Born to parents Geraldine Green (1947) and Trevor George Smith Sr, and he has a younger brother, Paul Smith. His parents divorced when he 10 years old. Busta’s time during the year of 1983 was that of change, his parents got divorced and his way of thinking was altered, during that year he also changed his religious beliefs and re-named himself ‘Born Justice God Allah’ because of the supreme sorts of names that he now believed in and looked up to. He discovered hip hop music through listening to the Zulu Beats Radio Show, something influenced him from that show and three years later he would form a group. Busta also went to school in the United Kingdom, where he lived in Blackpool, Preston and Morecambe. Ended up graduating from George Westinghouse High School in downtown Brooklyn.
As a youngster he played basketball, football and soccer.
His Panamanian baby-sitter, Aunt Mitzi, made him listen to all the rap radio stations. So, He would sit there at 2 in the morning rapping when he was supposed to be sleeping. I just couldn't be too loud or Mitzi's poodle would start dancing around and barking. One night, the poodle barked and Mitzi took my radio away. So he said, "I don't need that radio. I'll write my own rap songs." Busta Rhymes later became part of a B-Boy crew with mainly latinos, a couple of white kids, and Busta, the only black one. When he was about 10 years old after he moved from Brooklyn to Long Island, where he became a member of the crew when it was a big contest happening which the leader of the crew, Johnny Juice watched. Busta just came up to him like, "Are you Johnny Juice?" and Johnny answered like "Yeah." and he said he wanted to be down with this crew. He started poppin' and Johnny said he was dope so he said "We're about to do this contest" and they wanted to put him down with them, but he didn't know the routines. But they put him down anyways and they lost the contest because they didn't know where to put him in the routine. The next contest they had was more of a battle, for the crown of best b-boys in Long Island and they had their crew there and they won. Busta destroyed these other guys, when he was poppin. Johnny Juice says "even if you listen to his rhymes now, you can tell by the way he rhymes and the way he moves around he's really dope on the popping shit".
Before his leap to stardom, Rhymes, was a rambunctious middle-class kid from Long Island who wrote "rap poetry" and dropped out of high school to pursue a music career. "I really thought he'd be a dancer," says his mother, Geraldine Green. "At family cookouts he would win all the dance contests. He was always a showman." He reminds his worst job: “I used to work as a stock boy at a department store called Cheap John’s,” he says. “I knew that I couldn’t really wrap my head around doing that kind of work. Even if your heart is not in something, your mind has to at least be able to be willing to do it. So, I took the job and I worked for about two weeks, and then I quit.” Why?
“They just had me doing too much. I had to line up the roach sprays on the shelves and make sure they were all in order, facing the same way, with the logos facing the front. The dishwashing liquids, the detergents, the boxes that they came in when they came from the actual shipping companies that they were manufactured at. After I lined them up on the shelves, I had to cut up the cardboard boxes, fold them up neatly and tie them up so that they could do the recycling thing with them. After a couple paper cuts too many, and hands that were calloused and ashy and bruised, I said ‘this is definitely not the thing for me to continue to be doing.’”
Busta adds, “I used that as inspiration to go into the studio all the time when I had a free moment. After work, during my lunch break, traveling back and forth to work … to just apply myself creatively, and the opportunity finally came one day when I was downtown.” At 17, Rhymes landed a six-figure record deal.
LONS signing with Elektra
His first name as a rapper was Chill-o-ski, but he thought it was a corny name, and Chuck D from Public Enemy gave him a new name, Busta Rhymes. He got the name from an american football player from the eighties, George "Buster" Rhymes, and people always asked him to "Bust-a-rhyme", so the choice was easy. In the end of the eighties he met Charlie Brown at Turtlehook Middle School and they formed Leaders of the New School with Dinco "The rhyme scientist" D and Milo In De Dance (aka The Cut Monitor). They were on Rush Management. They was signed to Elektra Records December 12th 1989. First Recorded Appearance: “Mt. Airy Groove” from the Rubaiyat compilation, Elektra 1990. A&R Dante Ross heard about Leaders of the New School from Hank Shocklee [Bomb Squad] and Chuck D [Public Enemy] and them.He says "I knew they were one of their burgeoning groups and I also knew they didn't have a record deal. I heard they were performing and I went to check them out. I had just got my A&R gig at Elektra. I went there, saw them perform, grabbed them right after the performance and told them they had a record deal if they wanted one. LONS released 2 albums, "A future without a past" in 1991, and "T.I.M.E." in 1993. In 1992 Busta's girl was pregnant, but the baby died right after he was born, and Busta had big personal problems after that, but he got great support from his group members. In 93 they where divided because of ego in the group.
A couple of other things that made him well known before his solo career was a couple of cameo performances, among them A Tribe Called Quest's remix of "Scenario" with Leaders Of The New School, and the "Flava in ya ear remix" with Craig Mack and Rampage.
It took Busta three years before he released an album for Elektra, in 1996 he released "The Coming" with the hits "Woo hah! Got you all in check" featuring Rampage and "It's a party" featuring Zhane. while recording his debut album, he left the studio to check on his new SUV. He'd recently purchased the Toyota Land Cruiser, a giant vehicle that gives the impression of driving on an elevated track, for $40,000. Rhymes took the elevator down and came out on Broadway, in lower Manhattan, at 11:30 p.m. His ride was gone. Furious, he marched back inside and closed the door in the recording booth. "There was nothing I could do at that point, so I just vented that angry energy into three songs," he says. Woo-Hah!! Got You All in Check, one of the tracks he completed by morning, went on to become a street anthem and crossover hit, his first ever.
There was a short gap between the release of Busta’s first album and his second album, but it came sooner than people imagined it to. Busta was sceptical about bootleggers copying the new album so for reviewing purposes he only sent out album samplers. In 1997 he released his second album, "When Disaster Strikes", and after that, his popularity exploded. 1998 became a very good year for Busta, he started his own clothing line, BUSHI designs, and released his third album "Extinction Level Event (The final world front)" and Flipmode Squad's debut "The Imperial". Flipmode Squad at that point included Busta Rhymes, Rah Digga, Spliff Star, Rampage, Baby Sham & Lord Have Mercy.
1999 became a year with problems for Busta, he had to visit the courthouse a couple of times because of child support, and police stopped his car and found an unregistered gun. He lost the case about child support, and he got a 5 year probation for the other case. Now Elektra started to shut him down with less studio time and promotion for his next album. Busta didn't like that, and took his squad over to J Records in 2001 after his fourth release in 2000, "Anarchy".
J Records
His first album at J was "Genesis", with the hits "What it is" featuring Kelis, "Break ya neck" & "Pass the courvoiser part 2" featuring Pharrell and P. Diddy. Now he is CEO for Flipmode Records. In november 2002 he released his most fervent album so far, "It Ain't Safe No More" with the singles "Make it clap" featuring Spliff Star, and a remix of it featuring Spliff Star and Sean Paul. Other achievements in 2002 was the movie roles he had in "Halloween: Resurrection" and "Narc". In 2003 his SUV was shot up with 6 bullets while he was in the Violator offices, that happened just a month after a couple of people shot inside their offices. The collaboration with Mariah Carey & Flipmode Squad named "I know what you want" on "It ain't safe no more" became Busta's biggest hit so far.
Aftermath
In February 2004, Flipmode Squad joined Aftermath Records, New members was added to the squad: M. Dollars, Labba and former Blackstreet Chauncey Black joined them. In March he got a six month probation sentence after pleading no contest to a charge that he assaulted a woman during a concert in Fall River, Massachusetts, in December 2002.
In November 2005 the first official single off the album "Touch it" was released to radio. The video premiered in December. He is now the father of four children (born in 93, 99, 00 and 02). In February, while making the second video for "The Big Bang"- the "Touch it remix" ft. Mary J. Blige, Missy, Rah Digga, Lloyd Banks, Papoose and DMX, one of his bodyguards, Israel Ramirez, who recently started working security for Busta as his jewelry handler, was shot and killed shortly after midnight outside of the Kiss The Cactus Production studio in the Greenpoint section of Brooklyn, NY. According to eyewitnesses, the shooting was a result of an argument that began inside the studio and continued outside.
The Aftermath chief Dr. Dre said before the release of The Big Bang that ”All of sudden I’m hearing people in the streets talking about hos Busta’s back. In my mind, he never left, and that’s why I wanted to fuck with in the first place. He’s got that drive, and he never stops trying to top himself. Anybody who knows Busta knows that he’s always gonna come with heat." His third video from "The Big Bang" was released 10th May, "I love my bitch". The video features actress Gabrielle Union and the Black Eyed Peas' Will.i.am, who produced the song, but Kelis who is featured on the song, was not in the video. The single also features Kelis, but she's not featured in the video. Also changed is his appearance, as he has cut off his trademark dreadlocks as part of a personal renewal. "Eight years of court appearances later and I was awarded custody of my children," he explained. "My hair was remindful of the unnecessary rocks in my career and life. So it was time to shed the locks... I've got my career and family right." "The Big Bang" was released 13th June. The fourth video was released in July, "New York shit" and the fitth video came out in August, "In the ghetto". The album was certified Gold in that month too. This month he was also charged with an assault after the Amsterjam Music Festival on Randalls Island, and he was ticketed after police saw him talking on his mobile while driving past a Manhattan police station.
On January 3rd 2007 he turned himself in to police custody after he allegedly attacking someone on Boxing Day. Lt. John Grimpel said a man told police that Rhymes, had punched and kicked him repeatedly after an argument over money. On May 3rd was arrested on a drunk driving charge by police in New York City. Officers stopped Rhymes at about 12:40 a.m. because the sport utility vehicle he was driving had overly tinted windows, officers then smelled alcohol on the rapper's breath and he was subsequently arrested. was released on $7,500 bail, set by Judge Tanya Kennedy. After a 8th May court appearance, he was free to drive. Rhymes' lawyer said a judge ruled against a prosecution motion to suspend the rapper's license following the driving-while-intoxicated arrest. He also turned down a plea deal that day that would have sent him to jail for one year, the Manhattan district attorney's office said.
Bus appeared in a Super Bowl finale commercial for Pepsi Max Diet in February. Busta Rhymes pleaded guilty on 23rd January to assault, two driving infractions and weapons possession, avoiding a trial and the yearlong prison sentence recommended by prosecutors. But Judge Larry Stevens disagreed with prosecutors that Rhymes deserved time behind bars. Instead, he sentenced him to three years' probation and 10 days of community service for beating a fan who reportedly spat on his car in August 2006, and then assaulting his driver, Larry Hackett, that December. Rhymes was also fined $1,250 for driving with a suspended license in 2006 and driving while intoxicated in 2007. "I just want to say that I'm very grateful to the judge, I'm very grateful to the system. I believe in the system. It hasn't failed me personally yet," Rhymes, dressed in a crisp black pinstripe suit, said outside the courtroom.
"I'm just glad that all of this is finally behind me and I can go back to doing what I do best - making great music and great films and being a people person," he said.
His 8th solo album "Blessed" was set for a release in July 2008. First he called it "When Hell Freeze Over" then he changed it to "Back On My B.S.", a title Pharrell helped him come up with, last it was changed to "Blessed" in April 08. Rhymes was added to Projekt Revolution 2008 (summer tour), He was joining Linkin Park, Chris Cornell, The Bravery, and Ashes Divide on the main stage. After the first week of touring he had to leave the tour because of business matters; Late July he left Interscope, because they couldn't agree with Busta how to handle the final version of the album.
Motown
In September 08 he his new deal was announced, with Motown/Universal. He then re-titled his album to "Back On My B.S." The first single was released in October 2008, called "Arab Money" featuring Ron Browz. 2 remix videos with different guests were later releases in February 09. The second single, "Hustler's Anthem 09" was released in Febuary too. The third single's video "Respect My Conglomerate" was released in March. "Back On My B.S." was released May 19th 09, and entered the Billboard chart at #5, after a lot of delays; 1st July 08, 9th Dec. 08, 10th Feb. 09, 24th March 09). In June, the video for "If you don't know" was released. The video for "World Go Round" will be released soon.
Bus-A-Bus
Busta Rhymes Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The Bus-a-Bus
The Bus-a-Bus
The Bus-a-Bus
Rockin' to the beat
(Flipmode, motherfucker, Flipmode, y'all)
The Bus-a-Bus
The Bus-a-Bus
Rockin' to the beat
(Yeah, yea-yeah, yeah, yea-yeah, yeah)
Floss time, Busta Rhymes shine on every primetime
Mastermind gettin' this paper now cross the fine line
Money plenty sippin' gently, whip the Bentley
My Bentley runneth over empty with gifts you sent me
Then you broke the last rule, frontin' like we was mad cool
You damn fool, come around frontin' wearin' your man's jewels
Play the part, they want me to start shit
Get on your mark quick and target, corner the market
Peep how we're movin' this, keep improvin' this
See, you in this because you love the way me and my crew be doin' this
Have a ball, I'm not mad at cy'all, where the alcohol?
I ain't messin' witchyou at all, girl your ass too small
Cop the hot shit, write it off while you bite it off
And try to fight it off the fact that you wack and your light is off
Bite the dust, you like to fuss, look right at us
I know you like to cuss, who could you trust to bring the rush?
Now do
The Bus-a-Bus (aw, come on, keep it movin')
The Bus-a-Bus (Ay, yeah, I like just what you doin')
The Bus-a-Bus (uh!)
Rockin' to the beat
(Ayo, yo, y-yo, yo, all in together now)
The Bus-a-Bus (aw, come on, keep it movin')
The Bus-a-Bus (oh, yeah, I like just what you doin')
The Bus-a-Bus, (uh!)
Rockin' to the beat
(Ayo, yo, yo, yo, all in together now)
Turn it off!
Turn me back on, go get your mack on
And keep the track goin' and latch on, hope you can catch on
Follow the beat you sweet bitches and get your dance on
Tipsy off a little Cristi', a little Chandon
Barbecue back at the mansion, feel like a champion
Collapse on, my thing orthopedic to rest your back on
Nowadays, Flipmode money be runnin' mad North
Fuck around, dig in my treasure, feel my forty-five long
Ride through, about to slide through, I'm right beside you
Mind you, my system be bangin', adjust my EQ
Peek-a-boo, we not seekin' you, focus on beatin' you
There's only one of me, 'cause you copy there might be three of you
Classic and so essential, we monumental
Powerful, we presidential, we bomb your mental
Bite the dust, you like to fuss, look right at us
I know you like to cuss, who could you trust to bring the rush?
Now do the
The Bus-a-Bus (ay, come on, let's keep it movin')
The Bus-a-Bus (oh, yeah, I like just what you doin')
The Bus-a-Bus (uh!)
Rockin' to the beat
(Ayo, yo, yo, yo, yo, all in together now)
The Bus-a-Bus (ay, come on, let's keep it movin')
The Bus-a-Bus (oh, yeah, I like just what you doin')
The Bus-a-Bus, (uh!)
Rockin' to the beat
(Ayo, yo, yo, yo, yo, all in together now)
Hit me off!
You Speak & Spell and freak it well, son
No need to dwell, checkin' the mail, my pockets swell
Shit sound so intermediate, my ingredient
Is to immediately rep for everyone you see me with
You little idiot, I exile you and your X-File
You and your next trial, and demolish your little wack style
Black child, I'm takin offensive, we too impressive
To the naked eye, the way we floss sure be expensive
Turn up the fader, ain't nothin' greater
Still a little hater be gettin' paper, go meet your maker
Undertaker, now go shake whatchya momma gave ya
Shaker, shaker now we trippin' the circuit breaker
Model up and swallow up and turn the throttle up
Break the bottle up in the hip with the greatest follow up
Bite the dust, you like to fuss, look right at us
I know you like to cuss, who could you trust to bring the rush?
Now do the
The Bus-a-Bus (aw, come on, let's keep it movin')
The Bus-a-Bus (oh, yeah, I like what you doin')
The Bus-a-Bus (uh!)
Rockin' to the beat
(Ayo, yo, yo, yo, yo, all in together now)
The Bus-a-Bus (oh, come on, keep it movin')
The Bus-a-Bus (oh, yeah, I like this, what you doin')
The Bus-a-Bus, (uh!)
Rockin' to the beat
(Ayo, yo, yo, yo, yo, all in together now)
The Bus-a-Bus (yeah, aye, yeah, keep movin')
The Bus-a-Bus (oh, yeah, I like what you doin')
The Bus-a-Bus (uh!)
Rockin' to the beat
(Ayo, ayo, yo, y-yo, yo, yo)
The Bus-a-Bus (yo, come on, keep it movin')
The Bus-a-Bus (yeah, I like what you doin')
The Bus-a-Bus (uh!)
Rockin' to the beat
(Ayo, yo, y-yo, yo, all in together now)
The
The lyrics to Busta Rhymes's song "Do the Bus a Bus" are a showcase of his highly energetic and distinctive style, with rapid fire rhymes and an explosive beat. The song mostly consists of Busta Rhymes boasting about his wealth and prowess, urging listeners to keep dancing and enjoying the music. The chorus repeats the phrase "The Bus-a-Bus" multiple times, referring to Busta Rhymes himself, and encourages listeners to keep "rockin' to the beat."
The main theme of the song is Busta Rhymes's success and his ability to keep people dancing and having a good time. He flaunts his wealth and implies that he is untouchable, taking shots at anyone who tries to bring him down. The lyrics also contain some humorous wordplay and clever rhymes, as is typical of Busta Rhymes's style.
Overall, "Do the Bus a Bus" is a highly entertaining and energetic rap song that showcases Busta Rhymes's talent and personality.
Line by Line Meaning
The Bus-a-Bus
Calling himself "Bus-a-Bus" as a nickname and persona
Rockin' to the beat
Enjoying and dancing to the music
Floss time, Busta Rhymes shine on every primetime
Showing off his wealth and success on national television
Mastermind gettin' this paper now cross the fine line
Using his intelligence to make money in risky ways
Money plenty sippin' gently, whip the Bentley
Being surrounded by luxury and enjoying it
My Bentley runneth over empty with gifts you sent me
Receiving extravagant gifts from admirers, but not feeling fulfilled
Then you broke the last rule, frontin' like we was mad cool
Someone betrayed him by pretending to be friends when they weren't
You damn fool, come around frontin' wearin' your man's jewels
Calling out someone for wearing stolen jewelry
Play the part, they want me to start shit
Feeling pressured to engage in drama for attention
Get on your mark quick and target, corner the market
Being competitive and aiming to be at the top of the industry
Peep how we're movin' this, keep improvin' this
Noticing the success and improvement of their music career
See, you in this because you love the way me and my crew be doin' this
Acknowledging the fans who love their music and style
Have a ball, I'm not mad at cy'all, where the alcohol?
Encouraging the audience to have fun and party with him
I ain't messin' witchyou at all, girl your ass too small
Rejecting advances from someone who doesn't meet his standards
Cop the hot shit, write it off while you bite it off
Buying expensive items and writing them off as business expenses
And try to fight it off the fact that you wack and your light is off
Calling out a person for lacking talent and having no success
Bite the dust, you like to fuss, look right at us
Provoking a rival and daring them to compete
I know you like to cuss, who could you trust to bring the rush?
Questioning the loyalty and integrity of his competition
Turn me back on, go get your mack on
Telling someone to leave him alone and focus on their own pursuits
Follow the beat you sweet bitches and get your dance on
Encouraging the crowd to dance and enjoy the music
Peek-a-boo, we not seekin' you, focus on beatin' you
Ignoring distractions and focusing on defeating his rivals
There's only one of me, 'cause you copy there might be three of you
Asserting his uniqueness and calling out others for copying his style
Classic and so essential, we monumental
Proud of the timeless and influential nature of their music
Powerful, we presidential, we bomb your mental
Being confident and dominant in the music industry
Hit me off!
Starting a new section of the song with enthusiasm
You Speak & Spell and freak it well, son
Praising someone for their impressive rapping skills
No need to dwell, checkin' the mail, my pockets swell
Receiving lots of money through his music career
Shit sound so intermediate, my ingredient
His music sounds unique and innovative
Is to immediately rep for everyone you see me with
Staying loyal to and representing his friends and crew
You little idiot, I exile you and your X-File
Insulting someone for their stupidity and promising to cut them off
You and your next trial, and demolish your little wack style
Threatening to defeat and overshadow someone's bad music
Black child, I'm takin offensive, we too impressive
Being defensive of his music and crew against critics
To the naked eye, the way we floss sure be expensive
The impressive and lavish lifestyle of his crew is apparent to everyone
Turn up the fader, ain't nothin' greater
Increasing the volume and energy of the music
Still a little hater be gettin' paper, go meet your maker
Calling out someone who is jealous of his success but is still making money
Undertaker, now go shake whatchya momma gave ya
Encouraging someone to dance and have fun
Shaker, shaker now we trippin' the circuit breaker
Dancing so hard that the power goes out
Model up and swallow up and turn the throttle up
Enjoying the party and becoming more wild and energetic
Break the bottle up in the hip with the greatest follow up
Celebrating and having fun with drinks and good music
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: Russell W. Simmons, Lawrence Smith, James Bromley Spicer, Trevor Smith
Lyrics Licensed & Provided by LyricFind