The band's origin dates back to the summer of 1989 when Zak Tell and Jocke Skog met while working together at the Rosenlund Hospital somewhere in the vicinity of Stockholm. In 1990 they were joined by the Norwegian guitarists Bård Torstensen and Erlend Ottem who were also working at the same hospital. Soon the four realized their similar interests in music. Bård and Erlend previously played in a band called Theo in their hometown Arendal back in Norway. Their free time was invested in exploring the musical world, composing and writing songs while evolving into a band.
Their original demo comprising three tracks (Waste of Time, Nigger and Profit Preacher) quickly secured them local radio airplay and consequently brought them to the attention of the MVG label. "Nigger" is an anti-racism statement that caused quite a stir and was a massive success; it was also released as a single. By the beginning of the 1990s, Clawfinger self-released their debut Deaf Dumb Blind. This sold in over 600,000 copies worldwide and was critically acclaimed in Swedish press. With the addition of André Skaug and drummer Morten Skaug, Clawfinger went on tour and played at countless European festivals including major support slots with Anthrax and Alice in Chains.
The band received many awards, including two home Grammies at the Swedish Grammy Awards in 1994 for best hard rock band and best music video. After touring, they went straight back in the studio to record their second album, Use Your Brain. After the release of this album they went on yet another touring campaign, most notably participating at Ozzy Osbourne's Monsters of Rock Festival in Brazil and Chile, rocking alongside American metal counterparts like Megadeth, Faith No More, and Alice Cooper. Back in Europe they continued their touring campaign by participating at festivals and countless gigs.
Their self-titled album Clawfinger was released in 1997. The first song on the album is Two Sides, which expanded the band's reach by using female choir vocals and a Middle Eastern sound. The rest of the album continues with the band's typical aggressive voice and socio-political lyrics.
A Whole Lot of Nothing was the fourth album released on 23 July 2001. The music showcases the same aggressive guitars, with more distortion effects and sounds, adding a whole new level of diversification. As for the synthesizers, on this particular album they're more present than on any other of Clawfinger's works.
Zeros & Heroes was released in 2003 and it caused controversy in America because the song Step Aside did not sit well with most American audiences due to the fact it slams George W. Bush and the post 9/11 (and not only) military politics of the US. It offers yet another style change for the ears of the listener. The electronic sound and synthesizers from A Whole Lot of Nothing are gone and replaced by a more complex and melodic guitar riffing.
Hate Yourself With Style was released in 2005. The album continued the path entered on Zeros & Heroes and is characterized by hardrock style melodic speedy guitar riffs. The keyboards which particularly characterized A Whole Lot of Nothing have completely disappeared.
Life Will Kill You was released in 2007. It has spawned three singles: Prisoners, The Price We Pay, and Little Baby.
The band officially disbanded in 23 August 2013.
Current members:
Zak Tell — vocals
Jocke Skog — keyboards
Bard Torstensen — guitar
Henka Johansson — drums
Andre Skaug — bass
Manic Depression
Clawfinger Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I know what I want but I just don't know
How to, go about gettin' it
Feeling sweet feeling,
Drops from my fingers, fingers
Manic depression is catchin' my soul
Woman so weary, the sweet cause in vain
It's all the same
When it's, when it's over, mama
Music, sweet music
I wish I could caress, caress, caress
Manic depression is a frustrating mess
Well, I think I'll go turn myself off,
And go on down
All the way down
Really ain't no use in me hanging around
In your kinda scene
Music, sweet music
I wish I could caress, caress, caress
Manic depression is a frustrating mess
Ow! ow!
Music sweet music sweet music
Sweet music sweet music
Hooo!
In Clawfinger's song Manic Depression, the lyrics describe the feeling of being stuck and unable to move forward in life. The line, "Manic depression is touching my soul" suggests a feeling of being overwhelmed and uncertain of what to do next. The singer knows what they want, but they just can't seem to figure out how to achieve it. The feeling is so intense that it's as if manic depression has taken over their being, reflected in the repetition of the line.
The next verse gives the example of a woman who is also suffering in a relationship. She loves and loses, and despite the music being her only source of comfort, the situation is still painful. The repetition of "sweet music" contrasts with the mention of "frustrating mess," emphasizing the emotional turmoil felt during manic depression.
The final lines suggest that the singer is going to give up on trying to move forward and instead "turn myself off" and "go all the way down." The song ends with a final scream, perhaps expressing the intense frustration and hopelessness of being stuck. Clawfinger's Manic Depression is a powerful portrayal of the inner turmoil and struggle to break free from the grip of depression.
Line by Line Meaning
Manic depression is touching my soul
The singer is experiencing extreme mood swings
I know what I want but I just don't know How to, go about gettin' it
The singer is lacking direction and clarity in their desires
Feeling sweet feeling, Drops from my fingers, fingers Manic depression is catchin' my soul
Despite feeling something positive, the singer is still struggling with their mental health
Woman so weary, the sweet cause in vain You make love, you break love It's all the same When it's, when it's over, mama
The artist is reflecting on the futility of relationships that only end in heartbreak
Music, sweet music I wish I could caress, caress, caress Manic depression is a frustrating mess
Music is a source of temporary relief, but the artist's mental health is still a major issue
Well, I think I'll go turn myself off, And go on down All the way down Really ain't no use in me hanging around In your kinda scene
The singer feels disconnected from their surroundings and is contemplating withdrawing
Ow! ow! Music sweet music sweet music Sweet music sweet music Hooo!
This repeating refrain emphasizes the power that music holds as an emotional outlet
Contributed by Reagan K. Suggest a correction in the comments below.
Justin P
definitely one of my favourite songs off that album, and i think you guys did the cover with great respect to Jimi
hermann frez
Pretty damn good rendition of this classic! Cheers from Chile.
steffi wansing
hört sich echt gut an
JONNIE ROCKER
👍👍
MrGeeEph
'tis be touching my soul *****