It takes a certain type of musician to hop freight trains and barrel across… Read Full Bio ↴It takes a certain type of musician to hop freight trains and barrel across the vastness of North America with his brother and cousin. Especially for an artist who, just years before, sold out Madison Square Garden for three consecutive nights. CHAD “CHADWICK” STOKES is anything but a typical rock star. So, there was the singer-guitarist for bands Dispatch and State Radio, wading across a river to escape the chasing railroad bulls and hanging in the different down and out jungles with other traveling folks. And in the end, after the three had finally reached the West Coast and were laying face down in the dirt at gunpoint care of the NSA, he says it was all well worth it.

“I had ridden the trains a little bit in the past for a day or two but I had never done it for weeks at a time,” Stokes says. “I discovered an America that I knew was out there but had limited experience with. There's all kinds of people out on the rails: people simply trying to get from point A to B, people running from whatever they left behind, people with nowhere else to go. You get to see a part of America that only the trains go through -- remote stretches without any sign of mankind." It was out on these long isolated stretches and in the inner city train yards that Stokes found the inspiration for his solo debut, titled SIMMERKANE II.

At a time when the term Indie-rock refers more to a guitar sound than doing anything truly independent, Stokes is an artist who has genuinely lived the credo. Unassisted by a major label, his band Dispatch arose from the college circuit to become an international musical phenomenon. With only a celebrated live show and a series of self-released albums the band was not only able to sell out Madison Square Garden several times but attract 110,000+ fans to a Boston concert.

While riding the rails, Stokes made a designated stop so his band, State Radio, could play an anti-war concert at the Denver Coliseum with Rage Against The Machine. It is a DIY social consciousness that Stokes came to early in life - growing up as a pacifist, working in Zimbabwe after high school and eventually co-founding the Elias Fund, the Dispatch Foundation, and now Calling All Crows. In 2008, Stokes was honored as Humanitarian of the Year at the Boston Music Awards.

Simmerkane II, a proper follow-up to the State Radio EP (Simmerkane I), is a marked evolution in the musician-songwriter’s creative journey. Produced by John Dragonetti (of The Submarines), the album features background vocals from Carly Simon, Matt Embree (Rx Bandits), The White Buffalo, Blake Hazard (The Submarines), and Sierra Leone's Refugee All Stars. The sound is an engaging mix of Americana, country, folk and rock in the service of some undeniably evocative lyrics. The songs tell a loose narrative of travel, love and loss, like some re-imagined rock-n-roll odyssey.

The journey begins with “Adelaide,” a fuzzed-out melodic folk rocker containing the prophetic line, “We left Worcester with our boots and our bags - and America undressed herself in front of our eyes.” Next, listeners venture into the “Crowbar Hotel” to discover an underground world populated by hard luck outsiders: “We are sold to the highest bidder, we are down to our very last crumb - May we invite ourselves to dinner, ‘cause we might just have to make a run.” The song “Back To The Races,” has Stokes reflecting on past mistakes and longing for the childhood farm while still seduced by the excitement of the journey and a new love. The symphonic rock-n-roll charges ahead before dropping down for the intimate lyrical refrain “Back to the races - and on with the day.”

The two-disc deluxe package includes three bonus tracks with Sierra Leone’s Refugee All Stars, a musical ensemble of refugees from Sierra Leone’s 1991 civil war. Stokes, who did humanitarian work in Zimbabwe as a youth, has been a longtime fan of the All Stars. The tracks include a lilting African-tinged folk song called “Coffee And Wine,” a reflective reggae track titled, “All My Possessions (Ode To Troy)” and “Don’t Have You” – a heartfelt ballad that eventually erupts in celebration with the All Stars’ backing vocals and percussions carrying the weight of their troubled history and eventual transcendence. “It was such an honor to work with the All Stars,” Stokes explains. “The songs we did were kind of folk songs and one reggae song, so they were a bit out of their element trying to adapt to the folky farm kid and his songs. But you can hear their history in their singing and playing and it adds this amazing power to the songs.”

Simmerkane II is an ambitious album about discovery, loss and moving on. What begun as a journey across an unseen America becomes a moving musical tribute to the resilience of the human heart. “The album was initially inspired by the freight train trip with my brother and that vast underworld that exists out there,” Stokes explains. “But then it’s also about growing up on the farm and losing loved ones; a young man learning about life.” In his spare time, Stokes can still be found hopping trains with his beloved travel companion, Lefty.

Prison Blue Eyes
Chadwick Stokes Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

I've got to go downtown, I'll miss you along the way
I miss your stripes your lilywhites that have turned dirty gray

I've got to pay that bus, I've got to pay the fare
I'm gonna miss your crooked teeth
Miss your pixie hair

Cause I hate to see you suffering,

Don't ever want your prison blue eyes to be sad, not once
I know it's not how it goes, but this worrying was undersold

I've got to go downeast, walk down Elliott Street
Wave to the murals with my little girl and watch the cracks in the concrete

I hear the rain outside, I hear the bell strike late
Is that you I hear coming off the street, or just the wind blowing the gate?

Cause I hate to see you suffering,
Don't ever want your prison blue eyes to be sad, not once
I know it's not how it goes, but this worrying was undersold

Cause I hate to see you suffering,
Don't ever want your prison blue eyes to be sad, not once

I know it's not how it goes, but this worrying was undersold
Oh well, I might have known

Overall Meaning

The lyrics of Chadwick Stokes's song "Prison Blue Eyes" speak of a person who is separating from their loved one and going downtown to pay the bus fare. They express how they will miss their loved one's appearance, specifically their striped clothing and lilywhite complexion that have turned dirty gray. The person is going through a difficult time, worrying about their loved one who is in prison with eyes that are blue, perhaps from sadness. They do not want to see their loved one suffer and hope that their worrying will be worth it in the end.

The lyrics also reflect on the person's walk down Elliott Street with their little girl, observing the murals and cracks in the concrete. They hear the sound of the rain outside and a bell striking late, wondering if it is their loved one coming off the street or just the wind blowing the gate. The person continues to worry about their loved one's well-being, particularly not wanting to see their prison blue eyes become sad. Despite knowing that worrying will not change the outcome, they cannot help but feel this way.

The song highlights the emotional pain that comes with separation and the helplessness that can be felt when a loved one is incarcerated. The lyrics also touch on the idea that worrying is a natural human emotion, even if it may not change the situation.

Line by Line Meaning

I've got to go downtown, I'll miss you along the way
I have to go to the city, but I will miss you while I'm gone.

I miss your stripes your lilywhites that have turned dirty gray
I miss the clothes you used to wear, even though they're now worn out and shabby.

I've got to pay that bus, I've got to pay the fare
I have to pay for the bus ride to get to the city.

I'm gonna miss your crooked teeth
I will miss the imperfections that make you unique, like your crooked teeth.

Miss your pixie hair
I will miss the short, cute hairstyle you have.

Cause I hate to see you suffering,
Because it pains me to see you unhappy,

Don't ever want your prison blue eyes to be sad, not once
I never want to see your sad eyes, which remind me of the sadness in prison.

I know it's not how it goes, but this worrying was undersold
I know worrying won't change anything, but it is worth it to me.

I've got to go downeast, walk down Elliott Street
I have to go to the eastern part of town and walk down Elliott Street.

Wave to the murals with my little girl and watch the cracks in the concrete
I will wave to the painted murals with my daughter and observe the cracks in the pavement.

I hear the rain outside, I hear the bell strike late
I hear the rain falling and the clock striking late at night.

Is that you I hear coming off the street, or just the wind blowing the gate?
I wonder if the noise I hear is you coming home or just the sound of the wind moving the gate.

Oh well, I might have known
Oh well, I should have expected this.

Contributed by Jasmine M. Suggest a correction in the comments below.

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