Embracing an effortless eloquence and cocoa butter smooth persona, the music of Brian McKnight has defined the true meaning of an American soul-man since 1991. Like his spiritual Motown godfathers, this upstate New York native has a velvety voice and silky style that captures the vibe of vintage soul without being old fashion. On his latest disc Ten, that blend can be clearly heard.
While Brianโs aspirations might have seemed like a lofty ambition, the longevity of his career is a testament to the purity of his vision. With the release of Ten, McKnightโs first disc for his new label Warner Bros Records, the Grammy-nominated singer could not be more pleased with the outcome. Without a doubt, the landscape of soul music has gotten younger, but that fact did not hinder McKnightโs creative process.
After 16 million albums sold since his self-titled debut, it would have been too easy for McKnight to simply follow the R&B template of rote romanticism. But on Ten, the artist in him felt the need to be more revealing. Though McKnight has been friends with producers Tim & Bob for over ten years, this is the trioโs first collaboration.
Though Brian has never been the kind of singer/songwriter that one would call political that didnโt stop him from penning โRed, White & Blue,โ a heart wrenching ode for the men and women currently at war, teaming up with country star Rascal Flatts.
Currently working on a variety of projects including a talk show and soundtracks for two upcoming Tyler Perry projects, the veteran soul singer could not be happier with the outcome of Ten. For fans of real music, Ten is the perfect addition to the soul cannon.
I'll Take Her
Brian McKnight Lyrics
Jump to: Overall Meaning ↴
The undercover lover makin moves on your mother
If I have to, it's only natural, that I rap to
any girl walkin through my hood if she's lookin good
And if she's somethin fine, I'll be humpin hind
Let's get it on, ain't nuthin wrong, with a little Bump N Grind
(Bump N Grind) Now that's what my man say
I made the jam, with my man, about the _Homiez_
But now I must remember all about my tenderonis
You're lonely by your homey baby I know how you're feelin
You in the mood for some Sexual Healing (sexual healing!)
Walk in to the jump I spot you as the music's blarin
Starin, but not - carin, about, what you - wearin
You're full grown with a mind of your own
I make you moan as my bone turn brick like stone
Whether you're single we can mingle as you jingle
Swing low, with the black Mandingo
I be the dough money-maker rump-shaker
To the bedroom I said "hmm I'll take her"
[Chorus] [Repeat each line twice]
[BM] If you don't want her don't waste her time
[BM] Said if you don't want her don't waste her time
Don't waste her time, don't waste no time
[BM] Said if you don't want her don't waste her time
[BM] Said if you don't want her don't waste her time
I'll take her, I'll take her
Yeah, well it's Big Ill, silly me, I puff the Phillie G
I make your body move, get smooth like Billy Dee
Get you hopin, make you beg for the third leg twice
'Cause I _Make it Funky_ like my name was Greg Nice
Hit you off, then I'm ghost somethin proper-like
Two things I never do: fall in love or drop a mic
I'm Big Ill, now you know my style I'm glad you came
I give your man a pound, then I ask you what's your name
(What's your name baby?) Sign a autograph, then I step w/ my staff
to the hotel, hope everything goes swell
That's what you say as I sway on my way to my room
Crazy deep, don't sleep I keep the poom poom.. jockin
clockin, knockin out the box when, I perform
that's why the girlies they swarm to see Big Ill
Later on that night at the arena
I seen her, tryin to get backstage between the
niggaz I was wit and the security, she didn't
Lookin from a distance I see her booty's hittin (oh yes babe)
Stagger to the barricade and bag her as I grab her
Thinkin to myself, "Aiyyo, I got to have her"
[Chorus]
Verse Three: Big Ill, Al Skratch
Yeah.. yeah.. I like your flow yo, do I say oh no?
And get it hittin one on one like a solo
I think not, cause it ain't no fun
If my homey Mr. Raspy Skratch can't get none
Hey! I be the one with the voice that's raspy
Al Skratch see, gettin downright nasty
I pass the, girls in my vicinity
back to my man Big Ill, he got the remedy
[Chorus Repeats]
The lyrics to Brian McKnight's "I'll Take Her" as performed by Al Skratch delve into themes of lust, seduction, and objectification of women. The singer, Al Skratch, presents himself as a smooth operator who is on the lookout for attractive women to pursue romantically. He boasts about his ability to charm and seduce women, emphasizing his potential to appeal to any woman who catches his eye. He speaks confidently about his desires, discussing his physical attraction to women and his intent to engage in sexual encounters.
Al Skratch portrays himself as a confident ladies' man who is unapologetic about his pursuit of sexual gratification. He describes his approach to picking up women and his willingness to engage in casual flings without emotional attachment. The lyrics contain references to sexual acts and innuendos, conveying a sense of bravado and self-assurance in his interactions with women.
The chorus sung by Brian McKnight serves as a cautionary reminder not to lead women on if there are no genuine intentions behind the pursuit. It suggests that if one is not interested in a woman for a serious relationship, it is better to be upfront and not waste her time. The repeated lines emphasize the importance of honesty and consideration in romantic interactions, urging the singer to be clear about his intentions and not mislead the women he encounters.
The verses by both Al Skratch and Big Ill further reinforce the narrative of pursuing women for sexual fulfillment without emotional commitment. They boast about their abilities to charm women, bragging about their conquests and their disregard for forming meaningful connections. The lyrics paint a picture of a hedonistic pursuit of pleasure, prioritizing physical gratification over emotional intimacy.
Overall, the song "I'll Take Her" by Al Skratch conveys a narrative of confident seduction, objectification of women, and a casual approach to romantic relationships. The lyrics emphasize the pursuit of sexual pleasure without attachment, showcasing a portrayal of masculinity that values conquest and physical gratification. The chorus sung by Brian McKnight serves as a juxtaposition, introducing an ethical consideration of honesty and respect in romantic interactions amidst the braggadocious and sexually charged verses.
Lyrics ยฉ Universal Music Publishing Group, Kobalt Music Publishing Ltd., Cloud9, Warner Chappell Music, Inc.
Written by: ERICK S SERMON, PARRISH JOSEFF SMITH, ALPHONSE J. CONSTANT, LORENZO H. GROOMS, PATRICK O HARVEY, ANTHONY T PRENDATT
Lyrics Licensed & Provided by LyricFind
@dee7898
Iโm 43 and so glad I grew up in this era of hip hop!!!
@krlm2280
Factuals! U must be 79 or 80
@sidneyatkins6678
Word
@BiGGCaiN24
Iโm 40. And I agree with this post 100%
@ivangoran4461
I was 19 when this came out. My school was finishing at 19:15. I had my VCR programmed recording at 19:00 h not to miss any new release on Yo! MTV RAPS or FAB 5 FREDDY. It was in the third year of sanctions imposed on my country, but sanctions don`t work when it comes to music. We had satellite dish since 1986 when all channels were free. You could barely find shtty music on tv or radio when you compare it to nowadays.
@sidneyatkins6678
Junior's Restaurant that's on Flatbush Avenue they got some good food in there too
@farrellcityking1
If you didnโt live thru this era, youโll never truly understand how๐ฅ it was. What a time.
@missgigip
Agreed
@IRON5
Real talk fam!
@johnnightshade5779
Word!