George's androgynous style caught the attention of music executive Malcolm McLaren, who arranged for George to perform with the group Bow Wow Wow, featuring Annabella Lwin, at various shows. George called himself Lieutenant Lush and nearly stole the spotlight from Lwin. George and Bow Wow Wow didn't last long after that and George started his own group with bassist Mikey Craig. In Praise Of Lemmings was to be the name of the group. Jon Moss (who had drummed with The Damned, Adam and the Ants and London) came aboard. Shortly thereafter, Roy Hay came into the mix, after an association with another guitarist proved unsatifactory, and they abandoned yet another name, Sex Gang Children. After realizing that the group consisted of an Irish transvestite singer, a Jamaican-Briton on bass, a Jewish drummer, and an Englishman on guitar, they settle on the name Culture Club.
The band signed with Virgin Records in the U.K. and with Epic Records in America, as Virgin didn't have a U.S. presence at the time, and released it's debut album "Kissing To Be Clever" in 1982. The first single "White Boy" wasn't a mainstream hit and failed to chart but George was still happy because "five thousand people bought my single and didn't even know me". The next single, "I'm Afraid Of Me" also did not become a pop hit. It wasn't until the release of the third single, "Do You Really Want To Hurt Me", that the group enjoyed massive success. It hit #1 in sixteen countries (#2 U.S.) and the group became a staple on American radio and the new MTV network. This single was followed by the number two peaking "Time (Clock Of The Heart)" and the number nine "I'll Tumble 4 Ya". This gave Culture Club the distinction of being the first group since the Beatles to amass at least three top 10 hits on the Billboard Hot 100 from a debut album.
1983 and 1984 saw the group at it's peak, dominating charts, MTV, and magazine covers partly due to the release of it's next album "Colour By Numbers". First single "Church Of The Poison Mind" (featuring Helen Terry) became a Top 10 hit and "Karma Chameleon" hit #1 for four weeks in the U.S. and was the biggest selling UK single of the year, having six weeks at No.1). It also became a #1 single in numerous countries around the world and stands as the group's biggest hit. "Miss Me Blind" and "It's A Miracle" were Top 10 and Top 20 hits respectively and "Victims" was another U.K. hit. The group took home the Grammy for Best New Artist - Duo Or Group and George gave a speech to U.S audiences via satellite; "Thanks America. You've got style and taste, and you know a good drag queen when you see one". Colour By Numbers would go on to sell four million copies in the U.S. at it's time of release and millions more worldwide, making Culture Club the biggest group in the world at the time. Years later, Rolling Stone magazine would include the LP in it's list of Top 100 Albums Of All-Time.
George's striking looks inspired many Boy George look-alike contests around the world, and his face became the image of Culture Club. He became an alternative teen idol, and had the extravagant lifestyle to go with it. His appeal was due to his likeableness and his wit. He is responsible for one of the 1980's most famous quotes, which he delivered to Barbara Walters on a tv interview - "I prefer a nice cup of tea to sex" - which many years later he would say was totally untrue. The fact that he could actually sing and had a distinct soulful voice was a great attribute as well.
By 1985 Boy George had become a household name in many countries around the world. That year he appeared, redheaded, on the Band Aid single to raise money for aid to famine-stricken Ethiopia, with a lead vocal role. The worldwide success of the multi-British and Irish artist single lead to a U.S version, "We Are The World. And in 1986 he guest-starred on an episode of the A-Team entitled "Cowboy George". However, two subsequent Culture Club albums (Waking Up With The House On Fire and From Luxury To Heartache) performed poorly as the band only manage to obtain two more hits; "The War Song" and "Move Away". Throughout the years, George had been involve in a relationship with Culture Club's drummer Jon Moss and when that fizzled, he turned to drugs to ease the pain. This caused the downward spiral of the group and they eventually disbanded, as George could no longer work with Moss. One sign of the group's imminent breakup was that they didn't appear at the Live Aid event, and they were a major act.
George's addiction to heroin was severe and he began an on again-off again fight against the drug for many years. He would appear in public under the influence and even attempted to do concerts in such state. Addictions to other drugs followed and George's brother, in an attempt to save his famous sibling from death, went on U.K. national television and blew the whistle on George. Some of George's associates had died of overdoses but when an American musician he was working with was found dead at his London mansion from an overdose, this hit home for George. He finally quit using drugs.
Virgin Records had now set up a U.S. operation and George moved from Epic Records in America to Virgin worldwide. George's first solo album released after the breakup of the band was entitled "Sold". It was very successful in the U.K., spawning many hit singles (including the #1 U.K. hit "Everything I Own") but he could not duplicate that success in the U.S. He did score a moderate hit with the song "Living My Life" (#40 U.S.) from the "Hiding Out" soundtrack. His next U.S album would be "High Hat", comprised of songs from two of his solo British albums released after "Sold". As an album, "High Hat" is one of his strongest releases in America material wise, but was overlooked, although it contained the excellent R&B dance number "Don't Take My Mind On A Trip", produced by Teddy Riley. The single became a moderate R&B hit. Many of his following releases were songs to protest against the UK's restrictions on sex education relevant to the needs of homosexual students (known as Clause 28). In 1989 George formed his own label, More Protein. He also recorded under the moniker Jesus Loves You, (writing under the pseudonym Angela Dust), releasing an underground club hit "Generations Of Love" and what would become a signature song, "Bow Down Mister", inspired by his involvement in the Hare Krishna movement.
Life after Culture Club
In 1992, George scored a hit with a Pet Shop Boys produced cover version of the song "The Crying Game", which was featured on the movie of the same name, and landed in the top twenty on the Billboard Hot 100. Although he had subsequent solo hits in the U.K. since the breakup of the band, this would be his first U.S. hit since Culture Club's 1986 single "Move Away". However, he did not capitalized on his resurgence by immediately releasing an album. When he finally did release the rock-driven Cheapness And Beauty a few years later, the momentum had already died. From that album, he released his version of the Iggy Pop song "Funtime." Still, George would say that the "Crying Game" era gave him a sense of satisfaction. His former lover Jon Moss had told him, after the messy breakup of Culture Club, that George would never have another major hit in America without the band. George was more than happy to prove him wrong.
Boy George continues to remain a global pop icon and a successful music DJ. He once again started touring the world as a DJ in the late 1990s and starred in the London musical Taboo, based on his life (George didn't play himself, opting instead to take on the persona of Australian-born performance artist Leigh Bowery). Taboo was a huge success in London's West End. During 2003 he presented a weekly show on London's LBC radio for 6 months. George has been reported by fans who have met him in person to be an avid autograph signer. In August 1994, a British court tossed out a paternity suit filed against him by a Californian woman.
Harper Collins published the autobiography of Boy George, Take It Like A Man, in 1995. George wrote of his relationship with Kirk Brandon, singer with Spear of Destiny and the earlier Theatre of Hate, who began a High Court action against George.
George, taking the witness stand, faced a "malicious falsehood" charge brought against him by Brandon, now married and a father, who denied that he once had a sexual relationship with George. Brandon lost. During the trial, Boy George had claimed that Kirk Brandon had been the love of his life and that he still loved him.
In his book, George also told his side of his secret relationship with Culture Club drummer Jon Moss. He stated many of the songs he wrote for Culture Club were directed at Moss. He also alleged that Moss had broken off his engagement to be with George, and that Moss was never comfortable in a gay relationship although Moss was bisexual.
In July 1998, a reunited Culture Club performed three dates in Monte Carlo and then joined Human League and Howard Jones in a "Big Rewind" tour of the US. The following month, the band appeared on Late Night with David Letterman and made an appearance in Britain, their first in 14 years. Later that year, the band had a Top Ten hit in the UK with "I Just Wanna Be Loved".
In 1998, Boy George began writing a weekly column in The Daily Express and hosted a weekly radio show on the Galaxy Radio Network. In October 2005 he was arrested in New York City on suspicion for possession of cocaine and appeared in court in February 2006. George stated the drugs were not his and has declared his innocence.
Current activity
He's a successful DJ that occassionally tours and remains a pop icon.
Boy George has also sung "Bow Down Mister" with the Indian songstress, Asha Bhosle.
He has also recently appeared as a guest on the British comedy-talk show The Kumars at No. 42.
In 2005 he published Straight in Britain, his second autobiographical book. He lives in Manhattan.
On October 7 2005, he was arrested in Manhattan on suspicion of possessing cocaine, (BBC Online Report) and appeared in court on 1 February, 2006 (BBC Online Report) on charges of cocaine possession. On 8 March 2006 he pleaded guilty to wasting police time; the charge of possessing cocaine was dropped, and he was given a non-custodial sentence and fined. (BBC News report).
Quotes
London newspaper, 1984: "I'm not gay, and I'm not a transvestite." (At other times he has characterized himself as "bisexual", "very confused", "not confused", and "not really all that keen on sex".)
Yes We Can
Boy George Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Don't you know how truly blessed you are?
Mother's tears fall when you hurt yourself
While others wait to watch you fall apart
Please forgive these crimes against myself
And I'll forgive your lack of faith
Yes we can
Make it to the promise land
I know we can
Yes we can
Those you take into your confidence
Can you trust themTrust them with your heart?
No one knows you like you know yourself
You're in control right now
But you might go too far
Oh yeah I said, please forgive these crimes against myself
And I'll forgive your lack of faith
Yes we can
Make it to the promise land
Yes we can
I know we can
Yes we can
Make it to the promise land
Yes we can
I know we can
Yes we can, yes we can, yes we can
Yes we can, yes we can, yes we can
Yes we can, yes we can, yes we can
Yes we can, yes we can, yes we can
Please forgive these crimes against myself
And I'll forgive your lack of faith
They take you to the promise land
Yes we can, I know we can
Make it to the promise land
Yes we can, I know we can
Yes we canYes we can, I know we can
Make it to the promise land
Yes we can, I know we can
Yes we can
Yes we can, yes we can, yes we can
Yes we can, yes we can, yes we can
Yes we can, yes we can, yes we can
Yes we can, yes we can, yes we can
Yes we can I know we can
Yes we can I know we can
Yes we can I know we can
Yes we can
The lyrics of Boy George's song "Yes We Can" highlight the importance of self-belief and the power of forgiveness. The first verse begins with a call for action, stating that there's no time for indifference. It then moves on to addressing the listener directly, reminding them of how blessed they are, and warning them not to let others wait for their downfall. The next verse touches on trusting those close to you and being in control, but also the possibility of going too far. In this verse, the singer asks for forgiveness and offers it in return, emphasizing the importance of forgiveness in relationships.
The chorus repeatedly states "Yes we can," an empowering phrase that reminds the listener that they are capable of achieving what they set out to do. It encourages self-belief and perseverance, and reminds the listener that they are not alone in their journey to reach the "promise land." The song's bridge repeats the chorus with added emphasis, solidifying the idea of self-belief and the power of forgiveness.
Overall, the lyrics of "Yes We Can" are a call to action - a reminder to the listener that they are capable of achieving their dreams and that the power of forgiveness is essential to build strong relationships. It encourages perseverance, self-belief, and a belief in the goodness of others.
Line by Line Meaning
There's no time for indifference
We cannot be indifferent to the struggles of others; we must act now.
Don't you know how truly blessed you are?
Do you realize how fortunate you are and the opportunities that lie before you?
Mother's tears fall when you hurt yourself
The pain and hurt you experience also affects those who love and care for you.
While others wait to watch you fall apart
Some people may want to see you fail and will not offer support to help you succeed.
Please forgive these crimes against myself
I ask for your forgiveness for any wrongs I have committed against myself.
And I'll forgive your lack of faith
I am willing to forgive you for not believing in yourself or in me.
Yes we can
Make it to the promise land
I know we can
We have the ability to overcome obstacles and achieve our goals if we work together and believe in ourselves.
Those you take into your confidence
Can you trust them
Trust them with your heart?
Be cautious of who you confide in and make sure they are trustworthy and will not betray your deepest feelings.
No one knows you like you know yourself
You're in control right now
But you might go too far
Only you truly know yourself and have control over your actions, but be careful not to make choices that may have unforeseen consequences.
They take you to the promise land
The people who support and believe in you can help lead you to success and happiness.
Contributed by Isabella V. Suggest a correction in the comments below.
Genevieve Coxon
This thing makes me want to sing like ANYTHING !!
Genevieve Coxon
Magnificent!!
Penny Getter
Awesome song.
Jakey71
amazing song ever :D
Michael Angelo Torres
WHAT HAPPENED TO THE ORIGINAL VERSION
Michael Angelo Torres
...lol SORRY ROXAN...I LOVE HIM MORE...