Their first album, which was self-titled, was released in August 1991. Its single was "Phuncky Feel One", but it was the B-side "How I Could Just Kill A Man" (formerly "Trigga Happy Nigga") that attracted more airplay on urban radio and college radio. Based on the success of the single and other tracks such as bilingual track "Latin Lingo" and X-rated Spanish track "Tres Equis", the album sold two million copies in the US alone. Subsequently, DJ Muggs produced the first House of Pain album, then worked on other projects like Funkdoobiest. The band made their first appearance at Lollapalooza on the side stage in 1992.
Black Sunday, the group's second album, debuted at number one on the Billboard 200 in 1993, recording the highest Soundscan for a rap group up until that time. Also with their debut still on the charts they became the first rap artists to have 2 albums in the top 10 of the Billboard 200 at the same time. With "Insane in the Brain" becoming a crossover hit, the album went triple platinum in the U.S. and sold about 3.25 million copies.
Cypress Hill was banned from Saturday Night Live after Muggs smoked cannabis on-air and the band trashed their instruments while playing their second single "I Ain't Goin' Out Like That". The band headlined the "Soul Assassins" tour with House of Pain and Funkdoobiest as support, then performed on a college tour with Rage Against the Machine and Seven Year Bitch. In 1993, Cypress Hill also had two tracks on the Judgment Night soundtrack, teamed up with Pearl Jam and Sonic Youth.
The band played at the 1994 Woodstock Festival introducing their new member Eric Bobo, formerly a percussionist with the Beastie Boys. Bobo is the son of salsa musician Willie Bobo. Rolling Stone magazine named the band as the best rap group in their music awards voted by critics and readers. Cypress Hill played at Lollapalooza for two successive years, topping the bill in 1995. They appeared on the The Simpsons episode "Homerpalooza".
Their third album Cypress Hill III: Temples of Boom was released in 1995 selling 1.5 million copies and reaching number 3 on the Billboard 200 on the strength of the hit single "Throw Your Set in the Air". Cypress Hill also contributed a track "I Wanna Get High" to the High Times sponsored Hempilation album to support NORML.
Feud With Ice Cube
Ice Cube asked to put "Throw Your Set in the Air" on his Friday soundtrack, but B-Real refused, prompting Cube to record a new song "Friday" with a similar chorus; Cypress Hill responded with the track "No Rest For The Wicked." Westside Connection replied with the diss track "King Of The Hill" and "Cross Em Out & Put a K", to which Cypress Hill replied with "Ice Cube Killa," which uses the same beat as "King Of The Hill" and disses Ice Cube and Mack 10. "Ice Cube Killa" has never been released officially. In 1997 B-Real of Cypress Hill and Ice Cube were invited to a late night talk show in order to reconcile their differences for the benefit of the hip hop community, and the feud thus ended. Cube And B-Real would work together later that year as guest features on the track "Men of Steel" for the soundtrack of Shaquille O'Neal's film Steel. B-Real and Cube did even feature as guests in Warren G's single "Get U Down" which also featured Snoop Dogg.
Continued career
Sen Dog took a break from the band to form a Los Angeles based punk-rap band SX-10. Meanwhile in 1996, Cypress Hill appeared on the first 'Smokin' Grooves' tour, featuring Ziggy Marley, The Fugees, Busta Rhymes and A Tribe Called Quest. The band also released a nine track EP Unreleased and Revamped with rare mixes. In 1997, band members focused on their solo careers. Muggs released Muggs Presents ... the Soul Assassins featuring contributions from Wu-Tang Clan members, Dr. Dre, KRS-One, Wyclef Jean and Mobb Deep. B-Real appeared with Busta Rhymes, Coolio, LL Cool J and Method Man on "Hit Em High" from the multi-platinum Space Jam Soundtrack. He also appeared with RBX, Nas and KRS-One on "East Coast Killer, West Coast Killer" on Dr. Dre's Dr. Dre Presents the Aftermath album, and released an album entitled "The Psycho Realm" from his side project of the same name. Though the focus that year was not on Cypress Hill, the band played Smokin' Grooves with George Clinton and Erykah Badu.
Cypress Hill released IV in 1998 which went gold in the U.S., even though the reviews were somewhat negative,[citation needed] on the backs of hit singles "Tequila Sunrise" and another tribute to smoking cannabis "Dr. Greenthumb." Sen Dog also released the Get Wood sampler as part of SX-10 on the label Flip. In 1999, Cypress Hill helped with the PC crime/very mature video game Kingpin: Life of Crime. Three of their songs from the 1998 IV album were in the game ( "16 Men Till There's No Men Left", "Checkmate" and "Lightning Strikes"). B-Real also did some of the voices of the people in the game. Also in 1999, the band released a greatest-hits album in Spanish, Los grandes éxitos en español. Cypress Hill then fused genres with their two-disc release, Skull & Bones, in 2000. The first disc, "Skull" was comprised of rap tracks while "Bones" explored further the group's forays into rock. The album reached the Top 5 on the Billboard 200 and number 3 in Canada. The first single was "Rock Superstar" for rock radio and "Rap Superstar" for urban radio. The band also released Live at the Fillmore, a concert disc recorded at the Fillmore (in San Fransico) in 2000. Cypress Hill continued their experimentation with rock on the Stoned Raiders album in 2001. However, its sales were a disappointment, as the disc did not even reach the top 50 of the U.S. album charts. In 2001, the group appeared in the film How High.
Cypress Hill recorded "Just Another Victim" for the World Wrestling Entertainment (WWE) as a theme song for Tazz. At the time, WWE was using original music for almost all of the wrestlers, so this was an unusual step for the company to take, but it remains one of the more memorable songs to emerge from the wrestling organization. The band released Till Death Do Us Part on March 23, 2004. The album saw the band experiment with reggae especially on the lead single "What's Your Number". The track features Tim Armstrong of Rancid on guitar and Rob Aston of The Transplants on backup vocals. It is based on the classic song "Guns of Brixton" on The Clash's London Calling and has proven to be a success on the modern rock charts. However, the album represented a further departure from the signature sound of their first four albums. The album also features appearances by Damian Marley, son of Bob Marley, Prodigy and Twin of Mobb Deep and producer the Alchemist.
In 2004, the song How I Could Just Kill A Man was included in the popular videogame Grand Theft Auto San Andreas created by Rockstar Games, playing on West Coast hip hop radio station Radio Los Santos. In December of 2005 a best of compilation album titled Greatest Hits From the Bong was released including 9 hits from previous albums and 2 new tracks. The group's next album was tentatively scheduled for an early 2007 release. In the summer of 2006, B-Real appeared on Snoop Dogg's single "Vato". Pharrell Williams produced the track, and originally sang the hook, but because of the video idea, B-Real was asked to sing the hook. Sen Dog is now currently touring with the Kottonmouth Kings, Kingspade and Dogboy on the Joint is on Fire Tour
In 2007 Cypress Hill toured with their full line up as a part of the Rock the Bells tour, held by Guerilla Union, and headlined with Public Enemy, Wu-Tang Clan, Nas, and a reunited Rage Against the Machine. Other acts included Immortal Technique, Mos Def, Talib Kweli, The Roots, EPMD, Pharoae Monch, Jedi Mind Tricks, Erykah Badu, MF Doom, Sage Francis, Brother Ali, The Coup, Blue Print, Lucky I Am, Living Legends, Felt, Cage, Mr. Lif, Grouch & Eligh, and Hangar 18.
Departure from Sony
Having fulfilled their contractual obligations with Sony Music, Cypress Hill will release an as-yet untitled album through a different record label in 2008.
Recently, it was announced that Cypress Hill will be members of the Kannabis Kartel along with the Kottonmouth Kings and Potluck. Their album will be released on Suburban Noize Records.
STYLE
______________________________________________________________________________________________
Production
One of the band's most striking aspects is B-Real's exaggeratedly high-pitched nasal vocals, which fits and emphasizes the lyrics' concentration on parodied gangster stories.
Sen Dog's lyrics are progressively more violent and tend to involve fewer rhyme schemes compared with B-Real's. In addition, as the style is today, some words are emphasized by adding a background voice to say them, however, Sen Dog's emphases are always more prominent, mostly shouted alongside with the rapping.
The sound and groove of their music, produced by Muggs, is also notable for its influence and stoned aesthetic; with its bass-heavy rhythms and odd sample loops ("Insane in the Brain" is notable for having a horse neigh looped in its chorus), it carries a psychedelic value, which lessened in the later albums.
The band is also known for involving rock instruments in their songs. This has caused the band to sometimes be classified as a rapcore group. In IV, there is Lightning Strikes which doesn't truly use electric guitars, but a synthesized version of it. Skull & Bones has an entire disc using such instruments, labeled Bones. As for their later works, their involvement in rock ended with the album Stoned Raiders (the tracks Trouble (also the first single of the album), Amplified and Catastrophe being the songs).
The band's music is constantly subject to change; while the first album follows a more minimalistic and funky sound, Black Sunday, the successor, has a slightly darker side to it. III (Temples of Boom) and IV are mostly influenced by psychedelic music. The band abandoned that on Skull & Bones and got closer to the modern rap as it is today. Stoned Raiders has a more authentic sound than the rest, and Till Death Do Us Part carries reggae influences.
The band is also known to involve horns in their songs, and often have guitar and horns together in the instrumentals. What's Your Number?, Trouble, Tequila Sunrise, and (Rock) Superstar have become some of the bands most popular songs featuring these elements. Cypress Hill's experimenting in different genres of music even includes reggaeton in their track "Latin Thugs" which features Tego Calderon.
Some fans feel that the band has drifted somewhat from the values of their earlier albums. For example in "Strictly Hip Hop" from Temples of Boom, the band complain about hip hop artists who have an album of hardcore tracks but have one or two pop songs which just so happen to be the singles. Cypress have arguably fallen into this trap with the single "What's You Number?"
The sound contribitions of DJ Muggs seems to be clearly influenced by marijuana consumption. Since one of the effects of a cannabis high is an altered audio sensual perception, the often slow paced and deep bass can be better appreciated. Furthermore, psychedelic sequences underly some parts of certain tracks such as "I Wanna Get High" for example. This is an interesting feature of their music, that had also been used before, especially during the 60's and 70's (e.g. Sgt. Pepper's Lonely Hearts Club Band by The Beatles).
Lyrics
The lyrics of tracks like "How I Could Just Kill A Man" offer an insight into the cultural expression of social stratification in L.A. at that point in history. Many other songs have cited topics such as police brutality, racial profiling, gang violence and anecdotes about invasion of privacy by police.
Furthermore the celebration of marijuana consumption is what they are often associated with in songs like "I Wanna Get High", "Stoned Is The Way Of The Walk" or "Hits From The Bong", the themes of recreational use of marijuana are prevalent.
Many of their songs also protest the current marijuana laws and voice their opinions on the hypocrisy of drug enforcement institutions.
Their lyrics often reflect the hip hop culture of Los Angeles in their earlier work such as their self-titled album and Black Sunday, which were very influential not only to Latino hip hop of the time but to many other hip hop groups around the world as well.
Throughout their career they have commonly incorporated Spanish into their lyrics as well as slang used by some Latinos in Los Angeles on songs like "Latin Lingo". Their album "Los Grandes Exitos En Espanol" features Spanish translations of many of their hit songs.
Years active 1987 - present.
Roll it up Light it Up
Cypress Hill Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Direct with the biggest, fattest joint
Comin' in with indo flavors
Fuckin' Buddha comin' at'cha like this
'95
It's, Friday mornin', where the weed at?
Let me dip into my pocket for my fat weed sack
Where the fuck are my zig-zags and my lighters?
So I can roll it and set it on fire
Damn, I wish I had scissors cause the shit is so sticky that it's gettin' on my fuckin' fingers
But it's smokeable, double tokeable
I got the one-hitter quitter Bombay shit that's tokeable
I want to do a joint venture
Let me make sure there ain't no lump in the god damn center
Impregnated lookin' joint, fuck it
I can smoke it and I still get faded
Roll it up, light it up, smoke it up
Inhale, exhale
Roll it up, light it up, smoke it up
Inhale, exhale
Roll it up, light it up, smoke it up
Inhale, exhale
Roll it up, light it up, smoke it up
Inhale, exhale
(East Coast hittin' that blunt), West Coast hittin' that honeydip
Marijuana joint, then I want another hit
Roll it up, (light it up), smoke it up
I want to stimulate my mind (so I toke it up)
Can I get a hit? (Can I get a hooh!?)
Gimme that fat bag of weed and the brew so I can get faded, elevated
Smoke the joint down to a roach then I ate it
I stand true to the yesca, mota as I keep runnin' from the Chota
Gimme dat weed fool and ya zig-zags
(Puto don't be holdin' out on the big bag)
Roll it up, light it up, smoke it up
Inhale, exhale
The lyrics to Cypress Hill's "Roll It Up Light It Up Smoke It Up" song begin with "Fuckin' Buddha comin' at'cha live / Direct with the biggest, fattest joint / Comin' in with indo flavors / Fuckin' Buddha comin' at'cha like this / '95." The rapper opens with the idea of the persona of "Buddha" coming to the audience with a potent joint. The use of the term "indo flavors" is a reference to marijuana from Indonesia. The rest of the song describes the search for weed, preparing to smoke it, and the experience of getting high.
The song's tone is relaxed, celebratory, and enthusiastic. The lyrics are a nod to the culture of smoking weed, from the search for rolling papers and lighters to the act of smoking and its effects on the mind and body.
The chorus "Roll it up, light it up, smoke it up / Inhale, exhale" is repeated four times and is a call to action. It serves as the song's main message to roll, light, and smoke weed. The song's verses are full of rhymes, puns, and wordplays that build upon the song's theme.
Line by Line Meaning
Fuckin' Buddha comin' at'cha live
I, Buddha, come to you with the biggest and baddest joint, ready to get you high as hell
Comin' in with indo flavors
My joint is packed full of that good Indo weed, guaranteed to get you lifted
Fuckin' Buddha comin' at'cha like this
I'm the Buddha and I'm coming at you with this joint, ready to deliver some serious relaxation
'95
The year is 1995, and we're ready to smoke this joint
It's, Friday mornin', where the weed at?
It's Friday morning and I'm looking for some weed to get my day started right
Let me dip into my pocket for my fat weed sack
I'm reaching into my pocket to pull out my thick bag of weed, ready to roll up
Cause I want to get high like a plane in the sky, with the indo cloud in my brain
I'm looking to get seriously lifted, to the point where I feel like I'm flying through the clouds
Where the fuck are my zig-zags and my lighters?
I'm missing my rolling papers and lighters, and I need them in order to smoke this joint
So I can roll it and set it on fire
I'm going to roll up this joint and light it up, getting myself nice and high
Damn, I wish I had scissors cause the shit is so sticky that it's gettin' on my fuckin' fingers
The weed is so sticky that it's getting all over my fingers and I wish I had a pair of scissors to help clean it up
But it's smokeable, double tokeable
Despite the stickiness, this weed is still perfectly smokeable and even better, you can take a double toke
I got the one-hitter quitter Bombay shit that's tokeable
I've got some seriously strong Bombay weed that will have you feeling the effects with just one hit
I want to do a joint venture
I'm ready to share this joint with someone else
Let me make sure there ain't no lump in the god damn center
I'm looking to make sure that the joint is rolled evenly so we can smoke it without any issues
Impregnated lookin' joint, fuck it
Even though the joint looks like it's pregnant (too thick in the middle), we're still going to smoke it
I can smoke it and I still get faded
Despite the thickness of the joint, I'm still going to get high and feel the effects of the weed
Roll it up, light it up, smoke it up
We're rolling up the joint, lighting it up, and smoking it in order to get high
Inhale, exhale
We're taking deep breaths in order to inhale the smoke from the joint, and then exhaling it out
(East Coast hittin' that blunt), West Coast hittin' that honeydip
The East Coast is smoking a blunt, while the West Coast is smoking a honeydipped joint
Marijuana joint, then I want another hit
I just finished smoking a joint, but I'm already looking to take another hit
Roll it up, (light it up), smoke it up
We're rolling it up, lighting it up and smoking it in order to get high again
I want to stimulate my mind (so I toke it up)
I'm looking to get my mind racing and thinking creatively, so I'm smoking this joint
Can I get a hit? (Can I get a hooh!?)
I'm asking for someone to pass me the joint, with a little extra excitement added in
Gimme that fat bag of weed and the brew so I can get faded, elevated
Give me that big bag of weed and some beer so I can really get high, soaring above the clouds
Smoke the joint down to a roach then I ate it
We smoked the joint all the way down to the tiny roach, and then I ate it to get every last bit of the high
I stand true to the yesca, mota as I keep runnin' from the Chota
I'm staying true to my love of weed (yesca, mota), even though I have to run from the police (Chota)
Gimme dat weed fool and ya zig-zags
Pass me the weed and the rolling papers, fool
(Puto don't be holdin' out on the big bag)
Don't be holding back on the big bag of weed, you jerk
Lyrics © Universal Music Publishing Group
Written by: LARRY MUGGERUD, LARRY E. MUGGERUD, LOUIS M. FREEZE
Lyrics Licensed & Provided by LyricFind
@lilflyty592
Who’s Listening to this in 2024 !!!!
@Darealblase0
😂😂😂😂😂
@rustyshackleford4311
smokin one right now
@bmf3196
I don't know what to do
@Reflix17
thats like asking “who’s watching Friday in 2024?” bruh everybody is.
@NeverDial911
High asf
@juanescobar138
Who came here cuz Spotify don’t got it? Lol
@JuYanLove
Apple Music don’t got it 🤬
@kylereinhold1386
Wack
@2swole4u74
2021 still jamming this ... 420 all day