Spedding was raised by adoptive parents in Sheffield before moving to Birmingham. During the late 1960s and early 1970s he became known as a guitar player on sessions for Alan Price, Jack Bruce, Pete Brown's Battered Ornaments and others. During this time he was also playing jazz with Nucleus and recorded and toured with Mike Gibbs. He was a session player on Harry Nilsson's breakthrough album, Nilsson Schmilsson, recorded in London.
During 1972-74 Spedding played a central role in Sharks, initially with ex-Free bassist Andy Fraser. They recorded two albums and toured with Roxy Music. After that, he toured and recorded with John Cale. He also played with Roy Harper's occasional backing band Trigger, notably on 1975's HQ album.
In 1975 Spedding had a Top Twenty solo hit in the UK with "Motor Bikin'", but subsequently became better known as a session guitarist, appearing and recording with Bryan Ferry, Roxy Music, Elton John, Brian Eno, Jack Bruce, Nick Mason and Katie Melua, amongst others. During the mid 1970s, he even took part in the Wombles' UK tour in full furry costume, whilst wielding his trademark Gibson Flying V.
Spedding recorded a version of the American singer-songwriter Garland Jeffreys' song, "Wild In The Streets", on his own Hurt album. The song has since been covered by the Circle Jerks and is featured on Tony Hawk's American Wasteland.
He also was the producer of the Sex Pistols first demos, which were recorded on 15 May 1976. The three tracks recorded were "Problems", "No Feelings" and "Pretty Vacant".
He made an appearance in Paul McCartney's Give My Regards to Broad Street in 1984, playing guitar in a session with McCartney and his wife, Linda. In 1995, he played on Willy DeVille's Big Easy Fantasy, and later that year, on his album Loup Garou.
Spedding was producer of the first two albums by Canadian rockabilly band "The Razorbacks" entitled "Go to Town"(1988) and "Live a Little"(1989).
Spedding has had a long association with rockabilly legend Robert Gordon recording the classic albumn 'Live at the Lonestar' in 1989. Their cover of Springsteen's 'Fire' is reported to be the Boss' favorite version.
In 2011 Spedding and Steve Parsons (aka "Snips", former vocalist with Sharks) are back together with Martin Chambers (Pretenders) on drums, Glen Matlock (Sex Pistols) on bass, and a new mysterious guitarist named Sixteen, making a five-piece band called King Mob.
Wild Wild Women
Chris Spedding Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The cheats that women told me
You know they all console me
And you know it's true
Yes, you know it's true
Talkin' about
Talkin' about
Wild, wild women
And you know it's true
Talkin' about
Talkin' about
Talkin' about
Wild, wild women
Don't let her fool you
Don't let her gain control
Do it like I told you
Only make my patrol
Yeah, it's getting out of control
Talkin' about
Talkin' about
Talkin' about
Wild, wild women
Wild, wild women
Well you know it's true
Talkin' about
Talkin' about
Talkin' about
Wild, wild women
Wild, wild women
I said
Wild, wild women
Wild, wild women
The song "Wild Wild Women" by Chris Spedding is an ode to the excitement and danger of living life on the edge. The lyrics suggest that the singer has been exposed to the wild ways of women who have shown him the tricks and manipulations that they use to get what they want. Despite this, he seems to be drawn to them, seeking their company and perhaps even being consoled by them. The repetition of the phrase "talkin' about wild, wild women" reinforces this idea that these women are a major preoccupation in the singer's life.
The lyrics also caution the listener not to be fooled by these women, as they can gain control and cause chaos. The mention of "making my patrol" suggests that the singer is a kind of vigilante, trying to keep the wild women in check. However, as the song progresses, it becomes clear that this task is becoming increasingly difficult, with the wildness getting "out of control."
Overall, the lyrics of "Wild Wild Women" paint a picture of a world where pleasure and danger go hand in hand. The singer seems to be both attracted to and repelled by the wild women he encounters, suggesting that he is aware of the risks but can't resist the thrill.
Line by Line Meaning
Wild women showed me
I've learned a lot from women who live life uninhibitedly
The cheats that women told me
I've picked up on the deceptions that women often use
You know they all console me
The comfort these women give me is undeniable
And you know it's true
What I'm saying is not just talk; it's a fact
Yes, you know it's true
I'm emphasizing that my point is not up for debate
Talkin' about
I'm continuing to discuss
Wild, wild women
These ladies are free-spirited, and that's what I admire
Don't let her fool you
Don't be deceived by her actions
Don't let her gain control
Don't allow her to manipulate or dominate you
Do it like I told you
Follow my advice on how to handle these women
Only make my patrol
Stay loyal to me and our friendship
Yeah, it's getting out of control
Things with these women are becoming too chaotic for my liking
Well you know it's true
I'm emphasizing that my point still holds
Wild, wild women
I'm still singing praise for these carefree ladies
I said
I'm reiterating my point
Wild, wild women
These women are the topic of my song and admiration
Wild, wild women
I'm ending the song with the same phrase that began it
Contributed by Ella D. Suggest a correction in the comments below.
Mercia Passchier
Rock and Roll never dies, this is timeless.
chris guy
This can never be played loud enough. :)
Husbil Vår Passion
Love this song. Still got the vinyl album in perfect condition
capitanchorizzo
I still got the original vinyl wreckord. I almost played it to transparency at the time: what a cool and verry, verry original Rocker!
Heiko Theubert
Me too
John Haley
Wishihadkeptmine.
john johnston
one of my fave albums love it!!!!!!!!
Larz Gustafsson
One of his best tunes!
Frank Schmid
One of my first album.great
Mats Willner
So damn good 👍👍😀