Bobby Lee Trammell (January 31, 1934 – February 20, 2008) was an American r… Read Full Bio ↴Bobby Lee Trammell (January 31, 1934 – February 20, 2008) was an American rockabilly singer and politician.
In spite of his undeniable talent, Bobby Lee Trammell never had a major hit record. His problem was being a little too wild. If only his energies could have been channeled into a positive direction, he might have been a major player in the rock 'n' roll field.
Bobby was raised on a small cotton farm in Arkansas by parents who both played instruments. Music was his principal interest from an early age and when Carl Perkins and Johnny Cash played a nearby date in 1956, Bobby Lee was in the first row. Carl allowed him to sing with his band on stage and advised him to go and see Sam Phillips. Bobby travelled to Memphis with a demo tape of some songs he had written, but good ole Sam, being a busy man, didn't have time to attend to him properly. He told Bobby to keep rehearsing and to come back in two or three weeks. Being an impatient kid, Trammell was not prepared to wait (a decision he still regrets today) and instead headed off to the West Coast to seek his fortune there. He found work at the Ford Motor Assembly Plant in Longbeach, California, and later landed a job as a singer at the Jubilee Ballroom in Baldwin Park. It was there that he was spotted by veteran country promoter Fabor Robinson, who owned the Fabor, Abbott and Radio labels. At Fabor's studio in Hollywood, Bobby recorded his own compositions "Shirley Lee" and "I Sure Do Love You Baby" with just three instruments. He himself played rhythm guitar, accompanied by James Burton on lead guitar and James Kirkland on bass, both from Bob Luman's band. "Shirley Lee" was a very commercial piece of rock 'n' roll and started kicking off in Baltimore. The Fabor label did not have the financial muscle nor the distribution outlets to readily support a major hit, so "Shirley Lee" was leased to ABC Paramount, eventually selling a reported 250,000 but falling short of the major chart success that it deserved. Ricky Nelson covered the song on his second album. Ricky's father found Bobby too wild for the Ozzie and Harriet show, but asked him to write more songs for Ricky. Bobby told Ozzie Nelson he was too busy, another decision he regretted later when he saw how much money Johnny and Dorsey Burnette were making from their songs for Ricky Nelson.
In March 1958, Trammell recorded his (excellent) second single, "You Mostest Girl"/"Uh Oh", with a four-piece black harmony group, again produced by Fabor Robinson, who released it first on Fabor and then on Radio. (There was also a reissue on Skyla in 1961, credited to Bobby Lee.) Joe Maphis played on his third single, recorded in September 1958 : "My Susie J, My Susie Jane"/' "Should I Make Amends". But Bobby's records didn't sell. Almost from the start of his career, Trammell was getting into trouble with the authorities because of his exuberant performances which would often go too far, as he would intentionally incite his audience to the point where riots would break out with the consequent damage to auditoriums and problems from club owners and promoters. Robinson's contacts were mainly in country music and Bobby Lee was booked on the Louisiana Hayride, but shocked all concerned with his hip-shaking antics and was described by Tillman Franks as "downright vulgar - ten times worse than Elvis Presley". Bookings on the Hayride were cancelled and proposed appearances on the Grand Ole Opry never materialised.
Fabor Robinson never really got to grips with his wild rockabilly singer. Though he believed in Bobby's potential, he was probably a little too old to have any real chance of directing him properly. He retired in 1959 and sold Bobby's contract to Warrior Records, where he recorded another good single, "Open Up Your Heart"/ "Woe Is Me", but nothing happened. By now Bobby Lee was finding it hard to get bookings as a result of his earlier excesses, and he moved back home to Arkansas. Further recordings were made for a series of small labels, details of which can be found at Terry Gordon's website: http://rcs.law.emory.edu/rcs/artists/t/tram1000.htm
In the mid-sixties, Trammell billed himself as "The First American Beatle" and cut five singles for the Sims label. In 1972-73 he scored two minor country hits on the Souncot label. Of his later recordings, the best were a remake of "You Mostest Girl" for Capitol (1973) and "It's All Your Fault" for Sun International in 1977. Like many other rockabilly stars from the fifties, he was brought to Europe in the 1980s, to perform at the 1984 Rockhouse Festival in Eindhoven, Holland. Though he was clearly in poor physical shape, it was a wild and frantic show, which came to a sudden end when Trammell tried to jump on the piano. He landed awkwardly on top of the piano, wobbled, lost his balance and fell, breaking his wrist in the process. There was to be no new career in Europe. In a way, the event sums up Bobby's career. So much potential for so little reward. In the 1990s Trammell became a politician for the Democratic Party and was elected to the Arkansas House of Representatives in 1997.
In spite of his undeniable talent, Bobby Lee Trammell never had a major hit record. His problem was being a little too wild. If only his energies could have been channeled into a positive direction, he might have been a major player in the rock 'n' roll field.
Bobby was raised on a small cotton farm in Arkansas by parents who both played instruments. Music was his principal interest from an early age and when Carl Perkins and Johnny Cash played a nearby date in 1956, Bobby Lee was in the first row. Carl allowed him to sing with his band on stage and advised him to go and see Sam Phillips. Bobby travelled to Memphis with a demo tape of some songs he had written, but good ole Sam, being a busy man, didn't have time to attend to him properly. He told Bobby to keep rehearsing and to come back in two or three weeks. Being an impatient kid, Trammell was not prepared to wait (a decision he still regrets today) and instead headed off to the West Coast to seek his fortune there. He found work at the Ford Motor Assembly Plant in Longbeach, California, and later landed a job as a singer at the Jubilee Ballroom in Baldwin Park. It was there that he was spotted by veteran country promoter Fabor Robinson, who owned the Fabor, Abbott and Radio labels. At Fabor's studio in Hollywood, Bobby recorded his own compositions "Shirley Lee" and "I Sure Do Love You Baby" with just three instruments. He himself played rhythm guitar, accompanied by James Burton on lead guitar and James Kirkland on bass, both from Bob Luman's band. "Shirley Lee" was a very commercial piece of rock 'n' roll and started kicking off in Baltimore. The Fabor label did not have the financial muscle nor the distribution outlets to readily support a major hit, so "Shirley Lee" was leased to ABC Paramount, eventually selling a reported 250,000 but falling short of the major chart success that it deserved. Ricky Nelson covered the song on his second album. Ricky's father found Bobby too wild for the Ozzie and Harriet show, but asked him to write more songs for Ricky. Bobby told Ozzie Nelson he was too busy, another decision he regretted later when he saw how much money Johnny and Dorsey Burnette were making from their songs for Ricky Nelson.
In March 1958, Trammell recorded his (excellent) second single, "You Mostest Girl"/"Uh Oh", with a four-piece black harmony group, again produced by Fabor Robinson, who released it first on Fabor and then on Radio. (There was also a reissue on Skyla in 1961, credited to Bobby Lee.) Joe Maphis played on his third single, recorded in September 1958 : "My Susie J, My Susie Jane"/' "Should I Make Amends". But Bobby's records didn't sell. Almost from the start of his career, Trammell was getting into trouble with the authorities because of his exuberant performances which would often go too far, as he would intentionally incite his audience to the point where riots would break out with the consequent damage to auditoriums and problems from club owners and promoters. Robinson's contacts were mainly in country music and Bobby Lee was booked on the Louisiana Hayride, but shocked all concerned with his hip-shaking antics and was described by Tillman Franks as "downright vulgar - ten times worse than Elvis Presley". Bookings on the Hayride were cancelled and proposed appearances on the Grand Ole Opry never materialised.
Fabor Robinson never really got to grips with his wild rockabilly singer. Though he believed in Bobby's potential, he was probably a little too old to have any real chance of directing him properly. He retired in 1959 and sold Bobby's contract to Warrior Records, where he recorded another good single, "Open Up Your Heart"/ "Woe Is Me", but nothing happened. By now Bobby Lee was finding it hard to get bookings as a result of his earlier excesses, and he moved back home to Arkansas. Further recordings were made for a series of small labels, details of which can be found at Terry Gordon's website: http://rcs.law.emory.edu/rcs/artists/t/tram1000.htm
In the mid-sixties, Trammell billed himself as "The First American Beatle" and cut five singles for the Sims label. In 1972-73 he scored two minor country hits on the Souncot label. Of his later recordings, the best were a remake of "You Mostest Girl" for Capitol (1973) and "It's All Your Fault" for Sun International in 1977. Like many other rockabilly stars from the fifties, he was brought to Europe in the 1980s, to perform at the 1984 Rockhouse Festival in Eindhoven, Holland. Though he was clearly in poor physical shape, it was a wild and frantic show, which came to a sudden end when Trammell tried to jump on the piano. He landed awkwardly on top of the piano, wobbled, lost his balance and fell, breaking his wrist in the process. There was to be no new career in Europe. In a way, the event sums up Bobby's career. So much potential for so little reward. In the 1990s Trammell became a politician for the Democratic Party and was elected to the Arkansas House of Representatives in 1997.
Arkansas Twist
Bobby Lee Trammell Lyrics
We have lyrics for these tracks by Bobby Lee Trammell:
If You Ever Get It Once If you ever get it once, your gonna want it…
Long Tall Sally I'm gonna tell Aunt Mary 'bout Uncle John He said he…
Open up Your Heart You gotta open up your heart again You gotta open up…
Woe Is Me Well, woe woe is me, look at who's who Woe woe…
You Mostest Girl I like the way you kiss me The way you hold…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Ed Wiles
this was a popular song here in arkansas and was well played on the juke boxes all over the mid south. our band made a record at alley records in jonesboro, not long after this song was out. mr. joe lee, the owner of alley records told me that he recorded and distributed this for bobby lee and i believe the said it made him about eighty thousand dollars, which was a lot of money back then. i recall we paid joe lee about 50 bucks to record our song and he agreed to make an initial deal to cut 500 copies and distribute them, to see it they would take hold. however, we could not raise the one hundred and 50 dollars to make the deal....end of our recording career. i was in the army in 68 and wrote joe lee to see if he still have the master copy of our songs and to my surprise, he mailed it to me overseas. i will always appreciate him and what he did for music production in north east arkansas. my the almighty bless him.
Rhonda Drake
This was recorded on a portable Voice Of Music reel to reel tape recorder as the studio was as yet unfinished.
Max Brand
Love this number I'm hearing for the first time I could picture Ronnie Hawkins.
juha vesanen
There's also a fine rockn'roll guitar playing there, with all that nlce twisting... 🕵🏼♀️❤️👍🏿👍🏿
Rhonda Drake
Sonny Burgess plays this in his live shows.
Rhonda Drake
I live near where this was recorded and still haven't had any luck finding a copy.
cayogator
ebay
scott abelli
you must have lived on E Monroe--
I worked at the Strand theater- Larry Donn did some recording there as well-I knew him for years and sometimes hung around with him at KNEA where he was a DJ -One of his best numbers he recorded there was "one Broken heart" a very haunting balled
kenneth mulhearn
reminds me of vacays in Hot Springs back then !!!
scott abelli
I grew up in Jonesboro and i knew Bobby and the local busineess around Alley records -a barber shope Howard Monadmy s grill and of course Lennards recored shop next to the western union==