While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
No Voy en Tren
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
No necesito a nadie
A nadie alrededor
No voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
Porque no hay nadie que mi piel resista
No veo televisión ni las revistas
No veo ya nada que no pueda ser
Por eso yo no voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
No voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
Cuando era niño nunca fui muy listo
Tocaba el piano como un animal
Yo sé que algunos piensan que soy mixto
Pero yo tengo personalidad
Yo soy de la cruz del sur
Soy el que cierra y el que apaga la luz
Yo soy de la cruz del sur
Aquí y en everywhere
No voy en tren, voy en avión
No voy en tren, voy en avión
The song "No Voy en Tren" by Charly García is about the singer's desire to be alone and not need anyone in his life. The lyrics repeat the phrase "No voy en tren, voy en avión" which translates to "I'm not going on train, I'm going by plane." This can be interpreted as a metaphor for his desire to not go along with the crowd and instead take his own path in life, even if it means being alone. He sings, "Por qué no hay nadie que mi piel resista / Por qué no hay nadie que yo quiera ver" which means "Why is there no one that can resist my skin / Why is there no one that I want to see?" This shows that he is content with being alone and doesn't feel the need to have anyone in his life.
The song also touches on his childhood and how he was always a bit of an outsider. He mentions playing the piano like an animal and how some people think he's mixed up, but he knows he has his own personality. He sings, "Yo soy de la cruz del sur / Soy el que cierra y el que apaga la luz / Yo soy de la cruz del sur / Aquí y en everywhere" which means "I'm from the Southern Cross / I'm the one who closes and turns off the light / I'm from the Southern Cross / Here and everywhere." This shows that he's proud of who he is and where he comes from, and that he's not afraid to be different.
Overall, "No Voy en Tren" is a song about independence, being content with being alone, and staying true to oneself. Charly García's lyrics are poetic and insightful, and the song has become a beloved classic in Argentine music.
Line by Line Meaning
No voy en tren, voy en avión
I don't want to travel by train, I prefer to fly in an airplane
No necesito a nadie
I don't need anyone's company or assistance
A nadie alrededor
I prefer to be alone and not have anyone around me
Por qué no hay nadie que mi piel resista
I haven't found anyone who can resist my charisma and charm
Por qué no hay nadie que yo quiera ver
I haven't found anyone that I really want to see or spend time with
No veo televisión ni las revistas
I don't watch TV or read magazines
No veo ya nada que no pueda ser
I don't see anything that is not achievable or attainable
Por eso yo no voy en tren, voy en avión
That's why I prefer to fly rather than travel by train
Cuando era niño nunca fui muy listo
When I was a child, I was not very clever or smart
Tocaba el piano como un animal
I played the piano with great energy and passion
Yo se que algunos piensan que soy mixto
I know some people think I'm weird or different
Pero yo tengo personalidad
But I have my own unique personality
Yo soy de la cruz del sur
I come from the southern cross constellation
Soy el que cierra y el que apaga la luz
I'm the one who closes and turns off the lights
Aquí y en everywhere
Everywhere I go, I am who I am
Lyrics © Universal Music Publishing Group
Written by: Carlos Alberto Garcia
Lyrics Licensed & Provided by LyricFind
@ExtremeMods666
Letra
-
No voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
No voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
Por qué no hay nadie que mi piel resista
Por qué no hay nadie que yo quiera ver
No veo televisión ni las revistas
No veo ya nada que no pueda ser
Por eso yo no voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
No voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
Cuando era niño nunca fui muy listo
Tocaba el piano como un animal
Yo se que algunos piensan que soy mixto
Pero yo tengo personalidad
Yo soy de la cruz del sur
Soy el que cierra y el que apaga la luz
Yo soy de la cruz del sur
Aquí y en everywhere
No voy en tren, voy en avión
@claramb2
No voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
No voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
Por qué no hay nadie que mi piel resista
Por qué no hay nadie que yo quiera ver
No veo televisión ni las revistas
No veo ya nada que no pueda ser
Por eso yo no voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
No voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
Cuando era niño nunca fui muy listo
Tocaba el piano como un animal
Yo se que algunos piensan que soy mixto
Pero yo tengo personalidad
Yo soy de la cruz del sur
Soy el que cierra y el que apaga la luz
Yo soy de la cruz del sur
Aquí y en everywhere
No voy en tren, voy en avión
@omarcopol
"Tocaba el piano como un animal". Sí, se nota. ¡Qué grande eres Charly!
@mariaveronicagarcia3750
Amo a Charly, hoy y siempre.
@sonoman9311
pense q decia: "cuando era niño nunca fui muy listo,tocaba el piano como un animal" referiendose a q no tocaba bien
@Loscscsc
Era bruto de chico
@Bousquet9
@@sonoman9311 yo igual xd
@Daniel_Enriquez
🤣🤣🤣🤣😂😂😂😂
@ExtremeMods666
Letra
-
No voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
No voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
Por qué no hay nadie que mi piel resista
Por qué no hay nadie que yo quiera ver
No veo televisión ni las revistas
No veo ya nada que no pueda ser
Por eso yo no voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
No voy en tren, voy en avión
No necesito a nadie
A nadie alrededor
Cuando era niño nunca fui muy listo
Tocaba el piano como un animal
Yo se que algunos piensan que soy mixto
Pero yo tengo personalidad
Yo soy de la cruz del sur
Soy el que cierra y el que apaga la luz
Yo soy de la cruz del sur
Aquí y en everywhere
No voy en tren, voy en avión
@mari0095467
sabes qué és la cruz del sur? és la unica parte que no entiendo de la letra
@tanacea9085
@@mari0095467 Está diciendo que es del sur (de Argentina), pero en vez de decir "soy del sur", utiliza "la cruz del sur" (nombre de una constelación estelar). El uso de la palabra "cruz", tiene muchas interpretaciones en el marco de esta letra. Podés interpretarlo como que ser del sur es una cruz, una carga, pero enseguida Charly plantea que él es el Amo y Señor, es el que enciende y apaga la luz. Es inevitable la analogía con otras tantas canciones que hablan de ser habitante del sur. Hay muchas otras interpretaciones más, la gracia es que cada una le dé la suya. Eso sí: Charly, en tanto compositor, decidió resaltar justamente esa parte de la letra, ya que ahí cambian los acordes, la sección formal, la melodía. Y define su identidad del subdesarrollo desde esas armonías ascendentes, un recurso común en Charly. Gran Maestro.
@mari0095467
@@tanacea9085 aaaah muchas gracias