Halliday and Garcia were introduced to each other by Dave Stewart of Eurythmics. Dean Garcia had played bass guitar as part of Eurythmics' live band in 1983–84 and on two of their studio albums, Touch and Be Yourself Tonight. Toni Halliday was signed to Stewart's Anxious Records label as a solo artist. She also sang with The Uncles and Bonk in the early 1980s.
Toni Halliday and Dean Garcia briefly formed the unsuccessful group State of Play in the late 1980s before parting ways. She attempted a solo career, releasing the album Hearts & Handshakes in 1989. The album was produced by Toni Halliday and Alan Moulder, who later got married. Alan Moulder also produced music for artists like Depeche Mode, Nine Inch Nails and My Bloody Valentine.
In 1991, Halliday reunited with Garcia to form Curve. Their alchemy the second time around created sonically charged music, setting heavy beats and Garcia's densely-layered guitar tracks and feedback against Halliday's airy vocalization of lyrics that frequently explore such topics as alienation, addiction and love on the wane. Curve released three acclaimed EPs throughout 1991 on Stewart's label Anxious Records: Blindfold EP, Frozen and Cherry. These EPs will be included on the compilation Pubic Fruit, issued a year later.
In 1992, Curve released their debut album Doppelgänger. The group also toured extensively during this period, with Halliday and Garcia being supported on stage by the additional guitarists Debbie Smith and Alex Mitchell, plus the drummer Steve Monti. Songs such as "Horror Head", "Coast Is Clear" and "Faît Accompli" brought them critical acclaim and built a solid fanbase for the group.
Their sophomore studio album, Cuckoo, was issued in 1993. The album was a musically more varied but significantly darker release than their debut. On their first two albums, Curve worked with producer Flood (U2, Smashing Pumpkins). Also in 1993, it saw the light of the day the live compilation Radio Sessions.
After nearly a decade and a half of partnership the band split in 1994. During their hiatus, Halliday formed the band Scylla. Their track "Helen's Face" was featured on the Showgirls soundtrack. Garcia began a solo project under the name Headcase.
Toni Halliday also collaborated with other artists, most notably with Leftfield on the track "Original", with Recoil on two songs, "Edge to Life" and "Bloodline" from Bloodline, with The Future Sound of London on the song "Cerebral", with Paul van Dyk on "Words (Curved Headcase Mix)" and with DJ? Acucrack on the song “So To Speak”.
In 1996, the single "Pink Girl With the Blues", marked Curve's official return, followed by the EP Chinese Burn. In 1997, the band released their fourth studio album Come Clean. Curve also contributed the track "Nowhere" to Greg Araki's movie of the same name. Halliday married producer Alan Moulder.
In 2001, the band released on the internet the compilation Open Day at the Hate Fest. This album contained music recorded by Curve since their reformation in 1996. In the same year, the band released the critically acclaimed album Gift. The single "Hell Above Water" has gained the highest public profile as a result of its use in trailers for the 2002 film Spider-Man and the 2008 film Iron Man.
Their final album was 2002's The New Adventures of Curve, released only over the internet. In 2004 The Way of Curve, a best-of compilation was released, featuring their most popular songs and singles, as well as rare B-sides and fan favorites. Halliday announced on their official web site in early 2005 that the group split again.
After the split, Toni Halliday started a solo project entitled Chatelaine and released the album Take a Line For a Walk in 2010.
Dean Garcia founded SPC ECO in 2007 with his daughter Rose Berlin on lead vocals, and guitarist Joey Levenson; and welcomed the addition of guitarist Perry Pelonero in 2011. Garcia is also currently a member of the bands The Black Holes (with Jo Neale; 2007-present), The Chronologic (2006-present), Inkraktare (with Mark Wallbridge aka Vasko The Pig; 2009-present), The Secret Meeting (with kaRIN and Statik of Collide; 2007-present), KGC (with Sascha Konietzko and Lucia Cifarelli of KMFDM; 2006-present) and Morpheme (with Perry Pelonero and Kim Welsh of Bliss.City.East, Skylight and Clenched Fist; 2010-present).
In 2011, SPC ECO released the Big Fat World EP; and the album You Tell Me which includes a track titled Let It Out -- an updated version of Curve's Something Familiar from the album Come Clean. Morpheme released their debut single INFECTION // SINGLE and the RED DOG EP; and Garcia released a solo album entitled How Do You Feel ?, with special guests Mark Wallbridge, Todd Astromass and Jeff Beck.
Official sites:
http://curve.co.uk
http://curve.bandcamp.com
http://on.fb.me/CurveOfficialManagedByDean
2. Starting in the early 2000's, Japanese curve was a two piece for much of their existence, only gaining a third member with their most recent album. They've also had quite a bit of exposure throughout the world, touring through Malysia/Singapore and appearing on a split in the USA.
Official Site
http://www.curve-official.com/
Galaxy
Curve Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And he knows it is his
And he shows it
He just shows it
Do you remember, do you vow the chemical
Show you the picture without the same degree
All he wants is
Blow by blow by blow counts
Scratching the surface, getting nowhere
My place is still invaded by sharks
Covered in glitter, shiny as glass
Leave him with something sweet
Galaxy sweet
He won't say no, he won't say yes
He won't say no, he won't say yeah
Crushing university
I am the queen
I've come to take the sweetness
Keeping down the make keep
Leave him with something sweet
He can't see soon
He won't say no, he won't say yes
He won't say no, he won't say yes
(BV: He won't say no) Everybody knows
(BV: He won't say yes) I've seen it with my eyes
(BV: He won't say no) Everybody knows
(BV: He won't say yeah) I've seen it with my eyes
The opening lyrics of Curve's song Galaxy suggest a sense of sexual temptation and desire between two individuals. The singer notes that the person they are referring to has "sugar on his lips," which could be interpreted as being charming or seductive. The person "shows it," indicating that they are aware of their allure and the influence it has on others. The singer then reflects on the past, asking if the listener remembers the "chemical" and shows them a picture that doesn't match up with the memories. This could suggest a longing for a time that has passed, or a growing disillusionment with someone or something that once held great appeal.
The second half of the song takes on a darker tone, with references to "sharks" and "university." It's not clear what these allusions represent exactly, but they add a sense of danger and pressure to the narrative. The singer asserts their own power ("I am the queen") and declares their intention to take the "sweetness." This could be interpreted as a metaphor for claiming what they desire, or perhaps taking revenge on someone who has wronged them. In the end, the person being referred to won't commit one way or the other, leaving everyone in a state of uncertainty and frustration.
Overall, the lyrics of Galaxy are open to interpretation and leave much to the imagination. The themes of desire, power, and uncertainty make for a compelling narrative, and the song's shifting tone keeps things interesting throughout.
Line by Line Meaning
He's got sugar on his lips
He is speaking sweet words that are appealing and pleasing.
And he knows it is his
He is aware of the words he speaks and their effects.
And he shows it
He displays his ability to talk sweetly and confidently.
He just shows it
He openly and confidently displays his charm and sweetness.
Do you remember, do you vow the chemical
Do you recall the feeling and the chemistry between us?
Show you the picture without the same degree
Exhibit to you the image incomplete and underdeveloped.
All he wants is blow by blow by blow counts
He desires constant and continuous pleasure without pause or end.
All searching for the new thing
Everyone seeks something new and exciting.
Scratching the surface, getting nowhere
Exploring the superficial and not getting any deeper or real understanding.
My place is still invaded by sharks
My world is still full of dangerous and harmful people.
Covered in glitter, shiny as glass
Shimmering like something attractive and desired, but fragile and easily broken.
Leave him with something sweet
Provide him with something pleasant and appealing to remember the experience.
Galaxy sweet
Sweetness that is out of this world and extraordinary.
He won't say no, he won't say yes
He will not directly refuse or accept the offer or situation.
Crushing university
A place of higher education that is overwhelming and difficult.
I am the queen
I am in charge and powerful in this situation.
I've come to take the sweetness
I am here to claim and enjoy the pleasant aspects of this experience.
Keeping down the make keep
Maintaining the status quo and preventing change or upheaval.
He can't see soon
He is not able to perceive the future consequences of this situation.
Everybody knows
It is common knowledge and widely understood.
I've seen it with my eyes
I have personally witnessed and experienced this situation.
Lyrics © BMG Rights Management
Written by: DEAN GARCIA, TONI HALLIDAY
Lyrics Licensed & Provided by LyricFind
@MichaelSmith-bl3px
This is such a good song. If it was re released today I'm sure it would be popular.
@fannycontreras8294
More nostalgic bands like this please
@martyfisket7929
Mindscape(on streaming) , lulabox(on youtube) , In Essence(on youtube)
@landlubber541
Cocteau Twins, Galaxie 500, The Sundays, Slowdive, My Bloody Valentine, Ride, Chapterhouse, Black Tambourine, Starflyer 59, The Radio Dept., Candy Claws and the album Dynamo by Soda Stereo.
@pj5278
"I can't believe I'm finally getting out of this fucking nowhere town!"
@hairyarmpit9040
Ily
@mellojello43
@hairy armpit hi hairy armpit
@hairyarmpit9040
@Mama Mello hey mama mello
@deftnanna595
cultured person😩
@codedlAnguage
Yes. 😘