real name; AJ de Bo… Read Full Bio ↴D. (Deathrow 'aka' Destiny "aka" Disordered) Chesron
real name; AJ de Boer, is an dutch Hip Hop producer, entertainer and recording-artist. Born in Almere-stad,
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D.Chesron moved to Leidschendam when he was 3, and moved back and forth from Leidschendam to Den Haag when he was young finally
stabilished his own home in Den Haag. He started rapping when he was 12 with his ever-first performance at a school-musical, and wrote his real first songs
(the songs In The Clinic & Clinical Doggie) when he was incarserated in a youthern clinical home, under the name "XTC-C". When he was 14 he recorded
his first album, but quickly changed his name into Mc Shunty recording various material for another solo-efforts that didn't take ground. At the age of 15
he finally chose the name Chesron as comin' out of the bible being a individual in the familytree of David & Jesus. With the letter D infront of the name as
stated as "Deathrow Chesron".
Worldwide debute:
D.Chesron made his first debute as a real rapartist on the song "Worldwide" featuring rappers from America, Canada, Mexico and Germany. And took some
listeners by storm when he produced the song "RidaDie" shortened for "Ride Or Die" featuring rappers from Canada, Mexico & Germany. With Xero & Kapo
being the actual rappers from Mexico & Germany he started to unite into a rapgroup called "Smugglin' Beatz Records" and they made various records with
eachother and actually being a small internet-hype. After full-time exposure over the internet, at the age of 16 till 17th. D.Chesron had some opportunities
with different local record-labels and local-bigtime artists, but forced declined this cause of his priorities for his college/study. The recordings he released
were mixtapes such as "TG 1 & TG 2 (standin for Thugz Generation). And records for a Bone Thugs N Harmony mixtape, and various tapes from different artists.
After the webhype:
When D.Chesron was done with his school he mostly focused on music when he was 18 and actually got signed to a local recordlabel called BAM Records.
(At the time releasing the local tape "My Own Muthaphukkin' Mixtape Vol 1.5 Ft Xcess & DHC)
Under it's contract D.Chesron recorded a double-disc full-length album called "You Know Whutz Up" with it's lead-single "Get That Luv". Since there was mostly
time taking mixes and mastering, too much delay in the release of the record, and financial/promotional dispute between D.Chesron and the recordlabel-CEO,
D.Chesron wisely left, altho his career took alot damage and delay cause of this 2 years during contract.
(At the end of this period D.Chesron still released a mixtape-form album called D-DAY under the BAM Records label flag)
As Continued:
Still being a part of the world-wide group "Smugglin' Beat Records", D.Chesron now works with local rappers, such as Quincy on the album Haags Goud, DHS - De Harde Kern & much more
2 Albums already released; Freedom Of Speech & Why So Serious, and as executive producer on Waldo Provenzano - Zomerhitte from 2009. The next year has begon! 2010!
D.Chesron is still working with passion on his music.
Call Me Names
D.Chesron Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Now if you'll excuse me, I must be on my way"
Don't call me nigger WHITEY!
Don't call me nigger (nigger) WHITEY!
The whitey my man, you say you're my fan
I look into your face and I gots to say damn
because I'm black you think it's come out of 'caine
I'll put you on a level, same as the devil
Stole my bass then you steal all my treble
Line to the eye, a bullet to the head
For all those lies, motherfucker you said
No you can't face this, so you disgrace it
I'm Schoolly School boy, and I will lace it
Don't call me nigger WHITEY!
Don't call me nigger (nigger) WHITEY!
Now take that word nigger, and this is what I figure
A nigger, is ignorant, shiftless and lazy
So what you tryin to say boy, is that I'm crazy
Now I'm not a racist, or a fanatic
But what I'm bout to say might cause a little static
White America was raised on sanction
and to the black man, I'd like to mention
when I am Schoolin, on the microphone
Yo homes, leave the fuckin crack alone
Don't call me nigger WHITEY!
Don't call me nigger (nigger) WHITEY!
D.Chesron's Call Me Names addresses issues of racism and racial profiling that exist in society today. With the opening lines, "As we all know, you just can't believe everything you see and hear, can you?" it sets the tone for the rest of the song with an emphasis on the importance of not holding judgments and prejudices against individuals without getting to know them. The lyrics then proceed to explore the offense and pain caused when individuals are called racial slurs, particularly the n-word. The repetition of the phrase "Don't call me nigger WHITEY!" further emphasizes the importance of respecting one's identity and not using racial slurs to differentiate and categorize individuals.
The song also addresses the issue of cultural appropriation and how it affects the black community. The line "because I'm black you think it's come out of 'caine" highlights the common mindset that black individuals are involved in illegal drug activities, which is a harmful stereotype that has been used to justify racial profiling and discrimination. The lyrics also address the issue of theft and exploitation of black culture by the white community with lines such as "Stole my bass then you steal all my treble."
Overall, Call Me Names powerfully speaks out against racial discrimination and the importance of respecting individual identities. It encourages listeners to break down racial barriers and to move past prejudices and stereotypes to promote a more inclusive and accepting society.
Line by Line Meaning
Don't call me nigger WHITEY!
Don't use racial slurs to address me, especially when you're a white person.
Don't call me nigger (nigger) WHITEY!
I'm emphasizing that I don't appreciate being called the n-word by a white person, as it carries a painful history of oppression and racism.
The whitey my man, you say you're my fan
This line is sarcastic, as he doesn't actually consider the white person his friend or fan. He's pointing out the hypocrisy of someone who enjoys his music but also perpetuates racism.
I look into your face and I gots to say damn
He's expressing disbelief and disappointment at the white person's words and actions.
I feel a lot of pain, the money you gain
The singer is hurt by the idea that the white person may be profiting off black culture without acknowledging or understanding the struggles of black people.
because I'm black you think it's come out of 'caine
He's pointing out a common racist stereotype that black people are associated with drugs and criminal activity, and that this stereotype is used to justify oppressive systems like the war on drugs.
I'll put you on a level, same as the devil
He's condemning the white person's actions as evil and equating them with the idea of the devil, a common symbol of evil in Christianity.
Stole my bass then you steal all my treble
This line is using a musical metaphor to criticize the white person for appropriating black culture and profiting off it without giving credit or respect to the original creators.
Line to the eye, a bullet to the head
He's using violent imagery to express the anger and frustration he feels towards the white person and the larger system of racism and oppression he represents.
For all those lies, motherfucker you said
He's calling out the white person's lies and deceit, and expressing his anger at being manipulated by someone who he thought was a fan or ally.
No you can't face this, so you disgrace it
The singer is accusing the white person of refusing to acknowledge the reality of racism and of participating in it, and calling them out for their cowardice.
I'm Schoolly School boy, and I will lace it
He's asserting his identity and talent as a black artist, and asserting his ability to speak out against oppression through his music.
Now take that word nigger, and this is what I figure
He's addressing the use of the n-word and using it as a bridge to a larger point about racism and stereotyping of black people.
A nigger, is ignorant, shiftless and lazy
He's quoting a common racist stereotype about black people and using it to critique its harmful and untrue nature.
So what you tryin to say boy, is that I'm crazy
He's using sarcasm to refute the white person's claims that he or other black people are lazy or crazy, and pointing out how ridiculous and harmful these stereotypes are.
Now I'm not a racist, or a fanatic
The singer is asserting that he doesn't hate white people or want to provoke violence or hatred, but simply wants to speak out against racism and oppression.
But what I'm bout to say might cause a little static
He's acknowledging that his message may be controversial or unpopular, but is still important to speak out against.
White America was raised on sanction
This line is using a historical context to point out how white people have benefited from systems of oppression and racism, often at the expense of black people.
and to the black man, I'd like to mention
The singer is directing his message specifically to black people and calling on them to resist and fight against oppression.
when I am Schoolin, on the microphone
He's asserting his role as an artist and speaker, and saying that he will use his platform to call out racism, educate and empower his community.
Yo homes, leave the fuckin crack alone
He's using another musical metaphor to call for his community to resist harmful practices and lifestyles that are often tied to poverty and oppression, and to focus on education and empowerment instead.
Lyrics © O/B/O APRA/AMCOS
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