Yan (Jan Scott Wilkinson) - Vocals, guitar
Noble (Martin Noble) - Guitar
Hamilton (Neil Hamilton Wilkinson) - Bass, vocals, guitar
Wood (Matthew Wood) - Drum
Phil Sumner - Cornet, Keyboards
Abi Fry - Viola
Yan, Hamilton and Wood are school friends from Kendal in Cumbria. They were in a number of bands together while at school, but after finishing his exams Yan moved to study at Reading University, where he met guitarist Noble. A few years later Hamilton and Wood moved down to join them and form a band.
They played some gigs and produced a 4 track demo in Reading as British Air Powers, before relocating to Brighton in search of a more vibrant music scene. "British Sea Power" was actually the name of one of these demo tracks, and was eventually reworked into Carrion. In Brighton, BSP amassed a strong local following, due mainly to their own club night called "Club Sea Power". The club nights featured many different support bands, and other forms of entertainment such as a 1930s fashion show, and were most frequently hosted at the Freebutt and the Lift (the latter has now closed down).
Their debut single, Fear of Drowning, was issued in limited numbers of their own Golden Chariot label. The artwork for the B side "A Wooden Horse" borrows heavily from the dust cover of the 1950 book "The Wooden Horse" that details the escape of Allied POWs during WWII. Geoff Travis of Rough Trade Records saw the band live and in September 2001 signed them to his label. A number of singles were issued on the label, and Eamon (Eamon Hamilton) was recruited to play live keyboards in autumn 2002.
The Decline of British Sea Power, the band's debut album, was released in June 2003 to critical acclaim. A single from the album, "Carrion", became the band's first Top 40 single. The album only charted in the lower reaches of the UK Album Chart, but turned out to be a word of mouth success, shipping well over 60,000 copies over the following two years and allowing them to play sell-out UK tours to venues of over 1,000 people.
The follow-up, Open Season, was released in early April 2005, and also enjoyed wide critical praise. It showcased a more accessible, produced sound and charted at #13 in the UK Albums Chart. Lead single It Ended on an Oily Stage charted at #18 in the UK Singles Chart a week earlier.
British Sea Power have a reputation for elaborate and well-thought out live shows and won the 2004 Time Out London Live Band of the Year award. The stage is often decorated with foliage and plastic birds and sets generally finish with a semi-improvised song called "Rock in A", which sometimes lasts for over 20 minutes. Various members often climb riggings and tear down the foliage, Eamon walks around the audience beating his marching drum, and a ten-foot bear, Ursine Ultra, occasionally makes an appearance - often taking a beating from various band members. This has become one of the signatures of the band. Their tours often include unusual venues such as the Scillonian Club on the Isles of Scilly, Grasmere Village Hall, the St. John Boste Social Club in Kendal, Cumbria and Carnglaze Caverns in Cornwall.
The band have built up an eccentric image in interviews and press releases; some of which is based on fact, other times merely whimsical building of outward personas. This has included giving journalists grid references at which to meet them, and expressing obsessions with Field Marshal Montgomery and bird watching.
The band has a fiercely loyal and devoted hardcore fanbase, sometimes referred to as the Third Battalion.
At the beginning of 2006, it was announced that Eamon had left British Sea Power to concentrate on his own band Brakes. The group spent part of late 2006 working on new material in Montréal, and are preparing a DVD.
In 2007, American Laundromat Records announced that British Sea Power would record a version of the Pixies' "Caribou" for an album called "Dig For Fire - A Tribute To Pixies."
In October 2007, the band went on tour throughout the east coast of America to showcase their new 5-track EP, Krankenhaus EP. In November 2007, they toured a variety of unusual locations in the UK including a seaside cafe in Saltdean, East Sussex; a ferry across the River Mersey, Liverpool; the Tan Hill Inn, the UK's highest inn; All Saints Church in Newcastle-upon-Tyne; and White Mischief, an indoor festival mixing live bands with unusual vaudeville acts.
Their Krankenhaus? EP was released digitally for purchasable download in October 2007 and was released on CD and vinyl on November the 20th. Their third album, Do You Like Rock Music? was released on 14th January 2008 in the U.K. and scheduled for release on 12th February 2008 in the U.S. Prior to their tour in support of Do You Like Rock Music? (visiting Ireland, UK, Belgium, Holland, Germany and US), Wood injured his back and had to be temporarily replaced by Tom White of Electric Soft Parade and Brakes fame.
In January 2008 the keyboard and cornet player ended up in hospital after being knocked unconscious when he attempted a stage dive. The crowd at Leeds Irish Centre failed to catch Phil Sumner, who jumped off a 12-foot PA system landing head first. The press department at Rough Trade Records reported "The impact knocked him out. Thankfully an ambulance was quickly summoned and he was whisked away, bloody and unconscious and despite a concussion, a broken molar and a maze of stitches in his chin, a very groggy Phil is expected to make a full recovery." In spite of this, he returned to the stage with the rest of the band a day later in Kendal.
In February 2008, the band appeared on Later with Jools Holland, playing Waving Flags, Canvey Island and No Lucifer. They were ably accompanied by a small number of the London Bulgarian Choir and a display of Cumbrian wrestling. The band are also scheduled to play at Glastonbury, Reading and Leeds, Latitude, T in the Park and Bestival.
In May 2009, British Sea Power released their fourth album, Man of Aran. Several tracks on this album are remakes of older songs, such as the main riff from North Hanging Rock which features in the new track Boy Vertiginous. The album comes paired with a DVD containing the Robert J. Flaherty film 'Man of Aran', a silent film with music from the album dubbed in.
In October 2010, British Sea Power released the seven track 'Zeus' ep and announced the release of their next album, 'Valhalla Dancehall' in January 2011.
In November 2011, the band started hosting a regular club evening in Brighton called "Krankenhaus" that recalled some of their Club British Sea Power events. DJ sets, friends of the band and general BSP hijinx.
On 9 August 2021, British Sea Power announced they were changing their name to Sea Power. In a statement the band explained:
"In recent times there’s been a rise in a certain kind of nationalism in this world – an isolationist, antagonistic nationalism that we don’t want to run any risk of being confused with. It’s become apparent that it’s possible to misapprehend the name British Sea Power, particularly if someone isn’t familiar with the band or their recordings. We’ve always been internationalist in our mindset, something made clear in songs like Waving Flags, an anthem to pan-European idealism. We always wanted to be an internationalist band but maybe having a specific nation state in our name wasn’t the cleverest way to demonstrate that. We very much hope the band’s audience won’t be affronted by this adjustment to the name. We’d like to make it clear that removing the word “British” does NOT indicate any aversion to the British Isles whatsoever. We all feel immensely fortunate to have grown up in these islands. Several or our songs are filled with love and awe for this place. We do love these lands. We all still live within the British Isles, but we are now just Sea Power. We feel the name change comes in part from the band’s audience – who at a good show will shout out, “Sea Power! Sea Power!” Maybe this name change has been there for years, shouted in our ears. It’s just taken us this long to realise – to hear what was there in front of us… "
Stunde Null
British Sea Power Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh, stunde null, oh, stunde null
You've been on standby for half a century
It's such a long time to be always meant to be
Oh, clear the floor, let's get to the fore
It's stunde null hour zero, it's time for more
More, more, let's go, ah
Was it so long ago?
Oh, stunde null, hour zero
Was it so long ago?
Stunde null, stunde null, hour zero
Stunde null, oh, stunde null
Oh, stunde null, oh, stunde null
When night invades day put your childish things away
I'll take the two by four and set about your adult thoughts
Clear the living room floor, let's get to the fore
It's stunde null, hour zero, it's time for more
More, more, let's go, ah
Was it so long ago?
Oh, stunde null ,hour zero
Was it so long ago?
Stunde null, stunde null, hour zero
Oh, stunde null, oh, stunde null
Oh, stunde null, oh, stunde null
Stunde null, stunde null
Stunde null, stunde null
Stunde null
But when you think you've seen it all
When you think you've seen it all, stunde null
You've seen it all, oh, stunde null
You've seen it all, oh, stunde null
You've seen it all, oh, stunde null
And you think you've seen it all, oh, stunde null
And you think you've seen it all, oh, stunde null
Stunde null
The lyrics of British Sea Power's song "Stunde Null" refer to the idea of "stunde null" or "hour zero" in German history, which was used to describe the moment when Germany surrendered in World War II and the country was forced to start over from scratch. The song uses this concept as a metaphor for personal transformation and growth, encouraging the listener to shed their old ways of thinking and embrace change.
The song begins by addressing the listener, acknowledging that they have been "on standby for half a century," implying that they have been stagnant and unable to make meaningful progress. However, the chorus encourages them to embrace a new beginning, represented by the "hour zero" of stunde null. The verses go on to describe the process of shedding old ideas and embracing new ones, using imagery such as "putting childish things away" and "clearing the living room floor."
The repetition of the phrase "was it so long ago" suggests that the singer is reflecting on their own past and the mistakes or missed opportunities that have led them to this point. Overall, the song encourages the listener to embrace change and the possibility of starting anew, using the historical context of stunde null to emphasize the transformative power of new beginnings.
Line by Line Meaning
Stunde null, oh, stunde null
This song is an introduction to the idea of stunde null, which means 'hour zero' in German. This phrase refers to a moment of great upheaval and transformation, where old ways of thinking and being are cast aside for new possibilities.
You've been on standby for half a century
The singer is addressing someone who has been waiting for change or transformation for a very long time – perhaps since the middle of the twentieth century, which was marked by significant cultural and political shifts.
It's such a long time to be always meant to be
The singer is suggesting that the person in question has always had a sense of purpose or destiny, but has been waiting a very long time for that purpose to be realized.
Oh, clear the floor, let's get to the fore
The artist is urging the listener to prepare for change by clearing away old structures or habits, and stepping forward to face new challenges head on.
It's stunde null hour zero, it's time for more
The artist is announcing that the moment of transformation has finally arrived – stunde null, or hour zero – and that it's time to push forward and embrace new possibilities.
More, more, let's go, ah
The singer is expressing excitement and anticipation for what lies ahead, urging the listener to join them on this new journey.
Was it so long ago?
The singer is reflecting on the past and asking whether the time leading up to stunde null, with all its waiting and anticipation, feels distant and long ago.
When night invades day put your childish things away
The artist is suggesting that momentous change requires a shedding of old, childish habits and attitudes – a metaphorical growing up, or putting aside 'childish things'. They also use the metaphor of night invading day, suggesting that the old order is being overturned.
I'll take the two by four and set about your adult thoughts
The artist is prepared to take on the challenge of helping the listener move past old patterns of thought and embrace a more mature, adventurous mindset (represented by the 'two by four', which is often associated with building and crafting).
Clear the living room floor, let's get to the fore
The artist reiterates their earlier call to action, urging the listener to clear away distractions and old structures in order to prepare for what comes next.
Oh, stunde null ,hour zero
The singer repeats the phrase stunde null, emphasizing its significance as a moment of change and new beginnings.
And you think you've seen it all, oh, stunde null
The artist challenges the listener's assumptions and expectations, suggesting that the transformation represented by stunde null will be far more profound and unpredictable than they might expect.
Lyrics © Sony/ATV Music Publishing LLC
Written by: ABIGAIL FRY, JAN WILKINSON, MARTIN NOBLE, MATTHEW WOOD, NEIL WILKINSON, PHILLIP SUMNER
Lyrics Licensed & Provided by LyricFind