Charlie Gracie (born Charles Anthony Graci in Philadelphia, Pennsylvania, o… Read Full Bio ↴Charlie Gracie (born Charles Anthony Graci in Philadelphia, Pennsylvania, on 14 May 1936; died 17 December 2022) was an American rock pioneer and singer.
Encouraged by his father to play the guitar, Gracie's musical career started at the very early age of 14 when he appeared on the Paul Whiteman television show. Gracie performed at weddings, local restaurants, and parties, and on local radio and television. He also won many regional talent contests. The little money and prizes he received were turned over to his mother to help support the family.
The owner of Cadillac Records heard one of Gracie's early radio performances, contacted the young musician and signed him to a contract. This association yielded the single, Boogie Woogie Blues backed with I'm Gonna Sit Right Down And Write Myself A Letter. The record led to Gracie's first appearance on Bob Horn's "American Bandstand" television program. (This was four years before Dick Clark became the host)
After cutting two more singles for Cadillac, Gracie moved on to 20th Century Records, a subsidiary of Gotham, where he put out another four sides, including Wildwood Boogie. The discs he made embraced a wide variety of styles: jump blues, gospel, and country boogie with the influences of Big Joe Turner, B.B. King, Louis Jordan, Roy Acuff, and Hank Williams.
Between 1951-53, Gracie was experimenting with many types of music, years before many rock heroes had ever set foot inside a recording studio.
By 1956, Philadelphia had given birth to the new Cameo record label. Its founders, in search of a strong talent signed Gracie later that year. With a $600 budget, this new union went into the studio to record a single that would forever change their lives. The record, Butterfly backed with Ninety Nine Ways became a monster hit, reaching the number one position all across America. Charlie received a gold disc for the two million plus sales and became the first native Philadelphia rock star to achieve international success. Other substantial sellers followed: Fabulous, Wandering Eyes, and Cool Baby. The financial success of these hits bankrolled the Cameo label, which became a dominant force in the recording industry for several years.
Gracie's personal appearances grew until he performed and headlined some of the biggest venues of that time: Alan Freed's rock and roll shows at the Brooklyn Paramount, The Ed Sullivan Show, Dick Clark's "American Bandstand" and the 500 Club in Atlantic City. He appeared in the 1957 film Jamboree, and toured with the likes of Chuck Berry, The Everly Brothers, Bo Diddley and his close friend, Eddie Cochran.
Gracie became only the second American, guitar-toting rock and roller to bring this new art form to the British concert stage. His two extensive tours in 1957 and 58 were a whirlwind, topped off by headlining the Palladium and the Hippodrome in London. He played to packed houses and drew rave reviews. In the audiences, among Charlie's fans and admirers, were future rock greats: Graham Nash, members of the Beatles and Rolling Stones, Joe Cocker and Van Morrison. These performers and many other well-known acts have credited Charlie as an influence. George Harrison referred to Charlie's guitar technique as "brilliant" in a March 1996 interview with Billboard Magazine; Paul McCartney invited Charlie to the premiere party of his 1999 release which paid tribute to the early pioneers of rock music.
Gracie found himself somewhat miscast at Cameo. He moved on to other labels such as Coral, Roulette, Felsted, and Diamond, performing more of the R&B he preferred. Even if success slowed, Gracie' continued to perform in clubs, theaters, and resorts through the 1990s.
Gracie's pioneering contribution to the genre has been recognized by the Rockabilly Hall of Fame.
Gracie was inducted into the Broadcast Pioneers of Philadelphia Hall of Fame on November 16, 2012, at the Hilton City Avenue, Philadelphia.
In 2019, Gracie toured the UK with Marty Wilde along with Mike Berry, Nancy Ann Lee and the Wildcats.
Encouraged by his father to play the guitar, Gracie's musical career started at the very early age of 14 when he appeared on the Paul Whiteman television show. Gracie performed at weddings, local restaurants, and parties, and on local radio and television. He also won many regional talent contests. The little money and prizes he received were turned over to his mother to help support the family.
The owner of Cadillac Records heard one of Gracie's early radio performances, contacted the young musician and signed him to a contract. This association yielded the single, Boogie Woogie Blues backed with I'm Gonna Sit Right Down And Write Myself A Letter. The record led to Gracie's first appearance on Bob Horn's "American Bandstand" television program. (This was four years before Dick Clark became the host)
After cutting two more singles for Cadillac, Gracie moved on to 20th Century Records, a subsidiary of Gotham, where he put out another four sides, including Wildwood Boogie. The discs he made embraced a wide variety of styles: jump blues, gospel, and country boogie with the influences of Big Joe Turner, B.B. King, Louis Jordan, Roy Acuff, and Hank Williams.
Between 1951-53, Gracie was experimenting with many types of music, years before many rock heroes had ever set foot inside a recording studio.
By 1956, Philadelphia had given birth to the new Cameo record label. Its founders, in search of a strong talent signed Gracie later that year. With a $600 budget, this new union went into the studio to record a single that would forever change their lives. The record, Butterfly backed with Ninety Nine Ways became a monster hit, reaching the number one position all across America. Charlie received a gold disc for the two million plus sales and became the first native Philadelphia rock star to achieve international success. Other substantial sellers followed: Fabulous, Wandering Eyes, and Cool Baby. The financial success of these hits bankrolled the Cameo label, which became a dominant force in the recording industry for several years.
Gracie's personal appearances grew until he performed and headlined some of the biggest venues of that time: Alan Freed's rock and roll shows at the Brooklyn Paramount, The Ed Sullivan Show, Dick Clark's "American Bandstand" and the 500 Club in Atlantic City. He appeared in the 1957 film Jamboree, and toured with the likes of Chuck Berry, The Everly Brothers, Bo Diddley and his close friend, Eddie Cochran.
Gracie became only the second American, guitar-toting rock and roller to bring this new art form to the British concert stage. His two extensive tours in 1957 and 58 were a whirlwind, topped off by headlining the Palladium and the Hippodrome in London. He played to packed houses and drew rave reviews. In the audiences, among Charlie's fans and admirers, were future rock greats: Graham Nash, members of the Beatles and Rolling Stones, Joe Cocker and Van Morrison. These performers and many other well-known acts have credited Charlie as an influence. George Harrison referred to Charlie's guitar technique as "brilliant" in a March 1996 interview with Billboard Magazine; Paul McCartney invited Charlie to the premiere party of his 1999 release which paid tribute to the early pioneers of rock music.
Gracie found himself somewhat miscast at Cameo. He moved on to other labels such as Coral, Roulette, Felsted, and Diamond, performing more of the R&B he preferred. Even if success slowed, Gracie' continued to perform in clubs, theaters, and resorts through the 1990s.
Gracie's pioneering contribution to the genre has been recognized by the Rockabilly Hall of Fame.
Gracie was inducted into the Broadcast Pioneers of Philadelphia Hall of Fame on November 16, 2012, at the Hilton City Avenue, Philadelphia.
In 2019, Gracie toured the UK with Marty Wilde along with Mike Berry, Nancy Ann Lee and the Wildcats.
Scenery
Charlie Gracie Lyrics
We have lyrics for 'Scenery' by these artists:
Anvil You were standing in your favourite light You thought you we…
Arab Strap You used to be part of the scenery But now I…
Ashmute You can call me anything 어떤 말도 난 괜찮아 서로 다른 세상을…
Bearings I shake up the scenery know you love the greenery Take you…
Blondie We took too long to park the car Ran across the…
BTS/V 꽃들이 가득한 거리에 오늘도 그대를 보네요 내 안에 담겨질까요 새벽달이 지난 공원에 지금 내…
C. W. Leadbeater She know that it's money on my mind She know that…
Dreichmere Painting the hideous On day's beloved scenes Lacerating with…
H.Y.U.K When I look at you there is so much scenery So…
Key to the Midway I want to breathe in the open air* So I can…
Milky Bunny ふたり見上げた 星空 明日もきっと君と 意識のない近さが 心地よいこと気づいた 懐かしい…
Modwheelmood Where everybody else is doing Better than you do Why they …
N. Young 静か 拡がるは 果てしない世界 時と共に流れては ゆらり ゆらめいてく (ゆらめく) 空の彩りも 草花の色も (しろいか…
Neil Young Looking at the grave At the scenery around you Home of the…
Neil Young [W. Pearl Jam] Looking at the grave At the scenery around you Home of the…
Nicotine Ever since I was a little kid Always thought about I could…
Red Velvet La-la-la, la-la-la, la-la-la 요즘 따라 하룰 전부 기억하고 싶나 봐 여기저기 틈만 …
Ryu Vs. Ken Sometimes the only way to get unstuck Is to get up…
S.E.N.S. Project It's a mystery to me Why we pretend we can't see…
Uru 光のない道を 手を繋ぎ歩いた 選ばなければいけない 別離もあったけど ねぇだけど 気付いたんだ 私はここにいて 一人で…
V 꽃들이 가득한 거리에 오늘도 그대를 보네요 내 안에 담겨질까요 새벽달이 지난 공원에 지금 내…
Valleyheart Flower curtains in your hair. You told me not to…
뷔 꽃들이 가득한 거리에 오늘도 그대를 보네요 내 안에 담겨질까요 새벽달이 지난 공원에 지금 내…
애쉬뮤트 Ashmute You can call me anything 어떤 말도 난 괜찮아 서로 다른 세상을…
We have lyrics for these tracks by Charlie Gracie:
Butterfly (Ah-ah-ah, doo-wop) You tell me you love me, you say you'll…
Fabulous Well I always knew I was crazy for you But now I…
Gotta Travel On I've laid around and played around This old town too long Su…
I Love You So Much It Hurts I love you so much, it hurts me Darling, that's why…
Ninety Nine Ways There must be ninety-nine ways of losin' the blues That I go…
Ninety-Nine Ways There must be ninety-nine ways of losin' the blues That I go…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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rockake
One of the very best songs recorded in 1960 by Charlie Gracie or any recording artist. It should have been a million seller.
victor cassar
Great listen
chezfun
This should NOT have been ignored....and that CHORUS!!