Cormega was raised in Long Island City, Queens, forming childhood friendships with future rappers such as Nas, AZ, Nature, and Capone-N-Noreaga.
1980s
He was featured on Hot Day's "Going Straight Up" from his album "It's My Turn". He was also featured on Blaq Poet & DJ Hot Day's track "Set It Off" from their album "Without Warning" in 1991.
1990s
Cormega was sentenced to 5–15 years in prison for armed robbery in 1991. Despite his incarceration, Cormega gained some attention following a shout-out from Nas on his song "One Love", from the critically acclaimed Illmatic album.
Cormega was released from prison on appeal after serving almost 4 years in New York's Mid-State Correctional Facility. Following his release in 1995, Cormega became determined to pursue rapping. Nas included him on a song entitled "Affirmative Action" for his second album It Was Written. The song also featured AZ and Foxy Brown, and became The Firm's first appearance. Based on his performance, he was signed to Def Jam and recorded an album called The Testament. Based on the buzz from "Affirmative Action," Nas, his manager Steve Stoute and producers Dr. Dre and Trackmasters joined to produce The Firm. Cormega was replaced with another artist, Nature, because either he would not sign a contract with Stoute or Stoute felt Nature was a better rapper. This led to an alleged altercation between Cormega and Nature. Cormega's dispute with Stoute also ended his friendship with Nas. Following the end of his membership in The Firm, Alex Trojano contributed in producing his album The Testament. Meanwhile, following a falling-out over creative differences with his manager Chris Lighty and Def-Jam imprint Violator Records, his debut album The Testament was indefinitely shelved. During the recording for The Testament Cormega responded to Nas' "One Love" in the form of a letter also entitled "One Love".
2000s
In 2000, he was released from his contract and he started his own record company, Legal Hustle Records. Cormega vented his disappointment with Nas and The Firm in a mixtape song titled "Never Personal".This song was never directly pointed to Nas, but the media made it look like that. In 2001, he released his new debut album, The Realness, which was acclaimed by critics. Many of the songs share a theme of betrayal. Nas responded to Cormega on his song "Destroy and Rebuild" from his album Stillmatic. Cormega retaliated with more mixtape tracks, "A Slick Response" and "Realmatic". Nas revisited the Cormega beef in his song "The Cross" on the album God's Son. In reference to Cormega, Nas rapped "What I've discovered is my brother's tryin to be/The next me, yeah I support him but he's blinded I see/ Jealousy he love me to death and I'm buggin I love him for life/ We both still mournin on our mother's life" (referencing the fact that Cormega's mother was murdered when he was four).
Cormega's follow-up album, The True Meaning won the Source Magazine's prestigious Underground Album of the Year Award. In 2004, he followed up with Legal Hustle (a compilation album showcasing his label's artists) and other talented hip-hop lyricists such as Ghostface Killah, Large Professor, AZ, Kurupt, Jayo Felony, and several others. This album is considered by some as more of a project than an actual solo album; nonetheless it was well received. In 2005, he was able to release The Testament on his own label, which saw good reviews and sales and featured the original banned version of "Dead Man Walking" as a hidden track.
In early September 2005, Cormega posted a statement on his website that he and Nas had spoken and ended their feud. Cormega explained that their conversation had come about due to the death of Cormega's grandmother. Both rappers have stated the possibility of a collaboration. On December 22, 2006 at the Nokia Theatre Times Square, Cormega appeared on stage at a Nas concert and went on to perform with Nas (and Foxy Brown as well), further evidence that their feud is over.
The feud was settled in Cormega's home in early December 2005, when Cormega and Nas realized that it was destructive for each of them. It is not known who was responsible for their meeting but both artists are now working alone. In the mid-2000s Cormega helped produce a few albums and was featured on several songs with The Jacka and the Mob Figaz.
An album collaboration with Lakey The Kid entitled My Brother's Keeper was released independently on August 22, 2006. On November 20, 2007, Cormega finally released his DVD in-the-making Who am I?. The DVD took over four years of filming of Cormega in all aspects of his life and what others thought of Cormega, unedited. The DVD was released as a soundtrack plus DVD. Cormega intended to release an album which was to be entitled Urban Legend before T.I.'s album of the same name was released (Cormega mentions this on the Who Am I DVD, dated circa 2003); the new title is Born and Raised. The album was released October 20, 2009. The first single is called "Journey."
2010s
Cormega has stated his desire to work with a variety of artists including Scarface, Lauryn Hill, Slick Rick, as well as past collaborators M.O.P., Mobb Deep, and tha Dogg Pound.
Cormega's Album "Raw Forever" was released on 2011.
His latest work is the Album Mega Philosophy. It was produced by Large Professor and released on July 22, 2014.
Industry
Cormega Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The artist is the most important person
You are the feature
People listen to you, they don't listen to their preachers
Exaggerated tales of hustin' we quick to pass
judgment and fail our brothers
Instead of talkin' bout Lauren Hill talk about
Don't gossip bout Dame Dash, give props to Dame hand
For the rise of Jay and for signing Kanye, man
Niggas is crazy that's why we ain't got shit
Rappers hate each other not the labels that got rich
Don't care about culture they only want profit
If your album sells slow bet you get dropped quick
Q-Tip warned us the industries toxic
For reference check out B.D.P - "Sex and Violence"
When Styles made "I Get High" it was playin' all day
When Styles made "I'm Black" it didn't get enough play
I guess they got a problem with anything positive
Doesn't make sense if it doesn't bring dollars in
Those that managed us
Those that were our agents
Those that were our accountants
Those that were the records executives
Those that were the owners of the record label
You never got true accounting for nothing that you did
What's the difference between a label and pimpin'
You sell yourself, they tell you how to spend it
Ho ass niggas slow down, listen
Just prey your minds with no ambition
They keep you fly — images, promotion
They keep you high, so a nigga isnt' focused
You livin' in a moment, feeling yourself
They livin' in plus homes, what's really success?
And what's swag?
I don't care how you dress or what you drive
I want rhymes that really impress
You say it's all about money, do you even invest?
Any time in your rhymes, let me guess
You're so nice you don't write, it just comes to you
'Cause you the shit — nah, you just dodo
I lyrically abuse any rapper who choose to step to me
I will bring it right to you!
Who do you think you are?
To them you are nothing but a piece of meat
And you are only as valuable as your last hit song
And when you make no more hit songs
Nobody cares for you no more
Men lie, women lie
Numbers can be altered
To look high, shareholders hate taking losses
This is business, they don't care about your lyrics
The better you sell, the better future for their children
Controversy sells so they support conflict
Makes more progress means more profit
And artists get killed they say they so sorry
Meanwhile they tell you the date of his next project
What a life, death made it more profit
Record companies get paid for your drama
And "Beef" DVD is on BET
So every artist who was on it was beefin' for free
While the royalties are going to QD3
He Quincy Jones though, what he know about beef?
No disrespect intended, I know he got peace
But it's deep how the rich get paid off our grief
And every one of our great artists they die — with nothing
And the record company executives were rich
sending their kids to college
You're not stupid — you are brilliant
But the question is: can you put your brilliance in a song?
Can you put the conditions of the world in a
song and inspire young people all over the world?
The song "Industry" by Cormega is a critical commentary on the rap industry and the exploitation of artists. The lyrics explain how the industry is focused only on profit, while ignoring the culture and art that the music represents. The song takes aim at record labels, executives, and even other rappers who prioritize self-promotion over the music. The chorus of the song emphasizes the importance of the artist themselves, as they are the ones creating the music that people want to hear.
Line by Line Meaning
Listen to me good
Pay attention to my message
The artist is the most important person
Artists should be valued and respected
You are the feature
People listen to the artist's work, not the people who represent them
People listen to you, they don't listen to their preachers
Artists have the power to influence people's thoughts and actions
Exaggerated tales of hustlin' we quick to pass
We tend to believe exaggerated stories and judge others too quickly
judgment and fail our brothers
Our judgments and preconceived notions about others can be harmful
Instead of talkin' bout Lauren Hill talk about Lauren skill, truth be told there may never be a girl as ill
We should focus on the talent and skill of artists rather than their personal lives
Don't gossip bout Dame Dash, give props to Dame hand
We should give credit to those who have helped others achieve success
For the rise of Jay and for signing Kanye, man
Dame Dash deserves credit for playing a role in the success of artists like Jay-Z and Kanye West
Niggas is crazy that's why we ain't got shit
The lack of unity amongst artists is preventing them from achieving success
Rappers hate each other not the labels that got rich
Artists should be careful not to direct their anger towards each other when it is the record labels that are benefiting the most
Don't care about culture they only want profit
Record labels are only focused on making money and not on promoting cultural awareness
If your album sells slow bet you get dropped quick
Artists who do not make the record label enough money are at risk of being dropped from their contract
Q-Tip warned us the industries toxic
Q-Tip has spoken out against the harmful effects of the music industry
For reference check out B.D.P - "Sex and Violence"
The group B.D.P has a song titled 'Sex and Violence' which illustrates the toxic nature of the music industry
When Styles made "I Get High" it was playin' all day
Styles P's song 'I Get High' received a lot of airplay
When Styles made "I'm Black" it didn't get enough play
Styles P's song 'I'm Black' did not receive as much airplay
I guess they got a problem with anything positive
Music that promotes positivity often does not receive as much support from the music industry
Doesn't make sense if it doesn't bring dollars in
The music industry is primarily focused on making money above all else
Those that managed us
The people who manage and represent recording artists
Those that were our agents
The people who served as agents for recording artists
Those that were our accountants
The people who handled the finances of recording artists
Those that were the records executives
The people who served as executives at record labels
Those that were the owners of the record label
The people who owned and controlled the record label
You never got true accounting for nothing that you did
Recording artists rarely received proper accounting for their work
What's the difference between a label and pimpin'
The control exerted by record labels over recording artists is similar to that of a pimp
You sell yourself, they tell you how to spend it
Recording artists are required to promote themselves, but the record label dictates how they should present themselves
Ho ass niggas slow down, listen
Artists should be careful not to let their pursuit of success compromise their values and morals
Just prey your minds with no ambition
Artists should strive to create music with deeper meaning and purpose, instead of simple commercial entertainment
They keep you fly — images, promotion
Record labels focus on creating a carefully crafted image of their artists to sell records
They keep you high, so a nigga isn't focused
Record labels may encourage artists to engage in drug use or other vices to distract them from issues within the industry
You livin' in a moment, feeling yourself
Artists can get caught up in the moment and lose sight of their goals
They livin' in plus homes, what's really success?
Record label executives and owners benefit the most from the success of recording artists, so success can be relative
And what's swag?
The definition of 'swag' or style in the music industry can be ambiguous and superficial
I don't care how you dress or what you drive
An artist's appearance and material possessions are not as important as their artistic talent
I want rhymes that really impress
The quality of an artist's lyrics is what truly matters
You say it's all about money, do you even invest?
Artists should be aware of the importance of financial literacy and investment in their future
Any time in your rhymes, let me guess
Artists who claim to be able to freestyle without writing lyrics ahead of time are likely lying
'Cause you the shit — nah, you just dodo
Artists who let their ego inflate may not realize that they are not as great as they think they are
I lyrically abuse any rapper who choose to step to me
Cormega is confident in his ability to out-rap anyone who tries to compete with him
I will bring it right to you!
Cormega will not hesitate to engage in a lyrical battle with anyone
Who do you think you are?
Cormega challenges other rappers who overestimate their own skills and abilities
To them you are nothing but a piece of meat
Record label executives may view recording artists as commodities to be bought and sold for profit
And you are only as valuable as your last hit song
The value of a recording artist in the music industry is based on their ability to create hit songs
And when you make no more hit songs
Artists who can no longer create hit songs lose their value in the eyes of the record label
Nobody cares for you no more
Recording artists who are no longer profitable are often discarded by the music industry
Men lie, women lie
People are often dishonest
Numbers can be altered
Data can be manipulated to present a certain narrative
To look high, shareholders hate taking losses
The people who have invested in the record label want to see a return on their investment, and are not interested in receiving bad news about the label's financial performance
This is business, they don't care about your lyrics
The music industry is primarily focused on profit, and does not prioritize artistic quality or integrity
The better you sell, the better future for their children
The record label executives prioritize profits because it benefits not just themselves, but their families as well
Controversy sells so they support conflict
Record labels may encourage drama and conflict amongst their artists as a way to generate buzz and increase sales
Makes more progress means more profit
The music industry benefits financially from the success and progress of its artists
And artists get killed they say they so sorry
Record label executives only pretend to care when artists are killed, but do little to actually address the systemic issues that contribute to violence in the music industry
Meanwhile they tell you the date of his next project
Record labels may continue to profit off of an artist even after their death by releasing unreleased music and promoting posthumous projects
What a life, death made it more profit
The death of a popular artist can lead to increased sales and profits for the record label
Record companies get paid for your drama
Record labels may profit off of the personal drama of recording artists
And "Beef" DVD is on BET
BET, a popular television network, produces content that glorifies drama and beef amongst recording artists
So every artist who was on it was beefin' for free
Recording artists who participate in the 'Beef' DVD do so without being paid, but the record label still benefits from the publicity it generates
While the royalties are going to QD3
The producer, QD3, receives royalties from the sales of the 'Beef' DVD
He Quincy Jones though, what he know about beef?
Even though QD3 has a famous music-producer father, Quincy Jones, he may not be knowledgeable about the music industry's complex issues
No disrespect intended, I know he got peace
Cormega is not trying to be disrespectful towards QD3, but is critiquing the system as a whole
But it's deep how the rich get paid off our grief
Record label executives and owners can profit off of the pain and suffering of recording artists and their loved ones
And every one of our great artists they die — with nothing
Many legendary artists die without receiving proper compensation for their contributions to the music industry
And the record company executives were rich
The people who run the record labels are often wealthy and benefit greatly from the success of recording artists
Sending their kids to college
The wealth and success of record label executives allows them to provide a good education for their children
You're not stupid — you are brilliant
Artists are often intelligent and talented
But the question is: can you put your brilliance in a song?
The true test of an artist's talent is their ability to create great music
Can you put the conditions of the world in a song and inspire young people all over the world?
Artists have the power to use their platform to spread awareness and inspire change amongst their young listeners
Lyrics © O/B/O APRA AMCOS
Written by: Cory McKay
Lyrics Licensed & Provided by LyricFind