While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Rock and Roll Yo
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Cuando no queden más lugares para huir?
Argentinita, dónde vas a estar
Cuando la gente no te quiera ni mirar?
Voy a saltar adentro tuyo,
Comiéndome de a poco tu orgullo
Saquen why eliminen a esa tonta
De mi rock and roll Yo
Hey papa frita ¿ qué vas a sentir
Cuando no tengas milanesas que freir?
Hija de puta, te voy a matar
Donde te encuentres yo seguro voy a estar
Voy a saltar adentro tuyo
Comiéndome de a poco tu orgullo
Saquen why eliminen a esa tonta
De mi rock and roll Yo.
Quizás te ame ¿ qué puedo hacer
Cuando mañana está en el ayer? Yeah!
Voy a saltar adentro tuyo
Comiéndome de a poco tu orgullo
Saquen why eliminen a esa tonta
De mi rock and roll Yo.
The lyrics to Charly García's, "Rock and Roll Yo" are intense and compelling. The song talks about the anger and frustration felt towards someone who is trying to take control of the music scene. The verses directed towards the woman seem to be questioning her identity and where she will go when nobody wants to look at her. The verses towards the man are aggressive and violent, stating that the singer will kill him when and where he finds him. The chorus repeats the singer's ownership of rock and roll, telling those who try to take it from him that it belongs to him and him alone.
The lyrics could be interpreted in a few different ways. One interpretation could be that the singer is tired of people trying to commodify or control the music scene. In essence, they're saying that the real rock and roll belongs to them, and anyone else who tries to take it from them is just a "tonta" (foolish woman) or a "papa frita" (fried potato, which in this context could be derogatory towards men) who will be eliminated. Another interpretation could be that the song is more specifically about a relationship that has gone sour. The lyrics speak to the confusion and heartbreak that one might feel when the person they love becomes someone they no longer recognize.
Overall, "Rock and Roll Yo" is a powerful and emotive song that speaks to the core of what it means to be a musician and artist. Whether interpreting the lyrics as a commentary on the music industry or on a broken relationship, the song speaks to the importance of staying true to oneself and not letting others take away what is most important.
Line by Line Meaning
Hey, linda nena, ¿dónde vas a ir
Greetings pretty girl, where will you go when there's nowhere left to flee?
Cuando no queden más lugares para huir?
When there's no escape left, what will you do?
Argentinita, dónde vas a estar
Little Argentinian girl, where will you be
Cuando la gente no te quiera ni mirar?
When people don't like you and refuse to see you?
Voy a saltar adentro tuyo,
I'm going to jump inside of you
Comiéndome de a poco tu orgullo
Slowly eating away at your pride
Saquen why eliminen a esa tonta
Get rid of that silly girl
De mi rock and roll Yo
From my Rock and Roll Yo
Este es mi rock and roll Yo.
This is my Rock and Roll Yo.
Hey papa frita ¿ qué vas a sentir
Hey fried potato, how will you feel
Cuando no tengas milanesas que freir?
When there are no more Schnitzels to fry?
Hija de puta, te voy a matar
Daughter of a bitch, I'm going to kill you
Donde te encuentres yo seguro voy a estar
I will surely be where ever you are
Quizás te ame ¿ qué puedo hacer
Maybe I love you, what can I do
Cuando mañana está en el ayer? Yeah!
When tomorrow is already yesterday? Yeah!
Voy a saltar adentro tuyo
I'm going to jump inside of you
Comiéndome de a poco tu orgullo
Slowly eating away at your pride
Saquen why eliminen a esa tonta
Get rid of that silly girl
De mi rock and roll Yo.
From my Rock and Roll Yo.
Lyrics © SADAIC LATIN COPYRIGHTS, INC.
Written by: CHARLY GARCIA
Lyrics Licensed & Provided by LyricFind
Esteban Martínez
Pura actitud!!! Yo pude ver a Charly en 2002 o 2003 si no me equivoco, aún tenía todo el power en la sangre. Grande !!!!
Saludos desde Santiago, Chile.
Ainé Alejandra Rocca
No puedo creer que recién ahora CONOZCA ESTE TEMAZO.
Nicolás Cristian Domenech
Esto es rock and roll!!
Maria Eugenia Farias Hild
Q músico! Genio Charly! Gracias por tu música!!!
lisandro soy,la mano del lobo
lo mejor de lo mejor de lo mejor y de lo mejor....
Marco Antonio Nathan Hale
Grande el genio puro rock
Fabri Caramazzo
Charly sos puro rock and roll!!! Por siempre
ale09 canch
Fuuuaaaa!!!Que Rockero de la concha de la lora es este tipo!!!!Groso... muy groso Charly!!
matias ruiz
El verdadero rock and roll que me vienen con la 25 y tantas porquerías más
Juan ignacio
Jajja malll