Gentry and Campbell's harmonies resulted in a gold record and three hit singles, including a cover of the Everly Brothers hit "All I Have to Do Is Dream", which rose to No. 6 on the country charts in the winter of 1969.
Gentry toured briefly with Campbell and performed on a number of U.S. television programs and specials in the late 1960s. Her other notable singles include Doug Kershaw's composition "Louisiana Man" as well as a mellow version of a Burt Bacharach-Hal David song, "I'll Never Fall in Love Again". The latter went to No. 1 in Great Britain in 1970, a year after Dionne Warwick had a hit with it in the United States. 1970 also saw the release of another U.S. hit with the self-penned "Fancy," which rose to No. 26 on the Country chart and 31 on the Pop chart. (This enduring tale would later be covered with major success by Reba McEntire in 1991.)
Gentry would go on to record three more albums, while having earlier albums reissued under different titles. These last three albums, Touch 'Em with Love, Fancy, and the ambitious and highly regarded Patchwork, which consisted of all original material, were greeted enthusiastically by critics but, with the exception of the aforementioned title track to Fancy, failed to resonate with the public (though Gentry did generate a significant fan base in the United Kingdom).
Undaunted by declining record sales, Gentry sought other outlets for her creativity. She continued to write and perform, touring Europe and headlining a Las Vegas review in which she produced, choreographed, and wrote and arranged the music. In 1974, Gentry hosted a short-lived summer replacement variety show, The Bobbie Gentry Happiness Hour on CBS. The show, which served as her own version of Campbell's hit series The Glen Campbell Goodtime Hour, also on CBS, was not picked up for a full season. That same year, Gentry wrote and performed "Another Place, Another Time" for writer-director (and Beverly Hillbillies actor) Max Baer, Jr.'s film, Macon County Line. Baer would go on to direct a feature film take on Ode To Billy Joe, starring Robbie Benson, in which the mystery of Billie Joe's suicide is revealed as a part of the conflict between his love for Bobbie Lee Hartley and his emerging homosexuality.
By the middle 1970s, Gentry's sellability had waned significantly, and Capitol did not renew her contract. After some behind-the-scenes work in television production failed to hold her interests, Gentry decided to retire from show business. Her last public appearance as a performer was on Christmas night 1978, as a guest on The Tonight Show with Johnny Carson. She has deliberately remained out of the limelight ever since.
Personal life
She was married twice. The first, to casino magnate William F. Harrah in 1969, when she was 27 and he was 58, lasted only three months, a victim of her fame. The second, to novelty singer-songwriter Jim Stafford, ended in 1979, after only eleven months of marriage and the birth of a son, Tyler. The details of Gentry's personal life after her retirement are little known, but it is generally believed that she has settled into a happy life, and enjoys being a private citizen, unhindered by the scrutiny that fame brings. As of January 2003, she was living in Los Angeles County, California.
Let It Be Me
Bobbie Gentry Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I want to stay around you
And so I beg you, let it be me
Don't take this heaven from one
If you must cling to someone
Now and forever, let it be me
I find complete love
Without your sweet, sweet love
What would life be?
So never leave me lonely
Tell me you love me only
And that you'll always let it be me
Now and forever
Let it be me
In Bobbie Gentry And Glen Campbell's song Let it be me, the lyrics delve into the theme of love and commitment. The writer of the song is pleading with their partner to choose them and stay with them forever. They express gratitude for finding love and express their desire to remain by their partner's side. The writer implores their partner not to let anyone else come between them and to always let them fill their life with sweetness and completeness of love.
The lyrics express a sense of dependence on their loved one, describing how lonely they would feel without their presence. There is a level of vulnerability and uncertainty in their words, a sense that they need reassurance from their partner that they will always be loved by them. The song illustrates the importance of commitment and devotion in a relationship, and the desire for it to be a lifelong partnership.
Line by Line Meaning
I bless the day I found you
I am grateful for the day that I met you
I want to stay around you
I desire to be close to you
And so I beg you, let it be me
I plead for you to choose me
Don't take this heaven from one
Do not take away this happiness from someone
If you must cling to someone
If you need to hold onto someone
Now and forever, let it be me
Choose me now and always
Each time we meet love
Whenever we come together lovingly
I find complete love
I feel complete love
Without your sweet, sweet love
If I didn't have your loving affection
What would life be?
What kind of life would that be?
So never leave me lonely
Promise to never leave me feeling alone
Tell me you love me only
Please let me know that you only love me
And that you'll always let it be me
And that you'll always choose me
Now and forever
For all time
Let it be me
Choose me
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: Gilbert Becaud, Manny Kurtz, Pierre Delanoe
Lyrics Licensed & Provided by LyricFind