The Swiss thrash trio Coroner were originally road crew for Celtic Frost. They eventually formed their own group, recording their demo Death Cult in 1986 with Tom G. Warrior of Celtic Frost on vocals. Their first full-length album R.I.P., released in 1987, featured bass player Ron Broder on vocals and he assumed the role for the rest of the group's existence.
The group released several albums through to 1993, ending with a greatest hits collection, Coroner, in 1995. Lack of media exposure brought this band to disbanding in 1995 — and to their farewell tour consequent to their self-titled album in January and February 1996.
In March 2005, talks of a reunion were in the works, but later retracted. The main reason was that neither Marky, Ron, nor Tommy had the time it would require to do this properly, and also that none of them liked to, quote, "reheat things, except spaghetti sauce." However, in June 2010, Coroner eventually decided to reunite and play at the Hellfest Summer Open Air 2011 edition. Asked if the band were planning to write a new album, guitarist Tommy Vetterli replied, "you know, making a new album is kind of difficult... (Pause) Well, you never know. Maybe after four or five shows we'll get into it and say, 'Hey! Let's do an album!' Nobody knows what's going to happen. We don't have a master plan".
Musically, Coroner evolved from a speed metal band with gothic and classical overtones like Celtic Frost and Bathory into a technical-based band. Coroner's first album, R.I.P., was based on neo-classical lines and was technical and classically influenced.
The second album, Punishment for Decadence, saw a progression into a more complex sound with a unison of bass and guitar. Tempo changes interspersed mid-paced sections and the odd slow passage between the faster passages started to emerge. Lyrically, Coroner began to write about themes such as politics and personal introspection.
No More Color was produced by Pete Hinton and the band. Coroner's music became more technical on No More Color as the guitar work was characterized by intricate modes and arpeggios, solo work that was chromatically colorful, as well as the de rigueur crunchy chords and speed runs; the drumming went beyond the 4/4 time of Coroner's two previous albums to incorporate odd time signatures which became their trademark. Ron Royce's bass playing is also worth a mention as having an advanced three-finger technique which enables him to double the rhythm line as well as perform more intricate riffs. Prime examples of this are the opener "Die By My Hand" with its vicious riffing and the harmonic minor inspired riff in the middle of "Mistress of Deception". There is an altogether dark mood on this album that could be classified as death metal yet spans many influences from other metal genres. The closer "Last Entertainment" is a prescient take on TV.
Mental Vortex continued the evolution over No More Color. Continuing with the previous album's technical formula, the speed metal formula was re-integrated into Coroner's sound on this album but with a tone that made it sound not at all like R.I.P. or Punishment for Decadence. There were slower songs but none of the songs on Mental Vortex stayed the same speed for very long. The songs on Mental Vortex ranged from four to eight minutes. Overall, the tone was a shift from the thrash/technical of No More Color which showed them gravitating towards their opus Grin.
Grin saw a much more industrial sound and was a natural progression from Mental Vortex but was different from most of their previous material. It involved a much more reflective guitar riff and underlying bass line. It was slower and more refined in its metal sensibility. Brooding guitar over Royce's bass produced an almost hypnotic trance-like sound on some tracks.
Their eponymous album, Coroner, was a compilation which contained unreleased material and a selection of hits from previous albums.
The band appears on Brütal Legend with the song "Skeleton On Your Shoulder".
Current line-up:
Ron Broder (as Ron Royce) – vocals, bass
Marky Edelmann (as Marquis Marky) – drums
Tommy Vetterli (as Tommy T. Baron) – guitars
Former members:
Chris Vetterli - Bass
Oliver Amberg - Guitar
Peter Haas - Drums
Guests:
Tom G. Warrior (Thomas Gabriel Fischer) - vocals (Death Cult demo)
Gary Marlowe - ambient synthesizers and keyboards (Punishment For Decadence album)
Discography:
R.I.P. (1987)
Punishment for Decadence (1988)
No More Color (1989)
Mental Vortex (1991)
Grin (1993)
Compilations
Coroner (1995)
The Unknown Unreleased Tracks 1985-95 (1996)
Singles
"Die By My Hand" (1989)
"Purple Haze" (1989)
"I Want You (She's So Heavy)" (1991)
Demos:
Death Cult (1986)
R.I.P. demo (1987)
Punishment for Decadence (1988)
Split Releases:
Doomsday News III - Thrashing East Live (1990, split album with Kreator, Tankard and Sabbat)
Videography
No More Color Tour '90 - Live in East Berlin (1990, VHS)
"Masked Jackal" (music video)
"Last Entertainment" (music video)
"I Want You (She's So Heavy)" (music video)
D.O.A.
Coroner Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And the moon is melting my skin
Water turns to fire
And flames are freezing to ice
I won't go till I've tasted dark wine
Made out of deepest sorrow
Absorbing winds of suffering
Pictures move fast, the end in sight
But I will break, the laws of time
I won't go till I've immersed myself
On the trail of mystery
Searching for the sacred two headed worm
Who crawls down my soul
The lyrics of Coroner's song D.O.A. capture a hauntingly visceral image of a person who has been pushed to the brink of existence and refuses to let go until they have experienced every last drop of darkness and pain. The opening lines, "I won't go till the sun lights the night and the moon is melting my skin," depict an intense desire to witness the impossible, to see the reversal of natural elements that would signify a world beyond the ordinary. The final lines, "I won't go till I've immersed myself on the trail of mystery, searching for the sacred two-headed worm who crawls down my soul," further illustrate the singer's obsession with things that are beyond comprehension, something that could potentially consume them completely.
The lyrics also carry a sense of defiance against time and death. The lines, "Pictures move fast, the end in sight, but I will break the laws of time," imply that the singer has reached a point of existential crisis where they are willing to challenge the very nature of reality to fulfill their desires. The song is both haunting and beautiful, with the lyrics painting an intense and vivid image of a person who is on the cusp of falling apart, but is desperately holding on.
Line by Line Meaning
I won't go till the sun lights the night
I will not leave until something impossible happens
And the moon is melting my skin
Even more impossible - the moon melting my skin
Water turns to fire
Something unimaginable
And flames are freezing to ice
Another impossible happening
I won't go till I've tasted dark wine
I will not leave until I experience the deepest sadness
Made out of deepest sorrow
The wine must be made of the deepest sorrow
Absorbing winds of suffering
I want to feel the suffering all around me
On fields of blood and tears
This suffering must come from the most brutal and tragic of situations
Pictures move fast, the end in sight
Things are happening fast and the outcome is clear
But I will break, the laws of time
Despite this, I will defy the laws of time
I won't go till I've immersed myself
I won't leave until I've completely delved into something
On the trail of mystery
In search of something unknown and fascinating
Searching for the sacred two headed worm
This mystery involves seeking a mythical creature that represents duality within the self
Who crawls down my soul
This creature is intrinsically tied to my inner being
Lyrics © Warner Chappell Music, Inc.
Written by: Alex Van Halen, Edward Van Halen, David Roth, Michael Anthony
Lyrics Licensed & Provided by LyricFind