Charlie Gracie (born Charles Anthony Graci in Philadelphia, Pennsylvania, o… Read Full Bio ↴Charlie Gracie (born Charles Anthony Graci in Philadelphia, Pennsylvania, on 14 May 1936; died 17 December 2022) was an American rock pioneer and singer.
Encouraged by his father to play the guitar, Gracie's musical career started at the very early age of 14 when he appeared on the Paul Whiteman television show. Gracie performed at weddings, local restaurants, and parties, and on local radio and television. He also won many regional talent contests. The little money and prizes he received were turned over to his mother to help support the family.
The owner of Cadillac Records heard one of Gracie's early radio performances, contacted the young musician and signed him to a contract. This association yielded the single, Boogie Woogie Blues backed with I'm Gonna Sit Right Down And Write Myself A Letter. The record led to Gracie's first appearance on Bob Horn's "American Bandstand" television program. (This was four years before Dick Clark became the host)
After cutting two more singles for Cadillac, Gracie moved on to 20th Century Records, a subsidiary of Gotham, where he put out another four sides, including Wildwood Boogie. The discs he made embraced a wide variety of styles: jump blues, gospel, and country boogie with the influences of Big Joe Turner, B.B. King, Louis Jordan, Roy Acuff, and Hank Williams.
Between 1951-53, Gracie was experimenting with many types of music, years before many rock heroes had ever set foot inside a recording studio.
By 1956, Philadelphia had given birth to the new Cameo record label. Its founders, in search of a strong talent signed Gracie later that year. With a $600 budget, this new union went into the studio to record a single that would forever change their lives. The record, Butterfly backed with Ninety Nine Ways became a monster hit, reaching the number one position all across America. Charlie received a gold disc for the two million plus sales and became the first native Philadelphia rock star to achieve international success. Other substantial sellers followed: Fabulous, Wandering Eyes, and Cool Baby. The financial success of these hits bankrolled the Cameo label, which became a dominant force in the recording industry for several years.
Gracie's personal appearances grew until he performed and headlined some of the biggest venues of that time: Alan Freed's rock and roll shows at the Brooklyn Paramount, The Ed Sullivan Show, Dick Clark's "American Bandstand" and the 500 Club in Atlantic City. He appeared in the 1957 film Jamboree, and toured with the likes of Chuck Berry, The Everly Brothers, Bo Diddley and his close friend, Eddie Cochran.
Gracie became only the second American, guitar-toting rock and roller to bring this new art form to the British concert stage. His two extensive tours in 1957 and 58 were a whirlwind, topped off by headlining the Palladium and the Hippodrome in London. He played to packed houses and drew rave reviews. In the audiences, among Charlie's fans and admirers, were future rock greats: Graham Nash, members of the Beatles and Rolling Stones, Joe Cocker and Van Morrison. These performers and many other well-known acts have credited Charlie as an influence. George Harrison referred to Charlie's guitar technique as "brilliant" in a March 1996 interview with Billboard Magazine; Paul McCartney invited Charlie to the premiere party of his 1999 release which paid tribute to the early pioneers of rock music.
Gracie found himself somewhat miscast at Cameo. He moved on to other labels such as Coral, Roulette, Felsted, and Diamond, performing more of the R&B he preferred. Even if success slowed, Gracie' continued to perform in clubs, theaters, and resorts through the 1990s.
Gracie's pioneering contribution to the genre has been recognized by the Rockabilly Hall of Fame.
Gracie was inducted into the Broadcast Pioneers of Philadelphia Hall of Fame on November 16, 2012, at the Hilton City Avenue, Philadelphia.
In 2019, Gracie toured the UK with Marty Wilde along with Mike Berry, Nancy Ann Lee and the Wildcats.
Encouraged by his father to play the guitar, Gracie's musical career started at the very early age of 14 when he appeared on the Paul Whiteman television show. Gracie performed at weddings, local restaurants, and parties, and on local radio and television. He also won many regional talent contests. The little money and prizes he received were turned over to his mother to help support the family.
The owner of Cadillac Records heard one of Gracie's early radio performances, contacted the young musician and signed him to a contract. This association yielded the single, Boogie Woogie Blues backed with I'm Gonna Sit Right Down And Write Myself A Letter. The record led to Gracie's first appearance on Bob Horn's "American Bandstand" television program. (This was four years before Dick Clark became the host)
After cutting two more singles for Cadillac, Gracie moved on to 20th Century Records, a subsidiary of Gotham, where he put out another four sides, including Wildwood Boogie. The discs he made embraced a wide variety of styles: jump blues, gospel, and country boogie with the influences of Big Joe Turner, B.B. King, Louis Jordan, Roy Acuff, and Hank Williams.
Between 1951-53, Gracie was experimenting with many types of music, years before many rock heroes had ever set foot inside a recording studio.
By 1956, Philadelphia had given birth to the new Cameo record label. Its founders, in search of a strong talent signed Gracie later that year. With a $600 budget, this new union went into the studio to record a single that would forever change their lives. The record, Butterfly backed with Ninety Nine Ways became a monster hit, reaching the number one position all across America. Charlie received a gold disc for the two million plus sales and became the first native Philadelphia rock star to achieve international success. Other substantial sellers followed: Fabulous, Wandering Eyes, and Cool Baby. The financial success of these hits bankrolled the Cameo label, which became a dominant force in the recording industry for several years.
Gracie's personal appearances grew until he performed and headlined some of the biggest venues of that time: Alan Freed's rock and roll shows at the Brooklyn Paramount, The Ed Sullivan Show, Dick Clark's "American Bandstand" and the 500 Club in Atlantic City. He appeared in the 1957 film Jamboree, and toured with the likes of Chuck Berry, The Everly Brothers, Bo Diddley and his close friend, Eddie Cochran.
Gracie became only the second American, guitar-toting rock and roller to bring this new art form to the British concert stage. His two extensive tours in 1957 and 58 were a whirlwind, topped off by headlining the Palladium and the Hippodrome in London. He played to packed houses and drew rave reviews. In the audiences, among Charlie's fans and admirers, were future rock greats: Graham Nash, members of the Beatles and Rolling Stones, Joe Cocker and Van Morrison. These performers and many other well-known acts have credited Charlie as an influence. George Harrison referred to Charlie's guitar technique as "brilliant" in a March 1996 interview with Billboard Magazine; Paul McCartney invited Charlie to the premiere party of his 1999 release which paid tribute to the early pioneers of rock music.
Gracie found himself somewhat miscast at Cameo. He moved on to other labels such as Coral, Roulette, Felsted, and Diamond, performing more of the R&B he preferred. Even if success slowed, Gracie' continued to perform in clubs, theaters, and resorts through the 1990s.
Gracie's pioneering contribution to the genre has been recognized by the Rockabilly Hall of Fame.
Gracie was inducted into the Broadcast Pioneers of Philadelphia Hall of Fame on November 16, 2012, at the Hilton City Avenue, Philadelphia.
In 2019, Gracie toured the UK with Marty Wilde along with Mike Berry, Nancy Ann Lee and the Wildcats.
Frankie & Johnny
Charlie Gracie Lyrics
We have lyrics for 'Frankie & Johnny' by these artists:
"Little" Stevie Wonder Frankie & Johnny were sweethearts At least, that's the way …
Alice Stuart Frankie and Johnny were sweethearts Lordy, how they could lo…
Benny Goodman and His Orchestra Frankie and me we were lovers Oh Lordy how we could…
Brook Benton Frankie and Johnny - Artist: Brook Benton as sung on "The…
Bunny Berigan & Bunny Berigan & His Orchestra This the story of Frankie and Johnny They were sweethearts f…
Champion Jack Dupree Frankie & Johnny 3: 03 Trk 9 Champion Jack Dupree Jack Dupre…
Chris Barber's Jazz Band We'll take it a bit slower This is, this is the,…
Doc & Merle Watson Frankie and Johnny were sweethearts Lordy how they did love…
Donegan Van Morrison & Barber [L.D.] We'll take it a bit slower This is, this is…
Elvis Presley Little frankie went down to the barroom She asked for…
Ethel Waters Frankie and Johnny were sweethearts, Boy, how they could lov…
Garnet Rogers Me and Johnny we were brothers Though we did not look…
Jimmie Rodgers Frankie and Johnny were sweethearts oh Lordy how they did…
Johnny Cash Well now Frankie and Johnny were sweethearts They were true …
King Oliver & His Orchestra This the story of Frankie and Johnny They were sweethearts f…
Lena Horne Frankie and Johnny were sweethearts, Boy, how they could lo…
Lena Horne & Lennie Hayton & His Orchestra This the story of Frankie and Johnny They were sweethearts f…
Lindsay Lohan Frankie and Johnny were sweethearts But he was doin' her…
Little Stevie Wonder Frankie & Johnny were sweethearts At least, that's the way …
Lonnie Donegan [L.D.] We'll take it a bit slower This is, this is…
Merle Watson Frankie and Johnny were sweethearts Lordy how they did lov…
Sam Cooke Frankie and Johnny was sweethearts At least that's the way t…
Stevie Wonder Frankie & Johnny were sweethearts At least, that's the way …
Van Morrison [L.D.] We'll take it a bit slower This is, this is…
waters ethel Frankie and Johnny were sweethearts, Boy, how they could lov…
We have lyrics for these tracks by Charlie Gracie:
Butterfly (Ah-ah-ah, doo-wop) You tell me you love me, you say you'll…
Fabulous Well I always knew I was crazy for you But now I…
Gotta Travel On I've laid around and played around This old town too long Su…
I Love You So Much It Hurts I love you so much, it hurts me Darling, that's why…
Ninety Nine Ways There must be ninety-nine ways of losin' the blues That I go…
Ninety-Nine Ways There must be ninety-nine ways of losin' the blues That I go…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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