1. A roots regg… Read Full Bio ↴There are at least two artists that have used this name:
1. A roots reggae band from Jamaica
2. A straight edge metalcore band from Florida, US
1. Culture was a Jamaican roots reggae group founded in 1976. Originally they were known as the African Disciples.
The members of the trio were Joseph Hill (lead vocals), Albert Walker (backing vocals) and Kenneth Dayes (backing vocals).
Shortly after Culture came together, they began working with the "Mighty Two" – producer Joe Gibbs and engineer Errol Thompson. While at Gibbs’ studio, they recorded a series of powerful singles, many of which ended up on their debut album ‘Two Sevens Clash’. After their success with Gibbs, the group went on to make a string of albums for producer Sonia Pottinger. Culture began working with some of the premier musicians of the day including Robbie Shakespeare, Sly Dunbar, Ansel Collins, Cedric Brooks and the ever-present percussionist Sticky. Virgin Records picked up the albums, and that added distribution enabled Culture to gain an even larger following outside of Jamaica.
Critically considered one of the most authentic traditional reggae acts, at the time of the first Rolling Stone Record Guide publication, they were the only band of any genre whose every recording received a five-star review (of bands with more than one recording in the guide).
In 1982 the three singers went their own ways. Hill carried on using the Culture name, and recorded the Lion Rock album, which was released in the United States by Heartbeat Records. For their part, Walker and Dayes recorded a handful of songs on their own – a few of which turned up on an album titled Roots & Culture. In 1986 the original line-up reformed to record two highly regarded albums – Culture in Culture and Culture at Work. These releases marked the beginning of a very busy period for the group, including annual albums and countless tours. The U.S. label Shanachie released a steady stream of new and old Culture albums up to Wings Of A Dove in 1992.
Joseph Hill, who came to symbolize the face of Culture, died in Germany on 19 August 2006 while the group was on tour. His son, Kenyatta Hill, now is the lead singer.
2) Classic mid/late 90s hardcore from Florida, celebrated for, among a handful of others, helping to cultivate the burgeoning metallic hardcore sound that became synonymous with the era.
CULTURE was known for aggressive social/political/ecological commentary, cautionary tales of reckless consumerism and industrial sprawl, and advocacy of the straightedge lifestyle.
Former members went on to Morning Again, Terror, As Friends Rust, Shai Hulud, Throwdown, Blood Has Been Shed and (most recently) ON BODIES.
In 2012, CULTURE played its first show since disbanding in 1998 (The Reel & Restless Fest in Miami, Florida). This fall, in August of 2013, the band will revisit Europe for Belgium's famed Ieper Hardcore Festival, and will then play three dates in Japan, including Tokyo's Bloodaxe Fest.
Members included:
Rich Thurston (Guitar: 1993-1997, Bass: 1993, Vocals: 1993, Drums: 1996)
Josh Williams (Drums: 1993-1997)
Stan Obal (Bass: 1993)
Mark Mitchell (Vocals: 1993, Vocals: 1996)
Pete Carreno (Bass: 1994)
John Wylie (Guitar: 1994-1995)
Damien Moyal (Vocals: 1994-1995, Vocals: 1997-1998)
Gordon Tarpley (Bass: 1995-1997, Guitar: 1998)
Louie Long (Vocals: 1995)
Anthony Conte (Vocals: 1995)
Steve Looker (Guitar: 1996-1997)
Jason Dooley (Drums: 1997)
Timothy Kirkpatrick (Drums: 1997-1998)
Joe Simmons (Guitar:1997-1998)
Floyd Beckham (Bass: 1998)
Kenneth Brian (Guitar: 1998)
Two Sevens Clash
Culture Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When the two sevens clash
Wat a liiv an bambaie
When the two sevens clash
My good old prophet Marcus Garvey prophesize, say
"St. Jago de la Vega and Kingston is gonna read"
And I can see with mine own eyes
Wat a liiv an bambaie
When the two sevens clash (it dread)
Wat a liiv an bambaie
When the two sevens clash
Look up a cotton tree out by Ferry police station
How beautiful it used to be
And it has been destroyed by lightning
Earthquake and thunder, I say
Wat a liiv an bambaie
When the two sevens clash (it dread)
Wat a liiv an bambaie
When the two sevens clash
I take a ride sometimes
On Penn Overland and Bronx
And sometimes I ride on bus X-82, say what?
Wat a liiv an bambaie
When the two sevens clash
Wat a liiv an bambaie
When the two sevens clash
Marcus Garvey was inside of Spanish Town district Prison
And when they were about to take him out
He prophesied and said
"As I have passed through this gate"
"No other prisoner shall enter and get through"
And so it is until now
The gate has been locked, so what?
Wat a liiv an bambaie
When the two sevens clash (it dread)
Wat a liiv an bambaie
When the two sevens clash (it bitter, bitter, bitter)
Wat a liiv an bambaie
When the two sevens clash (a man a go feel it)
Wat a liiv an bambaie
When the two sevens clash (you better do right)
Wat a liiv an bambaie
When the two sevens clash
The lyrics of Culture's song Two Sevens Clash speak of the belief that a major change is coming when the two sevens clash. It alludes to the prophecy of Marcus Garvey that Jamaica's two major cities, St. Jago de la Vega and Kingston, will be economically and politically united. However, the division caused by the government's housing scheme belies this prophecy, and the song points out the destruction caused by a lightning strike, earthquake, and thunder to drive home the sense of impending gloom.
The song then shifts to the personal experiences of the singer, who takes a ride on the Penn Overland and Bronx, as well as bus X-82. The mention of these specific routes is unclear but could signify a willingness to embrace change and travel to different places. The song ends with the reference to Marcus Garvey's imprisonment, where he prophesied that no other prisoner would pass through the gate once he left. This image could represent a shift in power and the beginning of a new era.
Two Sevens Clash is a song steeped in the belief of prophecy in Jamaican culture, where the number 7 holds a significant spiritual meaning. The song's lyrics touch on themes of revolution, unity, and social justice. It serves as a warning to the people to be prepared for the momentous change that could arrive at any time.
Line by Line Meaning
Wat a liiv an bambaie
Expressing awe and excitement, signaling that something important is happening
When the two sevens clash
When two significant events coincide
My good old prophet Marcus Garvey prophesize, say
Referencing Marcus Garvey as a respected prophet
"St. Jago de la Vega and Kingston is gonna read"
Marcus Garvey's prophecy about social unrest in Jamaica
And I can see with mine own eyes
Confirming that the prophecy has come true
It's only a housing scheme that divide
Identifying a possible cause behind the unrest and clashes
Look up a cotton tree out by Ferry police station
Referencing a specific place and object that has been destroyed
How beautiful it used to be
Reflecting on the beauty of the past
And it has been destroyed by lightning earthquake and thunder, I say
Catastrophic events led to its destruction
I take a ride sometimes on Penn Overland and Bronx
Referencing specific transportation routes
And sometimes I ride on bus X-82, say what?
Referencing another specific transportation route
Marcus Garvey was inside of Spanish Town district Prison
Providing a historical context about Marcus Garvey's imprisonment
And when they were about to take him out
Referencing a pivotal moment in Garvey's life
He prophesied and said “As I have passed through this gate
Describing Garvey's prophecy and its impact
"No other prisoner shall enter and get through"
Garvey's prophecy about the decline of colonialism and imprisonment
And so it is until now, the gate has been locked, so what?
Garvey's prophecy has come true
Wat a liiv an bambaie
Returning to the expression of awe and excitement
When the two sevens clash (it dread)
Adding a sense of foreboding to the coinciding events
When the two sevens clash (it bitter, bitter, bitter)
Reflecting on the negative impact of the events
When the two sevens clash (a man a go feel it)
Predicting the impact on individuals
Wat a liiv an bambaie
Repeating the expression of awe and excitement
When the two sevens clash (you better do right)
Implying that people should take actions to prevent negative consequences
Wat a liiv an bambaie
Concluding with the expression of awe and excitement
Lyrics © BMG Rights Management, Royalty Network
Written by: Vincent Gordon, Joseph Hill, Errol Thompson, Roy Dayes, Albert Walker
Lyrics Licensed & Provided by LyricFind
@MrSirDrew
Lyrics
Wat a liiv an bambaie
When the two sevens clash
Wat a liiv an bambaie
When the two sevens clash
My good old prophet Marcus Garvey prophesize, say
"St. Jago de la Vega and Kingston is gonna read"
And I can see with mine own eyes
It's only a housing scheme that divide
Wat a liiv an bambaie, it dread
When the two sevens clash
Wat a liiv an bambaie
When the two sevens clash
Look up a cotton tree out by Ferry police station
How beautiful it used to be
And it has been destroyed by lightning,
Earthquake and thunder, I say, what?
Wat a liiv an bambaie
When the two sevens clash - it dread
Wat a liiv an bambaie
When the two sevens clash
I take a ride sometimes
On Penn Overland and Bronx
And sometimes I ride on bus X-82, say what?
Wat a liiv an bambaie
When the two sevens clash
Wat a liiv an bambaie
When the two sevens clash
Marcus Garvey was inside of Spanish Town district Prison
And when they were about to take him out
He prophesied and said
"As I have passed through this gate"
"No other prisoner shall enter and get through"
And so it is until now
The gate has been locked, so what?
Wat a liiv an bambaie
When the two sevens clash, it dread
Wat a liiv an bambaie
When the two sevens clash, it bitter, bitter, bitter
Wat a liiv an bambaie
When the two sevens clash, a man a go feel it
Wat a liiv an bambaie
When the two sevens clash, you better do right
@FloyDJode
Reggae has given me a comfortable way to express my spirituality and walk with christ as a male. Here's another man who's used Reggae to pour out his emotions. God bless
@pure1239
Well come home family .
Blessings
@skygawd5609
U nuh need fi walk wid nuh Christ a yuh gal and yuh kids u need fi walk with
@skygawd5609
😂 like sum a uno wuda wuda f&ck Christ 😂leave that to the woman dem bro
@pure1239
@@skygawd5609 if only you understood what you are saying
@skygawd5609
@@pure1239 😎 that’s wrong my friend if only you understand!
@faraijoffreymutepfa873
Thanks. I used to jam this song in my youth days.
@serenalindsey6983
I’m going to view my dad today, he died a month ago and he always used to play this in the car and laugh with me when I was a little girl ❤
@MALCOLMEASY
Never heard a more Sunday morning, coffee and joint in hand while starring out the window song in my life. 10/10. Really great even after years of hearing it.
@patthewoodboy
you dont need the joint or the coffee ... :-)