Coil spent the next period of its existence exploring visual media. In late 1984 they recorded a rendition of Tainted Love (originally recorded by Gloria Jones, but made popular by Soft Cell in the 80s), producing a widely banned, hallucinogenic video clip featuring Marc Almond as the Angel of Death; despite considerable controversy at home, the video ultimately found its way to the archives of the Museum of Modern Art. After spending several years working with filmmaker Derek Jarman on the feature The Angelic Conversation, Coil issued a remixed edition of their soundtrack. Following 1986’s Nightmare Culture, a collaboration with Boyd Rice produced as split release with Current 93, Christopherson and Balance invited Stephen Thrower to join the group in a full-time capacity. As a trio, they recorded 1986’s LP Horse Rotorvator, introducing orchestral, jazz, and middle Eastern textures into the mix; this album included The Anal Staircase.
In 1987, Coil issued The Unreleased Themes for Hellraiser, a collection of atmospheric gothic instrumentals commissioned for but ultimately cut from the Clive Barker horror film, followed by compilation album Gold Is the Metal (With the Broadest Shoulders), a remixed history of the group’s first several years of work. Unnatural History, another career overview, effectively ended the first phase of the band’s career in 1990; when Coil resurfaced a year later with Love’s Secret Domain, their music reflected the strong influence of the acid house culture. Another long layoff brought on by financial difficulties ended in 1995, when the group - now consisting of Sleazy, Balance, and Drew McDowell - signed to Nine Inch Nails’ Trent Reznor’s Nothing Records to release Backwards, an album which was never officially released, although it is available in a number of bootleg versions. Additionally, they recorded the LP Worship the Glitch, issued under the name ELpH, and in 1996 cut A Thousand Lights in a Darkened Room as Black Light District.
1998 marked a significant stylistic shift for Coil, as the group moved away from the industrial dance sound they pioneered in the first half of their career towards what Balance referred to as "Moon Musick". This began with the release of four seasonal EPs throughout that year, coinciding with the equinoxes and solstices; this marked the group making further forays into ambient and neoclassical styles. Lyrically, there was a push towards naturalistic, pagan imagery, and an emphasis on free form, improvisatory chants. All four of these releases were later collected and released as Moons Milk (in Four Phases) in 2002. Coil also put out a purely drone based project, Time Machines, under that alias the same year.
In 1999 Coil started to work with Thighpaulsandra, and with him released the chilling Musick to Play in the Dark, a dark, meditative work featuring mostly intoned vocals from Balance, and exploring deeper electronic textures and pitches. A second volume followed in 2000. After years of refusal to do so, Coil started to perform live again in 1999. They released a number of albums containing the various shows they did in the period 2000 - 2004. Coil have released a lot of material in very limited editions, and have distributed certain records only at concerts. In 2003 they started a project to re-issue these tracks. Amidst their sporadic touring, and growing internal tensions within the group, Black Antlers was released in 2004, consisting of many of the songs played in concert at the time. This would prove to be the last studio recording put out in Balance's lifetime.
Jhonn Balance’s long-time struggle with alcoholism led to his death on 13th November, 2004. He fell from the second floor window at his home, while drunk, and died a short time after. Coil’s last live performance took place at Dublin’s City Hall on 23 October 2004 and is expected to appear on the forthcoming DVD box set “Colour Sound Oblivion”. A number of songs that were (as good as) ready were released in autumn 2005 as a last farewell to Jhonn.
Peter Christopherson passed away peacefully in his sleep on November 25, 2010. Instead of sending flowers in memory of Peter Christopherson, people were asked to donate money to help children affected by AIDS in Thailand, the country he loved and died in.
http://www.thresholdhouse.com
http://en.wikipedia.org/wiki/Coil_(band)
Who by Fire
Coil Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Who in the sunshine, who in the night time,
Who by high ordeal, who by common trial,
Who in your merry merry month of may,
Who by very slow decay,
And who shall I say is calling?
And who in her lonely slip, who by barbiturate,
And who by avalanche, who by powder,
Who for his greed, who for his hunger,
And who shall I say is calling?
And who by brave assent, who by accident,
Who in solitude, who in this mirror,
Who by his lady's command, who by his own hand,
Who in mortal chains, who in power,
And who shall I say is calling?
The lyrics of "Who By Fire" are a contemplative reflection on the many ways in which death can come to us, as well as a meditation on the identity of the one who calls us forth from life. The song lists various potential causes of death, ranging from fire and water to illness and accidents, and each verse poses the question, "Who shall I say is calling?" This question suggests a belief in a higher power or spiritual force that oversees the process of death and dying. In the face of the inevitability of death, the singer is left grappling with the mystery of what lies beyond.
The song's dark yet introspective tone is enhanced by its haunting melody and sparse instrumentation. The repeated refrain of "Who by fire" creates a sense of foreboding and inevitability, while the shifting list of potential causes of death serves to underscore the many uncertainties and contingencies that shape our lives.
Overall, "Who By Fire" is a lyrically dense and musically affecting piece, one that invites listeners to ponder the mysteries of life, death, and everything in between.
Line by Line Meaning
And who by fire, who by water,
Who will perish in fire or drown in water?
Who in the sunshine, who in the night time,
Who will meet their fate in the day or night?
Who by high ordeal, who by common trial,
Who will be tested by challenging or routine circumstances?
Who in your merry merry month of may,
Who will pass away in a joyful time such as May?
Who by very slow decay,
Who will perish gradually over time?
And who shall I say is calling?
Who is responsible for calling out the names?
And who in her lonely slip, who by barbiturate,
Who will die by suicide using sleeping pills?
Who in these realms of love, who by something blunt,
Who will perish in the name of love or by a blunt weapon?
And who by avalanche, who by powder,
Who will be buried by an avalanche or gunpowder explosion?
Who for his greed, who for his hunger,
Who will meet their fate due to their greed or hunger?
And who shall I say is calling?
Who is responsible for calling out the names?
And who by brave assent, who by accident,
Who will die by making a brave choice or by accident?
Who in solitude, who in this mirror,
Who will die alone or see their reflection in their final moments?
Who by his lady's command, who by his own hand,
Who will be killed by their lover's order or by their own hand?
Who in mortal chains, who in power,
Who will die imprisoned or in a position of power?
And who shall I say is calling?
Who is responsible for calling out the names?
Lyrics © BMG Rights Management
Written by: Leonard Cohen
Lyrics Licensed & Provided by LyricFind
Emma Lindvall
A very interesting cover. I love Cohen, by this adds a whole different layer to the haunting and almost divine lyrics.
Peace Kramer
The lyrics are based on a Jewish prayer
http://en.wikipedia.org/wiki/Unetanneh_Tokef
Emma Lindvall
Peace Kramer Oh right! I think I've heard that long time ago, but forgotten it. Thanks!
Mu Phoenix
Peace Kramer I interpreted as being based on a popular Hua Tou / hwadu "Who am I?" Leonard Cohen had a lot of experience with Zen, for example.
http://en.wikipedia.org/wiki/Hua_Tou
Peace Kramer
Mu Phoenix I don't know about Leonard's Cohen experiance with Zen, but I do know he is Jewish, and a descendent of the preist line (Cohen).
So I think it is safe to assume that it is based on his Jewish heritage.
Mu Phoenix
Peace Kramer Not really because he practiced with Rinzai Zen teacher Sasaki and was ordained as a monk for a long time. The Hua Tou is used to awaken one to the illusoriness of individual self (i.e., the "I-me-mine"). The way he keeps repeating and inquiring into the Hua Tou "Who am I?" is very Buddhist.
garbo
This might be my favorite Leonard Cohen cover ever.
Greg Bergman
Thanks for posting this,this is my favorite album of all time. I have it on vinyl, but can't find it on c.d. or mp3.I would be forever in your debt if you could post"The Anal Staircase".
MrMushroom123
you can almost grasp it. this song is something else.
TheLynxie
RIP to another great band. Their music lives, but their ability to create more is diminished.