1. A roots regg… Read Full Bio ↴There are at least two artists that have used this name:
1. A roots reggae band from Jamaica
2. A straight edge metalcore band from Florida, US
1. Culture was a Jamaican roots reggae group founded in 1976. Originally they were known as the African Disciples.
The members of the trio were Joseph Hill (lead vocals), Albert Walker (backing vocals) and Kenneth Dayes (backing vocals).
Shortly after Culture came together, they began working with the "Mighty Two" – producer Joe Gibbs and engineer Errol Thompson. While at Gibbs’ studio, they recorded a series of powerful singles, many of which ended up on their debut album ‘Two Sevens Clash’. After their success with Gibbs, the group went on to make a string of albums for producer Sonia Pottinger. Culture began working with some of the premier musicians of the day including Robbie Shakespeare, Sly Dunbar, Ansel Collins, Cedric Brooks and the ever-present percussionist Sticky. Virgin Records picked up the albums, and that added distribution enabled Culture to gain an even larger following outside of Jamaica.
Critically considered one of the most authentic traditional reggae acts, at the time of the first Rolling Stone Record Guide publication, they were the only band of any genre whose every recording received a five-star review (of bands with more than one recording in the guide).
In 1982 the three singers went their own ways. Hill carried on using the Culture name, and recorded the Lion Rock album, which was released in the United States by Heartbeat Records. For their part, Walker and Dayes recorded a handful of songs on their own – a few of which turned up on an album titled Roots & Culture. In 1986 the original line-up reformed to record two highly regarded albums – Culture in Culture and Culture at Work. These releases marked the beginning of a very busy period for the group, including annual albums and countless tours. The U.S. label Shanachie released a steady stream of new and old Culture albums up to Wings Of A Dove in 1992.
Joseph Hill, who came to symbolize the face of Culture, died in Germany on 19 August 2006 while the group was on tour. His son, Kenyatta Hill, now is the lead singer.
2) Classic mid/late 90s hardcore from Florida, celebrated for, among a handful of others, helping to cultivate the burgeoning metallic hardcore sound that became synonymous with the era.
CULTURE was known for aggressive social/political/ecological commentary, cautionary tales of reckless consumerism and industrial sprawl, and advocacy of the straightedge lifestyle.
Former members went on to Morning Again, Terror, As Friends Rust, Shai Hulud, Throwdown, Blood Has Been Shed and (most recently) ON BODIES.
In 2012, CULTURE played its first show since disbanding in 1998 (The Reel & Restless Fest in Miami, Florida). This fall, in August of 2013, the band will revisit Europe for Belgium's famed Ieper Hardcore Festival, and will then play three dates in Japan, including Tokyo's Bloodaxe Fest.
Members included:
Rich Thurston (Guitar: 1993-1997, Bass: 1993, Vocals: 1993, Drums: 1996)
Josh Williams (Drums: 1993-1997)
Stan Obal (Bass: 1993)
Mark Mitchell (Vocals: 1993, Vocals: 1996)
Pete Carreno (Bass: 1994)
John Wylie (Guitar: 1994-1995)
Damien Moyal (Vocals: 1994-1995, Vocals: 1997-1998)
Gordon Tarpley (Bass: 1995-1997, Guitar: 1998)
Louie Long (Vocals: 1995)
Anthony Conte (Vocals: 1995)
Steve Looker (Guitar: 1996-1997)
Jason Dooley (Drums: 1997)
Timothy Kirkpatrick (Drums: 1997-1998)
Joe Simmons (Guitar:1997-1998)
Floyd Beckham (Bass: 1998)
Kenneth Brian (Guitar: 1998)
Freedom Jam
Culture Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Come along come come along hey!
Sweet freedom won't you come my way
So long I′ve been waiting for you my God
Sweet freedom won't you come my way
Come come come come down come around my corner
Sweet freedom won't you come my way
I′ve searched every street and avenue and lane
And I′ll never ever give up until my soul get some rest
Some people are too free
Some people have too much liberty
Thats not the way it is to be
But equal right justice stand for all and sweet freternity
Poor me, poor my people, poor us
Sweet freedom won't you come my way
Santa Clause come to town, he never come round my way
Sweet freedom won′t you come my way
Even the poor children in the ghetto need to see some too, Hey!
Sweet freedom won't you come my way
Can you get to want to see some freedom, Lord
Sweet freedom won′t you come my way
Some have too much
Some have nothing at all
Can't you see
There′s enough to satisfy every's man need
But never to satisfy their greed
(Oh my god somebody talk with me)
Sweet freedom won't you come my way
Never enough for a greedy man I say
Sweet freedom won′t you come my way
Sweet freedom won′t you come my way
Come along come come along hey!
Sweet freedom won't you come my way
So long I′ve been waiting for you my God
Sweet freedom won't you come my way
The song "Freedom Jam" by the reggae group Culture talks about the longing for freedom that many people feel, be it from oppression, poverty, or simply the many challenges of life. The lyrics ask for the coming of "sweet freedom" which represents the idea of liberation and equality. The song touches on the issues of inequality in society, suggesting that some have too much freedom while others have none at all. The idea of freedom is not only a matter of individual desire but a collective one that should stand for equal rights and justice for all.
The repeated call for freedom throughout the song has an evocative power that is heightened by the energetic and upbeat music. The repeated musical refrain of "Come along come come along hey!" invites the listeners to join in the desire for freedom. The lyrics also talk about the search for freedom in various places and situations, from streets and avenues to poor neighborhoods, and even in Christmas celebrations.
The song "Freedom Jam" is an organic and authentic reggae anthem that reflects the political and social struggles of Jamaican society. As such, it has become a staple of the reggae genre that speaks to the desire for liberation in many different contexts, leading to its popularity and influence.
Line by Line Meaning
Sweet freedom won't you come my way
The singer desires freedom and is expressing their longing for it.
Come along come come along hey!
The singer is urging freedom to come to them.
So long I've been waiting for you my God
The singer has been waiting for a long time for freedom, and views it as something divine.
Come come come come down come around my corner
The artist is inviting freedom to enter their life and be present in their surroundings.
I've searched every street and avenue and lane / To find your address
The artist has actively sought out freedom, but has not found it yet.
And I'll never ever give up until my soul get some rest
The singer is determined to keep searching for freedom until they find it, as they believe it will bring them peace.
Some people are too free / Some people have too much liberty / Thats not the way it is to be / But equal right justice stand for all and sweet freternity
The singer believes that true freedom is not having more liberty than others, but rather ensuring equal rights and justice for everyone.
Poor me, poor my people, poor us
The artist and their community are not experiencing true freedom, and are struggling because of it.
Santa Clause come to town, he never come round my way
The artist is expressing their frustration that they have not received the same benefits as others in their society.
Even the poor children in the ghetto need to see some too, Hey!
The artist is highlighting the fact that even the most marginalized and oppressed members of society deserve to experience true freedom.
Can you get to want to see some freedom, Lord
The singer is asking for divine intervention to help them find freedom.
Some have too much / Some have nothing at all / Can't you see / There's enough to satisfy every's man need / But never to satisfy their greed
The artist is expressing their belief that there is enough resources to go around, but some people's greed prevents them from sharing it equally.
Never enough for a greedy man I say
The singer believes that a greedy person will never be satisfied with what they have, and will always want more.
Writer(s): Joseph Hill
Contributed by Jayden K. Suggest a correction in the comments below.
Mvikeli
on Forward To Africa
Children of Israel wan go home now
Come on now brothers and sisters
Run a come come hear what I have to say
Listen and I will tell you
Brother what's the talk of the town today
For in every corner fact you real walk
You will see a group of people talk
They are not sky logging
They are only talking about Ithiopia
Some say they want to leave the rest of the world
And now forward to Africa
Some talk about Ithiopia and while the others Liberia
But no matter where
The rasta do not care
I know I must to be there to get I share
Of all those riches and delicious dishes of the Ithiopia
Sing triumphant song let me hear you
I I I I I I I
Children of Israel say
Oh yeah
And tho what a glorious morning
Brother when we land at Ithiopia shore
Our sorrows would all be over
And there Jah people will weep no more
It is a land of liberty where milk corn and wine are awaiting us
With my sickness I and I will be a witness of the Ithiopia
Hear the other thing again wey I no like
You could take away the world and its vanity
The Rastarman don't care or kick about that
Ya hear this
Just take I forward to Ithiopia
Make I come out cog and live in spot
But if you lazy you will surely die
For there you cannot thief nor beg or no lie
It takes behavior just to be a savior of the Ithiopia
Shout the triumphant new song say
I I I I I I I
Babylon wall a crumple
I can smell the smell of victory
High service
on Natty Dread Naw Run
I will not run away even if my enemies come
I will not run away
They are as good as gone
I welcome them to come
Listen to what I am saying
They have come to haunt me like parasites
They have come to hurt me like parachucks
Repeat after me
We will succeed with fortune on our side
Be strong and confront the oppressors
Samson was a legendary figure
He never backed down
He emerged victorious despite the odds
He defeated the Philistines multiple times
This is a historical fact
Do not be scared
Another historical event
He defeated Goliath with just a sling and a stone
The enemy has many guns
They have advanced technology on their side
David was never afraid
Despite their weapons
We will inform them
They are already defeated
I will not run away despite their weapons
I will confront them head-on
This is a message from Jah (God)
Despite everything
Natty dread nah run for dem a license gun
dawu
on Capture Rasta
I am happy
dawu
on Slice Of Mount Zion
truth
Lionel Blinkston
on Behold
What's the meaning of they are races Jesu's, races Jesu's of god, and thats the distruction of poor blackman
Romeo addai
on Where The Tree Falls
Rip Joseph hill
Da Mike
on Praise Him
this lyrics do not really match with this track, well I can not be able to provide my own lyrics because Am a lost sheep too
Nathanael Martey
on Do Something For Yourself
Culture we love his braveness
Rasta Oteng Kobby
on Going Home
I need Going home lyrics...I love Kwame Joseph Hill Culture
Ra’s Israel
on Humble African
Culture we are going home to the promise land, from Iran to Israel, from Israel to Egypt, from Egypt to Sudan , from Sudan to Mali , fighting wars and taking the Kingdom as Ghana empire to the promise land which was Gold Coast today Ghana.