After dropping out of high school, Marshall started performing under the name Cat Power, while in Atlanta, backed by musicians Glen Thrasher, Mark Moore, and others. She soon moved to New York City, New York, United States in 1992, then later opening for Liz Phair in 1994, she met Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, who encouraged her to record, and played on her first two albums, 1995's Dear Sir and 1996's Myra Lee. In 1996 she was signed to Matador Records, and released her third album, What Would the Community Think, which spawned a single and music video, "Nude as the News".
Shortly following the release of What Would the Community Think Marshall disappeared from the musical scene, initially working as a baby sitter in Portland, Oregon and then moving to a farmhouse in Prosperity, South Carolina with boyfriend Bill Callahan (who performs under the name Smog). The plan was to permanently retire from music but during a sleepless night resulting from a nightmare, Marshall wrote several new songs. These songs would make up the bulk of Moon Pix. The album was recorded at Sing Sing Studios in Melbourne in eleven days with backing musicians Mick Turner and Jim White of the Dirty Three. The album was well-received by critics, and gained her recognition in the indie rock scene. However, during the subsequent tours she grew tired of her own material. This resulted in a series of shows during 1999 involving Marshall providing musical accompaniment to a series of screenings of the silent movie The Passion of Joan of Arc. The shows combined original material and many covers, many of which would later see release on The Covers Record, a collection of cover songs recorded at various sessions in 1998 and 1999. A selection of covers that didn't make it on to the album were recorded at Peel Acres, home of the highly influential and legendary British DJ John Peel. The session was broadcast on his BBC Radio 1 show and featured Marshall's own interpretations of Bob Dylan's "Hard Times in New York Town" amongst others.
In 2003 she resumed releasing original material with You Are Free, a diverse and critically acclaimed album that featured guest musicians such as Eddie Vedder, Dave Grohl, and the Dirty Three's Warren Ellis.
2004 saw the release of Speaking for Trees, a critically polarizing DVD which featured a single two-hour static shot of Marshall performing in a woodland. It was accompanied by an audio CD containing the 18-minute song "Willie Deadwilder", which featured M. Ward on guitar. 2005 found Cat Power out on the road again, touring the world and playing sold-out solo shows, including an Australian tour supporting Nick Cave. The shows largely consisted of material for her next album.
Cat Power's seventh record, The Greatest, was released in January, 2006. This was not a "Greatest Hits" record but rather a collaboration with Al Green's guitarist Teenie Hodges and many other well-known R&B musicians. A tour followed in the fall of 2006.
Early in 2006, Marshall announced the cancellation of her upcoming United States tour, citing "health-related issues". A few days later, Matador announced the cancellation of her two shows in London and Paris. She resumed touring in April 2006, playing some of the most well received shows of her career both with the Memphis Rhythm Band and as a solo performer.
In 2007, she played live music for the spring/ summer Chanel Haute Couture collection in Paris and appeared in Wong Kar Wai's film My Blueberry Nights as Katya. Also in 2007, she became the first female ever to win the Shortlist Music Prize when The Greatest was voted album of the year in June. Earlier in the year she was nominated in the Best International Female category at the annual Brit Awards, alongside more mainstream artists like Christina Aguilera and Nelly Furtado.
On January 22, 2008, Cat Power released a second collection of covers called Jukebox--her eighth LP overall. It included versions of songs by artists such as Hank Williams, James Brown, Bob Dylan, Joni Mitchell, Patsy Cline and Janis Joplin.
Since then, she has released an EP called "The Dark End of the Street" on vinyl, only.
Cat Power released her first original song since 2008 just before Christmas 2011 when an MP3 of "King Rides By" was made available on her official site, in exchange for a donation of at least $0.99 to the Festival of Children Foundation and the Ali Forney Center charities. (King Rides By Songfacts).
In 2012, Cat Power released her 9th studio album, Sun which received generally positive reviews from critics. The album was included in several year-end lists by music critics and publications. Rolling Stone magazine, in their list of the "50 Best Albums of 2012", ranked it at sixteenth place, writing "the idea of the brilliantly morose Chan Marshall making a dance-rock record is almost absurd. Yet the groove-powered Sun is a perfect fit." The A.V. Club placed the album at number twenty-two on their list of the "Best Albums of 2012." Billboard also placed the album at number nine in their list of the "10 Best Albums of 2012."The L.A. Times and Filter magazine both placed the album at number six in their lists of the best albums of 2012. Sun was also included on two separate "Best Music of 2012" lists compiled by NPR, appearing at number five on the list compiled by Bob Boilen,while topping the list compiled by Robin Hilton. The album was also listed twenty-eighth on Stereogum's list of top 50 albums of 2012. Thus, becoming Cat Power's most successful original album.
In April 2015, Marshall announced that she recently had a baby.
In February 2016, Marshall had to cancel her New Zealand shows due to health reasons. According to an official press release, this is the first time in Marshall's 18-year touring history she has been forced to postpone, but is "determined to make it back ASAP, and in good health".
DEEP INSIDE
Cat Power Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The problem is
For many years
I lived my life
Publicly
It's hard to find a man I trust
I really trust
And everytime I find someone I like
I gotta worry about
If it's me
That they see
'Cause they're looking for a ride that's free
So I made the choice to be
Good to those who were good to me
Don't judge me
Don't think me bitter
For the evil god's allowed me to see
I'm just mary, just mary, just mary
All day, all night, I'm mary
Mary, mary, m.j.b. yeah
Can't be clothes or the car i drive
They don't make the woman
M.j.b. yeah...
The lyrics to Cat Power's live cover of Mary J. Blige's song "Deep Inside" reveal a sense of vulnerability and struggle with trust in relationships. The singer laments the difficulties of living life in the public eye, noting that it's hard to find a man she really trusts. She worries that potential partners only see her as an opportunity to ride for free, and so she chooses to be good to those who have been good to her. She pleads with the listener not to judge her bitterly for the hardships she's faced, asserting her identity as "just mary" and insisting that material possessions like clothes and cars don't define her worth as a woman.
Throughout the song, the singer's voice is raw and emotional, conveying a genuine pain and weariness. At the same time, there is a glimmer of resilience and self-assuredness in her words. By asserting her own autonomy and refusing to let others define her, she is able to maintain her dignity and integrity. Ultimately, the lyrics of "Deep Inside" speak to the universal human need for trust, companionship, and a sense of self-worth.
Line by Line Meaning
The problem is
There is an underlying issue that needs to be addressed.
For many years
This problem has persisted for an extended period of time.
I lived my life
I have experienced and dealt with this problem in my own way.
Publicly
My personal struggles have been visible to others.
It's hard to find a man I trust
I struggle to find people who I can confide in.
I really trust
I have a difficult time believing that others have my best interests in mind.
And everytime I find someone I like
Whenever I do connect with someone on a deeper level,
I gotta worry about
I am concerned with the motivations of others when it comes to me.
If it's me
I am constantly questioning if people are interested in me for the right reasons.
That they see
I worry that people only see a surface level version of me.
'Cause they're looking for a ride that's free
I am cautious of those who seem to be taking advantage of me.
So I made the choice to be
As a result, I decided to be more selective in my relationships.
Good to those who were good to me
I choose to invest in relationships with people who have been there for me.
Don't judge me
Please do not criticize me for my choices.
Don't think me bitter
I am not holding onto resentment or negative emotions.
For the evil god's allowed me to see
I have seen some dark or unpleasant things in my life.
I'm just mary, just mary, just mary
At the end of the day, I am just myself - nothing more, nothing less.
All day, all night, I'm mary
I exist as this person 24/7 - this is who I am.
Mary, mary, m.j.b. yeah
This is a reference to the artist Mary J. Blige.
Can't be clothes or the car i drive
I am not defined by material possessions or external factors.
They don't make the woman
These things do not contribute to my identity or worth as a person.
M.j.b. yeah...
This line is repeated to end the song and is likely meant to show admiration or respect for Mary J. Blige.
Contributed by Juliana O. Suggest a correction in the comments below.
Peter Pumkinghead
on He-War
i love the cats