After his parents, a Muslim father from Oyo State, Nigeria and a Christian mother from the United States, separated in his early teenage years, Chamillionaire settled into a notoriously dangerous inner-city neighborhood in North Houston called Acres Homes, which he elaborated upon during an interview with Houston's 104.9 KPTY on October 3. Rap and other forms of secular music, which his parents had highly opposed in their household, became very appealing to the young Hakeem Seriki. Inspired by local rap acts such as The Geto Boys, 8 Ball & MJG, and UGK, as well as other national acts such as N.W.A. and Public Enemy, Chamillionaire began to compose his own ponies.
At a young age, Chamillionaire along with fellow rap music artist and childhood friend Paul Wall, had decided to make music their careers. One day while promoting themselves at a Texas event, Paul Wall and Chamillionaire ran into Michael 5000 Watts, a popular mixtape DJ from the Northside. After proposing to do promotions for Watts' company, the Swishahouse, Chamillionaire and Paul Wall came to Watts' studio and convinced Watts to allow them freestyle on an intro to Watts' radio show on Houston’s 97.9 The Box. Watts, who himself was convinced to rap on the record, enjoyed the freestyle so much that he put the verses on one of his mixtapes. The freestyle became so popular in the streets that Chamillionaire and Paul Wall became regular staples on Houston's mixtape circuit, appeared on several of Watts' mixtapes, and became permanent members of Swishahouse.
Although Paul Wall and Chamillionaire were making much noise in the streets by rapping on Watts' mixtapes, they, along with several other members of the Swishahouse, became frustrated with the lack of money they were receiving from the mixtapes. After fellow member Slim Thug left the label, Chamillionaire and Paul Wall followed and started their own mixtape group known as The Color Changin' Click. Each successive mixtape released by The Color Changin' Click led to more business opportunities; the most notable of which being a contract to do a full album for Paid in Full Records. A one album contract was then negotiated between the Color Changin' Click and Paid in Full's label head, DJ Madd Hatta from 97.9 The Box, and the CCC's first album, Get Ya Mind Correct, would go on to sell over 100,000 copies.
The sale of all these albums without the backing of a major deal caught the attention of several major labels wanting to sign Chamillionaire and Paul. Chamillionaire and his labelmates decided to remain independent, however, until the right deal came along. While working on his second album with the Color Changin' Click, Chamillionaire began to have creative differences with Paul Wall, so much so that it was decided that the two emcees should each release solo albums that would be packaged together. When Chamillionaire became dissatisfied with how things were being resolved, he left Paid in Full and his almost complete album after fulfilling his contractual obligations to focus on promoting his mixtape label Chamillitary instead. As a kid, Chamillionaire was a big fan of MANKind, also known as Big June.
Chamillionaire's Myspace
This kid from Houston, Texas has some nerve. That's what came to mind as you watched an MTV special in early 2005 showcasing H-Town's commercial and artistic re-emergence on the rap scene. Following his brazen freestyle, the focused and much-heralded MC known as Chamillionaire faced a national audience and launched a swagger-filled proclamation on camera: "I'm the truth from Texas..." While such boasting may seem par-for-the-course in the prideful 25-year-plus history of hip-hop, the latter ambitious statement aptly describes Chamillionaire. It's the reason why he earned the lofty alias "The Mixtape Messiah," a title Cham was crowned after independently selling over 100,000 copies of the Get Ya Mind Correct album, and by selling thousands of his numerous mix tapes. It's why the former member of Houston's legendary mix-tape power Swisha House garnered coverage in such major hip-hop publications as Source and XXL without the backing of a major deal. When the Houston lyricist set off a major label bidding war to distribute his Chamillitary Records, it became abundantly clear throughout the 'hood and the music industry Chamillionaire is indeed the truth.
With his major-label debut The Sound Of Revenge set for release on Universal Records, Chamillionaire is poised to take his place among Houston's current hip-hop elite, including the new generation of rhyme-spitters such as Lil' Flip, Slim Thug, Mike Jones and Paul Wall, as well respected vets UGK and Scarface. "You call out a lot of rappers and ask them why they are the best and they are going to tell you everything but the music," Cham laughs. "They will tell you that they are the best because they have some nice rims, a chain, and a mansion." He then adds in a straight-no-chaser tone, "You've heard all the hype about Chamillionaire; that he's sick with the lyrics, sings hooks, and represents the streets and the clubs. But I just want to come as close as possible to living up to my reputation."
Chamillionaire recruits an impressive list of talent on his debut effort, including Lil' Flip, Bun B, Scarface, and Krayzie Bone, as well as in-demand producers Scott Storch (50 Cent), Mannie Fresh (Lil' Wayne, Baby, Juvenile) and Cool & Dre (The Game). But, it's his work with Atlanta studio kings The Beat Bullies (1Big Boi/OutKast) that sets the tone for much of The Sound Of Revenge's diverse platform. "They understand me," Cham says of the in-house producers. "There are a lot of producers that have dope beats, but they don't know me as an artist. [The Beat Bullies] being from Atlanta, can take it to the strip clubs, the streets and to the radio."
The name Chamillionaire represents the unique style that defines the talented urban artist, and his ability to change and adapt on the fly, forcing people to respect the true breadth of his talent. And just as this MC moniker exemplifies, Chamillionaire is anything but predictable and most certainly versatile. "Picture Perfect" featuring Bun B comes off as a lyrical nod to the classic 'hood swagger of UGK, while the Beat Bullies'-anchored "Radio Interruption" showcases Cham's prowess for walking the blurred line between street praise and mass appeal. The storytelling brilliance of "No Snitching" (Cool & Dre), finds Cham detailing the unwritten laws of 'hood politics. On the Scott Storch produced "Turn It Up," Cham tag-teams with freestyle king Lil' Flip as they spit over an infectious track that is Houston's answer to a summer club banger. And the soulful "Here Comes The Rain" finds Chamillionaire exploring the daily struggles of life with heartfelt lyricism and ghetto angst.
"It's a very personal song and the title says it all," Cham says of the revealing track. "In a person's life the rain symbolizes the struggles we all go through. Whether you are dealing with losing a loved one or your rent is due on the 1st, but it's the 3rd and you don't have it. I'm just talking about surviving the tough times."
Chamillionaire has definitely seen his share of struggles on his road to redemption. Born to a Muslim father and Christian mother, secular music was banned in his household. Chamillionaire was barely a teenager when he moved to a low-income neighborhood in the notorious North Side of Houston, following the separation of his parents. By the early '90s, however, rap rebels such as NWA, Public Enemy, as well as hometown heroes The Geto Boys, 8-Ball & MJG and UGK would inspire a young Hakeem to write his own rhymes.
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Chamillionaire's Myspace
Stuck in the Ghetto
Chamillionaire Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But my felony wont let me get a job
(That's what I'm talking)
Life is so hard
(Pretty hard baby)
And just today somebody stole my car and bus don't run my way
(It's messed up man whatcha gonna do?)
I think I'll walk the street today
It seems like I'm stuck in the ghetto, ghetto, ghetto
(Feel that baby)
Sometimes it seems like I'm stuck in the ghetto
But I've got love for ghetto, ghetto
(That's real baby)
When I go to my friends
Now they opened arms they greet 'n' let me in
'What's up Tony baby? Let's go do something, let's go drink something, huh?
And every day we just dream and ?? and drink out lots of way
(Try to get behind this walls baby)
I think I flied the sky today
It seems like I'm stuck (stuck baby)
in the ghetto, ghetto, ghetto
Sometimes it seems (It's real Tony)
like I'm stuck in the ghetto (It's all good mayne)
But I've got love for ghetto, ghetto (Yeah we gonna be all good babe)
In "Stuck in the Ghetto," Chamillionaire and featured artist Tony Henry describe the struggles they face as residents of the ghetto. Chamillionaire discusses his challenges obtaining employment despite having a degree due to his felony conviction, a common issue faced by many ex-convicts. Life becomes even harder when Chamillionaire's car is stolen and he loses access to public transportation. Despite these hardships, he decides to walk the streets rather than give up. Tony Henry seeks refuge in his friends' company, finding comfort in their camaraderie and shared experiences. They often spend their days dreaming about a better life and drinking their troubles away. Although they yearn for an escape, they also have a deep love for their home in the ghetto.
The lyrics of the song paint a grim picture of life in the ghetto, conveying the difficulties and limitations that its residents face. Nevertheless, the artists also show appreciation and affection for their community, perhaps highlighting the resilience and unity that can arise in the face of adversity.
Line by Line Meaning
I got a degree ( Yeah )
I have a degree, but unfortunately, due to my previous conviction, I cannot secure a job.
But my felony wont let me get a job
My felony record is an obstacle that hinders me from getting a job.
Life is so hard
Life has been challenging for me.
And just today somebody stole my car and bus don't run my way
My car has been stolen, and I cannot catch a bus quickly to my destination.
I think I'll walk the street today
I might have to take a walk instead.
It seems like I'm stuck in the ghetto, ghetto, ghetto
My current situation feels like I'm trapped in a low-income urban area.
Sometimes it seems like I'm stuck in the ghetto
Occasionally, I feel like I'm confined by my environment.
But I've got love for ghetto, ghetto
Regardless of my struggles, I have an affection for my community.
When I go to my friends
When I visit my buddies,
Now they opened arms they greet 'n' let me in
They welcome me with open arms to join them.
'What's up Tony baby? Let's go do something, let's go drink something, huh?
They are hospitable and prompt me to hang out and have a good time with them.
And every day we just dream and ?? and drink out lots of way
We spend our days fantasizing about better opportunities while drinking alcohol.
I think I flied the sky today
I may have daydreamed about flying today.
It seems like I'm stuck (stuck baby)
in the ghetto, ghetto, ghetto
My standpoint is that I'm restricted and unable to progress in life.
Sometimes it seems (It's real Tony)
like I'm stuck in the ghetto (It's all good mayne)
Occasionally, I perceive my location as a hindrance to my progress.
But I've got love for ghetto, ghetto (Yeah we gonna be all good babe)
Nevertheless, I bear deep-seated affection for my community despite the challenges.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind