Bobby Troup was born in Harrisburg, Pennsylvania. He graduated from The Hill School, a preparatory school in Pottstown, Pennsylvania, in 1937. He went on to graduate Phi Beta Kappa from the Wharton School at the University of Pennsylvania with a degree in economics. He was a member of the Sigma Alpha Epsilon (ΣΑΕ) fraternity and the Mask and Wig Club.
His earliest musical success came with the song "Daddy" which was a regional hit in 1941. Sammy Kaye and His Orchestra recorded "Daddy", which was number one for 8 weeks on the Billboard Best Seller chart and the number five record of 1941. Glenn Miller and His Orchestra performed "Daddy" on their radio broadcasts, and The Andrews Sisters also recorded the song. In the same year, Troup's song "Snootie Little Cutie" was recorded by Frank Sinatra and Connie Haines with the Tommy Dorsey Orchestra and the Pied Pipers.
Upon graduating from college in 1941 he enlisted in the US Marines, but did not receive orders until January 1942. After completing officer training, he was assigned as one of two dozen white officers to direct recruit training at Montford Point, recruit depot for the first African-American Marines. By spring of 1943 he became recreation officer, in which capacity he was able to spearhead improvements to the facilities at Montford, including building a recreation hall, basketball court, and outdoor boxing ring. He was even able to get a friend to install a miniature golf course. During this time he composed the song "Take Me Away From Jacksonville" which was to become an anthem of sorts for the Marines at Montford Point, even extending to other areas of Camp Lejeune. By numerous accounts Troup was the most popular officer among the Montford recruits. In October 1944 he was promoted to Captain, given command of a depot company, and eventually deployed to Saipan where he served to the end of the war.
Bobby Troup's first marriage was to Cynthia Hare. They were married in May 1942 and had two daughters, Cynnie Troup (b. 1943) and Ronne Troup (b. 1945), both of whom had careers in the entertainment industry.
In 1946, Nat King Cole had a hit with Troup's best known song "(Get Your Kicks On) Route 66". It became a popular standard recorded by many artists, including Chuck Berry (1961) and The Rolling Stones (1964). In 1987, Depeche Mode combined the tune with their own composition, "Behind the Wheel", released it as the B-side of "Behind the Wheel" and it became a radio hit on KROQ 106.7 FM in Los Angeles. In 2006, "Route 66" was featured in the animated movie Cars, and the movie RV with Robin Williams.
Troup met his second wife, torch singer Julie London, at the Celebrity Room, where he was singing. It was Troup who encouraged London to pursue her singing career, and in 1955 he produced her million selling hit record "Cry Me a River". London, previously married to actor Jack Webb (1947 to 1953), married Troup in 1959. They remained married until Troup's death in 1999.
Troup's own recordings in the 1950s and 1960s were not commercially successful. He made recordings for Liberty Records and Capitol Records, many with musicians from the West Coast jazz scene.
Troup also wrote the title song (sung by Little Richard) in the classic 1950s rock and roll movie The Girl Can't Help It. An instrumental rendition of his song "The Meaning of the Blues" appeared on the landmark Miles Davis album, Miles Ahead. Troup's hipster interpretation of the fairy tale "The Three Bears" is often erroneously credited to "anonymous" and re-titled "Three Bears Rap", "Three Bears with a Beat", etc. This song was first recorded by the Page Cavanaugh Trio and later by Western Swing bandleader Leon McAuliffe.
Circa 1969 Troup collaborated with entertainer Tommy Leonetti, penning the lyrics for Leonetti's song "My City of Sydney". Leonetti's original recording was used for many years in the close-down sequence for TV station ATN-7 in Sydney, and was also covered by Sydney punk band XL Capris.
In February 1999, Troup died at UCLA Medical Center of a massive heart attack; he was buried at Forest Lawn Memorial Park in the Hollywood Hills. His wife, Julie London died the following year, and her cremated remains were placed in the columbarium (Columbarium of Providence) niche, next to his.
In the mid-1950s, Troup was one of three regular panelists (along with Mel Blanc and Johnny Mercer) in the game show Musical Chairs, a Bill Leyden-hosted quiz program that aired locally on Los Angeles television for two years before NBC broadcast it in the summer of 1955. On the program, the viewing audience was encouraged to submit questions about music in an effort to stump the panel. The Troup Group provided much of the music in the game show. He also served as host of the ABC show Stars of Jazz featuring various jazz luminaries, particularly those working in Hollywood.
While he relied on songwriting royalties, Troup also worked as an actor, playing musician Tommy Dorsey in the film The Gene Krupa Story (1959). He played himself in the short-lived NBC television series Acapulco. Troup made three guest appearances on Perry Mason, and on two appearances, "The Case of the Jaded Joker" in 1959 and "The Case of the Missing Melody" in 1961, he showed his musical talents. In 1969 and 1970, he appeared as "Bobby" in two episodes of Mannix, where he was a lounge piano player who helped Mannix unravel cases. He again appeared as a piano player in a cameo on The Hardy Boys/Nancy Drew Mysteries in 1978.
In Robert Altman's 1970 film M*A*S*H he had a memorable cameo as a disgruntled staff sergeant assigned to driving Hawkeye and Trapper John around in Japan. (His only line of dialogue is a repeated exasperation, "Goddamn army!") In 1972, Jack Webb, who had previously used Troup in a 1967 episode of the television series Dragnet, cast him opposite Julie London in the US TV series Emergency!. Emergency! was created by Webb, who had recently starred in a revival of Dragnet and was producing NBC's popular Adam-12. London and Troup had remained on cordial terms with Webb, who had used Troup (and his daughter Ronne) in episodes of Adam-12 as well as the revived Dragnet. On Emergency! Troup played Dr. Joe Early, one of the two emergency room doctors featured on the series, while London played head nurse Dixie McCall.
I'm Such a Hungry Man
Bobby Troup Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Betapa malang nasibku
Semenjak ditinggal Ibu
Walau kini dapat ganti
Seorang Ibu...
Ibu Tiri
Tiada sama rasanya
Menyayang sepenuh jiwa
Penuh kasih lagi mesra
Ibu tiri hanya cinta kepada ayahku saja
Selagi ayah disampingku ku dipuja...
Ku dimanja
Tapi bila ayah pergi ku dinista dan dicaci
Bagai anak tak berbakti...
Tiada menghirauku lagi
Aduhai ibu tiriku
Kasihanilah padaku
Bagai anakmu sendiri
Agar dapat ku berbakti.
The lyrics to Bobby Troup's song "I'm Such a Hungry Man" depict a character who is yearning, not for physical nourishment, but for love and companionship. The singer of the song has been living a lonely and unfulfilled life, and he is searching for someone who can fill the void in his heart. His hunger is not just for food, but for emotional sustenance.
The song's lyrics emphasize that the singer's hunger is not easily satisfied. He has been feeling this way for a long time- ever since his mother left him- and he has been unable to find anyone who can truly take her place. Even though he has an "Ibu Tiri," or stepmother, now, he still feels that something is missing. He recognizes that his stepmother loves him, but it is not the same as the love he received from his biological mother.
The song's final verse speaks to the singer's desire to be loved and cared for unconditionally. He pleads with his stepmother to treat him as her own child, to show him the same compassion and affection that a mother would show to her biological offspring. This verse highlights the universal need for human connection and the pain that can come from feeling isolated and unloved.
Overall, "I'm Such a Hungry Man" is a deeply emotional and introspective song that explores the complex depths of human longing and desire.
Line by Line Meaning
Betapa malang nasibku
My destiny is so unfortunate
Semenjak ditinggal Ibu
Ever since Mother left me
Walau kini dapat ganti
Even though I have a replacement now
Seorang Ibu... Ibu Tiri
A stepmother... that's what she is
Tiada sama rasanya
It's not the same feeling
Ibu kandung yang tercinta
The beloved birth mother
Menyayang sepenuh jiwa
Loving with all her soul
Penuh kasih lagi mesra
Full of affection and intimacy
Ibu tiri hanya cinta kepada ayahku saja
My stepmother only loves my father
Selagi ayah disampingku ku dipuja... Ku dimanja
As long as my father is with me, I am worshipped... pampered
Tapi bila ayah pergi ku dinista dan dicaci
But when father is gone, I am insulted and scolded
Bagai anak tak berbakti...
Like an ungrateful child...
Tiada menghirauku lagi
No longer paying any attention to me
Aduhai ibu tiriku
Oh my stepmother
Kasihanilah padaku
Have mercy on me
Bagai anakmu sendiri
Like I am your very own child
Agar dapat ku berbakti.
So that I can be dutiful
Writer(s): BOBBY TROUP
Contributed by Ian H. Suggest a correction in the comments below.
@2degreewca
I was 10 years old when this first came out. I knew nothing of it of course. Now looking back I find it fascinating and, well, cool.
@misha2197
Bobby ♡♡♡
@irvinklugh8858
LOVE IT
@misspaddylee
Bobby Troup and Dorothy Malone guesting on The Rosemary Clooney Show.
@MHzToGHz
Bobby was the original cool cat.
@billgarrett4491
Dorothy Malone later won an Oscar for Best Support Actress in 1957's "Written On The Wind"
@dchern
what a cuet duet
@snackcakeman
Just heard Louis Jordan’s version. I wanted to know how wrote the song. So one thing leads me to another and here I am.
@josephcoleman3635
I'll have what he's having.
@largemarge1603
Nelson Riddle?
Pete King?