While still in high school, pianist/drummer Thymme Jones was browsing the r… Read Full Bio ↴While still in high school, pianist/drummer Thymme Jones was browsing the racks at a Hallmark store when he noticed a category of greeting cards labeled "CHEER-ACCIDENT." Since then, six lineups have passed through Jones' band CHEER-ACCIDENT, and it has endured the loss of one of its members (Phil Bonnet, d. 1999). Throughout the decades, their diverse musical output has ranged from intricate and off-kilter pop, to densely orchestrated, Henry Cow-influenced avant-progressive epics, and abrasively complex "noise rock"/"math-rock" along the lines of bands such as Rapeman and Don Caballero. To date, they have released sixteen albums and a handful of singles on labels such as Complacency, Pravda, Skin Graft, and most recently, Cuneiform.
It was during the first few moments of 1981 at a New Year's party when Jones, vocalist Jim Drummond, and drummer Mike Greenlees decided to form a band. Jones couldn't get his Hallmark memory out of his mind and called the band CHEER-ACCIDENT. Various contributing musicians helped the band with the recording of their first album, "Life Isn't Like That". After the album came out in 1986, Greenlees and Drummond left to pursue other full-time interests. The next lineup of CHEER-ACCIDENT consisted of bassist Chris Block and guitarist Jeff Libersher, whom Jones had met in the mid-'80s while attending Northern Illinois University. They recorded their first nationally distributed release, "Sever Roots, Tree Dies", with Phil Bonnet at Solid Sound Studios in Hoffman Estates, IL, from April through July of 1988. They released the album on their own label, Complacency, that same year. Other material from the session went on a cassette LP on Complacency called "Vasectomy".
Following the releases, the band reentered the studio with Steve Albini to record the EP "Dumb Ask". The English label Neat Records was so impressed by the album that the imprint offered the band a two-record deal in 1990. The first album of their contract was shown to the band after pressing, and according to Jones, it was over-compressed, edited in an obscene fashion, and loaded with misspellings. The band was angered and the contract was over. They continued to release material on Complacency and also hired their engineer/producer Phil Bonnet (known for his work with Will Oldham, U.S. Maple, the Smoking Popes, Bobby Conn, and Eleventh Dream Day) to be their second guitarist. By 1991, CHEER-ACCIDENT had begun holding recording sessions for its fourth album, "Babies Shouldn't Smoke", in the upstairs studio of the Pete WAY room in Chicago. Shortly after the sessions came to an end, Pravda approached the band with the offer to add a track to the label's "20 Explosive Dynamic Super Smash Hit Explosions!" compilation. The group added their own take on "Theme From Shaft".
Lineup shifts occurred once again in 1992 when bassist Block was asked to leave CHEER-ACCIDENT after he came to a disagreement over the band's musical style. The group also began work on material with new bassist Dan Forden. The following year was spent recording, as well as developing a Chicago cable access television program titled Cool Clown Ground. In July of 1994, Albini was brought back into the studio to help CHEER-ACCIDENT record "Not a Food", which would become it's sixth full-length album. It was not released until February 19, 1996. Ex-Flying Luttenbachers bassist Dylan Posa replaced Forden after he got married in August of 1994. The band decided to go for a completely straight-ahead pop approach to their next full-length record, "The Why Album", which was recorded from 1992 until 1993 and released in November of 1994. With the addition of Posa and his background in the volatile Luttenbachers, he brought an intense feeling to CHEER-ACCIDENT's 1996 and 1997 performances. Members of the band would also begin to add contributions to other groups around that time, which included U.S. Maple, Dot Dot Dot, Yona-Kit, Bobby Conn, Gastr Del Sol, and Smog.
In 1997, CHEER-ACCIDENT appeared on the split 7" single, "His Ass Was His Only Feature" on the Super 800 label with the group Star Star. In April, the band released material they'd been working on for the last five years as their seventh full-length record, "Enduring the American Dream". It was the band's second release for Pravda and culled tracks from studio sessions recorded in Hoffman Estates, Streamwood, Schaumburg, and Palatine, IL. The following month, the group recorded a 52-minute song called "Trading Balloons". After the studio session was finished, the band went on hiatus until September of 1998, when they reconvened to play with the Flying Luttenbachers and the Bells at Lounge Ax in Chicago.
Tragedy struck CHEER-ACCIDENT at the beginning of 1999. Just two weeks after performing a show at the DeKalb, IL. club "Seven Dead Arson" on January 22, and just two days after recording the basic tracks for their eighth full-length release "Salad Days", Bonnet was found dead of a brain aneurysm. Unsure of their desire to continue, the band met and agreed that Bonnet would have wanted them to forge ahead without him. By the middle of May, all of the recording and mixing for "Salad Days" was finished. Seeking an additional guitarist to fill the position left vacated by Bonnet, Jones recruited his friend Jamie Fillmore, who had performed on the Antje album "Big Open Sky". Once the lineup was stabilized, the band self-released "Trading Balloons" as an EP. This was followed by their eighth full-length LP, "Salad Days", in October of 2000. As of 2001, CHEER-ACCIDENT was finishing up the final touches on its ninth full-length release and was playing live on a consistent basis in the Midwestern United States.
- amg
Official Website: http://www.cheer-accident.com/
It was during the first few moments of 1981 at a New Year's party when Jones, vocalist Jim Drummond, and drummer Mike Greenlees decided to form a band. Jones couldn't get his Hallmark memory out of his mind and called the band CHEER-ACCIDENT. Various contributing musicians helped the band with the recording of their first album, "Life Isn't Like That". After the album came out in 1986, Greenlees and Drummond left to pursue other full-time interests. The next lineup of CHEER-ACCIDENT consisted of bassist Chris Block and guitarist Jeff Libersher, whom Jones had met in the mid-'80s while attending Northern Illinois University. They recorded their first nationally distributed release, "Sever Roots, Tree Dies", with Phil Bonnet at Solid Sound Studios in Hoffman Estates, IL, from April through July of 1988. They released the album on their own label, Complacency, that same year. Other material from the session went on a cassette LP on Complacency called "Vasectomy".
Following the releases, the band reentered the studio with Steve Albini to record the EP "Dumb Ask". The English label Neat Records was so impressed by the album that the imprint offered the band a two-record deal in 1990. The first album of their contract was shown to the band after pressing, and according to Jones, it was over-compressed, edited in an obscene fashion, and loaded with misspellings. The band was angered and the contract was over. They continued to release material on Complacency and also hired their engineer/producer Phil Bonnet (known for his work with Will Oldham, U.S. Maple, the Smoking Popes, Bobby Conn, and Eleventh Dream Day) to be their second guitarist. By 1991, CHEER-ACCIDENT had begun holding recording sessions for its fourth album, "Babies Shouldn't Smoke", in the upstairs studio of the Pete WAY room in Chicago. Shortly after the sessions came to an end, Pravda approached the band with the offer to add a track to the label's "20 Explosive Dynamic Super Smash Hit Explosions!" compilation. The group added their own take on "Theme From Shaft".
Lineup shifts occurred once again in 1992 when bassist Block was asked to leave CHEER-ACCIDENT after he came to a disagreement over the band's musical style. The group also began work on material with new bassist Dan Forden. The following year was spent recording, as well as developing a Chicago cable access television program titled Cool Clown Ground. In July of 1994, Albini was brought back into the studio to help CHEER-ACCIDENT record "Not a Food", which would become it's sixth full-length album. It was not released until February 19, 1996. Ex-Flying Luttenbachers bassist Dylan Posa replaced Forden after he got married in August of 1994. The band decided to go for a completely straight-ahead pop approach to their next full-length record, "The Why Album", which was recorded from 1992 until 1993 and released in November of 1994. With the addition of Posa and his background in the volatile Luttenbachers, he brought an intense feeling to CHEER-ACCIDENT's 1996 and 1997 performances. Members of the band would also begin to add contributions to other groups around that time, which included U.S. Maple, Dot Dot Dot, Yona-Kit, Bobby Conn, Gastr Del Sol, and Smog.
In 1997, CHEER-ACCIDENT appeared on the split 7" single, "His Ass Was His Only Feature" on the Super 800 label with the group Star Star. In April, the band released material they'd been working on for the last five years as their seventh full-length record, "Enduring the American Dream". It was the band's second release for Pravda and culled tracks from studio sessions recorded in Hoffman Estates, Streamwood, Schaumburg, and Palatine, IL. The following month, the group recorded a 52-minute song called "Trading Balloons". After the studio session was finished, the band went on hiatus until September of 1998, when they reconvened to play with the Flying Luttenbachers and the Bells at Lounge Ax in Chicago.
Tragedy struck CHEER-ACCIDENT at the beginning of 1999. Just two weeks after performing a show at the DeKalb, IL. club "Seven Dead Arson" on January 22, and just two days after recording the basic tracks for their eighth full-length release "Salad Days", Bonnet was found dead of a brain aneurysm. Unsure of their desire to continue, the band met and agreed that Bonnet would have wanted them to forge ahead without him. By the middle of May, all of the recording and mixing for "Salad Days" was finished. Seeking an additional guitarist to fill the position left vacated by Bonnet, Jones recruited his friend Jamie Fillmore, who had performed on the Antje album "Big Open Sky". Once the lineup was stabilized, the band self-released "Trading Balloons" as an EP. This was followed by their eighth full-length LP, "Salad Days", in October of 2000. As of 2001, CHEER-ACCIDENT was finishing up the final touches on its ninth full-length release and was playing live on a consistent basis in the Midwestern United States.
- amg
Official Website: http://www.cheer-accident.com/
Smile
Cheer-Accident Lyrics
Jump to: Overall Meaning ↴
And I can see from your eyes the pain that you’ve endured. It makes you feel so hope and it feel so worthless. And I can see from your eyes the pain that no one knows. No matter how hard you try, I could see your disguise. No one would save her. Her torments been forever. Trying to live in a society. Taking pills for anxiety. And I can see from your eyes the pain that no one knows. It makes you feel so hopeless and it feel so worthless. And I can see from your smile, the smile no one knows. No matter how hard you try, I could see your disguise. No one would save her. Her torments been forever. Trying to live in a society. Taking pills for anxiety. If you could only see in her eyes. Take a look now, she’s trying to grip in this life. She’s broken, full of lies, pieces, lost, fall apart. Look at her now, she’s trying to grip in this life. (RISE AND FALL) If you could only see in her eyes. Take a look now, she’s trying to grip in this life. She’s broken, full of lies, pieces, lost, fall apart. Look at her now, she’s trying to grip in this life. She’s broken..
The lyrics of the song "Smile" by Cheer-Accident delve into the theme of hidden pain and suffering. The singer acknowledges the pain and torment that the person they are addressing has endured, as evident in their eyes. Despite the person's efforts to disguise their pain, the singer sees through their facade and recognizes the depth of their struggle. The person feels hopeless and worthless, and their pain goes unnoticed by others. They resort to taking anxiety pills, perhaps as a coping mechanism or to numb their emotions.
The repeated lines "No one would save her, her torment's been forever" emphasize the person's isolation and the ongoing nature of their suffering. They are trapped in a society that fails to address their pain or offer any respite. The chorus highlights the contrast between the unseen pain and the hidden smile. The person's smile may deceive others into thinking they are fine, but the singer can see the truth behind it, knowing the inner turmoil they face.
Overall, the lyrics of "Smile" paint a poignant picture of someone struggling with their internal battles, trapped in a society that fails to understand or acknowledge their pain.
Lyrics © O/B/O APRA AMCOS
Written by: ABDULHAMMEDALVAREZ
Lyrics Licensed & Provided by LyricFind
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