On 7th July 2012 Chumbawamba announced their impending breakup before the end of the year. Their very last concert was given at the Leeds City Varieties. At this show former members of the band, such as Harry Hamer and Danbert Nobacon made their appearance. At this theatre, Chumbawamba already performed 'Big Society!' with radical theatre company Red Ladder.
The last EP of the band was released April 8th, 2013, when Margaret Thatcher passed away. The Margaret Thatcher EP 'In Memoriam' is a 5-track sound collage featuring a few small songs, which could only be pre-ordered. It was mailed to all who pre-ordered on that very day.
Early years (1982-1991)
The band was formed in 1982 from two other bands based in Yorkshire, The Passion Killers and Chimp Eats Banana. They released a series of albums (such as Pictures of Starving Children Sell Records and the a capella album English Rebel Songs) and singles on their own Agit-Pop label before moving to One Little Indian in the early 90s.
One Little Indian (1991-1997)
On One Little Indian, Chumbawamba released three albums, Slap!, Shhh, and Anarchy, on which influences of techno music are noticeable. The songs for these albums were written in a period when dance culture was thriving and the band were also influenced by it. The music had turned into a more popular sound, which they emphasized was to spread the message more effectively. Touring for Anarchy, the concert at Leeds was recorded for the live album "Showbusiness!".
The last album released on One Little Indian is Swingin' with Raymond (1995). The albums first six songs are about (the right to) love and ends with seven songs loaded with hate (in the broadest sense of the word: it includes a song about anorexia nervosa).
The EMI years (1997-2000)
Anarchy or not, the band signed to EMI by 1997. At EMI, Chumbawamba had brief mainstream success, with the singles Tubthumping and Amnesia, taken from Tubthumper. Like Slap! and Shhh, the album was noticeably influenced by techno music. The new Chumbawamba fans needed for an overview, EMI might have thought. So Uneasy Listening, a compilation of work from 1986-1998 was released by 1998.
This move alienated much of the anarchist punk scene that yielded Chumbawamba in the 80's. To their former cohorts, this new Chumbawamba -one that licensed songs for commercials and signed to a major label- was different than the one that took part in the Fuck EMI compilation record a decade before. In 1998, Scottish punk band Oi Polloi put together a 7 band compilation EP with other bands like Riot/Clone and Bus Station Loonies in response. The name of the record was "Bare Faced Hypocrisy Sells Records(The Anti Chumbawamba EP)" as a nod to Chumbawamba's first record. Chumbawamba responded by noting that even the smaller labels they had worked with were capitalist by definition and were often only driven by profit. They added that, with the help of good lawyers, they were doing what the Sex Pistols had done two decades earlier – what punk had initially set out to do before it was beset by righteous puritans looking for "a new set of rules", as the band put it. But also, in the words of Chumbawamba vocalist Danbert Nobacon, they "needed things to change", needed to "shake things up". According to the band, "even radical politics can get stagnant and repetitive." Much of the profits from the album were donated to radical groups, pirate radio stations, community organisations and anarchist projects.
By 2000, the album WYSIWYG was released, being entirely different from previous work (and thus defying the idea that the band just wanted to make commercial hits): a 22-track soundscape, comprising rock, folk, country and pop music. It includes a cover of the Bee Gees song New York Mining Disaster.
Return to independance (2002-2010)
In 2002, Chumbawamba formed their own label again, now naming it Mutt Records. On this record label, they released Readymades, followed by the world music influenced Un (2004). These two albums brought Chumbawamba to what it is now: a folk group.
Since 2005, the band decided it would be better to turn into an acoustic band. The line-up has changed to: Boff Whalley, Lou Watts, Jude Abbot and Neil Ferguson (former producer of the band). It was this line-up that released the fully acoustic album A Singsong and a Scrap on the small UK Folk and Folk-Rock label NoMasters by 2006. The album uses more traditional instruments and features English Folk artists such as Coope, Boyes & Simpson and Andy Cutting. In 2007 followed by the live album Get On With It.
In 2008, another No Masters album, The Boy Bands Have Won, was released. It contained 25 tracks of new acoustic material, some derived from traditional folk, such as Charlie. It also had guest performances by, amongst others, the Oyster Band on Hull or Hell and Roy Bailey on Word Bomber. It's this album where Phil Moody joined Chumbawamba as accordionist and vocalist.
The third album that Chumbawamba recorded on NoMasters, ABCDEFG, was released. The album is cut from very much the same cloth as the The Boy Bands Have Won, but is richer in sound. ABCDEFG stands for every note in the Western music scheme, and the album itself is about the power that music can bring to communities (Voices, That's All) and deliver to people in struggle (Wagner At The Opera). It's the first Chumbawamba album fully dedicated to music matters, though Shhh (1991) preceded this release, criticising pop culture.
On ABCDEFG, next to the five Chumbas, (amongst others) Ray Cooper plays cello and harmonica, Belinda O'Hooley plays the piano and Jo Freya plays alt and tenor saxophone.
Former members of Chumbawamba
Apart from the moment that Chumbawamba changed from electric band to acoustic band, Chumbawamba's line-up has changed several times after its first gig at January 8th, 1982.
Danbert Nobacon: Singer and keyboard player of the band, famous for wearing the brick suit, and for throwing a jug of water over UK Deputy Prime Minister John Prescott who showed up at the Brit Awards. He's still making music, see Danbert Nobacon and the Pine Valley Cosmonauts.
Dunstan Bruce: Vocalist, bass and saxophone player, percussionist and turntablist of the band.
Alice Nutter: Singer and percussionist of the band, famous for the drunk nun act she performed during live shows. Now writing scripts for radio, tv and theatre pieces.
Harry Hamer: Singer, drummer, programmer and percussionist of the band.
Mavis Dillon: Dillon did vocals, trumpet, french horn and bass for ten years, until he was replaced by Jude Abbot by 1995.
Paul Greco: Bass guitar, entered the band by 1992. He was replaced by Neil Ferguson in 1999.
Other former members include Coby Laan, Simon Commonknowledge, Midge (former Chimp Eats Banana) and Diane. There were actually loads of band members, especially in the early years. An extensive band history can be found at the Chumbawamba FAQ.
Hanging on the Old Barbed Wire
Chumbawamba Lyrics
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I know where he is
I know where he is
I know where he is
If you want to find the general
I know where he is
He's pinning another medal on his chest
I saw him, I saw him
Pinning another medal on his chest
If you want to find the colonel
I know where he is
I know where he is
I know where he is
If you want to find the colonel
I know where he is
He's sitting in comfort stuffing his bloody gut
I saw him, I saw him
Sitting in comfort stuffing his bloody gut
If you want to find the sergeant
I know where he is
I know where he is
I know where he is
If you want to find the sergeant
I know where he is
He's drinking all the company rum
I saw him, I saw him
Drinking all the company rum
Drinking all the company rum
If you want to find the private
I know where he is
I know where he is
I know where he is
If you want to find the private
I know where he is
He's hanging on the old barbed wire
I saw him, I saw him
Hanging on the old barbed wire
Hanging on the old barbed wire
The lyrics of Chumbawamba's "Hanging on the Old Barbed Wire" depict the hierarchy and brutality of war. The song presents four different ranks in the army - the general, colonel, sergeant, and private - and their different roles and experiences during war. The chorus repeats throughout the song, emphasizing the singer's knowledge of where each rank can be found. The first two ranks, the general and colonel, are portrayed as being awarded medals and living in comfort while the lower ranks suffer. The sergeant is shown drinking all the company rum, perhaps to deal with the stress of war. Finally, the private is depicted as hanging on the old barbed wire, a gruesome image which suggests that the lower ranks suffer the most and are often forgotten.
This song speaks to the unequal distribution of power and resources in war, in which higher ranks benefit while lower ranks are subjected to physical and emotional trauma. The final line, "Hanging on the old barbed wire," which repeats twice, is particularly haunting. It suggests that the private's life is disposable and not valued by those in power. The song may be interpreted as a commentary on the futility and senselessness of war, and how it ultimately destroys and dehumanizes individuals.
Line by Line Meaning
If you want to find the general
I have information on the whereabouts of the general
I know where he is
I have seen the general
He's pinning another medal on his chest
The general is receiving yet another reward for his actions in the war
If you want to find the colonel
I have information on the whereabouts of the colonel
He's sitting in comfort stuffing his bloody gut
The colonel is taking advantage of his position and enjoying a lavish lifestyle while his soldiers suffer
If you want to find the sergeant
I have information on the whereabouts of the sergeant
He's drinking all the company rum
The sergeant is indulging in his own desires instead of looking after the needs of his comrades
If you want to find the private
I have information on the whereabouts of the private
He's hanging on the old barbed wire
The private has been left to die painfully on the battlefield, forgotten and uncared for
Lyrics © Sony/ATV Music Publishing LLC
Written by: ALICE NUTTER, ALLEN WHALLEY, BRUCE DUNSTAN, DARREN HAMER, JUDITH ABBOTT, LOUISE WATTS, NIGEL HUNTER, PAUL GRECO
Lyrics Licensed & Provided by LyricFind