Bobby Troup was born in Harrisburg, Pennsylvania. He graduated from The Hill School, a preparatory school in Pottstown, Pennsylvania, in 1937. He went on to graduate Phi Beta Kappa from the Wharton School at the University of Pennsylvania with a degree in economics. He was a member of the Sigma Alpha Epsilon (ΣΑΕ) fraternity and the Mask and Wig Club.
His earliest musical success came with the song "Daddy" which was a regional hit in 1941. Sammy Kaye and His Orchestra recorded "Daddy", which was number one for 8 weeks on the Billboard Best Seller chart and the number five record of 1941. Glenn Miller and His Orchestra performed "Daddy" on their radio broadcasts, and The Andrews Sisters also recorded the song. In the same year, Troup's song "Snootie Little Cutie" was recorded by Frank Sinatra and Connie Haines with the Tommy Dorsey Orchestra and the Pied Pipers.
Upon graduating from college in 1941 he enlisted in the US Marines, but did not receive orders until January 1942. After completing officer training, he was assigned as one of two dozen white officers to direct recruit training at Montford Point, recruit depot for the first African-American Marines. By spring of 1943 he became recreation officer, in which capacity he was able to spearhead improvements to the facilities at Montford, including building a recreation hall, basketball court, and outdoor boxing ring. He was even able to get a friend to install a miniature golf course. During this time he composed the song "Take Me Away From Jacksonville" which was to become an anthem of sorts for the Marines at Montford Point, even extending to other areas of Camp Lejeune. By numerous accounts Troup was the most popular officer among the Montford recruits. In October 1944 he was promoted to Captain, given command of a depot company, and eventually deployed to Saipan where he served to the end of the war.
Bobby Troup's first marriage was to Cynthia Hare. They were married in May 1942 and had two daughters, Cynnie Troup (b. 1943) and Ronne Troup (b. 1945), both of whom had careers in the entertainment industry.
In 1946, Nat King Cole had a hit with Troup's best known song "(Get Your Kicks On) Route 66". It became a popular standard recorded by many artists, including Chuck Berry (1961) and The Rolling Stones (1964). In 1987, Depeche Mode combined the tune with their own composition, "Behind the Wheel", released it as the B-side of "Behind the Wheel" and it became a radio hit on KROQ 106.7 FM in Los Angeles. In 2006, "Route 66" was featured in the animated movie Cars, and the movie RV with Robin Williams.
Troup met his second wife, torch singer Julie London, at the Celebrity Room, where he was singing. It was Troup who encouraged London to pursue her singing career, and in 1955 he produced her million selling hit record "Cry Me a River". London, previously married to actor Jack Webb (1947 to 1953), married Troup in 1959. They remained married until Troup's death in 1999.
Troup's own recordings in the 1950s and 1960s were not commercially successful. He made recordings for Liberty Records and Capitol Records, many with musicians from the West Coast jazz scene.
Troup also wrote the title song (sung by Little Richard) in the classic 1950s rock and roll movie The Girl Can't Help It. An instrumental rendition of his song "The Meaning of the Blues" appeared on the landmark Miles Davis album, Miles Ahead. Troup's hipster interpretation of the fairy tale "The Three Bears" is often erroneously credited to "anonymous" and re-titled "Three Bears Rap", "Three Bears with a Beat", etc. This song was first recorded by the Page Cavanaugh Trio and later by Western Swing bandleader Leon McAuliffe.
Circa 1969 Troup collaborated with entertainer Tommy Leonetti, penning the lyrics for Leonetti's song "My City of Sydney". Leonetti's original recording was used for many years in the close-down sequence for TV station ATN-7 in Sydney, and was also covered by Sydney punk band XL Capris.
In February 1999, Troup died at UCLA Medical Center of a massive heart attack; he was buried at Forest Lawn Memorial Park in the Hollywood Hills. His wife, Julie London died the following year, and her cremated remains were placed in the columbarium (Columbarium of Providence) niche, next to his.
In the mid-1950s, Troup was one of three regular panelists (along with Mel Blanc and Johnny Mercer) in the game show Musical Chairs, a Bill Leyden-hosted quiz program that aired locally on Los Angeles television for two years before NBC broadcast it in the summer of 1955. On the program, the viewing audience was encouraged to submit questions about music in an effort to stump the panel. The Troup Group provided much of the music in the game show. He also served as host of the ABC show Stars of Jazz featuring various jazz luminaries, particularly those working in Hollywood.
While he relied on songwriting royalties, Troup also worked as an actor, playing musician Tommy Dorsey in the film The Gene Krupa Story (1959). He played himself in the short-lived NBC television series Acapulco. Troup made three guest appearances on Perry Mason, and on two appearances, "The Case of the Jaded Joker" in 1959 and "The Case of the Missing Melody" in 1961, he showed his musical talents. In 1969 and 1970, he appeared as "Bobby" in two episodes of Mannix, where he was a lounge piano player who helped Mannix unravel cases. He again appeared as a piano player in a cameo on The Hardy Boys/Nancy Drew Mysteries in 1978.
In Robert Altman's 1970 film M*A*S*H he had a memorable cameo as a disgruntled staff sergeant assigned to driving Hawkeye and Trapper John around in Japan. (His only line of dialogue is a repeated exasperation, "Goddamn army!") In 1972, Jack Webb, who had previously used Troup in a 1967 episode of the television series Dragnet, cast him opposite Julie London in the US TV series Emergency!. Emergency! was created by Webb, who had recently starred in a revival of Dragnet and was producing NBC's popular Adam-12. London and Troup had remained on cordial terms with Webb, who had used Troup (and his daughter Ronne) in episodes of Adam-12 as well as the revived Dragnet. On Emergency! Troup played Dr. Joe Early, one of the two emergency room doctors featured on the series, while London played head nurse Dixie McCall.
That Old Black Magic
Bobby Troup Lyrics
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Old black magic that you weave so well
Those icy fingers up and down my spine
The same old witch craft when your eyes meet mine
Same old tingle that I feel inside
Then the elevator starts it ride
Down and down I go
Like a leaf caught in a tide
I should stay away but what can I do
I hear your name and I'm a flame
Flame, flame of desire
Only your kiss can put out the fire
Oh you're the lover I have waiting for
Your the mate that fate had me created for
And every time your lips meet mine
Down and down I go
Round and round I go
In a spin, lovin' the spin I'm in
Under the old black magic called love
In a spin lovin' the spin I'm in
Under the old black magic called love
In a spin lovin' the spin I'm in
Under the old black magic called love
I should stay away but what can I do
I hear your name and I'm a flame
Flame, flame of desire
Only your kiss can put out the fire
Oh you are the lover I have waited for
Your the mate that fate had me created for
And every time your lips meet mine
Down and down I go
Round and round I go
In a spin, lovin' the spin I'm in
Under the old black magic called love
In "That Old Black Magic", Bobby Troup sings about being entranced by someone who has cast a spell on him. The lyrics speak to the power of love and the way it can make us feel completely under its control. Troup describes the physical sensations he experiences when this love interest is near him, saying that he feels a tingle inside and that his spine is affected by "icy fingers." The elevator imagery in the song suggests the way that the experience of love can feel like being taken on a thrilling ride that is both exciting and a little scary. Even though Troup recognizes that this person has put him under a spell, he is powerless to resist their pull and their name alone is enough to light a fire within him.
The lyrics of "That Old Black Magic" also touch on the idea of fate and destiny. Troup sings that this person is the "mate that fate had me created for," suggesting that he believes they are meant to be together. The use of the word "created" implies that their love is part of a larger plan, beyond their control. This idea reinforces the notion that love can be a magical force that overrides rational thought and decision-making.
Line by Line Meaning
Old black magic has me in its spell
I am completely under the influence of the mystical power of this love.
Old black magic that you weave so well
Your skill in creating this love is truly remarkable.
Those icy fingers up and down my spine
I am overcome with a chill whenever I think of you.
The same old witch craft when your eyes meet mine
Just one glance from you is enough to bewitch me all over again.
Same old tingle that I feel inside
The same electrifying sensation happens every time we are together.
Then the elevator starts its ride
Our passion begins to rise and it feels like we are ascending.
Down and down I go
I am falling more and more deeply in love with you.
Round and round I go
My emotions are swirling around and I cannot control them.
Like a leaf caught in a tide
I am being carried away by my intense feelings for you.
I should stay away but what can I do
I know I should keep my distance, but I cannot resist your charm.
I hear your name and I'm a flame
The mere mention of your name sets me on fire.
Flame, flame of desire
My passion for you burns brightly.
Only your kiss can put out the fire
Only you can satisfy my longing and extinguish my desire.
Oh you're the lover I have waiting for
You are the one I have been searching for all my life.
Your the mate that fate had me created for
It is destiny that we should be together.
And every time your lips meet mine
Whenever we kiss, I am overcome with emotion.
In a spin, lovin' the spin I'm in
I am dizzy with joy and happiness.
Under the old black magic called love
This love feels almost magical, as if it has a spell over me.
Lyrics © Sony/ATV Music Publishing LLC
Written by: Harold Arlen, Johnny Mercer
Lyrics Licensed & Provided by LyricFind