Originally from New York City, Bottom is one of bands that regularly played the New York "Dosage" nights at the East Village club Continental which helped coin the term "Stoner rock" when featured in an High Times Magazine article by journalist Bobby Black.
History
Bottom was founded by guitarist Sina, drummer Clementine and bassist Nila. Up to 2004, Bottom was largely a touring band, known for their marathon tour schedules. Bottom’s “Made in Voyage” tour spanned from February 11 to December 24 in which the band played daily with a day of every 20-40 days. Bottom also played the six week summer Van’s Warped Tour in 2000 during the day, while simultaneously headlining their “Feels So Good When You’re Gone” club tour at night. In 2002, Bottom toured Europe, hitting twenty-three countries in forty days.
The band's debut album Made In Voyage was released on Mudflap Records NYC, and released later on Man's Ruin Records. Made in Voyage, was recorded in NYC, produced by Greg Gordon (engineer for Slayer, Helmet, and Public Enemy) and released in 1999 on the band's label Mudflap Records.
In 2000, Bottom's second LP, Feels So Good When You're Gone, was also co-produced by Billy Anderson. Originally release in 2001 on artist Frank Kozik's label Man's Ruin Records, then re-issued by Lee Dorian's (Cathedral) UK label Rise Above Records/UK.
The band's next album, 2005's Your’Next, was written in three days in a live studio session at GetReel Studios in San Francisco. The album was produced by Sina and BOTTOM and released in February of 2005 as the group was about to go on another marathon tour.
In 2006, Bottom had a line up change and Kevin Hardicus (bass) and Chris C (drums) joined the band as the new rhythm section. Kevin Swartz (drum) would soon take over the battery position to make the current Bottom lineup.
Bottom is lead by guitarist and front-woman, Sina, a volume-addicted songwriter, mosh-head with monster riffs and guitar work. Moving to NYC to pursue art in 1992 as a studio assistant for Gorilla Girl- leader Mary Beth Edelson, the Chicago native played in the NYC Lower East Side bands Wanna, Racer17 and Speed-doe while also working as Studio Manager for The Rolling Stones Mobile Studio (Loho Studios). Sina is also guest vocalist on random projects such as MojoJelly and Toilet Boys. Sina's recent projects include vocals for deathmetal band Angrböda, video editing, event production as well as co-founding member of the all-female Led Zeppelin tribute, Zepparella. BOTTOM's rhythm section currently consists of bassist, Kevn Hardicus and drummer, Kevin Swartz.
BOTTOM's has toured extensively from Vancouver to Croatia, sharing stages with hundreds of rock-outfits including: AFI, AlabamaThunderPussy, AlienAntFarm, AcidKing, Action Daddy (ex-Crash Worship), Backyard Babies, BellRays, Black Halos, Blessing the Hogs, Buzzov*n, Buckcherry, Cannibal Corps, Candy Snatchers, Crisis, Converge, Cosmic Psychos, Cutthroats-9 (ex-unsane), Doro, Electric Wizard, The Fall, Everlast, Drivin'n'Cryin', Goatwhore, H2O, Hank Williams Jr. III, Heroine Sheiks, High On Fire, HonkyToast, Hirax, Jucifer, Joey Ramone and the Independents, Leadfoot, Lenny Kaye, Los Natas, Las Cruces, Ludicra, Lunachicks, Nashville Pussy, Nile, Mastodon, Mike Watt, Misfits, Monster Magnet, Murphy's Law, Nebula, Pansy Divison, PigmyLoveCircus (w/ Danny Carey), men of PORN, Raging Slab, Rancid, Rollins Band, Sister Sin, Speedealer, Spirit Caravan, Suicide Kings, Step Kings, 60 Watt Shaman, 311, Toilet Boys, Thrones, Trouble, and WisdomTooth The Voluptuous Horror of Karen Black, Unida, YOB, Zeke and more.
The Garden
Bottom Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It skips a generation, so you got unlucky. At least you're not the only one
Self-indulgence, gin and tonics, it'll burn the whole way down
But at least it feels good when the lights go out
In the opening lines of "The Garden," Bottom delves into the concept of a secret garden that is a part of the family lineage. This idea suggests that there is a hidden, sacred space within the family that is passed down through generations. However, the singer notes that this inheritance skips a generation, leaving them feeling unfortunate in not being able to fully embrace or understand this familial legacy. This notion of missing out on something integral to one's lineage can evoke feelings of isolation and longing for a connection to the past. Despite this, there is a hint of consolation in the realization that they are not alone in their experience, as there are likely others who share this sense of disconnect from their family's secrets.
The lyrics then pivot to a more visceral exploration of coping mechanisms in the face of this internal strife. The mention of self-indulgence and gin and tonics point towards the singer's potential reliance on substances or hedonistic pleasures to navigate their feelings of being out of sync with their family's traditions. This self-destructive behavior is acknowledged as a means to numb the emotional pain that comes with feeling like an outsider in one's own family narrative. The reference to the burning sensation of the drink going down serves as a metaphor for the discomfort and internal turmoil that can arise from trying to reconcile one's identity with a lineage that feels alien or inaccessible.
Despite the apparent darkness and unease in the preceding lines, the singer finds solace in the temporary reprieve that comes when the lights go out. This moment of respite, when external stimuli fade away and the individual is left alone with their thoughts, is portrayed as a fleeting yet welcome escape from the complexities of family history and personal identity. It suggests that in moments of solitude and darkness, there is a chance for introspection and a reprieve from the pressures of navigating a legacy that feels burdensome or elusive. The paradoxical juxtaposition of feeling good in the absence of light hints at the singer's complex relationship with their family's secrets and the conflicting emotions that arise from grappling with this inheritance that feels both distant and intrinsic.
In conclusion, "The Garden" by Bottom intricately weaves together themes of family legacy, personal struggle, and coping mechanisms against a backdrop of emotional turmoil and introspection. The notion of a secret garden within the family symbolizes a hidden yet significant aspect of one's lineage that may elude understanding or connection. The singer's lament about being unlucky in missing out on this familial inheritance reflects a sense of alienation and longing for a deeper connection to their roots. Through references to self-indulgence and temporary relief found in darkness, the song delves into the complexities of navigating personal identity amidst feelings of disconnect and internal conflict. Ultimately, "The Garden" invites listeners to ponder the intricacies of familial ties, self-discovery, and the ways in which individuals grapple with the legacies that shape their sense of belonging and self.
Line by Line Meaning
Secret garden, it's in the family.
Hidden desires and tendencies are passed down through generations within the family.
It skips a generation, so you got unlucky. At least you're not the only one
You inherited this struggle from a past generation, making you unlucky, but you're not alone in this experience.
Self-indulgence, gin and tonics, it'll burn the whole way down
Seeking pleasure through indulgence in alcohol may initially feel good, but it ultimately has damaging consequences.
But at least it feels good when the lights go out
Despite the temporary relief alcohol may bring, it ultimately provides a fleeting escape from reality.
Lyrics © O/B/O DistroKid
Written by: Benjamin Gonzalez
Lyrics Licensed & Provided by LyricFind