Born Concetta Rosa Maria Franconero in Newark's Italian Down Neck or Ironbound section of Newark, New Jersey neighbourhood, she is considered the most prolific and popular female rock 'n' roll hit-maker of the early rock era -- the late 1950s to the early 1960s. After an appearance on Startime, Francis was advised to change her name from Franconero to something more easily pronounceable, as well as to quit the accordion and focus on singing.
Francis' first single "Freddy" (1955) met with little success. Her next nine singles were also failures, and she began considering a career in medicine; however, "Who's Sorry Now" (a cover version of a 1923 song) launched her into super-stardom worldwide. Francis recorded the song at what was to have been her final recording session for MGM, as the label was about to drop her since her previous singles had generated little activity. She has said (paraphrased from The Billboard Book of Number One Singles by Fred Bronson) that she recorded it at the suggestion of her father, who convinced her it stood a chance of becoming a hit because it was a song adults already knew and that teenagers would dance to if it were released with a more contemporary arrangement.
The gamble paid off. In April 1958, "Who's Sorry Now" reached No. 1 on the UK Singles Chart (number four in the USA); in 2000, it was named one of the Songs of the Century. On January 1, 1958, she debuted it on Dick Clark's American Bandstand television show; by mid-year over a million copies were sold. This was followed by many other hits over the next decade, as Connie Francis became one of the most popular vocalists in the world.
Francis specialized in downbeat ballads delivered in her trademark "sobbing" style -- such as "My Happiness," "I'm Sorry I Made You Cry," "Among My Souvenirs," "Together," "Breakin' In a Brand New Broken Heart," and the Italian song "Mama," many of which were remakes of old standards. However, she also had success with a handful of more upbeat, rock-and-roll-oriented compositions, such as "Stupid Cupid," "Lipstick On Your Collar," and "Vacation." Among her other notable performances were "In the Summer of His Years" (a tribute to slain U.S. President John F. Kennedy) and Bert Kaempfert's "Strangers In The Night" (although the latter song is more identified with Frank Sinatra). Both "Everybody's Somebody's Fool" and "My Heart Has a Mind of Its Own" went to No.1 on the Billboard music charts in 1960. In 1962 she had another No.1 hit with "Don't Break the Heart That Loves You."
Francis recorded in nine languages during her career, including English, Italian, French, Spanish, German, and even Japanese, and remade many of her hits in foreign languages, including "Everybody's Somebody's Fool" and her signature song, "Where the Boys Are." In fact, her biggest hit album in the U.S. was 1960's Italian Favorites, and she followed it with several more albums of Italian songs over the years, as well as collections of Spanish-language and Jewish songs, among others.
"Where The Boys Are," one of many Neil Sedaka/Howard Greenfield compositions Francis recorded during her career (others included "Stupid Cupid" and "Everybody's Somebody's Fool"), gained wide exposure through its inclusion in the 1960 motion picture with the same title. Francis had a role in the film and sang the title song. During the first half of the 1960s she starred in three additional films -- Follow the Boys (1963) (the title song of which became a No. 17 Billboard single for Francis), Looking for Love (1964) and When the Boys Meet the Girls (1965).
In 1960 Francis became the youngest headliner to sing in Las Vegas, where she played 28 days a year for nine years. In 1961 she was successful in starring in her own television special on ABC television sponsored by Brylcreem titled Kicking Sound Around, singing and acting along-side Tab Hunter, Eddie Foy Jr. and Art Carney. She appeared on the Ed Sullivan Show on July 1, 1962 with French singing star Johnny Hallyday in a show that was taped at the famous Moulin Rouge nightclub in Paris, France. On July 3, 1963 she played a Command performance before Queen Elizabeth II at the Alhambra Theatre in Glasgow, Scotland. By 1967, she had 35 U.S. Top 40 hits, and three number ones.
Connie Francis has always been a great fan of country music and recorded several albums of country standards during her pop career. In 1969 she had a modest country hit with "The Wedding Cake" and made the country charts again in 1982 with "There's Still a Few Good Love Songs Left in Me." Several country singers found chart success remaking Francis' pop hits for the country market, including Marie Osmond ("Who's Sorry Now" in 1975), Susan Raye ("My Heart Has a Mind of Its Own" in 1972), Margo Smith ("Don't Break The Heart That Loves You" in 1978), and Debby Boone.
During the height of the Vietnam War in 1967, Connie Francis performed for U.S. troops.
Francis ended her recording career in 1969. She returned in 1973 with "The Answer," a song written just for her, and soon began performing again. Her son Joey was born in 1974. Tragedies followed soon after. In 1974 she was sexually assaulted in a hotel following a performance in Westbury, New York. Nasal surgery to correct a sensitivity to air conditioning deprived her of her ability to sing professionally for four years. Her brother was murdered in 1981.
Francis' autobiography, Who's Sorry Now? was published in 1984. Francis was diagnosed with bipolar disorder, a mental disease which includes severe depressions and manic highs. She uses the drug Lithium to balance out the emotional highs and lows caused by the disease. Connie Francis resumed her career in 1989 after discovering the drug and has continued singing and recording since then. Francis still holds a world-wide appeal shown through continued music sales and sold-out appearances.
Her latest CD The American Tour contains performances from recent shows. In late December 2004, Francis headlined in Las Vegas for the first time since 1989.
In March of 2007, Francis performed to a sold-out crowd -- composed of gay urbanites and conservative suburbanites -- in San Francisco. The "little diva" belted out versions of her "woebegone ballads . . . in full force," according to the San Franciso Chronicle's music critic.
Connie's fan club: www.conniefrancis.com
Anniversary Waltz
Connie Francis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tonight when the lights were low
One dance led up to another
And now I can't let you go
So tell me I may always dance
The Anniversary Waltz with you
Tell me this is real romance
Let this be the answer
To our future years
Through millions of smiles
And a few little tears
May I always listen to
The Anniversary Waltz
With you
Let this be the answer
To our future years
Through millions of smiles
And a few little tears
May I always listen to
The Anniversary Waltz
With you
"The Anniversary Waltz" is a beautiful piece of music that Connie Francis dedicated to anniversary couples. The song has both romantic and celebratory undertones. In each verse, Francis describes a couple who first met while dancing at an anniversary party. The singer tells their partner that they discovered each other on the dance floor when the lights were low, and one dance led to another, and now they don't want to let them go. The lyrics express the singer's desire to always dance the anniversary waltz with their partner and to keep the romance that they have found in that moment alive.
The song speaks to the idea of finding love in a place where you'd typically expect to find it - at an anniversary party, where couples celebrate years of love and commitment. The anniversary waltz serves as a symbol of both the love and commitment that the couples at the party share and the love that the singer has found with their partner. The lyrics are delightfully enchanting and express the desire to hold onto love forever. The Anniversary Waltz is a perfect song to play at a wedding, anniversary, or any event where guests are celebrating love and commitment.
Line by Line Meaning
We just discovered each other
We have recently met and come to know each other
Tonight when the lights were low
This discovery was made during a specific moment, when the lighting was dim
One dance led up to another
We began dancing and it continued, leading to another dance
And now I can't let you go
Because of our connection, I don't want to leave your side
So tell me I may always dance
Expressing a desire for permission to always dance
The Anniversary Waltz with you
Specifically with the person in question
Tell me this is real romance
Asking for confirmation that this is genuine love
An anniversary dream come true
Describing an ideal scenario, like a dream or wish come to life
Let this be the answer
Hoping this will be the solution or resolution
To our future years
To help guide our future together
Through millions of smiles
Despite many happy moments we will share
And a few little tears
And even a few sad moments we may have to face
May I always listen to
Requesting the ability to continue experiencing
The Anniversary Waltz
The song they are currently dancing to, representing long-lasting love
With you
Together with the person in question
Lyrics © BMG Rights Management, Warner Chappell Music, Inc.
Written by: Al Dubin, Dave Franklin
Lyrics Licensed & Provided by LyricFind
Nancy Paulson
Today is our 51st anniversary.....how fortunate we are to be listening together ❤️❤️
Brad Chad
Happy anniversary!
gordon kemp
Absolutely wonderful. A voice from heaven.
Smokyieus
Wonderful version, Thank you for posting it.
Brad Chad
Smokyieus my pleasure!
Brenda Taylor
The best of all time for the Anniversary Waltz. Connie Frances had everyone beat.!!!
PJB2006
This song made me cry tears of joy…
cavtrooper67
Today is my 50th anniversary. Wish I was dancing with my love to this.
Smokyieus
I wish you were, too. These old songs are wonderful but they sure can bring back the memories.
Elizabeth Baker
This song is so sweet