Born in Windsor, Ontario and raised in France and Kelowna, British Columbia, Fellows lived in Toronto, Vancouver, Guelph and Montreal before settling in Winnipeg in 1992.
In 1993, she formed her first group, Helen, with Barry Mirochnick, Paul James, and Chang. Helen broke up in 1995, and in 1996 Fellows teamed up with singer-songwriter Keri McTighe, Barry Mirochnick, Keith McLeod and Peggy Messing, to form Special Fancy. The group released one album, King Me.
In 2000 Fellows released her debut solo album, 2 Little Birds. This was followed by The Last One Standing in 2002, Paper Anniversary in 2005, and Nevertheless in 2007. These albums feature Leanne Zacharias (cello), Jason Tait (drums, vibraphone), Barry Mirochnick (drums, vocals), John K. Samson (vocals, guitar), Keith McLeod (mandolin), Monica Guenter (viola), Greg Smith (bass), Ed Reifel (percussion), and Cristina Zacharias (violin).
Fellows has performed with the Rheostatics, Veda Hille, The Mountain Goats, Kim Barlow, Old Man Luedecke, and The Weakerthans. She is married to The Weakerthans' lead singer, John K. Samson.
In 2006, Fellows and Samson recorded The Old House, an album intended only as a Christmas gift for friends and family, although they released two songs, "Taps Reversed" and "Good Salvage", for airplay on CBC Radio 3 in early 2007. Fellows and Samson also performed live on the network on March 17, 2007, to mark the final night of the network's terrestrial simulcast on CBC Radio 2.
Fellows also composes music for dance, film and television. She scored part of Clive Holden's Trains of Winnipeg film series, as well as collaborating with Tait and Samson on the associated album. In 2007, she wrote several songs for a dance piece by choreographer Susie Burpee; they were later included on her fourth solo album, Nevertheless, which was released on November 6, 2007.
Fellows has also toured as a member of The Pan-Canadian New Folk Ensemble with Kim Barlow and Old Man Luedecke.
Recently, she was artist-in-residence at Le Musee de Saint-Boniface Museum in Winnipeg (2009), and she has been writing songs for a new solo album, scheduled for release on Six Shooter Records in fall of 2010.
The Line
Christine Fellows Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The line is, by design, enough to change your mind. Gleaming row of ships receding, far as we can see.
Say what you say, the mouth and the teeth, the rockiest beach, the constant roar. Say you want more. Say you
want more. Anchored off the shore for twenty days or more, silver bowls of ice cream melt outside your cabin
door. When you disembark, remember where you parked. A row of exclamation points idle in the dark. Say
what you say, the mouth and the teeth, the rockiest beach, the furthest shore. Say you want more. Say you want
more.
The lyrics of Christine Fellows's song "The Line" explore the metaphor of waiting in a long line and how it can feel like a trap. The line is described as far too long, snaking back on itself, creating a feeling of frustration and impatience. The repetition of "the line is, by design, enough to change your mind" suggests that waiting for something for too long can make you reconsider your choices or desires. The image of a gleaming row of ships receding in the distance symbolizes opportunities or possibilities slipping away as time goes by.
The chorus, "Say what you say, the mouth and the teeth, the rockiest beach, the constant roar. Say you want more. Say you want more," emphasizes the idea of expressing oneself and embracing desires or ambitions, even in the face of setbacks or obstacles. It encourages the listener to speak up and strive for more, despite the challenging circumstances. The reference to being anchored off the shore for twenty days or more and silver bowls of ice cream melting outside the cabin door adds a sense of longing and delayed gratification. Upon disembarking, the lyrics suggest the importance of remembering where one has parked, implying the need to stay grounded and not lose sight of one's goals or aspirations.
Overall, "The Line" conveys a sense of frustration with waiting and the potential opportunities that may be missed as time passes. It encourages listeners to vocalize their desires and strive for more, even in challenging circumstances.
Line by Line Meaning
The line is far too long, too long to wait upon. A snaking wave that circles back. Certainly, a trap.
The waiting line is excessively lengthy, impossible to endure. It resembles a meandering wave that loops around, undoubtedly a snare.
The line is, by design, enough to change your mind. Gleaming row of ships receding, far as we can see.
The intentional design of the line is crafted to manipulate your thoughts. A sparkling line of ships gradually moving away, stretching as far as our eyes can perceive.
Say what you say, the mouth and the teeth, the rockiest beach, the constant roar. Say you want more. Say you want more.
Express your thoughts, using your voice and words, amidst the challenging and tumultuous circumstances of life. Despite the harshness of it all, express your desire for greater things. Repeat your desire for more.
Anchored off the shore for twenty days or more, silver bowls of ice cream melt outside your cabin door.
Being stationed near the coast for an extended period, for at least twenty days, the silver bowls containing ice cream slowly melt under the heat, left unattended outside your cabin.
When you disembark, remember where you parked. A row of exclamation points idle in the dark.
Upon leaving, keep in mind the location where you left your vehicle. A series of exclamation marks remains motionless in the obscure darkness.
Say what you say, the mouth and the teeth, the rockiest beach, the furthest shore. Say you want more. Say you want more.
Express your thoughts, using your voice and words, amidst the most challenging situations, symbolized by the rough beach and the farthest shore. Declare your desire for greater things. Repeat your desire for more.
Lyrics © O/B/O APRA AMCOS
Written by: Christine Fellows
Lyrics Licensed & Provided by LyricFind
H A
Wonderful as always. I'm looking forward to Wednesdays