1. DDT (or D.D.T.) was … Read Full Bio ↴There are at least 4 bands named D.D.T.
1. DDT (or D.D.T.) was a hardcore punk band from atlanta, georgia that released their "brave new world" ep in 1983 with songs ranging from hardcore, to power pop, to thrash jams.
2. D.D.T. were one of the greatest bulgarian punk bands and also one of the earliest known. In the late '80s, they were the legendary punk band from Sofia. Great lyrics, really wise and punk styled. Lyrically they were sharp and brilliant, full of energy and witty rhymes. Some of the songs have topics like the nuclear arms race, the devaluation of the ideals, while others are just funny.
D.D.T. started in 1981 with Dani on bass, Bobi on guitar and vocals, and Adama on drums. Ivo replaced Adama in 1985 after they recorded the demo. The lineup once again changed in 1987, with Dani staying the only original member, and the addition of guitarists Toro and Kole, and drummer Filthy. Thomas joined on vocals in 1991.
Unfortunately, at their peak D.D.T. were not able to record properly in a studio, due to the communist regime that governed Bulgaria at the time. So, their first songs recorded sound as any of the "Bullshit Detector" type of bands that once CRASS released on compilation LPs. All their songs that were preserved through the years came out in 1999 on a CD (We Are DDT-Punk Will Never Die!-1981-1991), released by "AON" records with several other underground labels. The CD features 8 tracks recorded in 1985, 5 recorded in 1987, and 7 recorded in 1989-1990. Tracks by D.D.T. can also be found on the "Greetings from Bulgaria" compilation tape and the "Bulgarian Archives" compilation 7".
3. D.D.T. was a hardcore aggro-industrial electronic act that was together in Boston from the late 1980's until the mid 1990's. Noel McKenna did drum programming and vocals, Lisa Sirois did (8 bit!) samples and some vocals, and Elaine Walker (who joined in late 1991, also of Zia and Sleep Chamber) did synth programming. Note that every song is micro/macrotonal except Blessed. This adds a futuristic and other-worldly edge to the music. Elaine joined D.D.T. at the same time she was forming ZIA. The first ZIA lineup consisted of Noel McKenna and Lisa Sirois of D.D.T. Where are they now? Noel is now a Buddhist Monk in upstate New York and Lisa is "DJ Goldilox" in San Francisco.
4. DDT (or ДДТ in Cyrillic) is a popular Russian rock band founded by its current lead singer, Yuri Shevchuk (Юрий Шевчук), in Ufa in 1980.
In 1982, Komsomolskaya Pravda declared a competition for young music performers called Zolotoy Kamerton (Golden Tuning Fork). DDT sent three compositions, "Inoplanetyane" (Aliens), "Chyornoye solntse" (Black sun), and "Ne strelyai" (Don't shoot).
During the long-running competition, the group published their first album (on tape), Svinya na raduge (A pig on a rainbow). The album contained elements of rock and roll, blues and country music. At this time Russian popular music was divided between sanctioned official performers, granted entrance to the musicians union and official patronage, and unofficial artists. Unofficial artists were often highly trained musicians but had other jobs. Complex tape trading networks evolved in the 1980s and unofficial artists music could receive wide distribution (without artists receiving royalties) in this manner [see also samizdat]. Such "underground" artists often became widely known and their unofficial albums were even sometimes mentioned or tracked in the press. DDT in the 1980s is the story of a band skirting between underground and sanctioned status, more unsanctioned.
DDT's submission to Zolotoy Kamerton passed through to the finals and the group was invited to perform in a concert at Moscow's Orlyonok complex, together with the other finalist band, Rok-sentyabr (Rock-September) from Cherepovets. DDT and three members of Rock-September, Vyacheslav Korbin, Yevgeny Belozyorov and Andrey Maslennikov, soon after recorded and published an album (on tape), Monolog v Saigone (Monologue in Saigon).
After recording the album, Sigachyov and Shevchuk returned to Ufa. Sigachyov distanced himself from the group, while Shevchuk collected new members including Rodin, drummer Sergey Rudogo, guitarist Rustam Rezvanov and keyboard player Vladislav Strochillo.
In May 1983, DDT successfully performed at the Luzhniki Stadium in Moscow, as part of a three-day, sanctioned festival, "Rok za mir" (Rock for peace). Their performance, however, was cut out of the television program about the event.
The new formation published the album Periferia (Periphery), recorded in April 1984. After recording the album, some members of the group began to be watched and contacted by the KGB.
Shevchuk spent some time in Sverdlovsk (present-day Yekaterinburg), performing with the group Urfin Juis.
In November 1985, DDT recorded the album Vremya (Time) in Sverdlovsk.
In 1986, Shevchuk moved to Leningrad (present Saint Petersburg) with his wife, son and mother.
In 1987 he rebuilt DDT. The members included:
Nikita Zaitsev — guitar
Vadim Kurylev — bass
Andrey Vasiliev — guitar
Igor Dotsenko — drums
Andrey Muratov — keyboard
Mikhail Chernov — saxophone
In June 1987, DDT performed at a Saint Petersburg rock-club festival. DDT performed second-to-last and in front of a crowd of 3,000, even though the venue's capacity was 1,000.
In the summer of 1988, DDT toured across the USSR, and they record a new album, Ottepel (Thaw).
In 1989, DDT went on another tour with the group Alisa, performing also at a rock-festival in Hungary.
In 1990, DDT performed several concerts in the U.S. and Japan. They also performed as part of a concert in honor of Viktor Tsoy.
In 1991, DDT released another album, Plastun (Scout). The next album followed in the spring of the same year, Aktrisa Vesna (Actress Spring).
Then the group changed its performance strategy by adding programmes to its repertoire: well-prepared, conceptually linked concerts. During December 1992 and January 1993, DDT presented its first programme, Chyorny Pyos Peterburg (Black Dog Petersburg), and toured widely in CIS countries.
On 27 May 1993, the anniversary of Saint Petersburg, DDT performed a free concert on Dvortsovaya Square. 120,000 people attended.
During the summer of 1994, DDT took part in the rock festival White Nights of Saint Petersburg in Berlin. That autumn, the group was awarded the prestigious Ovatsiya award (Ovation) for Best Rock Group of the Year. Yuri Shevchuk was also named Best Rock Musician of the Year.
In the beginning of 1995, a new album, Eto vsyo… (That's all…). was recorded. In January, Shevchuk went on a mission of peace to Chechnya, where he performed in 50 concerts for the Russian troops and Chechen citizens alike.
On 25 June 1995, DDT performed a solo concert in Petrovsky stadium, which attracted tens of thousands of fans.
Afterwards, the group toured with its next programme, Ot i do (From and To). In the end of the winter of 1995–1996, the group worked in the USA. In February–March 1996, the group recorded a new album, Lubov (Love), at Long View Farm in Massachusetts with new musicians: bassist I. Tikhomirov (from the group Kino) and keyboard player D. Galitsky.
In the summer of 1996, upon their return from the United States, the group headlined several festivals, including VladiROCKstok, the first large-scale international music festival in the formerly closed city of Vladivostok on the Sea of Japan.
Yuri Shevchuk and the Russian rock group "DDT" have been leaders in the Russian rock movement for many years. Shevchuk began to put together the first incarnation of the band in the summer of 1980, and although its members have changed over the years, Shevchuk continues to voice the concerns and frustrations of the Russian people in his music today just as he did in the band's infancy. The more than 20 albums in DDT's discography not only chronicle the history of a rock group; they are narratives that examine all aspects of life in the Soviet Union and Russia over the past 25 years.
DDT was organized and gave its first concerts in Shevchuk's native city of Ufa in the Ural Mountains in 1980. They received their first public recognition when they were given the "Golden Pitchpipe" prize for their song "Ne Strelyai" (Don't Shoot) in 1982 by a local newspaper. Unfortunately, this also brought them to the attention of the Soviet authorities and KGB, and their music was banned, forcing them to go underground. In some ways this made them even more popular among young Soviets; in 1983 they played at the "Rock of the World" music festival at the huge "Luzhniki" stadium in Moscow, only to be edited out of the television broadcast because of their "illegal" status.
Although they never considered themselves political activists, Shevchuk always felt it his duty as a citizen and a songwriter to address not only the strengths but the weaknesses of his country's government, a stance none too popular in the U.S.S.R. Over the next ten years DDT continued to work as a "non-conformist" group, producing albums and giving concerts throughout the Soviet Union. This was no easy feat, as they received little if any money for the records they produced during this period, and very little for their concerts as well. Like other dissident artists, they survived through a combination of cleverness, perseverance, and wit. Their relocation to the city of Leningrad (St. Petersburg) in 1985 also helped them to establish themselves at the forefront of the Russian rock scene. They made their first visit to the U.S. in 1988, when their concert in Los Angeles was covered by MTV. After the U.S.S.R.'s collapse in 1991, DDT became even more popular at home and abroad, as their albums and concerts began to be broadcast and publicized widely.
Today, DDT is one of the most popular (if not the most popular) rock groups in Russia, and their concerts attract tens of thousands of people. Shevchuk and his group also regularly travel throughout the C.I.S. and other former Soviet republics to give benefit concerts: in the spring and summer of 2002, 10 out of 11 concerts that the band played were benefits for various social and cultural organizations. They are also reaching an ever-growing audience in the U.S. and Europe, and for the past 15 years have traveled frequently throughout the world making ever more converts to their unique sound. Shevchuk's music and lyrics are not only influenced by traditional "western" rock music, but also by the entire scope of Russian folk, classical, and religious music. In many respects their years as an underground group shaped their philosophy towards their art. The question of their music's marketability was never part of the song writing process for there was no "market" in which to compete. This, their extraordinary talent, and their adherence to their cultural roots have made them a rare commodity in today's popular music scene. Today they continue to maintain their musical integrity in the face of ever-growing pressure to conform to the pop music that pervades the Russian airwaves. They are currently celebrating their 25th anniversary with an extended tour throughout their native country, Europe, and North America, and have released a new CD entitled "Vanished Without a Trace" to huge critical acclaim.
On March 3 2008, DDT performed at the Dissenters' March in St. Petersburg to protest the controvertial and possibly unfair election of Dmitriy Medvedev as President of Russia.
5. D.D.T. ("De Defektas Tanke") was a punk rock / power pop band from Kristinehamn, Sweden, ca 1981-82. They released a cassette ("Effektiva vapen") and appeared on the compilation tape Picassos Barn with other Kristinehamn bands such as Arabens Anus.
Brave New World
D.D.T. Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Dancing around
But then it happen
Leaving Behind
A new world is waiting
A new world is waiting
A new world is waiting
A new world is waiting
Um, eh, ay
Um, eh, eh, um, eh, eh
Um, eh, ay
Um, eh, eh, um, eh, ay
Um, eh, ay
Um, eh, eh, um, eh, ay
Um, eh, ay
Um, eh, eh, um, eh, eh
Um, eh, ay
Lover's surround
Patching them up
But then you can't heal
So, leave em' behind
A new world is waiting
A new world is waiting
A new world is waiting
A new world is waiting
And Singing like
Um, eh, ay
Um, eh, eh, um, eh, eh
Um, eh, ay
Um, eh, eh, um, eh, ay
Um, eh, ay
Um, eh, eh, um, eh, ay
Um, eh, ay
Um, eh, eh, um, eh, eh
Um, eh, ay
The lyrics of D.D.T.'s song Brave New World are focused on the desires of the rapper to become rich and famous, accompanied by references to sex, drugs, and violence. The opening line "com a hit em off eh to fechadão" can be translated as "with the hit on, I'm closed (protected)" which is a reference to being ready for anything and everything while making money. The following line "mudando a cena e fazendo milhão" translates to "changing the scene and making millions" indicating that the rap game is the new scene and he's determined to make a lot of money from it. He states that he drops beats to become rich so that he can have all the material things he wants in life, and he also wants his friends to benefit from his success as indicated by the line "pra minha de fé o cartão sem limite" which means that he'll provide his friend with an unlimited credit card.
The sexual references run through the lyrics with lines like "novinha safada quer dar uns tiro" and "cachorra na moto levanta o bundão" describing women and their bodies in a derogatory way. The rapper seems to glorify the promiscuity of women, referring to them as "cachorra" and "Novinha safada" and objectifying them. The line "do jeito que tava vai da sem camisinha" talks about having unprotected sex with a girl who was already aroused. There are also violent undertones mixed in with sexual content in the song, with lines such as "o tiro é certo eu não vou errar" and "afunda esses pela pique titanic" hinting at a mentality of aggression and being motivated by a desire for power.
Line by Line Meaning
com a hit em off eh to fechadão
I'm hitting hard, closing deals, and making money
mudando a cena e fazendo milhão
I'm changing the scene and making millions
casa lança o beat, e eu lanço o refrão
The DJ drops the beat, and I hit the chorus
cachorra na moto levanta o bundão
Girls on bikes lift their butts
Eu dropo no beat pra mim ficar rich
I drop my rhymes on the beat to get rich
pra minha de fé o cartão sem limite
My faithful friends have unlimited credit cards
afund esses pela pique titanic
I'm sinking those who can't keep up with me like the Titanic
dos pés a cabeça eu vou trajar grif
From head to toe, I wear designer
quer goza só porque vou ficar rico yeh
They want to make fun of me just because I'm going to get rich, yeah
cara de safada essa ninfeta é o perigo yeh
That naughty girl is dangerous, yeah
Ela curti toda minha marra de bandido yeh
She enjoys my tough guy attitude, yeah
um papo bem louco se tem que me conhecer
You have to talk to me to really get to know me
novinha safada que veio me buscar
A naughty young girl came to pick me up
o tiro é certo eu não vou errar
I won't miss, I'll hit the target
falei no ouvindo molhou calcinha
Dirty talk made her wet
do jeito que tava vai da sem camisinha
The way things were going, we won't use a condom
ta empolgada abaixa o vestido
She's excited, she's lowering her dress
joga o popo popo pros amigos
She shakes her butt for the guys
novinha safada quer dar uns tiro
A naughty young girl wants to have some fun
quer goza só porque vou ficar rico yeh
They want to make fun of me just because I'm going to get rich, yeah
cara de safada essas ninfeta é o perigo yeh
Those naughty girls are dangerous, yeah
Ela curti toda minha marra de bandido yeh
They enjoy my tough guy attitude, yeah
um papo bem louco se tem que me conhecer
You have to talk to me to really get to know me
Lyrics © DistroKid, TUNECORE INC
Written by: Laldinpuia Ralte
Lyrics Licensed & Provided by LyricFind
@PrankZabba
I love how it went from dreamy pop vocals like The Beach Boys, then straight into D.R.I. territory.
@reidellis1988
I'm 52, and as a survivor of many DRI pits.. I can't think of a better description. Cheers!
@kelechi_77
a punk rock band covering mr rogers theme, now that's awesome
@ithinkaboutthings9052
Whoa. Talk about stumbling back to my teens. Many sweaty nights at 688 Spring Street w/DDT, MODC, The Sharks, DK’s. ‘Twas always a treat to be thrown off the stage amps and onto the pit by Tank The Door Man. Much appreciation for putting this up!
@fabior.araujo9131
A bit skin, a bit pop, a bit punk and voilà, good music that never will be made again
@robbertvanoosten2530
Very interesting mix of styles, and rarely heard! Great stuff!!
@punkandalternativemusicarchive
So much better than the full length, have to wonder what happened
@ecwwwrasslin7663
From the Mr. Rogers song to the rest, Sweet!
@collenrung5009
Pretty good shit here!!! I think It's great.
@johnrossini3594
very good never heard them before