After his parents, a Muslim father from Oyo State, Nigeria and a Christian mother from the United States, separated in his early teenage years, Chamillionaire settled into a notoriously dangerous inner-city neighborhood in North Houston called Acres Homes, which he elaborated upon during an interview with Houston's 104.9 KPTY on October 3. Rap and other forms of secular music, which his parents had highly opposed in their household, became very appealing to the young Hakeem Seriki. Inspired by local rap acts such as The Geto Boys, 8 Ball & MJG, and UGK, as well as other national acts such as N.W.A. and Public Enemy, Chamillionaire began to compose his own ponies.
At a young age, Chamillionaire along with fellow rap music artist and childhood friend Paul Wall, had decided to make music their careers. One day while promoting themselves at a Texas event, Paul Wall and Chamillionaire ran into Michael 5000 Watts, a popular mixtape DJ from the Northside. After proposing to do promotions for Watts' company, the Swishahouse, Chamillionaire and Paul Wall came to Watts' studio and convinced Watts to allow them freestyle on an intro to Watts' radio show on Houston’s 97.9 The Box. Watts, who himself was convinced to rap on the record, enjoyed the freestyle so much that he put the verses on one of his mixtapes. The freestyle became so popular in the streets that Chamillionaire and Paul Wall became regular staples on Houston's mixtape circuit, appeared on several of Watts' mixtapes, and became permanent members of Swishahouse.
Although Paul Wall and Chamillionaire were making much noise in the streets by rapping on Watts' mixtapes, they, along with several other members of the Swishahouse, became frustrated with the lack of money they were receiving from the mixtapes. After fellow member Slim Thug left the label, Chamillionaire and Paul Wall followed and started their own mixtape group known as The Color Changin' Click. Each successive mixtape released by The Color Changin' Click led to more business opportunities; the most notable of which being a contract to do a full album for Paid in Full Records. A one album contract was then negotiated between the Color Changin' Click and Paid in Full's label head, DJ Madd Hatta from 97.9 The Box, and the CCC's first album, Get Ya Mind Correct, would go on to sell over 100,000 copies.
The sale of all these albums without the backing of a major deal caught the attention of several major labels wanting to sign Chamillionaire and Paul. Chamillionaire and his labelmates decided to remain independent, however, until the right deal came along. While working on his second album with the Color Changin' Click, Chamillionaire began to have creative differences with Paul Wall, so much so that it was decided that the two emcees should each release solo albums that would be packaged together. When Chamillionaire became dissatisfied with how things were being resolved, he left Paid in Full and his almost complete album after fulfilling his contractual obligations to focus on promoting his mixtape label Chamillitary instead. As a kid, Chamillionaire was a big fan of MANKind, also known as Big June.
Chamillionaire's Myspace
This kid from Houston, Texas has some nerve. That's what came to mind as you watched an MTV special in early 2005 showcasing H-Town's commercial and artistic re-emergence on the rap scene. Following his brazen freestyle, the focused and much-heralded MC known as Chamillionaire faced a national audience and launched a swagger-filled proclamation on camera: "I'm the truth from Texas..." While such boasting may seem par-for-the-course in the prideful 25-year-plus history of hip-hop, the latter ambitious statement aptly describes Chamillionaire. It's the reason why he earned the lofty alias "The Mixtape Messiah," a title Cham was crowned after independently selling over 100,000 copies of the Get Ya Mind Correct album, and by selling thousands of his numerous mix tapes. It's why the former member of Houston's legendary mix-tape power Swisha House garnered coverage in such major hip-hop publications as Source and XXL without the backing of a major deal. When the Houston lyricist set off a major label bidding war to distribute his Chamillitary Records, it became abundantly clear throughout the 'hood and the music industry Chamillionaire is indeed the truth.
With his major-label debut The Sound Of Revenge set for release on Universal Records, Chamillionaire is poised to take his place among Houston's current hip-hop elite, including the new generation of rhyme-spitters such as Lil' Flip, Slim Thug, Mike Jones and Paul Wall, as well respected vets UGK and Scarface. "You call out a lot of rappers and ask them why they are the best and they are going to tell you everything but the music," Cham laughs. "They will tell you that they are the best because they have some nice rims, a chain, and a mansion." He then adds in a straight-no-chaser tone, "You've heard all the hype about Chamillionaire; that he's sick with the lyrics, sings hooks, and represents the streets and the clubs. But I just want to come as close as possible to living up to my reputation."
Chamillionaire recruits an impressive list of talent on his debut effort, including Lil' Flip, Bun B, Scarface, and Krayzie Bone, as well as in-demand producers Scott Storch (50 Cent), Mannie Fresh (Lil' Wayne, Baby, Juvenile) and Cool & Dre (The Game). But, it's his work with Atlanta studio kings The Beat Bullies (1Big Boi/OutKast) that sets the tone for much of The Sound Of Revenge's diverse platform. "They understand me," Cham says of the in-house producers. "There are a lot of producers that have dope beats, but they don't know me as an artist. [The Beat Bullies] being from Atlanta, can take it to the strip clubs, the streets and to the radio."
The name Chamillionaire represents the unique style that defines the talented urban artist, and his ability to change and adapt on the fly, forcing people to respect the true breadth of his talent. And just as this MC moniker exemplifies, Chamillionaire is anything but predictable and most certainly versatile. "Picture Perfect" featuring Bun B comes off as a lyrical nod to the classic 'hood swagger of UGK, while the Beat Bullies'-anchored "Radio Interruption" showcases Cham's prowess for walking the blurred line between street praise and mass appeal. The storytelling brilliance of "No Snitching" (Cool & Dre), finds Cham detailing the unwritten laws of 'hood politics. On the Scott Storch produced "Turn It Up," Cham tag-teams with freestyle king Lil' Flip as they spit over an infectious track that is Houston's answer to a summer club banger. And the soulful "Here Comes The Rain" finds Chamillionaire exploring the daily struggles of life with heartfelt lyricism and ghetto angst.
"It's a very personal song and the title says it all," Cham says of the revealing track. "In a person's life the rain symbolizes the struggles we all go through. Whether you are dealing with losing a loved one or your rent is due on the 1st, but it's the 3rd and you don't have it. I'm just talking about surviving the tough times."
Chamillionaire has definitely seen his share of struggles on his road to redemption. Born to a Muslim father and Christian mother, secular music was banned in his household. Chamillionaire was barely a teenager when he moved to a low-income neighborhood in the notorious North Side of Houston, following the separation of his parents. By the early '90s, however, rap rebels such as NWA, Public Enemy, as well as hometown heroes The Geto Boys, 8-Ball & MJG and UGK would inspire a young Hakeem to write his own rhymes.
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Chamillionaire's Myspace
Welcome To Houston
Chamillionaire Lyrics
Jump to: Overall Meaning ↴
Now welcome to the city of game, piece of chains and swangs
Pop, trunk and bang, yeah I'm still here mayne
Born and raised on the stead block, braids no dreadlocks
Married to the hood, me and Scenic Woods wedlock
Acres Homes my home, I'm a Northside veteran
Repping H-Town, smoking, sipping on some medicine
It's Slim Thugga motherfucker, still breaking boys off
Got plenty cheese plenty carats man we looking like some caterers
And it's looking like you haters and you fakes is imitating us
Shaded up, braided up, and I bet that truck be bladed up
Bentley still crawling on fo's so they ain't fading us
In the hood I'm a grinder, wood on the vinyl
TV, VCR, I'm laid back with your mama
You ain't never seen a grinder that grind the way I grind, huh?
Top of my drop still missin' as Osama
(Still breaking boys off, hmm) Candy painted with the gloss
You can hate but that's the way a player floss
(Still breaking boys off, hmm) Getting money's what I'm 'bout
I'ma get it while these haters just talk
(Still breaking boys off, hmm) Gotta do it for the north
Gotta do it for my hustlers in the south
(Still breaking boys off, boys off, still breaking boys off)
And when I do it I'ma do it like a boss (still breaking boys off)
I still represent H-Town, the city of that candy
They see me with a lotta cars but they don't understand it
They say the never seen ya boy out here gettin' his grind on
Phantom, Bentley, take ya pick, yeah I'm gettin' my shine on
I've sold 2 million records now my paper all swole now
The mayor of the city, top down when I roll now
H-town, home of the candy paint
Home of the 84's and vogues and the purple drank
Yeh this the city that's slow, the city that's thowed
The city where the boys flip the candy painted low
The city where they blow big killa and stayed blowed
Hustling ass D-boys got the game sewed
Where they sip that paint (sip that paint) and drip that paint (drip that paint)
And drop that top (drop that top) and grip that grain (hold up)
6-10, I-10, 59, 45, and da belt
This Clutch City but we play what we dealt, reppin' the H-Town
(Still breaking boys off, hmm) Candy painted with the gloss
You can hate but that's the way a player floss
(Still breaking boys off, hmm) Getting money's what I'm 'bout
I'ma get it while these haters just talk
(Still breaking boys off, hmm) Gotta do it for the north
Gotta do it for my hustlers in the south
(Still breaking boys off, boys off, still breaking boys off)
And when I do it I'ma do it like a boss (still breaking boys off)
Hustle town's my home, it's where I do my dirt
Where the gangtstas smoke water with drank stains on they shirt
We ride swangin', chops blades just to break boys off
From South Park to the Southwest and all the way to that north
I'm talking Tidwell and Carverdale and Greenspoint too
From Denver Harbor to West Airport and all the way to Channelview
We steady bangin on this screw, it's chopping like kung fu
Hit me on the 8-3-2, it's Paul Wall, what it do baby (heheh, nahmtawkinbout?)
Know I'm talkin', my purple so muddy I can barely even drive
Blowin' down trees like a Category 5
Southside of H-Town the heart of Sunny Side
I could walk these streets if I was blind, nahmtawkinbout?
Yung Redd, take ya out the future
Stars imitate swear to God I was a jewler
Robert Davis, Fat Pat, this for you
To my homie Big Hawk, I salute, mayne
(Still breaking boys off, hmm) Candy painted with the gloss
You can hate but that's the way a player floss
(Still breaking boys off, hmm) Getting money's what I'm 'bout
I'ma get it while these haters just talk
(Still breaking boys off, hmm) Gotta do it for the north
Gotta do it for my hustlers in the south
(Still breaking boys off, boys off, still breaking boys off)
And when I do it I'ma do it like a boss (still breaking boys off)
H-O to the U-S, T-O to the N
God blessed me with the million dollar pen
See them quiet money gangstas with they hand in the air
That Sunny Side and South Park, I was raised out there
This is H-Town (H-Town), screwed up and slowed down
It's all love homie, keep rollin' up the whole pound
Pull up in the monster just look at him hidin'
Don Ke' heart of the south, slab ridin'
H-O-U-S-T-O-N, T-E-X-A-S
We go get it and come back with it until we take our last breath
From the city where our stadiums drop the top
Z-Ro the Crooked, my ghetto pass is good in any hood, any block they got
The white cup is for the codeine and the cigarillo is for the kush
If you want it we got it 'cause there's not a product we don't push
We used to be the dirty south, now we so dirty we filthy
So homie you must be touching it wrong if you don't feel me (you don't feel me)
(Still breaking boys off, hmm) Candy painted with the gloss
You can hate but that's the way a player floss
(Still breaking boys off, hmm) Getting money's what I'm 'bout
I'ma get it while these haters just talk
(Still breaking boys off, hmm) Gotta do it for the north
Gotta do it for my hustlers in the south
(Still breaking boys off, boys off, still breaking boys off)
And when I do it I'ma do it like a boss (still breaking boys off)
Welcome to H-Town, this 3rd Ward talking
Coming down the slab line the fo's crip walking
Together we stand, divided we fall, yeah
North and the south together we ball
Fuck that, nigga it's a H-Town thang
Lemme see ya touch the sky if ya feeling me mayne
It's Boss Hogg Corleone, nigga that Mike D
The drank man daddy, you know where to find me
State to state dawg, I got 'em jockin' the kid
6' backin out the driveway, dropping the wig
Y'all know we do it big, like a freightliner rig
Got stashes full of cash where I keep the money hid
Fresh to death homie, how I came in the do'
Prada shades on, smelling like a swanger of dro
Put'cha H'es up, represent'cha city bro
Counting money, iced out, like I'm in a video
(Still breaking boys off, hmm) Candy painted with the gloss
You can hate but that's the way a player floss
(Still breaking boys off, hmm) Getting money's what I'm 'bout
I'ma get it while these haters just talk
(Still breaking boys off, hmm) Gotta do it for the north
Gotta do it for my hustlers in the south
(Still breaking boys off, boys off, still breaking boys off)
(Southwest put'cha dubs up baby, let's go!)
And when I do it I'ma do it like a boss (still breaking boys off)
Now welcome to the place I love, place I was raised to be a G
It's straight hang with thugs, jam my music slow and hold my H's up
Southwest SWAT I know the real dudes that move birdies
I go to school early, baby blue Moon jersey
Riding around, southwest side of my towm
Still Reppin' My Block, How Ya Likin Me Now
Its from Sharpstown, Braeswood to Alief
Black and Latins stacking paper together we stay deep
It's Rob G!
Cheyah!
King of the Streets and I'm roll around Houston ridin' 4's
Boys better chill 'fore this throw-away leave they curtains closed (lights out)
I'm in the slab but I'm tippin' it like a platinum Rolls
Suicide make the doors presidential when they decide to close (real talk)
They want the throne but tell the haters that I got it locked (got it locked)
I shoot 'em on the west so whatever all they way to the block (doors up)
I'm so hood it be the true definition of me
Ain't no way speak about the H, without mentioning me, Tha Truth, nigga!
(Still breaking boys off, hmm) Candy painted with the gloss
You can hate but that's the way a player floss
(Still breaking boys off, hmm) Getting money's what I'm 'bout
I'ma get it while these haters just talk
(Still breaking boys off, hmm) Gotta do it for the north
Gotta do it for my hustlers in the south
(Still breaking boys off, boys off, still breaking boys off) (yeah, yeah, yeah, yeah)
And when I do it I'ma do it like a boss (still breaking boys off)
Ay I'm from H-Town, southwest stop drop and roll
If I chunk the dub up, the whole hood rock n roll
Braaeswood, Woolfair, Clull Creek, Spice Lane
West Bellville, Fondren Airport, Sandpiper, stack change
I'm so H-Town there's codeine in my blood
And I done shout it out at war with with the meanest of thugs
And you ain't never gotta ask if there's lean in my cup
I'm a triple O.G., S.U.C. nigga what
(It's Lil' O Homie) now I'm from Port Arthur, Texas, 90 miles away
For the last 15 years, I been reppin' my state
I knew the real DJ Screw sip grape by the case
Eight's over ice straight product of the H
Southside, I never was no big socializer
With Bun you can talk, I fuck with the boss
Like Thug and Prince Silvia Rome or Wrice
This game a pie, I don't want it all I just need a slice
(Still breaking boys off, hmm) Candy painted with the gloss
You can hate but that's the way a player floss
(Still breaking boys off, hmm) Getting money's what I'm 'bout
I'ma get it while these haters just talk
(Still breaking boys off, hmm) Gotta do it for the north
Gotta do it for my hustlers in the south
(Still breaking boys off, boys off, still breaking boys off)
And when I do it I'ma do it like a boss (still breaking boys off)
In the song "Welcome To Houston" by Chamillionaire, the lyrics paint a vivid picture of the city of Houston, Texas, and highlight the various neighborhoods and aspects that make it unique. The song is a celebration of Houston's culture, music, and the hustle mentality of its residents.
The first verse, performed by Slim Thug, showcases his pride in being born and raised in Houston. He mentions specific neighborhoods such as the Northside, Scenic Woods, and Acres Homes, which are all known for their distinct characteristics. Slim Thug refers to his connection with the city as being married to the hood, symbolizing his loyalty to his roots.
The second verse, performed by Chamillionaire, speaks about the materialistic aspects of Houston's culture. He mentions having plenty of money, cars, and jewelry, and how others try to imitate their style. The lyrics also reference the iconic candy-painted cars, which are a staple of Houston's car culture. Chamillionaire also refers to himself as a grinder and a hustler, highlighting his determination to succeed in the music industry.
The chorus repeats the phrase "still breaking boys off," which means to assert dominance or outshine others. It emphasizes the idea of staying focused on success and getting money, regardless of what others may say. The mention of doing it for the north and south represents the unity of different neighborhoods and communities within Houston, as well as the determination to claim success as a collective.
The third verse, performed by Lil' O, references various neighborhoods and areas within Houston, showing the extensive reach of the city. The lyrics also mention the influence of DJ Screw, a legendary figure in Houston's hip-hop scene, and the presence of lean (a mixture of codeine cough syrup and soda) in Lil' O's lifestyle. This verse showcases the deep connection between Houston's music and street culture.
The fourth verse brings together various Houston rappers, including Paul Wall, Mike D, Z-Ro, and Trae the Truth, who all contribute their unique styles and experiences to the song. They each represent different neighborhoods or aspects of Houston culture, showcasing the diversity within the city. This verse creates a sense of community and camaraderie among Houston rappers.
Overall, "Welcome To Houston" celebrates the unique culture, music, and hustle mentality of Houston, as well as the unity among its residents. The lyrics give listeners an insight into the various neighborhoods and aspects that make up the city and highlight the determination of Houston artists to succeed.
Lyrics © Ultra Tunes, Sony/ATV Music Publishing LLC
Written by: STAYVE THOMAS
Lyrics Licensed & Provided by LyricFind
Ryan
i wish these guys would come out with some new music this good
BIG DOG PROB
Hahaha they just did 2020
Tim Smekens
Im from belgium europe but this texas rap is my favorite genre of music i been followin and listening to it for many years. It all started for me with chams sound of revenge. I started checkin YouTube yall texas artist much respect. One day i wanna visit houston. SALUTE
Mushy Productions™
Check out puntin he is a Texas Christian rapper. Texas born in raised here bro. Much love
Jay Jay Griffin
Houston is my home, hit me up if u ever visit
Haldous Uxley
Check out tobe nwigwe
Abhirup Lahiri
Hooked up to rap music from H-Town since 2005. Cheers mate!
ryan Manning
I wonder how long it took for all the artists to perfect their verses for this song. Everything goes together just fucking perfectly!💰
patrick zeno
I can never get tired of this shit and I’m not from Texas
Special_Kserial Plays
when pimp popped up i got chills and goosebumps