Taking after their father, who sang gospel music, Bobby Womack and his brothers formed their own group in 1952. In 1954, under the moniker Curtis Womack and the Womack Brothers, the group issued the Pennant single, "Buffalo Bill". Bobby Womack was only ten years old at the time. Sam Cooke took an interest in the Womack Brothers, and they recorded for Cooke's SAR record label in the early 1960s. Renamed the Valentinos, and encouraged by Cooke to go in a more secular and commercial direction, they scored a hit with Womack's "It's All Over Now" in 1964; the Rolling Stones' version of the song became a major hit, earning Womack generous royalty payments.
Sam Cooke died in late 1964; Womack married Cooke's widow, Barbara, a short time later, creating something of a scandal. Things became even more complicated when his younger brother, Cecil, married Cooke's daughter, Linda. As a session guitarist, Womack worked at producer Chips Moman's American Studios in Memphis, and played on recordings by Joe Tex and The Box Tops. Until this point, around 1967, he had had little success as a solo artist, but at American he began to record a string of classic soul-music singles including the 1968 "What Is This" (his first chart hit), "It's Gonna Rain" and "More Than I Can Stand," all of which featured his elegant, understated rhythm-guitar work and his impassioned vocals. During this period he became known as a songwriter, contributing many songs to the repertoire of Wilson Pickett; these include "I'm in Love" and "I'm a Midnight Mover."
After moving to the United Artists label in the early '70s, he released the album Communication, and on an album with guitarist Gabor Szabo introduced his song "Breezin'," which later became a hit for George Benson. He also became known for his interesting taste in cover versions, essaying Fred Neil's "Everybody's Talkin' " as well as "Fly Me to the Moon (In Other Words)" and James Taylor's "Fire and Rain'" and "California Dreamin'." Perhaps his most well-known work from this period is as guitarist on Sly & the Family Stone's 1971 There's a Riot Goin' On.
He continued to have hits into the '70s; these include "Lookin' for a Love" (a remake of his 1962 Valentinos single), "Across 110th Street," "Woman's Gotta Have It" (covered by James Taylor in 1976), "You're Welcome, Stop on By," and the masterful "Daylight." All are excellent examples of burnished yet gritty 1970s soul music, and reveal a pop-music sensibility akin to that of Marvin Gaye or Curtis Mayfield.
Bobby Womack's 1981 album The Poet was a surprise hit and contained the hit single "If You Think You're Lonely Now." K-Ci Hailey, a notable admirer of Womack's work, covered "If You Think You're Lonely Now" in 1994. The song is referenced in Mariah Carey's song "We Belong Together", a number-one hit in June 2005. Carey sings "I can't sleep at night /When you are on my mind / Bobby Womack's on the radio / Singing to me: 'If you think you're lonely now.'"
Film director Quentin Tarantino used "Across 110th Street" (which, in a different version, had been the title song of the 1972 movie) in the opening and closing sequences of his 1997 film Jackie Brown.
A 2003 Saab commercial shone a spotlight on Womack’s interpretation of "California Dreamin'".
In 2010, Womack contributed lyrics and sang on "Stylo" alongside Mos Def, the first single from the third Gorillaz album, Plastic Beach. Womack was told to sing whatever was on his mind during the recording of "Stylo". "I was in there for an hour going crazy about love and politics, getting it off my chest", said Womack.[4] He also provides vocals on the song "Cloud of Unknowing".
In 2010 Bobby Womack appeared on the main pyramid stage at Glastonbury with the Gorillaz.
The Bravest Man in the World Songfacts reports in 2012, Womack's first album of original material since 1994's Resurrection was released. The Bravest Man in the World was produced by Damon Albarn of Gorillaz and XL Recordings boss, Richard Russell.
Womack died on June 27, 2014 at age 70.
Love Is Gonna Lift You Up
Bobby Womack Lyrics
Jump to: Overall Meaning ↴
Does it dream inside?
A new day
It can come alive
The dawn will come
The sun will rise
Hope it turns
Time will heal and see the change
Love can bring you past the pain
Love is gonna lift you up
Where there's construction
There's a future lying
A new city under the bright lights
The dawn will come
The sun will rise
Hope it turns
As fish, upside
Time will heal and see the change
And love will bring you past the pain
Love is gonna lift you up
Love is gonna lift you up
I'll be honest and by your side
Whatever more
these lyrics are talking about the power of love in lifting people up during difficult times. The artist asks questions about where the heart beats and if it dreams inside, which can be interpreted as pondering about the nature of love and its effect on the human body and mind. The lyrics then go on to speak about the dawn of a new day, the rising sun, and the hope that comes with it. The comparison to fish being turned upside down may imply that sometimes things can feel chaotic and confusing, but with time, love will heal and bring about change.
The second verse speaks of construction and a future lying ahead. The imagery of a new city under bright lights further emphasizes the idea of hope for the future. The lines in the chorus, "Love is gonna lift you up," emphasize the main message of the song: that love has the power to heal and bring people out of pain and darkness. The artist promises to be honest and stand by the listener's side, indicating that they are offering a message of hope and support.
Contributed by Eli L. Suggest a correction in the comments below.
@stricken5tein
Listening to this for the first time in 2023. This song just changed my life and made me rethink everything I thought I knew about house music. It's absolutely insane.
@bbselects2617
Eccies
@JJS370
Sick remix, love the fact that the female backing vocals in this are from Jessie Ware!
@laurenthomas3437
Never knew either of these facts
@MoLaudi
RIP BOBBY WOMACK, I HAVE BURNED MANY DANCEFLOORS WITH THIS!!!
@sykesy
Absolutely smashed it with this one. Julio's a genius!
@Frillar
fucking tune respect to bobby for having the balls to take part in such a record. probably completely different to anything he is used to. but man, what a triumph this album was.
@donnadi3621
Monster talent ..... Love you Bobby R.I.P. my man.
@manveer1998
Heard this for the first time when Skepta dropped it at Mas Tiempo, what a banger
@prongs0611
This is a great sound track!