As a youngster, Buju would often watch his favourite artists perform at outdoor shows and local dancehalls. At the tender age of 13 he picked up the microphone for himself and began toasting under the monicker of "Gargamel". His first single, "The Ruler" was released not long afterwards in 1987 under the production of Robert French at Penthouse Studios.
In 1991, Buju joined Donovan Germain's Penthouse Label and began a fruitful partnership with producer Dave Kelly. Buju is one of the most popular musicians in Jamaican history, having burst onto the charts there suddenly in 1992, with "Bogle" and "Love Me Browning/Love Black Woman", both massive hits in Jamaica. Controversy erupted over Love Me Browning which spoke of Banton's preference for light-skinned women: "Mi love mi car mi love mi house mi love mi money and ting, but most of all mi love mi browning." Some accused Banton of promoting a colonialist attitude and denigrating the beauty of black women. In response, he released "Black Woman" which spoke of his love for dark-skinned beauties: "Stop cry, fi all black woman, respect all the gyals with dark complexion." 1992 was an explosive year for Buju as he broke the great Bob Marley's record for the greatest number of number one singles in a year. Beginning with "Man fi Dead", Buju's gruff voice dominated the Jamaican airwaves for the duration of the year. Banton's debut album, Mr. Mention, includes his greatest hits from that year.
1992 was also the year in which the controversy over Buju's homophobic "Boom Bye Bye" exploded. The media in Great Britain picked up on Buju's less than admirable promotion of violence against homosexuals. Myrie, who had recently signed with Mercury records, refused to back down from his stance against homosexuals, claiming his religious beliefs prevented him from accepting homosexuality. Banton downplayed the violent content of his song, claiming that it was metaphorical. Gay Rights groups campaigned against Buju as well as Shabba Ranks who, when asked about the controversy on the British show The Word, stated, "God created Adam and Eve, not Adam and Steve." Shabba later apologized, but Buju refused to back down which drew the ire of various homosexual advocacy groups who continue to campaign against him.
Banton released the hard-hitting Voice of Jamaica in 1993. The album included a number of conscious tracks. These tracks included "Deportees" a song which criticized those Jamaicans who went abroad but never sent money home, a remix of Little Roy's "Tribal War", a sharp condemnation of political violence, and "Willy, Don't Be Silly" which promoted condom use. The conscious spin of this disc did little to stop the attacks of gay rights groups who felt that his continued performance of "Boom Bye Bye" was a slap in their faces. Some dancehall fans felt that Banton could have exploded onto the American scene if his homophobic song hadn't held him back. Nevertheless, Buju was adopted by many new fans who appreciated his gravelly vocals and cared little about his homophobia.
Til Shiloh (1995) was a very influential album, using a studio band instead of synthesized music, and marking a slight shift away from dancehall towards roots reggae for Banton. Buju turned Rasta and his new album reflected his new beliefs. Til Shiloh is one of the greatest dancehall albums of all time and successfully blended conscious lyrics with a hard-hitting dancehall vibe. The album included a single called "Murderer" which condemned the violence in Jamaican dancehall music, inspired by the murders of dancehall musicians Panhead and Dirtsman. The song inspired several clubs to stop playing songs with excessively violent subject matter. This conscious album had a large impact on dancehall music and showed the hunger the dancehall massive had for conscious lyrics. Dancehall music did not move away from slack and violent lyrics, but the album did pave the way for a greater spirituality within the music.
Inna Heights (1997) substantially increased Banton's international audience as Buju explored his singing ability and recorded a number of roots-tinged tracks. Banton covered The Silvertones' "Destiny" and recorded songs with such artists as Beres Hammond and the legendary Toots Hibbert. The album was well-received but had distribution problems. Also, some fans were disappointed, having hoped for another ground-breaking album like "Til Shiloh." Still, Buju's experimentation and soaring vocals impressed many fans and this album remains a highly regarded work.
In 1998, Buju met the punk band Rancid and recorded two tracks with them: "Misty Days" and "Life Won't Wait." The latter became the title track of Rancid's 1999 album, Life Won't Wait. Subsequently, Buju signed with Rancid's eclectic Anti, a subsidiary of Epitaph and released Unchained Spirit in 2000.
In March 2003 he released Friends for Life, which featured more sharply political songs, including "Mr. Nine", an anti-gun song that further verified his status as one of reggae's most anti-confrontational artists.
Banton's 2006 album Too Bad got him nominated for a second Grammy but despite the album's brilliance and artistic excellence "Too Bad" did not garner the award. "Too Bad" brings us back to the Buju of the nineties with his rough phenomenal voice backed by hypnotic beats and conscious lyrics that seem to stay on repeat in your head. "Too Bad" is a complete listen from start to finish and is an extra success because the Gargamel executive produced the album on his own label.
On April 21, 2009, Buju released the often delayed album Rasta Got Soul. This is Banton's ninth album and features the hit single Magic City. This release sees Buju returning to roots and culture reggae. The album received a Grammy nomination in the Best Reggae Album category.
As of December 2009, Buju allegedly attempted to buy cocaine from an undercover officer in Miami and faces up to life in prison if convicted. The trial of Banton began on September 20, 2010 in Tampa, Florida.
We
Buju Banton Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
With strength and resilience and persistence and perseverance
We endeavour
To do our best, failure never, no
The hurdles we surmount in our day to day life
Are impossible but we do
The Lord wins
Morning always come, in spite of all that happens the night
We've learned a lot, we've tried and fail
Get back on track, won't be derailed
Through stormy seas this ship has sail
We survive, still, we prevail
We find a way, yeah
We find a way
Impossible is nothing to accomplish
So, we find a way
We lift our head, let hope ignite
They have tried to keep us under
But we know we shall rise, yeah
What will you do to help your fellow man?
Every time we find the answer, they're quick to change the question
Let us start with love
That bond that heals the nation
Transcends throughout the world, touching every generation
What are we living for, if not for a better tomorrow?
Wherever we lead, they'll follow
The children are the future
Come on, children
We find a way, yeah
So we find a way, oh
Impossible is nothing to accomplish
So, we find a way
We find a way (come on, come on)
So we find a way
Impossible that is nothing to accomplish
So, we find a way (come on, children)
Buju Banton's song "Maybe We Are" is a thoughtful exploration of the idea of human diversity and the impact of this diversity on society. The lyrics suggest that people of different races, colors, and spiritual beliefs can come together to form a unity of love.
The first verse of the song acknowledges that people are different, and may come from different backgrounds and have different beliefs about the world. However, it also suggests that these differences can be a source of strength and beauty, as they create a rich tapestry of human experience. The second verse of the song implores people to come together and recognize their shared humanity. The lyrics suggest that we should not see our fellow human beings as rivals or competitors, but rather as allies in the struggle for survival.
The chorus of the song emphasizes the emotional impact of these themes. The repeated refrain, "It make me feel like crying," suggests that the idea of human unity is so powerful that it can move the listener to tears. The song ends on a note of hope, with the lyrics expressing a belief in the idea that all people are brothers and sisters, and that we can overcome language barriers and other differences to form deep connections.
Overall, "Maybe We Are" is a beautifully written and deeply emotional song that speaks to the power of human diversity and unity.
Line by Line Meaning
Maybe we are
Perhaps we belong to a unique ethnic group
A different race of people
We might represent a distinct human race
Maybe we are
Possibly, we embody a different skin tone
A different color people
We may portray an unusual color that sets us apart
Maybe we are
It's likely that we have disparate intentions and aims
Of different ends and reasons
Our motives and purposes could diverge from each other
Maybe we are maybe we are
Our dissimilarities could be many and varied
Of different spiritual conviction
Perhaps, our religious beliefs differ from one another
People of the world come together by virtue of love
The inhabitants of the planet can unite through love
Able to be seen yet at most time they are unable to touch
Although people are visible, they can't always interact
Make not my brother my rival
Do not consider your fellow men as opponents
Don't watch skin color we all want survival
Do not judge people by their appearance; we all seek survival
Isn't it blood that flows through the veins of man
Human beings share the same blood circulation
You've got a heart and when I search myself I've got one
We all have a heart, regardless of our differences
Why must we be at each other's throat
Why do we have to have conflicts and quarrels?
There goes the breaking of solemn oath
This leads to the violation of promised commitments
And the words you say do they mean anything
Do you truly mean the words you speak?
When you say that you love does it come from within
Is your declaration of love sincere and heartfelt?
And the songs you sing do they mean anything
Do your songs have any impact or significance?
Will they calm our fears and our suffering
Can they soothe our pains and worries?
Ah ah ah ah
Refrain
It makes me feel like crying
The song evokes strong sensations of sadness
Earth rightful ruler runs no wire fence
The earth's true ruler doesn't use physical barriers
May not be your neighbor still yet we can be friends
Despite not being close, we can still be friendly
Though language barrier we find ways to comprehend
Even though we speak different tongues, we can understand each other
Each man is my brother and I am glad to say that each man is my friend
Every person is my sibling, and I am pleased to call each of them my acquaintance
Lyrics © Sony/ATV Music Publishing LLC
Written by: Jerry Duplessis, Khaled Khaled, Mark Myrie, Roger Mitchell, Tarik Azzouz, Wyclef Jean
Lyrics Licensed & Provided by LyricFind
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@asigbeybrown7681
Buju Banton’s attitude in this video is a whole vibe..
@fabianmorris6041
YEEEEEESSSSSSSSS.....Someone said it!!!!!!! HIM AND CAPLETON FELT IT
@fohduhskreets8301
https://youtu.be/NTtlFDkrLy8........
@Roshawan1
FACTS
@BeautifulSamaria
Yes!!!!
@troll_troll_troll_yourboat8047
Bad mon ting
@bleubelle4339
A lot of people use Jamaica /reggae/dancehall for their own benefit but you can tell Khaled actually loves and respect the culture...🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥
@ATMVIDEOZ
Factz 💯
@grantyrn06
💯💯💯💯💯
@Jah_Nzola
Dj Khaled has been showing love to Jamaican artists since the 90s iykyk