Terfry is also a host at CBC Radio 3, with hosting a program on the CBC Radio 3 website's web radio station during weekdays. In addition, he will be the host of the weekday 3-6pm CBC Radio 2 show beginning in the fall of 2008.
Early career and influences
Terfry was born in 1972 and raised in Mount Uniacke, a rural community outside of Halifax, Nova Scotia. He was first exposed to rap music in the mid-1980s while listening to CBC Radio's late night show Brave New Waves, and then by listening to Halifax campus community radio station CKDU. CKDU then broadcast at only 33 watts, and he had to climb a tree in his yard to hear the station's hip hop show on his cheap transistor radio. Fascinated by hip hop, the young Terfry taught himself how to rap, DJ, and, later, to produce records. His musical influences include MC Shan, David Lynch, Gitche Manitou, and Kool Keith.
Using the moniker DJ Critical, he later hosted a hip-hop show on CKDU called "The Bassment" (later renamed "The Treatment Program", when he assumed the stage name Jesus Murphy), which aired for several years. This period overlapped with many of his non-major-label releases.
Stage Names
Buck 65 has also used a number of other stage names including Johnny Rockwell, Stinkin' Rich, Haslam, and Uncle Climax. These pseudonyms typically represent different characters in his raps (as in Uncle Climax, Johnny Rockwell and Stinkin' Rich) or different aspects of Buck's creativity (as noted above, DJ Critical was his DJ name on CKDU.) Rumours abound that Buck 65's alias comes from his childhood nickname of Buck and his weight of 165 pounds; possibly the pseudonym comes from the weight of the first buck he shot or the $1.65 standard bus fare for Halifax Regional Municipality riders. He has been known to say on stage, "They call me Buck 65... I don't know why." Buck 65's website mentioned previously that he was named after his uncle's 1965 Buick automobile ("'65 Buick" is a track on the Synesthesia album); he performed a show under that name but the promoter mistakenly wrote the name as it is now spelled.
Recently Buck 65 has recorded an EP under the name of Dirk Thornton alongside Irishman DJ Flip, it was scheduled for release early 2007 but the date was not set.
The first release under Dirk Thornton will be a 7" single with the tracks "Yesterday's News" and "Catwalk".
He is also involved in an online collaboration with "Greetings From Tuskan" auteur Joëlle Phuong Minh Lê, as Bike For Three, though a release is yet unforthcoming.
Early releases
In 1993, he released his first cassette of rap tunes while performing under the alias Stinkin' Rich on the Halifax label No Records. The five song cassette was titled Chin Music, which was a reference to his past interest in baseball. The release brought Stinkin' Rich to the attention of members of Halifax alternative rock band Sloan. Sloan signed him to their independent record label Murderecords and released a 7" single and a full length cassette called Game Tight, again featuring a reference to baseball. (Terfry has often stated in interviews that in his teens he had been scouted to play for the New York Yankees but that the death of the talent scout coupled with an injury had caused the deal to fall through)
After a brief break, Terfry returned reconstituted as Buck 65, releasing Language Arts on cassette and the 12" single Wildlife Trilogy, followed by Vertex, which included his popular song "The Centaur." He recorded Sebutonedef (released in 1996 by Funtrip Records) as a collaboration with fellow Halifax artist Sixtoo. Other releases by the duo, known as the Sebutones, are Psoriasis and 50/50 Where It Counts. While still far from mainstream success, he received several odd jobs in Canada's entertainment industry, including making soundtrack music and providing narration for a TV commercial for NBA apparel, and song lyrics for the popular children's program Sesame Street. During a live performance Buck 65 told a story in which he attributed why he was chosen for Sesame Street to three things; his upstanding lifestyle of not drinking, smoking, or doing drugs, his intelligence that wasn't too intelligent for the kids, and Sesame Street's assumption that he was a virgin.
Man Overboard, originally released on the anticon. label, was a significant turning point in his career. The record, and the entire anticon. collective (of which Sixtoo was also a part), were considered hallmarks of a new avant-garde movement in underground hip hop. It was at this time that Buck met Cincinnati DJ Mr. Dibbs who inducted him into the 1200 Hobos, a loosely-knit hip-hop collective named for their proficiency in manipulating the Technics 1200 turntable.
Critical Acclaim
Many of his early projects attracted attention after they were re-released, first on the independent Metaforensics label and subsequently by Warner Music Canada. While Buck 65 has gained critical acclaim and worldwide exposure through his major label deal, commercial success has escaped him. Although Warner's worldwide affiliates distribute his records, Warner USA does not. After a deal was signed with V2 USA, This Right Here Is Buck 65 was released in the States, a sort of "Best of" that was marketed as an introduction to his work. However after V2 chose not to release his next effort, Secret House Against the World, the deal was amicably dissolved. Since then Buck 65 was signed onto Strange Famous Records where he's planning on taking over hip-hop with Sage Francis. His latest release is titled "Situation".
Buck's most recent albums have gradually moved away from his original 'pure' hip-hop sound into territory influenced by folk, blues and electronica, with some even comparing elements of his sound to Tom Waits. Some of Buck 65's music is used on the Canadian show Trailer Park Boys, frequently in the character Julian's car. He gained additional recognition in 2006 when he appeared at the national Juno Awards with Pamela Anderson.
Kerrang! “Controversy”
In August 2004, he sparked controversy in the underground hip-hop world over comments he made to an interviewer in Kerrang! magazine. Buck was quoted as saying:
“I now hate hip hop, the more I’ve educated myself about music, the more I’ve grown to hate it. I don’t use that word lightly, either.”
In response, former anticon. label-mate Sage Francis (in a post on his website) stated that
"Buck has had his head up his arse for many years now."
Buck later wrote in a letter to Exclaim!:
“I’m apologizing for all that. I lost my cool on tape which is never good. The journalist was provoking me, calling me a sell-out and a whore. I was trying to make a point by playing devil’s advocate, but I went way overboard. No hint of irony or role-playing or intelligence came across in the story. Now I just look like an idiot. I take it back. I don’t really believe any of that. I don’t think being able to read music is a concern. Most of my favourite music was made by non-educated musicians. It doesn’t matter. I still have heavy criticisms of most hip hop, but I really didn’t make them well on this particular day. I put my foot in my mouth and I’m apologizing for that."
Dirty Work
Buck 65 released a 5 song digital EP called "Dirty Work". It was released over a month long campaign, adding one song per week for free download via his MySpace page. All five tracks are still available for download on his official website. The EP comes with artwork drawn by Buck himself, and the tracks are all b-sides from the full length record 'Situation'.
Situation to present
Buck 65 released the album Situation on October 30th, 2007, on Strange Famous Records in the US and Warner Music worldwide. The album is a concept album based around the year 1957, and is a return to a more 'pure' hip-hop sound than the previous blues, country and avant-garde influences in Secret House Against the World. It was produced by fellow Halifax DJ Skratch Bastid, aimed at making a "classic hip-hop record that pulses with joy and clarity of purpose".
Buck 65 is currently working on a new album which, judging from live material, will feature much more prominent electronic beats than before. Additionally, Buck 65's collaboration project with "Greetings From Tuskan" auteur Joëlle Phuong Minh Lê, Bike for Three!, has its debut album completed for release in early 2009.
He has been a host of CBC Radio 3's web radio for the past year, and recently accepted daily hosting duties on CBC Radio 2's national radio beginning fall 2008.
The Floor
Buck 65 Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And I would watch the forest burn and listen to the wind blow
I can remember the table, the drapes and the window
The dark brown everything, decorations, styling
Most of all I can remember my mother smiling
Worn out and faded, my home town was scrappy
More than anything she wanted us to be happy
She was right, it's better to be happy if possible
But the old man was under attack and was weak
And continued to beat us several times a week
He lived like a king even though we were piss poor
I tried to be strong and careful what I wished for
My outsides ache and my insides stung
From the long leather belt that replaced his tongue
Not knowing how to run or how to hit the brakes
A white picket fence was built around a pit of snakes
Both a wonder and frightening, the thunder and lightening
These were the sounds and sights of a thousand fights
My mother, the poor fish, staging eternal
Cherades and parades for the raging inferno
Wanting to be happy, beaten all the while
Asking me always 'Why don't you ever smile?'
And she'd show me how to do it, mother and wife
It was the saddest smile I ever saw in my life
And it hurt worse than death but for her sake I tried
And one day all of those gold fish died
Hurricane, forest fire, out of control
Eyes open, floating on the water in the bowl
And when my father came home, he walked through the door
And threw those fish to the cat on the kitchen floor
And the wind died too
And I was still a child
And the three of us watched
As my mother smiled
And the wind died too
And I was still a child
And the three of us watched
As my mother smiled
And the wind died too
And I was still a child
And the three of us watched
As my mother smiled
And the wind died too
The lyrics of Buck 65's song "The Floor" paint a vivid and heart-wrenching picture of a difficult childhood characterized by poverty, abuse, and a struggling mother's desperate attempts to maintain a happy facade for her children. The opening lines set the scene with a poignant image of a young boy watching his goldfish swim in a bowl while listening to the wind blow and the forest burn. From there, Buck 65 delves deeper into his memories, recalling the dark and worn-out decor of his childhood home, his mother's constant effort to keep things cheerful, and his own struggle to deal with an abusive father who acted like a king despite the family's poverty.
The powerful symbol of the goldfish runs throughout the song, representing both the fragility of happiness in the face of difficult circumstances and the ultimate futility of trying to sustain that happiness in the face of overwhelming adversity. Buck 65's use of figurative language is also striking, with powerful imagery of a white picket fence enclosing a pit of snakes and the metaphor of his father's belt replacing his tongue.
Ultimately, "The Floor" is a song about resilience and survival in the face of difficult circumstances. Despite the challenges he faced as a child, Buck 65 survived and found a creative and artistic outlet for his experiences, channeling his memories into his music.
Line by Line Meaning
I can remember being 7 years old and having gold fish that circled around in a bowl
I recall being a young child and owning pet goldfish that swam in a small glass bowl
And I would watch the forest burn and listen to the wind blow
I would gaze at the flames of a burning forest while hearing the howling of the wind
I can remember the table, the drapes and the window
I have a memory of the furnishings and scenery of my childhood home
The dark brown everything, decorations, styling
The decor and home styling were primarily composed of dark brown colors
Most of all I can remember my mother smiling
Above everything else, I recall my mother's ability to smile despite difficult circumstances
Worn out and faded, my home town was scrappy
My hometown was rundown and weary-looking
More than anything she wanted us to be happy
My mother's greatest desire was for our family to be content and joyful
Little to eat, back and forth to the hospital
We had limited food to eat and made frequent trips to the hospital
She was right, it's better to be happy if possible
She was correct in believing that it is best to strive for happiness whenever possible
But the old man was under attack and was weak
However, my father was in a weakened physical state and often caused problems for our family
And continued to beat us several times a week
He continued to physically abuse us multiple times each week
He lived like a king even though we were piss poor
Despite our poverty, my father acted as if he were royalty
I tried to be strong and careful what I wished for
I made an effort to be resilient and mindful of my hopes
My outsides ache and my insides stung
The physical pain caused by my father's abuse was overwhelming
From the long leather belt that replaced his tongue
He often used a leather belt to physically punish us in place of verbal communication
Not knowing how to run or how to hit the brakes
I didn't know how to escape or put an end to my difficult situation
A white picket fence was built around a pit of snakes
What appeared to be a picturesque, idyllic home was in reality a place of danger and suffering
Both a wonder and frightening, the thunder and lightening
The sound and sight of storms was simultaneously awe-inspiring and terrifying
These were the sounds and sights of a thousand fights
The noises and sights of my tumultuous home life were reminiscent of countless arguments and altercations
My mother, the poor fish, staging eternal
My mother, like a helpless fish in a bowl, was constantly putting on a show for the sake of others
Cherades and parades for the raging inferno
She was constantly acting in a performative way to appease my father's anger
Wanting to be happy, beaten all the while
Despite her desire for happiness, she was continually subjected to physical abuse
Asking me always 'Why don't you ever smile?'
My mother often questioned why I never seemed to express joy or happiness
And she'd show me how to do it, mother and wife
She would try to demonstrate how to maintain a facade of happiness for the sake of others, as a good mother and wife should
It was the saddest smile I ever saw in my life
Her attempts to smile for appearance's sake were extremely sorrowful and disheartening
And it hurt worse than death but for her sake I tried
It was emotionally painful for me to put on a false front, but I did so to not disappoint my mother
And one day all of those gold fish died
The pet goldfish that I had grown attached to eventually passed away
Hurricane, forest fire, out of control
Natural disasters such as hurricanes and wildfires were unpredictable and dangerous
Eyes open, floating on the water in the bowl
With wide-open eyes, the lifeless goldfish floated in their bowl
And when my father came home, he walked through the door
My father arrived home, oblivious to the tragedy that had occurred
And threw those fish to the cat on the kitchen floor
He carelessly tossed the dead goldfish to the family cat, showing no empathy or remorse
And the wind died too
The wind, which had once been a comforting sound, had ceased to blow
And I was still a child
Despite everything I had experienced, I was still young and unable to fully understand the intricacies of my family's situation
And the three of us watched
The three members of my family - my father, mother, and I - observed each other's reactions to the situation
As my mother smiled
Despite her grief and loss, my mother continued to try and maintain a positive facade by smiling
Lyrics © Red Brick Music Publishing, Peermusic Publishing
Written by: CHARLES WISHART AUSTIN, GRAEME ROSS CAMPBELL, RICHARD TERFRY
Lyrics Licensed & Provided by LyricFind
Jason Freitas
I legitimately cried haven't heard this song in years. Beautiful song writing.
Mindy Sioux
Jason From The Six Same. As soon as I chose to play it and heard the first few chords again I choked, knowing the feelings the song provokes.
h4b17
Give me ten beers or a bottle of scotch and this makes me weep like a newborn. Certain shared experiences.
amiapunk88
This song resonates with my soul
CurseDoll
Stumbled across this by accident...it's not my thing, but...I really like it. Excellent album art, and a defined, unique sound....
Blake Ehr
Hey it’s been 11 years and you’ve probably forgot about this song. So here I am reminding you! LOL
Jebediah Frey Stephenson
this is one hell of a gorgeous work of badassery.
Rupert Brooke
buck's interpretation of buk. perfect.
dsmokej
buck 65 all around amazing so un molded so original keep it up buck
Stop motion movie 123
I mean this song isn't entirely original. The lyrics are just him reciting a Charles Bukowski poem "a smile to remember" with some changes